Lenses » ARRI Lenses » ARRI / Zeiss Lenses » Zeiss Ultra Prime Lenses

Zeiss Ultra Prime 8R 8 mm T.2.8 Lens : 4Zeiss Ultra Prime Distagon 10 mm T2.1 Lens : 6Zeiss Ultra Prime Distagon 12 mm T1.9 Lens : 1Zeiss Ultra Prime Distagon 14 mm T1.9 Lens : 6Zeiss Ultra Prime Distagon 16 mm T1.9 Lens : 5Zeiss Ultra Prime Distagon 20 mm T1.9 Lens : 3Zeiss Ultra Prime Distagon 24 mm T1.9 Lens : 7Zeiss Ultra Prime Distagon 28 mm T1.9 Lens : 2Zeiss Ultra Prime Distagon 32 mm T1.9 Lens : 9Zeiss Ultra Prime Distagon 40 mm T1.9 Lens : 6Zeiss Ultra Prime Planar 50 mm T1.9 Lens : 10Zeiss Ultra Prime Planar 65 mm T1.9 Lens : 5Zeiss Ultra Prime Planar 85 mm T1.9 Lens : 5Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens : 3Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens : 3Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens : 3

Zeiss Ultra Prime Lenses | 231 Titles

Zeiss Ultra Prime Lenses 3.67/5 9 Votes

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Marley & Me (2008)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

Marley & Me | ShotOnWhat?

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Owen Wilson, Jennifer Aniston, Eric Dane, Kathleen Turner

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

We Bought a Zoo (2011)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

We Bought a Zoo | ShotOnWhat?

Directed by | Cameron Crowe | Cinematography by | Rodrigo Prieto | Editing by | Mark Livolsi

Starring | Matt Damon, Scarlett Johansson, Thomas Haden Church, Elle Fanning

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Ultra Prime Lenses

The Hangover Part II (2011)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

The Hangover Part II | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Rum Diary (2011)

Motion Picture | 2D | 2K Project | Color | 119 Minutes

Directed by | Bruce Robinson | Cinematography by | Dariusz Wolski | Editing by | Carol Littleton

Starring | Johnny Depp, Giovanni Ribisi, Aaron Eckhart, Michael Rispoli

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Ultra Prime Lenses

Pirate Radio (2009)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox

Starring | Philip Seymour Hoffman, Bill Nighy, Nick Frost, Michael Hadley

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Kids Are All Right (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner

Starring | Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Ultra Prime Lenses

Resident Evil: Retribution (2012)

Motion Picture | 3D | Color | 95 Minutes

Resident Evil: Retribution | ShotOnWhat?

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie

Starring | Milla Jovovich, Sienna Guillory, Michelle Rodriguez, Aryana Engineer

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

The Departed (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Corpse Bride (2005)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas

Starring | Johnny Depp, Helena Bonham Carter, Emily Watson, Tracey Ullman

Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses | Zeiss Ultra Prime Lenses

Underworld: Awakening (2012)

Motion Picture | 2D, 3D | Color | 88 Minutes

Underworld: Awakening | ShotOnWhat?

Directed by | Måns Mårlind, Björn Stein | Cinematography by | Scott Kevan | Editing by | Jeff McEvoy

Starring | Kate Beckinsale, Michael Ealy, India Eisley, Stephen Rea

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

It’s All About Love (2003)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

It’s All About Love | ShotOnWhat?

Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir

Starring | Joaquin Phoenix, Claire Danes, Sean Penn, Douglas Henshall

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Lenses, Zeiss Ultra Prime Lenses

The Green Hornet (2011)

Motion Picture | 3D | Color | 2.35:1 | 119 Minutes

The Green Hornet | ShotOnWhat?

Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick

Starring | Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Barmy (2012)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Barmy | ShotOnWhat?

Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey

Starring | Napoleon Ryan, Sherill Turner, Liz Osborn, Evan Schwartz

Cameras | Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

8 Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz

Starring | Eminem, Brittany Murphy, Kim Basinger, Mekhi Phifer

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Carancho (2010)

Motion Picture | Color | 107 Minutes

Directed by | Pablo Trapero | Cinematography by | Julián Apezteguia | Editing by | Ezequiel Borovinsky, Pablo Trapero

Starring | Ricardo Darín, Martina Gusman, Carlos Weber, José Luis Arias

Cameras | Red One Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

The Lovely Bones (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Rachel Weisz, Mark Wahlberg, Saoirse Ronan, Susan Sarandon

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Hellboy II: The Golden Army (2008)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana

Starring | Ron Perlman, Selma Blair, Doug Jones, John Alexander

Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses | Zeiss Ultra Prime Lenses

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