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I Love Lucy (1951)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

Californication (2007)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Michael Weaver, Tim Bellen, Andy Graham, Peter Levy | Editing by | Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong

Starring | David Duchovny, Natascha McElhone, Evan Handler, Pamela Adlon

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Ring Two (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Hideo Nakata | Cinematography by | Gabriel Beristain | Editing by | Michael N. Knue

Starring | Naomi Watts, David Dorfman, Sissy Spacek, Simon Baker

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

The Deep (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Peter Yates | Cinematography by | Christopher Challis | Editing by | David Berlatsky

Starring | Jacqueline Bisset, Nick Nolte, Dick Anthony Williams, Robert Shaw

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Panavision Lenses

CSI: Crime Scene Investigation (2000)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona | Editing by | John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie, Derek Degenhardt

Starring | William Petersen, Laurence Fishburne, Ted Danson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Nikon - Nikkor Lenses, Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Dante’s Peak (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 108 Minutes

Directed by | Roger Donaldson | Cinematography by | Andrzej Bartkowiak | Editing by | Conrad Buff IV, Tina Hirsch, Howard E. Smith

Starring | Pierce Brosnan, Linda Hamilton, Jamie Renée Smith, Jeremy Foley

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Kinetta (2005)

Motion Picture | 2D | Color | 1.66:1 | 95 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Evangelia Randou, Aris Servetalis, Costas Xikominos

Alps (2011)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Christos Voudouris | Editing by | Yorgos Mavropsaridis

Starring | Stavros Psyllakis, Aris Servetalis, Johnny Vekris

Cameras | Red One Camera

The Lobster (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Colin Farrell, Rachel Weisz, Jessica Barden

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Touch of Evil (1958)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 95 Minutes

Directed by | Orson Welles | Cinematography by | Russell Metty | Editing by | Walter Murch, Aaron Stell, Virgil W. Vogel, Edward Curtiss

Starring | Charlton Heston, Orson Welles, Janet Leigh

Cameras | Mitchell BNC Camera, Mitchell NC Camera

Filming ‘Othello’ (1978)

Documentary | 2D | Film Project | Color | 1.33:1 (4x3) | 84 Minutes

Directed by | Orson Welles | Cinematography by | Gary Graver

Starring | Orson Welles, Micheál MacLiammóir, Hilton Edwards

Othello (1951)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 90 Minutes

Directed by | Orson Welles | Cinematography by | G.R. Aldo, Anchise Brizzi, George Fanto, Alberto Fusi, Oberdan Troiani | Editing by | Jenö Csepreghy, Renzo Lucidi, William Morton, Jean Sacha

Starring | Orson Welles, Micheál MacLiammóir, Robert Coote

Citizen Kane (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 119 Minutes

Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise

Starring | Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead

Cameras | Mitchell BNC Camera

Lenses | Cooke Speed Panchro Lenses

The Matrix Revolutions (2003)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 129 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Trial (1962)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 119 Minutes

Directed by | Orson Welles | Cinematography by | Edmond Richard | Editing by | Yvonne Martin, Frederick Muller, Orson Welles

Starring | Anthony Perkins, Arnoldo Foà, Jess Hahn

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