Hawk V-Lite Lenses | 64 Titles
Trois souvenirs de ma jeunesse (2015)
Directed by | Arnaud Desplechin | Cinematography by | Irina Lubtchansky | Editing by | Laurence Briaud
Cameras | Red Epic Dragon Camera
Lenses | Hawk V-Lite Lenses
Allegiant (2016)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses
Magic Mike XXL (2015)
Directed by | Gregory Jacobs | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Dragon Camera
Taken 3 (2014)
Directed by | Olivier Megaton | Cinematography by | Eric Kress | Editing by | Audrey Simonaud, Nicolas Trembasiewicz
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses
A Monster Calls (2016)
Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Jaume Martí, Bernat Vilaplana
Cameras | ARRI ALEXA XT Camera
Bridge of Spies (2015)
The Best of Me (2014)
Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Avant l’hiver (2013)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker
Cameras | ARRI ALEXA Studio Camera
Kingsman: The Secret Service (2014)
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
Mais qui a re-tué Pamela Rose? (2012)
Directed by | Olivier Baroux, Kad Merad | Cinematography by | Régis Blondeau | Editing by | Elodie Codaccioni
Cameras | ARRI ALEXA Camera
L’homme qui rit (2012)
Directed by | Jean-Pierre Améris | Cinematography by | Gérard Simon | Editing by | Philippe Bourgueil
Cameras | ARRI ALEXA Camera
Before I Disappear (2014)
Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Andrew Napier, Damon Russell
Cameras | ARRI ALEXA Series Cameras
Lenses | Hawk V-Lite Lenses
The Giver (2014)
Directed by | Phillip Noyce | Cinematography by | Ross Emery | Editing by | Barry Alexander Brown
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Galore (2013)
Directed by | Rhys Graham | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens
Wolf Creek 2 (2013)
Directed by | Greg McLean | Cinematography by | Toby Oliver | Editing by | Sean Lahiff
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens
Brick Mansions (2014)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette | Editing by | Carlo Rizzo, Arthur Tarnowski
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses
Zulu (2013)
Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet
Cameras | ARRI ALEXA Studio Camera
The Monuments Men (2014)
Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Emperor (2012)
Directed by | Peter Webber | Cinematography by | Stuart Dryburgh | Editing by | Chris Plummer
Lenses | Hawk V-Lite Lenses