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Motion Picture | 10902 Titles

Motion Picture 4.52/5 23 Votes

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Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

The Saint of the Impossible (2020)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Marc Raymond Wilkins | Cinematography by | A. Burak Turan | Editing by | Jann Anderegg

Starring | Kellan Tetlow, Damian Muziani, Isabelle Boulton

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Optica Elite 35 Anamorphic 100 mm T2.1 Lens, Optica Elite 35 Anamorphic 40 mm T2.1 Lens, Optica Elite 35 Anamorphic 75 mm T2.1 Lens

Close (2022)

Motion Picture | 2D | Color | 1.66:1 | 104 Minutes

Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage

Starring | Eden Dambrine, Gustav De Waele, Émilie Dequenne

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

El Conde (2023)

Motion Picture | 2D | 4K Project | Black & White | 2.0:1 | 110 Minutes

Directed by | Pablo Larraín | Cinematography by | Edward Lachman | Editing by | Sofía Subercaseaux

Starring | Jaime Vadell, Gloria Münchmeyer, Alfredo Castro

Cameras | ARRI ALEXA Mini LF Monochrome Camera

Lenses | Zero Optik Baltar Series Lenses

The Iron Claw (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 132 Minutes

Directed by | Sean Durkin | Cinematography by | Mátyás Erdély | Editing by | Matthew Hannam

Starring | Zac Efron, Jeremy Allen White, Harris Dickinson

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Anatomy of a Fall (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 151 Minutes

Directed by | Justine Triet | Cinematography by | Simon Beaufils | Editing by | Laurent Sénéchal

Starring | Sandra Hüller, Swann Arlaud, Milo Machado Graner

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses

Perfect Days (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 124 Minutes

Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer

Starring | Koji Yakusho, Tokio Emoto, Arisa Nakano

Cameras | Sony CineAlta VENICE 2 Camera

Lenses | Canon K35 Prime Lenses

May December (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves

Starring | Natalie Portman, Chris Tenzis, Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

Babylon (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 189 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Brad Pitt, Margot Robbie, Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Nimona (2023)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Nick Bruno, Troy Quane | Editing by | Erin Crackel, Randy Trager

Starring | Chloë Grace Moretz, Riz Ahmed, Eugene Lee Yang

The Creator (2023)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker

Starring | John David Washington, Madeleine Yuna Voyles, Gemma Chan

Cameras | Sony ILME-FX3 Camera

Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Barbie (2023)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.0:1 | 114 Minutes

Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy

Starring | Margot Robbie, Ryan Gosling, Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

American Fiction (2023)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Cord Jefferson | Cinematography by | Cristina Dunlap | Editing by | Hilda Rasula

Starring | Jeffrey Wright, Tracee Ellis Ross, John Ortiz

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Tribe7 Blackwing7 Lenses

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Past Lives (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase

Starring | Greta Lee, Teo Yoo, John Magaro

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Io Capitano (2023)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini

Starring | Seydou Sarr, Moustapha Fall, Issaka Sawadogo

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Golda (2023)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Guy Nattiv | Cinematography by | Jasper Wolf | Editing by | Arik Lahav-Leibovich

Starring | Helen Mirren, Zed Josef, Henry Goodman

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Good Boy! (2003)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | John Hoffman | Cinematography by | James Glennon | Editing by | Craig Herring

Starring | Liam Aiken, Matthew Broderick, Molly Shannon, Kevin Nealon

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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