Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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You Were Never Really Here (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 89 Minutes

Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini

Starring | Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Raw Deal (1986)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 106 Minutes

Directed by | John Irvin | Cinematography by | Alex Thomson | Editing by | Anne V. Coates

Starring | Arnold Schwarzenegger, Kathryn Harrold, Sam Wanamaker, Paul Shenar

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Cooke Xtal Express Lenses

Flamin’ Hot (2023)

Movie | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Eva Longoria | Cinematography by | Federico Cantini | Editing by | Kayla Emter, Liza D. Espinas

Starring | Jesse Garcia, Annie Gonzalez, Emilio Rivera

Cameras | Sony CineAlta VENICE Camera

Lenses | Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses

Victoria & Abdul (2017)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver

Starring | Judi Dench, Ali Fazal, Tim Pigott-Smith

Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

I Don’t Feel at Home in This World Anymore (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Macon Blair | Cinematography by | Larkin Seiple | Editing by | Tomas Vengris

Starring | Melanie Lynskey, Chris Doubek, Marilyn Faith Hickey

Cameras | ARRI ALEXA Mini Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Zeiss Super Speed Lenses

Beauty and the Beast (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz

Starring | Emma Watson, Dan Stevens, Luke Evans

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Love, Simon (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Greg Berlanti | Cinematography by | John Guleserian | Editing by | Harry Jierjian

Starring | Nick Robinson, Jennifer Garner, Josh Duhamel

Cameras | ARRI ALEXA XT Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Girls Trip (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Regina Hall, Queen Latifah, Jada Pinkett Smith

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

It (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Andy Muschietti | Cinematography by | Chung-hoon Chung | Editing by | Jason Ballantine

Starring | Bill Skarsgård, Jaeden Martell, Finn Wolfhard

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coco (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Lee Unkrich, Adrian Molina | Editing by | Steve Bloom, Lee Unkrich

Starring | Anthony Gonzalez, Gael García Bernal, Benjamin Bratt

Suburbicon (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione

Starring | Matt Damon, Julianne Moore, Oscar Isaac

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sorry to Bother You (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Boots Riley | Cinematography by | Doug Emmett | Editing by | Terel Gibson

Starring | LaKeith Stanfield, Tessa Thompson, Jermaine Fowler

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Swiss Army Man (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Matthew Hannam

Starring | Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses

All the Money in the World (2017)

Movie | 2D | 2K Project | Black & White, Color | 2.39:1 | 132 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson

Starring | Michelle Williams, Christopher Plummer, Mark Wahlberg

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Super Speed Lenses

Free Fire (2016)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Ben Wheatley | Cinematography by | Laurie Rose | Editing by | Amy Jump, Ben Wheatley

Starring | Sharlto Copley, Brie Larson, Armie Hammer

Life Itself (2018)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Dan Fogelman | Cinematography by | Brett Pawlak | Editing by | Julie Monroe

Starring | Oscar Isaac, Olivia Wilde, Annette Bening

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Cooke Panchro/i Classic Lenses

Kin (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Jonathan Baker, Josh Baker | Cinematography by | Larkin Seiple | Editing by | Mark Day

Starring | Myles Truitt, Jack Reynor, Dennis Quaid

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

American Animals (2018)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart

Starring | Spencer Reinhard, Warren Lipka, Eric Borsuk

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera

Lenses | Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses

The Hate U Give (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 133 Minutes

Directed by | George Tillman Jr. | Cinematography by | Mihai Malaimare Jr. | Editing by | Alex Blatt, Craig Hayes

Starring | Amandla Stenberg, Regina Hall, Russell Hornsby

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses

In Fabric (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Peter Strickland | Cinematography by | Ari Wegner | Editing by | Mátyás Fekete

Starring | Sidse Babett Knudsen, Marianne Jean-Baptiste, Julian Barratt

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Super Speed Lenses

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