Hawk V-Lite Lenses | 61 Titles
RED 2 (2013)
Directed by | Dean Parisot | Cinematography by | Enrique Chediak | Editing by | Don Zimmerman
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Hawk V-Lite Lenses
Upside Down (2012)
Directed by | Juan Solanas | Cinematography by | Pierre Gill | Editing by | Paul Jutras
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Trance (2013)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Safe Haven (2013)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Andrew Mondshein
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
LUV (2012)
Directed by | Sheldon Candis | Cinematography by | Gavin Kelly | Editing by | Jeff Wishengrad
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses
Parker (2013)
Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Collection (2012)
Directed by | Marcus Dunstan | Cinematography by | Sam McCurdy | Editing by | Kevin Greutert, Mark Stevens
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Promised Land (2012)
Directed by | Gus Van Sant | Cinematography by | Linus Sandgren | Editing by | Billy Rich
Lenses | Hawk V-Lite Lenses
Hypnotisören (2012)
Directed by | Lasse Hallström | Cinematography by | Mattias Montero | Editing by | Sebastian Amundsen, Thomas Täng
Cameras | ARRI ALEXA Studio Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Haywire (2011)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red One MX Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Trespass (2011)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Bill Pankow
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Argo (2012)
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Mother (2009)
Directed by | Joon-ho Bong | Cinematography by | Kyung-pyo Hong | Editing by | Sae-kyoung Moon
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
Hors la loi (2010)
Directed by | Rachid Bouchareb | Cinematography by | Christophe Beaucarne | Editing by | Yannick Kergoat
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Magic Mike (2012)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Page Eight (2011)
Directed by | David Hare | Cinematography by | Martin Ruhe | Editing by | Jinx Godfrey
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses
[REC] 3: Genesis (2012)
Directed by | Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart
Cameras | ARRI ALEXA Camera
Lenses | Hawk V-Lite Lenses
Machine Gun Preacher (2011)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Tower Heist (2011)
Salmon Fishing in the Yemen (2011)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Lisa Gunning
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses