Desenterrando Sad Hill (2017)
Directed by: Guillermo de Oliveira
Cinematography by: Guillermo de Oliveira
Cameras: Sony α7S II Camera
Lenses: Canon EF 24-70 mm f2.8L II Lens
Editing System: Adobe Premiere Editing System
Composer
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Arranger / Conductor, Composer
The Best Offer (2013)
Directed by: Giuseppe Tornatore
Cinematography by: Fabio Zamarion
Edited by: Massimo Quaglia
Cameras: ARRI ALEXA Studio Camera, Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Composer
Baarìa (2009)
Directed by: Giuseppe Tornatore
Cinematography by: Enrico Lucidi
Edited by: Massimo Quaglia
Composer
I demoni di San Pietroburgo (2008)
Directed by: Giuliano Montaldo
Cinematography by: Arnaldo Catinari
Edited by: Consuelo Catucci
Composer
Karol - The Pope, the Man (2006)
Directed by: Giacomo Battiato
Cinematography by: Giovanni Mammolotti
Composer
Karol, un uomo diventato Papa (2005)
Directed by: Giacomo Battiato
Cinematography by: Giovanni Mammolotti
Composer, Conductor / Orchestrator
Fateless (2005)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Hajnal Sellõ
Composer, Conductor / Orchestrator
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Composer, Conductor / Orchestrator
Malèna (2000)
Directed by: Giuseppe Tornatore
Cinematography by: Lajos Koltai
Edited by: Massimo Quaglia
Cameras: Panavision Cameras
Composer, Conductor: L'Orchestre AMIT-Accademi Musicale Italiana / Orchestrator
Vatel (2000)
Directed by: Roland Joffé
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Composer, Conductor / Orchestrator
Bulworth (1998)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Composer, Conductor / Orchestrator
The Phantom of the Opera (1998)
Directed by: Dario Argento
Cinematography by: Ronnie Taylor
Edited by: Anna Rosa Napoli
Composer, Conductor / Orchestrator
Lolita (1997)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Composer, Conductor / Orchestrator
U Turn (1997)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Composer, Conductor / Orchestrator
Disclosure (1994)
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Composer, Conductor / Orchestrator
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Composer, Conductor / Orchestrator
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Composer, Conductor / Orchestrator
Bugsy (1991)
Directed by: Barry Levinson
Cinematography by: Allen Daviau
Composer, Conductor / Orchestrator
State of Grace (1990)
Cinematography by: Jordan Cronenweth
Edited by: Claire Simpson
Composer
Crossing the Line (1990)
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: George Akers
Composer, Conductor / Orchestrator
Fat Man and Little Boy (1989)
Directed by: Roland Joffé
Cinematography by: Vilmos Zsigmond
Edited by: Françoise Bonnot
Composer, Conductor / Orchestrator
Casualties of War (1989)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Composer, Conductor / Orchestrator
Frantic (1988)
Directed by: Roman Polanski
Cinematography by: Witold Sobocinski
Edited by: Sam O'Steen
Cameras: Moviecam Cameras
Composer, Conductor / Orchestrator
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Composer, Conductor / Orchestrator
Rampage (1987)
Directed by: William Friedkin
Cinematography by: Robert D. Yeoman
Edited by: Jere Huggins
Cameras: Panavision Cameras
Composer, Conductor
La venexiana (1986)
Directed by: Mauro Bolognini
Cinematography by: Giuseppe Lanci
Edited by: Alessandro Lucidi
Composer, Conductor / Orchestrator
The Mission (1986)
Directed by: Roland Joffé
Cinematography by: Chris Menges
Edited by: Jim Clark
Cameras: ARRIFLEX 35 BL Camera
Lenses: Cooke Xtal Express Lenses
Composer
Le marginal (1983)
Directed by: Jacques Deray
Cinematography by: Xaver Schwarzenberger
Edited by: Albert Jurgenson
Conductor, Music Composed By
Treasure of the Four Crowns (1983)
Directed by: Ferdinando Baldi
Edited by: Franco Fraticelli
Composer
The Thing (1982)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Composer, Conductor / Orchestrator
White Dog (1982)
Directed by: Samuel Fuller
Cinematography by: Bruce Surtees
Edited by: Bernard Gribble
Composer
The Professional (1981)
Directed by: Georges Lautner
Cinematography by: Henri Decaë
Edited by: Michelle David
Composer
So Fine (1981)
Directed by: Andrew Bergman
Cinematography by: James A. Contner
Edited by: Alan Heim
Composer, Conductor
La banquière (1980)
Directed by: Francis Girod
Cinematography by: Bernard Zitzermann
Edited by: Geneviève Winding
Composer
Luna (1979)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Composer, Conductor
Days of Heaven (1978)
Directed by: Terrence Malick
Cinematography by: Néstor Almendros
Edited by: Billy Weber
Cameras: Panavision Panaflex Camera
Lenses: Canon FD 55mm f1.2 AL, Panavision Lenses
Composer, Conductor
Peur sur la ville (1975)
Directed by: Henri Verneuil
Cinematography by: Jean Penzer
Composer
Arabian Nights (1974)
Directed by: Pier Paolo Pasolini
Cinematography by: Giuseppe Ruzzolini
Composer, Music Advisor
The Canterbury Tales (1972)
Directed by: Pier Paolo Pasolini
Cinematography by: Tonino Delli Colli
Edited by: Nino Baragli
Music Composed By, Music Conducted By
Once Upon a Time in the West (1968)
Directed by: Sergio Leone
Cinematography by: Tonino Delli Colli
Edited by: Nino Baragli
Cameras: ARRIFLEX 35mm Cameras, Mitchell BNC Camera
Composer
A Fine Pair (1968)
Directed by: Francesco Maselli
Cinematography by: Alfio Contini
Edited by: Nicoletta Nardi
Composer
Teorema (1968)
Directed by: Pier Paolo Pasolini
Cinematography by: Giuseppe Ruzzolini
Edited by: Nino Baragli
Composer
The Good, the Bad and the Ugly (1966)
Directed by: Sergio Leone
Cinematography by: Tonino Delli Colli
Cameras: ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
