Lightworks Editing System | 56 Titles
Johnny English (2003)
Directed by | Peter Howitt | Cinematography by | Remi Adefarasin | Editing by | Robin Sales
Lenses | Angenieux Lenses, Zeiss Lenses
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
Stage Beauty (2004)
Directed by | Richard Eyre | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Chicago (2002) 
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Martin Walsh
Lenses | Cooke S4 Lenses
28 Days Later… (2002)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill
Cameras | ARRI Cameras, Canon XL1 Camera
Lenses | Canon EC Series Lenses, Canon EJ Series Lenses
The Truman Show (1998)
Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith
Cameras | Panavision Panaflex Platinum Camera
The Departed (2006)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Mamma Mia! (2008)
Directed by | Phyllida Lloyd | Cinematography by | Haris Zambarloukos | Editing by | Lesley Walker
Cameras | Panavision Panaflex Millennium XL Camera
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
L.A. Confidential (1997)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
White Noise (2005)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Nick Arthurs
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Pelican Brief (1993)
Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Tom Rolf, Trudy Ship
The Horse Whisperer (1998)
Directed by | Robert Redford | Cinematography by | Robert Richardson | Editing by | Hank Corwin, Freeman A. Davies, Tom Rolf
Cameras | Panavision Panaflex Platinum Camera
Notting Hill (1999)
Directed by | Roger Michell | Cinematography by | Michael Coulter | Editing by | Nick Moore
Cameras | Moviecam Cameras
Moulin Rouge! (2001)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium Camera
Mad Dog Time (1996)
