Zeiss Ultra Prime Lenses | 231 Titles
Body of Lies (2008)
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Narcos (2015)
| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquez
Mindhunter (2017)
| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen
Cameras | Red Xenomorph Camera
Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
The Perfect Host (2010)
Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Gomorrah (2008)
Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
Chronicle of an Escape (2006)
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce
Cameras | ARRICAM Lite (LT) Camera
The Expendables (2010)
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
The Fast and the Furious (2001)
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess
Lenses | Zeiss Ultra Prime Lenses
Dark (2017)
| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Zeiss Ultra Prime Lenses
Hemingway & Gellhorn (2012)
Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Walter Murch
Cameras | ARRI ALEXA Camera
The Flash (2014)
| Cinematography by | C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard | Editing by | Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
Death Note (2017)
Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi
Cameras | Panasonic VariCam 35, Panasonic VariCam Camera
Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
Beast (2015)
Directed by | Sam McKeith, Tom McKeith | Cinematography by | Michael Steel | Editing by | Paul Murphy
Cameras | ARRI AMIRA Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
The Bookshop (2017)
Directed by | Isabel Coixet | Cinematography by | Jean-Claude Larrieu | Editing by | Bernat Aragonés
Cameras | ARRI ALEXA XT Plus Camera
Star Trek Beyond (2016)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung
Cameras | ARRI ALEXA XT Camera, Red Epic Dragon Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Nine Lives (2016)
Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Doctor Strange (2016)
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Mängelexemplar (2016)
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
Stuart Little (1999)
Directed by | Rob Minkoff | Cinematography by | Guillermo Navarro | Editing by | Tom Finan
Cameras | Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
