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Aaton 35-III Camera | 43 Titles

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Aaton 35-III Camera

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A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Triumph of the Spirit (1989)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn

Starring | Willem Dafoe, Edward James Olmos, Robert Loggia, Wendy Gazelle

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Motorcycle Diaries (2004)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende

Starring | Gael García Bernal, Rodrigo De la Serna, Mía Maestro, Mercedes Morán

Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera

Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Coeurs (2006)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Alain Resnais | Cinematography by | Eric Gautier | Editing by | Hervé de Luze, Issac Solemon

Starring | Sabine Azéma, Isabelle Carré, Laura Morante, Pierre Arditi

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision E Series Anamorphic Lenses

Where the Wild Things Are (2009)

Motion Picture | 2D | Color | 2.35:1 | 101 Minutes

Where the Wild Things Are | ShotOnWhat?

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen

Starring | Max Records, Catherine O'Hara, Forest Whitaker, Pepita Emmerichs

Cameras | Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Alien: Resurrection (1997)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Darius Khondji | Editing by | Hervé Schneid

Starring | Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Jodaeiye Nader az Simin (2011)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Hayedeh Safiyari

Starring | Payman Maadi, Leila Hatami, Sareh Bayat, Shahab Hosseini

Cameras | Aaton 35-III Camera

Lenses | ARRI / Zeiss Lenses

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

35 Shots of Rum (2008)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne

Starring | Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin

Cameras | Aaton 35-III Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

36th Precinct (2004)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Olivier Marchal | Cinematography by | Denis Rouden | Editing by | Hugues Darmois

Starring | Daniel Auteuil, Gérard Depardieu, André Dussollier, Valeria Golino

Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Taking Woodstock (2009)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres

Starring | Demetri Martin, Henry Goodman, Edward Hibbert, Imelda Staunton

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Se7en (1995)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce

Starring | Morgan Freeman, Brad Pitt, Kevin Spacey, Andrew Kevin Walker

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Prophet (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 155 Minutes

Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling

Starring | Tahar Rahim, Niels Arestrup, Adel Bencherif, Reda Kateb

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Joyeux Noel (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Christian Carion | Cinematography by | Walther van den Ende | Editing by | Judith Rivière Kawa, Andrea Sedlácková

Starring | Diane Kruger, Benno Fürmann, Guillaume Canet, Natalie Dessay

Cameras | Aaton 35-III Camera, ARRIFLEX Camera, Panavision Cameras

Lenses | Panavision Lenses

Waterworld (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle

Starring | Kevin Costner, Jeanne Tripplehorn, Dennis Hopper, Tina Majorino

Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Winged Migration (2001)

Documentary | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte

Starring | Jacques Perrin, Philippe Labro

Cameras | Aaton 35-III Camera, Eclair Cameras, Panavision Cameras, Technovision Cameras

Lenses | Panavision Lenses

Le renard et l’enfant (2007)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani

Starring | Bertille Noël-Bruneau, Isabelle Carré, Thomas Laliberté, Camille Lambert

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Sony HDW-750 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Lost in Translation (2003)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Bill Murray, Scarlett Johansson, Giovanni Ribisi, Anna Faris

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

A Guide to Recognizing Your Saints (2006)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Dito Montiel | Cinematography by | Eric Gautier | Editing by | Jake Pushinsky, Christopher Tellefsen

Starring | Robert Downey Jr., Rosario Dawson, Shia LaBeouf, Dianne Wiest

Cameras | Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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