Sony PMW-F55 Camera | 37 Titles
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Ex Machina (2014)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Insidious: Chapter 3 (2015)
Directed by | Leigh Whannell | Cinematography by | Brian Pearson | Editing by | Timothy Alverson
Cameras | Sony PMW-F55 Camera
Lenses | Panavision Primo Anamorphic Lenses
A Million Ways to Die in the West (2014)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony PMW-F55 Camera
Dolphin Tale 2 (2014)
Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock
Cameras | Sony PMW-F55 Camera
My King (2015)
Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
Jamais de la vie (2015)
Directed by | Pierre Jolivet | Cinematography by | Jérôme Alméras | Editing by | Yves Deschamps
Cameras | Sony PMW-F55 Camera
Journal d’une femme de chambre (2015)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Julia Gregory
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Une enfance (2015)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Isabelle Devinck
Cameras | Sony PMW-F55 Camera
Je vous souhaite d’être follement aimée (2015)
Directed by | Ounie Lecomte | Cinematography by | Caroline Champetier | Editing by | Tina Baz
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Kowa Lenses
The Homesman (2014)
Directed by | Tommy Lee Jones | Cinematography by | Rodrigo Prieto | Editing by | Roberto Silvi
Cameras | ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses
Vie sauvage (2014)
Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Let’s Be Cops (2014)
Directed by | Luke Greenfield | Cinematography by | Daryn Okada | Editing by | Bill Pankow, Jonathan Schwartz
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Deliver Us from Evil: Sarchie (2014)
Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Annie (2014)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony PMW-F55 Camera
The Blacklist (2013)
| Cinematography by | Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers | Editing by | Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras | Sony PMW-F55 Camera
Poison Sky (0)
Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses