Zeiss Ultra Prime Lenses | 236 Titles
Elizabeth: The Golden Age (2007)
 Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera 
 Hustle & Flow (2005)
 Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox 
 
  Cameras | Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera 
  Lenses | Zeiss Ultra Prime Lenses 
Win Win (2011)
Downfall (2004)
 Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck  
 
  Lenses | Zeiss Ultra Prime Lenses 
Marie Antoinette (2006)
 Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack 
 
  Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera 
 The Tree of Life (2011)
 Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera 
 Match Point (2005)
The Clink of Ice (2010)
 Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier 
 
  Cameras | Aaton Penelope Camera 
 Katy Perry: Part of Me (2012)
 Directed by | Dan Cutforth, Jane Lipsitz | Editing by | Scott Evans, Brian David Lazarte, Scott Richter, Hans van Riet 
 
  Cameras | Red Epic Camera 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens 
Gangs of New York (2002)
 Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker  
 
 Hope Springs (2012)
 Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Steven Weisberg 
 
  Cameras | ARRI ALEXA Camera 
 Trishna (2011)
Death of a Superhero (2011)
 Directed by | Ian Fitzgibbon | Cinematography by | Tom Fährmann | Editing by | Tony Cranstoun 
 
  Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera 
  Lenses | Zeiss Ultra Prime Lenses 
127 Hours (2010)
 Directed by | Danny Boyle | Cinematography by | Enrique Chediak, Anthony Dod Mantle | Editing by | Jon Harris 
 
  Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera 
 The First Aggregate (2012)
 Directed by | Darhad Erdenibulag, Emyr ap Richard | Cinematography by | Emyr ap Richard | Editing by | Jinlei Kong, Matthieu Laclau 
 
  Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bolex H16 Camera, Red Epic Camera, Red One Camera, Red One MX Camera 
  Lenses | Kern-Paillard Switar Lens, Red Pro Zoom 17-50 mm T2.9 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens 
28 Weeks Later (2007)
 Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill 
 
  Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera 
 Arn: Tempelriddaren (2007)
 Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen  
 
 The Bunglers (2012)
 Directed by | Glenn Camhi | Cinematography by | Stephan Dalyai | Editing by | Glenn Camhi 
 
  Cameras | ARRI ALEXA Camera 
  Lenses | Zeiss Ultra Prime Lenses 
Abraham Lincoln: Vampire Hunter (2012)
Step Up Revolution (2012)
 Directed by | Scott Speer | Cinematography by | Karsten Gopinath | Editing by | Matt Friedman, Avi Youabian 
 
  Cameras | Red Epic Camera 
  Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses 
 
  
 































































