Released in 2D | 4614 Titles
Game of Thrones (2011)
Country | USA, UK
Type | Television Series
Running Time | 57 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson | Editing by | Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Milesmodified:
Scrooged (1988)
Country | USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 1.85:1
Directed by | Richard Donner | Cinematography by | Michael Chapman | Editing by | Fredric Steinkamp, William Steinkamp Cameras | Panavision Panaflex Gold Camera
modified:
The Favourite (2018)
Country | Ireland, UK, USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.85:1
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
modified:
Happy Death Day 2U (2019)
Country | USA, Japan
Type | Motion Picture
Running Time | 100 Minutes
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Ben Baudhuin Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
modified:
Animal Behaviour (2018)
Country | Canada
Type | Short Film
Running Time | 14 Minutes
Aspect Ratio | 1.85:1
Directed by | David Fine, Alison Snowdenmodified:
Shutter Island (2010)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 2.39:1
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
modified:
Shanghai (2012)
Country | India
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Directed by | Dibakar Banerjee | Cinematography by | Nikos Andritsakis | Editing by | Namrata Rao Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
modified:
Beyond the Clouds (2017)
Country | India, Iran
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 1.85:1
Directed by | Majid Majidi | Cinematography by | Anil Mehta | Editing by | Hassan Hassandoost Cameras | Sony CineAlta F65 Camera
modified:
Elsa & Fred (2014)
Country | USA, Canada, Mexico, Puerto Rico
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Radford | Cinematography by | Michael McDonough | Editing by | Peter Boylemodified:
Our Brand Is Crisis (2015)
Country | USA
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 1.85:1
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Pattonmodified:
Strive (2019)
Country | USA
Type | Motion Picture
Running Time | 82 Minutes
Directed by | Robert Rippberger | Cinematography by | Dominick Sivilli | Editing by | Gabriel Cullen, Ellen Goldwasser Cameras | Red Epic Dragon Camera
modified:
The Sopranos (1999)
Country | USA
Type | Television Series
Running Time | 55 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Phil Abraham, Alik Sakharov, William Coleman | Editing by | Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
modified:
Happy Death Day (2017)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin Cameras | ARRI ALEXA Mini Camera
modified:
Natural Born Killers (1994)
Country | USA
Type | Motion Picture
Running Time | 118 Minutes
Aspect Ratio | 1.85:1
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Fauve (2018)
Country | Canada
Type | Short Film
Running Time | 17 Minutes
Directed by | Jeremy Comte | Cinematography by | Olivier Gossot | Editing by | Jeremy Comtemodified:
A Girl Is a Gun (2017)
Country | France
Type | Television Series, Web Series
Aspect Ratio | 2.35:1
| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo Anamorphic 30-72mm 2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
modified:
The Wire (2002)
Country | USA
Type | Television Series
Running Time | 59 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Uta Briesewitz, Russell Lee Fine, Dave Insley, Eagle Egilsson | Editing by | Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
modified:
The Final Girls (2015)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 2.39:1
Directed by | Todd Strauss-Schulson | Cinematography by | Elie Smolkin | Editing by | Debbie Berman Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses
modified:
Nixon (1995)
Country | USA
Type | Motion Picture
Running Time | 192 Minutes
Aspect Ratio | 2.39:1
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwinmodified:
Guadalajara (2018)
Country | USA
Type | Movie
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | William Napier | Cinematography by | Sergio Ramiro Castillo | Editing by | Roger Goff IIImodified:
