Cameras » Sony Cameras

Sony Betacam (Unknown) Camera : 5Sony BVP-900 Camera : 1Sony BVP-950 Camera : 1Sony CineAlta Cameras : 319Sony DCR-PC110 Camera : 2Sony DCR-PC3 Camera : 1Sony DCR-SR60 Camera : 2Sony DCR-TRV120 Camera : 1Sony DCR-TRV950E Camera : 1Sony DCR-VX1000 : 1Sony DCR-VX2000 Camera : 5Sony DSC-T1 Camera : 1Sony DSR-300 Camera : 1Sony DSR-390 Camera : 1Sony DSR-500WS Camera : 1Sony DSR-PD100 Camera : 2Sony DSR-PD150 Camera : 12Sony DSR-PDX10P Camera : 1Sony DVW-700WS : 1Sony HDC-1500 Camera : 7Sony HDC-2500s : 1Sony HDC-300 Camera : 1Sony HDC-750 Camera : 2Sony HDC-P1 Camera : 2Sony HDR-FX1 Camera : 5Sony HDR-FX1000 Camera : 1Sony HDW-700A Camera : 1Sony HDW-750 Camera : 6Sony HVR-V1(P/E) Camera : 2Sony HVR-Z1E Camera : 4Sony HVR-Z1U Camera : 6Sony HXR-MC2500 Camera : 1Sony ILME-FX3 Camera : 5Sony ILME-FX6 Camera : 2Sony NEX-FS100 Camera : 7Sony Other Camera : 10Sony PMW-350 Camera : 1Sony PXW-FS5 Camera : 2Sony PXW-FS5M2 Camera : 1Sony PXW-FS7 Camera : 9Sony PXW-FS9 Camera : 1Sony SRW-9000PL Camera : 3Sony α7 Series Cameras : 30

Sony Cameras | 442 Titles

Sony Cameras 5.00/5 2 Votes

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The Creator (2023)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker

Starring | John David Washington, Madeleine Yuna Voyles, Gemma Chan

Cameras | Sony ILME-FX3 Camera

Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Towards the light (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 20 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Uliya Abrosimova, Mariya Gavrilova, Jane Karlina

Cameras | Sony α7 Series Cameras

The Journey (2002)

Motion Picture | 2D | 2K Project | Color | 2.35:1 | 97 Minutes

Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness

Starring | Sona Tatoyan, Varduhi Varderesyan, Tigran Nersesyan, Anoush Stepanyan

Cameras | Sony HDW-F900 Camera

Kis Uykusu (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 196 Minutes

Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl

Starring | Haluk Bilginer, Melisa Sözen, Demet Akbag, Ayberk Pekcan

Cameras | Sony CineAlta F65 Camera

Lenses | Zeiss Master Prime Lenses

The Blair Witch Project (1999)

Motion Picture | 2D | Black & White, Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Daniel Myrick, Eduardo Sánchez | Cinematography by | Neal Fredericks | Editing by | Daniel Myrick, Eduardo Sánchez

Starring | Heather Donahue, Michael C. Williams, Joshua Leonard

Cameras | Cinema Products CP-16 Camera, Sony DCR-TRV120 Camera

Pavilion (2022)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Eveshka Ghost

Starring | Tim van den Berg, Pip Rose, James McClusky

Cameras | Sony HXR-MC2500 Camera

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

Kandahar (2023)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Ric Roman Waugh | Cinematography by | MacGregor | Editing by | Colby Parker Jr.

Starring | Tom Rhys Harries, Farhad Bagheri, Gerard Butler

Cameras | ARRI ALEXA Mini LF Camera, Sony ILME-FX3 Camera, Sony ILME-FX6 Camera

Lenses | Panavision E Series Anamorphic Lenses, Vazen Lenses

Hegira (2018)

Short Film | 2D | 4K Project | Color | 9 Minutes

Directed by | William Blevins | Cinematography by | William Blevins | Editing by | William Blevins

Starring | Ike Eastwood, Toni Marie Perry, James Stone

Cameras | Sony PXW-FS5 Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Westworld (2016)

Television Series | 2D | 2K Project, 4K Project | Color | 1.78:1 (16x9), 2.39:1 | 62 Minutes

| Cinematography by | John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery | Editing by | Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Starring | Evan Rachel Wood, Jeffrey Wright, Ed Harris

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

Beau Is Afraid (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 179 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Joaquin Phoenix, Patti LuPone, Amy Ryan

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Weeds (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Michael Trim, Steven H. Smith, Bobby Bukowski, Feliks Parnell, Ethan Phillips | Editing by | David Helfand, William Turro, Scott J. Wallace, Lisa Bromwell, Debra F. Simone, Brian Barr, Pamela Martin, Lance Luckey, W. Kale Whorton

Starring | Mary-Louise Parker, Hunter Parrish, Alexander Gould

Cameras | Sony CineAlta F23 Camera

Requiem for a Dream (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz

Starring | Ellen Burstyn, Jared Leto, Jennifer Connelly

Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

2 Broke Girls (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Chris La Fountaine, Gary Baum, Joseph W. Calloway | Editing by | Darryl Bates, Ben Bosse, Chris Poulos, Stephen Prime, Peter Chakos, Paul Coneys

Starring | Kat Dennings, Beth Behrs, Garrett Morris

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

Lay the Favorite (2012)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 94 Minutes

Directed by | Stephen Frears | Cinematography by | Michael McDonough | Editing by | Mick Audsley

Starring | Rebecca Hall, Bruce Willis, Vince Vaughn

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Raising Hope (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Walt Fraser, Sharone Meir | Editing by | Lawrence A. Maddox, William Marrinson, Dan Riddle, Tim Boettcher, Lance Luckey, Kathy Messer

Starring | Lucas Neff, Martha Plimpton, Garret Dillahunt

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

An Officer and a Spy (2019)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Louis Garrel, Christophe Maratier, Pierre Poirot, Stéfan Godin

Cameras | Sony CineAlta VENICE Camera

Lenses | Cooke S7/i 21mm T2.0 Lens, Cooke S7/i Lenses

Mission: Impossible III (2006)

Motion Picture | 2D | Color | 2.39:1 | 126 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Nick Gibbs, Mary Jo Markey

Starring | Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymour Hoffman

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

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