2.20:1 | 86 Titles
The Mission (1986)
Directed by | Roland Joffé | Cinematography by | Chris Menges | Editing by | Jim Clark
Cameras | ARRIFLEX 35 BL Camera
Lenses | Cooke Xtal Express Lenses
Doctor Zhivago (1965)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Wonder Woman (2017)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | ARRI Rental Prime 65 Lenses
The Towering Inferno (1974)
Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress
Cameras | Panavision Silent Reflex PSR Camera
Spartacus (1960)
Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner
Cameras | Technirama Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Tess (1979)
Directed by | Roman Polanski | Cinematography by | Ghislain Cloquet, Geoffrey Unsworth | Editing by | Alastair McIntyre, Tom Priestley
Cameras | Panavision Cameras
Blood Cell (2019)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Daniel Sowter
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
Around the World in Eighty Days (1956) 
Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
Roma (2018)
Directed by | Alfonso Cuarón | Cinematography by | Alfonso Cuarón | Editing by | Alfonso Cuarón, Adam Gough
Cameras | ARRI ALEXA 65 Camera
Lenses | ARRI Rental Prime 65 Lenses
Poltergeist (1982)
Directed by | Tobe Hooper | Cinematography by | Matthew F. Leonetti | Editing by | Michael Kahn
Cameras | Ultracam 35 Camera
The Goonies (1985)
Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg
Cameras | ARRIFLEX 35 III Camera
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leitz Summilux-C Series Lenses
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
Mindhunter (2017)
| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen
Cameras | Red Xenomorph Camera
Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Lawrence of Arabia (1962)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
Chitty Chitty Bang Bang (1968)
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
Independence Day (1996)
Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Lenses
Ice Station Zebra (1968)
Directed by | John Sturges | Cinematography by | Daniel L. Fapp | Editing by | Ferris Webster
Cameras | Super Panavision-70 Camera
Song of Norway (1970)
Directed by | Andrew L. Stone | Cinematography by | Davis Boulton | Editing by | Virginia L. Stone
Cameras | Super Panavision-70 Camera
