Cameras » Sony Cameras

Sony Betacam (Unknown) Camera : 5Sony BVP-900 Camera : 1Sony BVP-950 Camera : 1Sony CineAlta Cameras : 319Sony DCR-PC110 Camera : 2Sony DCR-PC3 Camera : 1Sony DCR-SR60 Camera : 2Sony DCR-TRV120 Camera : 1Sony DCR-TRV950E Camera : 1Sony DCR-VX1000 : 1Sony DCR-VX2000 Camera : 5Sony DSC-T1 Camera : 1Sony DSR-300 Camera : 1Sony DSR-390 Camera : 1Sony DSR-500WS Camera : 1Sony DSR-PD100 Camera : 2Sony DSR-PD150 Camera : 12Sony DSR-PDX10P Camera : 1Sony DVW-700WS : 1Sony HDC-1500 Camera : 7Sony HDC-2500s : 1Sony HDC-300 Camera : 1Sony HDC-750 Camera : 2Sony HDC-P1 Camera : 2Sony HDR-FX1 Camera : 5Sony HDR-FX1000 Camera : 1Sony HDW-700A Camera : 1Sony HDW-750 Camera : 6Sony HVR-V1(P/E) Camera : 2Sony HVR-Z1E Camera : 4Sony HVR-Z1U Camera : 6Sony HXR-MC2500 Camera : 1Sony ILME-FX3 Camera : 5Sony ILME-FX6 Camera : 2Sony NEX-FS100 Camera : 7Sony Other Camera : 10Sony PMW-350 Camera : 1Sony PXW-FS5 Camera : 2Sony PXW-FS5M2 Camera : 1Sony PXW-FS7 Camera : 9Sony PXW-FS9 Camera : 1Sony SRW-9000PL Camera : 3Sony α7 Series Cameras : 30

Sony Cameras | 442 Titles

Sony Cameras 5.00/5 2 Votes

« Previous 1 2 3 4 5 … 23 Next »

LessUpdatedTitleYear

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

Broken Eyes (2023)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Eveshka Ghost

Starring | Sally Jane Hannam, Caroline Gilbert, Simon Brodrick-Ward

Cameras | Sony α7S Camera

Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses

Prashna (2020)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Pravin Anarase

Starring | Parmeshwar Devkate, Anjali Jadhav, Ganesh Jadhav

Cameras | Sony PXW-FS7 Camera

Black Panther: Wakanda Forever (2022)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 161 Minutes

Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver

Starring | Letitia Wright, Lupita Nyong'o, Danai Gurira

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Annihilation (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling

Starring | Natalie Portman, Jennifer Jason Leigh, Tessa Thompson

Cameras | Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

Windhorse (1998)

Movie | 2D | SD Project | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | Paul Wagner | Cinematography by | Steve Schecter | Editing by | Tony Black, Paul Wagner

Starring | Dadon, Jampa Kelsang, Richard Chang

Cameras | Sony DCR-VX1000, Sony DVW-700WS

Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

They Love (2014)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | Daniel Sowter | Cinematography by | Mat Dean | Editing by | Marie Paice

Starring | Duke Duffy, Gemma Giubarelli, Jim Kelly

Cameras | Sony HDR-FX1 Camera

CODA (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 111 Minutes

Directed by | Sian Heder | Cinematography by | Paula Huidobro | Editing by | Geraud Brisson

Starring | Emilia Jones, Marlee Matlin, Troy Kotsur

Cameras | Sony CineAlta VENICE Camera

Lenses | ARRI Signature Prime Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Pearl (2022)

Motion Picture | 2D | 4K Project | Color | 103 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Mia Goth, David Corenswet, Tandi Wright

Cameras | Sony CineAlta VENICE Camera

Lenses | Hawk MiniHawk Hybrid Anamorphic Lenses

Snakes on a Train (2006)

Direct to Video | 2D | HD Project | Color | 91 Minutes

Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis

Starring | A.J. Castro, Julia Ruiz, Giovanni Bejarano, Al Galvez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Kung Fu Killer (2008)

Television Movie | 2D | Color | 1.78:1 (16x9) | 176 Minutes

Directed by | Philip Spink | Cinematography by | Man-Ching Ng | Editing by | Mike Banas

Starring | David Carradine, Daryl Hannah, Jimmy Taenaka, Kay Tong Lim

Cameras | Sony HDW-F900 Camera

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Fay Grim (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 118 Minutes

Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley

Starring | Parker Posey, Jeff Goldblum, Liam Aiken

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

The Quiet Girl (2022)

Motion Picture | 2D | 4K Project | Color | 1.37:1 | 95 Minutes

Directed by | Colm Bairéad | Cinematography by | Kate McCullough | Editing by | John Murphy

Starring | Carrie Crowley, Andrew Bennett, Catherine Clinch

Cameras | Sony CineAlta VENICE Camera

Lenses | Zeiss Compact Prime CP.3 Lenses

The Saint of the Impossible (2020)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Marc Raymond Wilkins | Cinematography by | A. Burak Turan | Editing by | Jann Anderegg

Starring | Kellan Tetlow, Damian Muziani, Isabelle Boulton

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Optica Elite 35 Anamorphic 100 mm T2.1 Lens, Optica Elite 35 Anamorphic 40 mm T2.1 Lens, Optica Elite 35 Anamorphic 75 mm T2.1 Lens

Perfect Days (2023)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 124 Minutes

Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer

Starring | Koji Yakusho, Tokio Emoto, Arisa Nakano

Cameras | Sony CineAlta VENICE 2 Camera

Lenses | Canon K35 Prime Lenses

« Previous 1 2 3 4 5 … 23 Next »

©2012 - 2025 ShotOnWhat?

20254.20