Angenieux Optimo Zoom Lenses | 645 Titles
Bahubali: The Beginning (2015)
Directed by | S.S. Rajamouli | Cinematography by | Senthil Kumar | Editing by | Kotagiri Venkateshwara Rao
Cameras | ARRI ALEXA XT Camera
White Collar (2009)
| Cinematography by | Russell Lee Fine, Robert Gantz, Niels Alpert, Jamie Silverstein, Joel Ransom | Editing by | Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny
Cameras | Sony CineAlta F35 Camera
Shoplifters (2018)
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda
Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
Justified (2010)
| Cinematography by | Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn | Editing by | Keith Henderson, Bill Johnson, Steve Polivka, Victor Du Bois, Eric L. Beason, Harvey Rosenstock, Steven Nevius, Dorian Harris, Jean Crupper, Sandra McCallig
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Master of None (2015)
| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth
Cameras | Panasonic VariCam 35
Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
Sons of Anarchy (2008)
| Cinematography by | Paul Maibaum, David Boyd, John C. Flinn III, Jonathan Freeman, Edward J. Pei | Editing by | Paul Fontaine, Lauren Pendergrass, Etienne Des Lauriers, Hunter M. Via, Jordan Goldman, Jacques Gravett, Doc Crotzer, Tamara Luciano, Sidney Wolinsky
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Better Call Saul (2015)
| Cinematography by | Arthur Albert, Marshall Adams | Editing by | Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras | Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
The Lord of the Rings: The Return of the King (2003) 
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Unstoppable (2010)
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Whiplash (2014)
Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Cloud Atlas (2012)
Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
The Expendables (2010)
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Second Act (2018)
Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens
The Art of Racing in the Rain (2019)
Directed by | Simon Curtis | Cinematography by | Ross Emery | Editing by | Adam Recht
Cameras | ARRI ALEXA SXT EV Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
The Strangers: Prey at Night (2018)
Directed by | Johannes Roberts | Cinematography by | Ryan Samul | Editing by | Martin Brinkler
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Call the Midwife (2012)
| Cinematography by | Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce | Editing by | Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras | ARRIFLEX D-21 Camera
La tête haute (2015)
Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup
Cameras | ARRI ALEXA XT Camera
Gamer (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
