Released in 2D | 4482 Titles
The End of the Affair (1999)
Country | UK, USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Neil Jordan | Cinematography by | Roger Pratt | Editing by | Tony Lawson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Pitch Black (2000)
Country | USA, Australia
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 2.39:1
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Rick Shaine
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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The Perfect Storm (2000)
Country | USA
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium XL Camera
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Logan (2017)
Country | USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera
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Jurassic Park (1993)
Country | USA
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 1.85:1
3D Re-released in 2013
Directed by | Steven Spielberg | Cinematography by | Dean Cundey | Editing by | Michael Kahn
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Chinatown (1974)
Country | USA
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen
Cameras | Panavision Cameras
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Home Alone (1990)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
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The Sea Inside (2004)
Country | Spain, France, Italy
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 2.39:1
Directed by | Alejandro Amenábar | Cinematography by | Javier Aguirresarobe | Editing by | Alejandro Amenábarmodified:
Red Riding Hood (2006)
Country | USA
Type | Motion Picture
Running Time | 82 Minutes
Directed by | Randal Kleiser | Cinematography by | David Stump | Editing by | Harry Hitner
Cameras | Thomson Viper Camera
Lenses | Canon Lenses
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Bad Boys (1995)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Directed by | Michael Bay | Cinematography by | Howard Atherton | Editing by | Christian Wagner
modified:
The Good Wife (2009)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Fred Murphy, Tim Guinness, M. David Mullen | Editing by | Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
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Tailgate (2015)
Country | Australia
Type | Motion Picture
Running Time | 83 Minutes
Aspect Ratio | 2.39:1
Directed by | Jai Hogg | Cinematography by | Mark Broadbent | Editing by | Joe Lancaster
Lenses | Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 28mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
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All About My Mother (1999)
Country | Spain, France
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 2.39:1
Directed by | Pedro Almodóvar | Cinematography by | Affonso Beato | Editing by | José Salcedo
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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How the Grinch Stole Christmas (2000)
Country | USA
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 1.85:1
Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens
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Honey I Blew Up the Kid (1992)
Country | USA
Type | Motion Picture
Running Time | 89 Minutes
Aspect Ratio | 1.85:1
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
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Disgrace (2008)
Country | Australia, South Africa
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 2.39:1
Directed by | Steve Jacobs | Cinematography by | Steve Arnold | Editing by | Alexandre de Franceschi
Cameras | Panavision Panaflex Millennium XL Camera
modified:
The Rock (1996)
Country | USA
Type | Motion Picture
Running Time | 136 Minutes
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce
Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
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Trick Shot (2015)
Country | USA
Type | Short Film
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Evan Kaufmann | Cinematography by | Gale Tattersall | Editing by | Zach Prichard
Cameras | Canon EOS-C300 Mark II Camera
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Gamer (2009)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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