Blackmagic Design Cameras | 91 Titles
D-Railed (2018)
Directed by | Dale Fabrigar | Cinematography by | John Lazear | Editing by | Dale Fabrigar, Jose Montesinos
Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 15mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35mm T1.5 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime CP.2 Sonnar 135mm T2.1 Lens
Cosmos (2019)
Directed by | Elliot Weaver, Zander Weaver | Cinematography by | Elliot Weaver, Zander Weaver | Editing by | Elliot Weaver, Zander Weaver
Cameras | Blackmagic Pocket Cinema Camera
Adjuration (2019)
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
Killers Anonymous (2019)
The Yaku and the Undefeated (2017)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Design Cameras
Flytrap (2015)
Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Angenieux 24-240 mm f2.6 Zoom Lens
Highly Ghosted (2018)
Directed by | Rob Mulligan, Michael Boris | Cinematography by | Scott Migdol | Editing by | Chris Cope
Church of Fears (2018)
Directed by | Jaime Kepner | Cinematography by | Paul Kepner | Editing by | Paul Kepner
Cameras | Blackmagic Cinema Camera, Sony NEX-FS100 Camera
Lenses | Canon FD 100 mm f2.8 SSC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
Family Obligations (2019)
Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring
Cameras | Blackmagic Pocket Cinema Camera
Missing Girl (2017)
Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Sigma Lenses
Black Wedding (2015)
Directed by | Thomas Bohn | Cinematography by | Frank Glencairn
Cameras | Blackmagic Cinema Camera
Lenses | Zeiss Lenses
Natural Born Pranksters (2016)
Directed by | Roman Atwood, Ben Pluimer | Cinematography by | Donny Anderson | Editing by | Ben Daughtrey, Benjamin Mitnick
Cameras | Blackmagic Cinema Camera
The Radicalization of Jeff Boyd (2017)
Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder
Cameras | Blackmagic Pocket Cinema Camera
Queen of the South (2016)
| Cinematography by | Abraham Martinez, John Brawley, Cameron Duncan, Alejandro Martínez | Editing by | Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Cameras | ARRI ALEXA Mini Camera, Blackmagic Design Cameras
Lenses | Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
The Resident (2018)
| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses | Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Sharknado 2: The Second One (2014)
Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky
Cameras | Blackmagic Cinema Camera, Red Epic Camera
Everybody Happy (2016)
Directed by | Nic Balthazar | Cinematography by | Robrecht Heyvaert | Editing by | Philippe Ravoet
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, ARRI AMIRA Camera, Blackmagic Pocket Cinema Camera
Lenses | ARRI Lenses, Canon Lenses
