Lenses » ARRI Lenses » ARRI / Zeiss Lenses » Zeiss Ultra Prime Lenses

Zeiss Ultra Prime 8R 8 mm T.2.8 Lens : 5Zeiss Ultra Prime Distagon 10 mm T2.1 Lens : 6Zeiss Ultra Prime Distagon 12 mm T1.9 Lens : 1Zeiss Ultra Prime Distagon 14 mm T1.9 Lens : 6Zeiss Ultra Prime Distagon 16 mm T1.9 Lens : 5Zeiss Ultra Prime Distagon 20 mm T1.9 Lens : 3Zeiss Ultra Prime Distagon 24 mm T1.9 Lens : 7Zeiss Ultra Prime Distagon 28 mm T1.9 Lens : 2Zeiss Ultra Prime Distagon 32 mm T1.9 Lens : 9Zeiss Ultra Prime Distagon 40 mm T1.9 Lens : 6Zeiss Ultra Prime Planar 50 mm T1.9 Lens : 10Zeiss Ultra Prime Planar 65 mm T1.9 Lens : 5Zeiss Ultra Prime Planar 85 mm T1.9 Lens : 5Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens : 3Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens : 3Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens : 3

Zeiss Ultra Prime Lenses | 236 Titles

Zeiss Ultra Prime Lenses 3.67/5 12 Votes

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Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

8 Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz

Starring | Eminem, Brittany Murphy, Kim Basinger, Mekhi Phifer

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Carancho (2010)

Motion Picture | Color | 107 Minutes

Directed by | Pablo Trapero | Cinematography by | Julián Apezteguia | Editing by | Ezequiel Borovinsky, Pablo Trapero

Starring | Ricardo Darín, Martina Gusman, Carlos Weber, José Luis Arias

Cameras | Red One Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

The Lovely Bones (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Rachel Weisz, Mark Wahlberg, Saoirse Ronan, Susan Sarandon

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Hellboy II: The Golden Army (2008)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana

Starring | Ron Perlman, Selma Blair, Doug Jones, John Alexander

Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

Frida (2002)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot

Starring | Salma Hayek, Alfred Molina, Geoffrey Rush, Mía Maestro

Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

Dredd (2012)

Motion Picture | 3D | Color | 2.35:1 | 95 Minutes

Dredd | ShotOnWhat?

Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley

Starring | Karl Urban, Olivia Thirlby, Lena Headey, Rachel Wood

Cameras | Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses | Zeiss Ultra Prime Lenses

2 Days in New York (2012)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

2 Days in New York | ShotOnWhat?

Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck

Starring | Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau

Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens

Babel (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione

Starring | Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

I Am Number Four (2011)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

I Am Number Four | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page

Starring | Alex Pettyfer, Timothy Olyphant, Dianna Agron, Teresa Palmer

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Blindness (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Blindness | ShotOnWhat?

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Julianne Moore, Mark Ruffalo, Gael García Bernal, Yûsuke Iseya

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera

Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

The Affair of the Necklace (2001)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz

Starring | Hilary Swank, Simon Baker, Jonathan Pryce, Adrien Brody

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

Fred Claus (2007)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Fred Claus | ShotOnWhat?

Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi

Starring | Vince Vaughn, Paul Giamatti, Elizabeth Banks, John Michael Higgins

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

The Maiden Heist (2009)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian

Starring | Christopher Walken, Joseph McKenna, Wynn Everett, Patricia B. Till

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Pirates of the Caribbean: On Stranger Tides (2011)

Motion Picture | 3D | Color | 2.39:1 | 136 Minutes

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith

Starring | Johnny Depp, Penélope Cruz, Ian McShane, Geoffrey Rush

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Pacific Rim (2013)

Motion Picture | 3D | Color | 1.85:1 | 131 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy

Starring | Idris Elba, Charlie Hunnam, Rinko Kikuchi, Charlie Day

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

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