Distributed Aspect Ratio » 1.33:1 (4x3)

1.33:1 (4x3) | 175 Titles

1.33:1 (4x3) 3.00/5 2 Votes

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U2 3D (2007)

Motion Picture | 3D | HD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki

Starring | Bono, Adam Clayton, The Edge, Larry Mullen Jr.

Cameras | Sony HDW-F900 Camera

Lenses | Angenieux Lenses, Fujinon Lenses, Zeiss ZE Prime Lenses

A Trip to the Moon (1902)

Motion Picture | 2D | Black & White, Colorized | 1.33:1 (4x3) | 13 Minutes

Directed by | Georges Méliès | Cinematography by | Théophile Michault, Lucien Tainguy | Editing by | Georges Méliès

Starring | Georges Méliès, Victor André, Bleuette Bernon, Brunnet

Cameras | Lumière Cinématographe Camera

The Last Reef 3D (2012)

Motion Picture | 3D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 40 Minutes

The Last Reef 3D | ShotOnWhat?

Directed by | Luke Cresswell, Steve McNicholas | Cinematography by | D.J. Roller | Editing by | Luke Cresswell, Steve McNicholas

Cameras | IMAX Cameras, Red Digital Cinema Cameras, Spacecam Aerial Cameras

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

Dog Day Afternoon (1975)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Sidney Lumet | Cinematography by | Victor J. Kemper | Editing by | Dede Allen

Starring | Al Pacino, John Cazale, Penelope Allen, Sully Boyar

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Les glaneurs et la glaneuse (2000)

Motion Picture | 2D | SD Project | Color | 1.33:1 (4x3) | 82 Minutes

Directed by | Agnès Varda | Cinematography by | Didier Doussin, Stéphane Krausz, Didier Rouget, Pascal Sautelet, Agnès Varda | Editing by | Jean-Baptiste Morin, Laurent Pineau, Agnès Varda

Starring | François Wertheimer, Agnès Varda, Bodan Litnanski

Cameras | Sony DCR-TRV950E Camera, Sony DSR-300 Camera

Rocky (1976)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 120 Minutes

Directed by | John G. Avildsen | Cinematography by | James Crabe | Editing by | Scott Conrad, Richard Halsey

Starring | Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers

Cameras | Panavision Panaflex Camera, Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Apollo 18 (2011)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.85:1 | 86 Minutes

Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier

Starring | Warren Christie, Lloyd Owen, Ryan Robbins, Michael Kopsa

Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses | Panavision Primo Digital Lenses

A Killing in a Small Town (1990)

Television Movie | 2D | Color | 1.33:1 (4x3) | 100 Minutes

Directed by | Stephen Gyllenhaal | Cinematography by | Robert Elswit | Editing by | Harvey Rosenstock

Starring | Barbara Hershey, Brian Dennehy, John Terry, Richard Gilliland

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The GWARnage Campaign (2002)

Direct to Video | 2D | SD Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Mark Walpole | Cinematography by | Mark Walpole | Editing by | Mark Walpole

Starring | Dave Brockie, Balsac the Jaws of Death, Flattus Maximus, Beefcake the Mighty

Cameras | ARRIFLEX 35 III Camera, Bolex H16 Camera, Canon XL1 Camera

Lenses | Angenieux HP Zoom Lenses, Schneider Xenoplan Lenses

…And Then She Was Gone (1991)

Television Movie | 2D | Color | 1.33:1 (4x3) | 100 Minutes

Directed by | David Greene | Cinematography by | Stevan Larner | Editing by | Michael D. Ornstein

Starring | Robert Urich, Megan Gallagher, Brett Cullen, Vondie Curtis-Hall

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Kill Bill: Vol. 2 (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 137 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Sally Menke

Starring | Uma Thurman, David Carradine, Michael Madsen, Daryl Hannah

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

El Mariachi (1992)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.66:1 | 81 Minutes

Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Carlos Gallardo, Consuelo Gómez, Jaime de Hoyos, Peter Marquardt

Cameras | ARRIFLEX 16S Camera

Lenses | Angenieux HEC Zoom Lenses, Kinoptik Tégéa 5.7mm f1.8 Lens

Die You Zombie Bastards! (2005)

Motion Picture | Color | 1.33:1 (4x3) | 97 Minutes

Directed by | Caleb Emerson | Cinematography by | Jarred Alterman | Editing by | Daniel Strange

Starring | Tim Gerstmar, Geoff Mosher, Pippi Zornoza, Jamie Gillis

Cameras | ARRIFLEX 16SR2 Camera, Bolex H16 Camera, Cinema Products CP-16 Camera

83 Hours ‘Til Dawn (1990)

Television Movie | 2D | Color | 1.33:1 (4x3) | 90 Minutes

Directed by | Donald Wrye | Cinematography by | Gideon Porath | Editing by | Curtis Freilich

Starring | Peter Strauss, Robert Urich, Paul Winfield, Elizabeth Gracen

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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