Lightworks Editing System | 56 Titles
The Bourne Ultimatum (2007)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Braveheart (1995) 
Directed by | Mel Gibson | Cinematography by | John Toll | Editing by | Steven Rosenblum
Cameras | Panavision Panaflex Platinum Camera
Gangs of New York (2002)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Godsend (2004)
Directed by | Nick Hamm | Cinematography by | Kramer Morgenthau | Editing by | Niven Howie, Steve Mirkovich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Proof (2005)
Directed by | John Madden | Cinematography by | Alwin H. Küchler | Editing by | Mick Audsley
Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera
Kalifornia (1993)
Directed by | Dominic Sena | Cinematography by | Bojan Bazelli | Editing by | Martin Hunter
Cameras | ARRI Cameras
Good Will Hunting (1997)
Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Red Tails (2012)
Directed by | Anthony Hemingway | Cinematography by | John B. Aronson | Editing by | Ben Burtt, Michael O'Halloran
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Bringing Out the Dead (1999)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Jerry Maguire (1996)
Directed by | Cameron Crowe | Cinematography by | Janusz Kaminski | Editing by | Joe Hutshing, David Moritz
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Soloist (2009)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Red Dog (2011)
Directed by | Kriv Stenders | Cinematography by | Geoffrey Hall | Editing by | Jill Bilcock
Cameras | Red One Camera
The Rainmaker (1997)
Directed by | Francis Ford Coppola | Cinematography by | John Toll | Editing by | Melissa Kent, Barry Malkin
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Revolutionary Road (2008)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Aviator (2004)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Hanna (2011)
Directed by | Joe Wright | Cinematography by | Alwin H. Küchler | Editing by | Paul Tothill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Win a Date with Tad Hamilton! (2004)
Directed by | Robert Luketic | Cinematography by | Peter Lyons Collister | Editing by | Scott Hill
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Mrs. Doubtfire (1993)
Directed by | Chris Columbus | Cinematography by | Donald McAlpine | Editing by | Raja Gosnell
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Scream (1996)
Directed by | Wes Craven | Cinematography by | Mark Irwin | Editing by | Patrick Lussier
Cameras | Moviecam Compact Camera
Lenses | Clairmont Anamorphic Lenses
Kiss the Girls (1997)
Directed by | Gary Fleder | Cinematography by | Aaron Schneider | Editing by | Armen Minasian, Harvey Rosenstock, William Steinkamp
Cameras | Panavision Panaflex Gold II Camera
