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Trap (2024)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk

Starring | Josh Hartnett, Ariel Donoghue, Saleka Shyamalan

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke Panchro/i Classic Lenses, Zeiss Super Speed Lenses

The Favourite (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

Cartel Land (2015)

Documentary | 2D | HD Project | Color | 2.39:1 | 100 Minutes

Directed by | Matthew Heineman | Cinematography by | Matthew Heineman, Matt Porwoll | Editing by | Matthew Hamachek, Matthew Heineman, Bradley J. Ross, Pax Wassermann

Starring | Tim Nailer Foley, José Manuel 'El Doctor' Mireles, Paco Valencia, Chaneque

Cameras | Canon EOS-1D C Camera, Canon EOS-7D Camera, Canon EOS-C300 Camera

Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF-S 17-55mm f2.8 Lens

1941 (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 118 Minutes

Directed by | Steven Spielberg | Cinematography by | William A. Fraker | Editing by | Michael Kahn

Starring | John Belushi, Dan Aykroyd, Treat Williams

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision C Series Anamorphic Lenses

Raiders of the Lost Ark (1981)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 115 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Karen Allen, Paul Freeman, John Rhys-Davies

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex-X Camera

Lenses | Panavision C Series Anamorphic Lenses

Poor Things (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.66:1 | 141 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Mark Ruffalo, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses

Jaws (1975)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields

Starring | Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

Mary and Max (2009)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Adam Elliot | Cinematography by | Gerald Thompson | Editing by | Bill Murphy

Starring | Toni Collette, Philip Seymour Hoffman, Eric Bana

Cameras | Canon EOS-1D Mark III Camera, Canon EOS-1Ds Mark III Camera

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

The Sugarland Express (1974)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 110 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Edward M. Abroms, Verna Fields

Starring | Goldie Hawn, Ben Johnson, Michael Sacks, William Atherton

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Venus Effect (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 |

Directed by | Andrew Burn | Cinematography by | Andrew Burn

Starring | Chase Brown, Whitney Code, Vanessa D. Fant

Cameras | Sony Cameras, Sony ILME-FX3 Camera

Lenses | Sony G Master Series Lenses

Kinds of Kindness (2024)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 164 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Emma Stone, Jesse Plemons, Willem Dafoe

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Good, the Bad and the Ugly (1966)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 178 Minutes

Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli

Starring | Clint Eastwood, Eli Wallach, Lee Van Cleef

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

Girls (2012)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 28 Minutes

| Cinematography by | Tim Ives, Jody Lee Lipes, Matthew Santo, Hernan Otaño | Editing by | Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon

Starring | Lena Dunham, Allison Williams, Jemima Kirke, Adam Driver

Cameras | ARRI ALEXA Camera

Once Upon a Time (2011)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Stephen Jackson, Tony Mirza, Steven Fierberg | Editing by | Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong

Starring | Ginnifer Goodwin, Jennifer Morrison, Lana Parrilla, Robert Carlyle

Cameras | ARRI ALEXA Camera, ARRI ALEXA SXT EV Cameras, Blackmagic Cinema Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Autumn Sonata (1978)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 99 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson

Starring | Ingrid Bergman, Liv Ullmann, Lena Nyman, Halvar Björk

Cameras | ARRIFLEX 35 BL Camera

Lenses | Angenieux 20-120mm T2.9 Zoom Lens, Zeiss Standard Speed Prime Lenses

Kynodontas (2009)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 97 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Christos Stergioglou, Michele Valley, Angeliki Papoulia, Hristos Passalis

Cameras | Moviecam Compact MK2 Camera

Lenses | Optica Elite Lenses

Scandal (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 43 Minutes

| Cinematography by | Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon | Editing by | Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland

Starring | Kerry Washington, Darby Stanchfield, Katie Lowes, Guillermo Diaz

Cameras | ARRI ALEXA Camera, Digital Bolex D16

Lenses | Angenieux Optimo Zoom Lenses

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.39:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

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