Red Digital Cinema Cameras | 534 Titles
True Blood (2008)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Barely Legal (2011)
Directed by | Jose Montesinos | Cinematography by | Ben Demaree | Editing by | Rob Pallatina
Cameras | Red One MX Camera
Christopher Roth (2010)
Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Don’t Read This on a Plane (2020)
Directed by | Stuart McBratney | Cinematography by | Scott Devitte, László Kun | Editing by | Stuart McBratney
Cameras | Panasonic Lumix DMC-GH5 Camera, Red Epic Camera
Scattered (2020)
Directed by | Mike Donis | Cinematography by | Bruce William Harper | Editing by | Mike Donis
Cameras | Red Epic Camera
A Christmas Prince (2017)
Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Ultra Prime Lenses
Psycho Wedding Crasher (2017)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Jeremy Klassen
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Killer Twin (2018)
Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle
Cameras | Red Epic Dragon Camera
Deadly Match (2019)
Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon
Cameras | Red Digital Cinema Cameras
Cheer Squad Secrets (2020)
Directed by | David Langlois | Cinematography by | Andy Hodgson | Editing by | Emerson Hill
Cameras | Red Epic Dragon Camera
Lenses | Sigma Lenses
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leitz Summilux-C Series Lenses
Stranger Things (2016)
| Cinematography by | Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco | Editing by | Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki
Cameras | ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses | Leitz Summilux-C Series Lenses
A Mother’s Fury (2021)
Directed by | David Langlois | Cinematography by | Maximilian Brey | Editing by | David Legault
Cameras | Red Digital Cinema Cameras
Lenses | Sigma Lenses
Avengers: Infinity War (2018)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
The Queen’s Gambit (2020)
| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro
Cameras | Red Monstro 8K Camera
Lenses | Zeiss Supreme Prime Series Lenses
Black Panther (2018)
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens
Cooper’s Treasure (2017)
| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth
Silverstar (2022)
Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Spooky Squad: Bigfoot’s Big Feat (2015)
Directed by | Nick Murphy, Paul Ritchey | Cinematography by | Gino Varisano
Cameras | Red Epic Dragon Camera
Music Hole (2021)
Directed by | Gaëtan Lekens, David Mutzenmacher | Cinematography by | Bruno Degrave | Editing by | Alexandre Adam
Cameras | Red Monstro 8K Camera
Lenses | Cooke S7/i 100mm T2.0 Lens, Cooke S7/i 135mm T2.0 Lens, Cooke S7/i 18mm T2.0 Lens, Cooke S7/i 25mm T2.0 Lens, Cooke S7/i 32mm T2.0 Lens, Cooke S7/i 50mm T2.0 Lens, Cooke S7/i 75mm T2.0 Lens
