Panavision Panaflex Gold II Camera | 129 Titles
Introduced: 1976
Holy Smoke (1999)
Directed by | Jane Campion | Cinematography by | Dion Beebe | Editing by | Veronika Jenet
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
The Straight Story (1999)
Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Mary Sweeney
Cameras | Panavision Panaflex Gold II Camera
Waitress (2007)
Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Something Borrowed (2011)
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Little Birds (2011)
Directed by | Elgin James | Cinematography by | Reed Morano | Editing by | Suzanne Spangler
Lenses | Panavision Primo Anamorphic Lenses
Fresh (1994)
Directed by | Boaz Yakin | Cinematography by | Adam Holender | Editing by | Dorian Harris
Lenses | Panavision Primo Anamorphic Lenses
Opal Dream (2006)
Directed by | Peter Cattaneo | Cinematography by | Robert Humphreys | Editing by | Jim Clark, Nicolas Gaster
In the Line of Fire (1993)
Directed by | Wolfgang Petersen | Cinematography by | John Bailey | Editing by | Anne V. Coates
Lenses | Panavision Primo Anamorphic Lenses
Lost Highway (1997)
Directed by | David Lynch | Cinematography by | Peter Deming | Editing by | Mary Sweeney
Lenses | Panavision Primo Anamorphic Lenses
300 (2006)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Next Day Air (2009)
Drowning Mona (2000)
Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Akeelah and the Bee (2006)
Directed by | Doug Atchison | Cinematography by | M. David Mullen | Editing by | Glenn Farr
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Sony HDW-F900 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Slant Focus Lenses
Crimson Tide (1995)
Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Panavision Panaflex Gold II Camera
Rendition (2007)
Directed by | Gavin Hood | Cinematography by | Dion Beebe | Editing by | Megan Gill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Drag Me to Hell (2009)
Directed by | Sam Raimi | Cinematography by | Peter Deming | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Ridicule (1996)
Girl, Interrupted (1999)
Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Memento (2000)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn
Cameras | Panavision Panaflex Gold II Camera
About Schmidt (2002)
Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera