Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

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To All the Boys I’ve Loved Before (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 99 Minutes

Directed by | Susan Johnson | Cinematography by | Michael Fimognari | Editing by | Phillip J. Bartell, Joe Klotz

Starring | Lana Condor, Noah Centineo, Janel Parrish

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Ad Astra (2019)

Motion Picture | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Miss Sloane (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 132 Minutes

Directed by | John Madden | Cinematography by | Sebastian Blenkov | Editing by | Alexander Berner

Starring | Jessica Chastain, Mark Strong, Gugu Mbatha-Raw

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke S4/i Lenses

Only the Brave (2017)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Billy Fox

Starring | Josh Brolin, Miles Teller, Jeff Bridges

Cameras | Sony CineAlta F65 Camera

Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses

Ingrid Goes West (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Matt Spicer | Cinematography by | Bryce Fortner | Editing by | Jack Price

Starring | Aubrey Plaza, Elizabeth Olsen, O'Shea Jackson Jr.

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Super Dark Times (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Kevin Phillips | Cinematography by | Eli Born | Editing by | Ed Yonaitis

Starring | Owen Campbell, Charlie Tahan, Elizabeth Cappuccino

Cameras | Red Epic Dragon Camera

Lenses | Cooke Anamorphic Lenses

The Babysitter (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 85 Minutes

Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Martin Bernfeld, Peter Gvozdas

Starring | Judah Lewis, Samara Weaving, Robbie Amell

Cameras | Red Weapon Dragon Camera

Lenses | Cooke S4/i Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Three Billboards Outside Ebbing, Missouri (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Jon Gregory

Starring | Frances McDormand, Woody Harrelson, Sam Rockwell

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Accountant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Gavin O'Connor | Cinematography by | Seamus McGarvey | Editing by | Richard Pearson

Starring | Ben Affleck, Anna Kendrick, J.K. Simmons

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Murder on the Orient Express (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 114 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley

Starring | Kenneth Branagh, Penélope Cruz, Willem Dafoe

Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Never Say Never Again (1983)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 134 Minutes

Directed by | Irvin Kershner | Cinematography by | Douglas Slocombe | Editing by | Ian Crafford

Starring | Sean Connery, Kim Basinger, Klaus Maria Brandauer

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

10 (1979)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Blake Edwards | Cinematography by | Frank Stanley | Editing by | Ralph E. Winters

Starring | Dudley Moore, Bo Derek, Julie Andrews

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses

The Lost City of Z (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | James Gray | Cinematography by | Darius Khondji | Editing by | John Axelrad, Lee Haugen

Starring | Charlie Hunnam, Robert Pattinson, Sienna Miller

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses

Thoroughbreds (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Cory Finley | Cinematography by | Lyle Vincent | Editing by | Louise Ford

Starring | Olivia Cooke, Anya Taylor-Joy, Anton Yelchin

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Old Man & the Gun (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | David Lowery | Cinematography by | Joe Anderson | Editing by | Lisa Zeno Churgin

Starring | Robert Redford, Casey Affleck, Sissy Spacek

Cameras | ARRIFLEX 416 Camera

Lenses | Canon Lenses, Cooke S4 Lenses

Wind River (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Taylor Sheridan | Cinematography by | Ben Richardson | Editing by | Gary Roach

Starring | Elizabeth Olsen, Jeremy Renner, Graham Greene

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Lenses, Zeiss Standard Speed Prime Lenses

Guardians of the Galaxy Vol. 3 (2023)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.39:1 | 150 Minutes

Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Greg D'Auria, Fred Raskin

Starring | Chris Pratt, Chukwudi Iwuji, Bradley Cooper

Cameras | Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses | Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

The Spy Who Loved Me (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 125 Minutes

Directed by | Lewis Gilbert | Cinematography by | Claude Renoir | Editing by | John Glen

Starring | Roger Moore, Barbara Bach, Curd Jürgens

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Moonraker (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 126 Minutes

Directed by | Lewis Gilbert | Cinematography by | Jean Tournier | Editing by | John Glen

Starring | Roger Moore, Lois Chiles, Michael Lonsdale

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

For Your Eyes Only (1981)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 127 Minutes

Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover

Starring | Roger Moore, Carole Bouquet, Topol

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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