Color | 3927 Titles
The Matrix Revolutions (2003)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Zen Fist (2024)
Directed by | Taiyo Kanto | Cinematography by | Taiyo Kanto | Editing by | Taiyo Kanto
Cameras | Blackmagic URSA Mini Pro Camera
Inception (2010)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Mission: Impossible – Dead Reckoning Part One (2023)
Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton
Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses
Severance (2006)
Directed by | Christopher Smith | Cinematography by | Ed Wild | Editing by | Stuart Gazzard
Cameras | Sony HDW-F900 Camera
F for Fake (1973)
Directed by | Orson Welles, Gary Graver, Oja Kodar, François Reichenbach | Cinematography by | François Reichenbach | Editing by | Marie-Sophie Dubus, Dominique Engerer, Orson Welles
Cameras | Éclair NPR Camera
Lenses | Angenieux Lenses
The Matrix Reloaded (2003)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Matrix Resurrections (2021)
Directed by | Lana Wachowski | Cinematography by | Daniele Massaccesi, John Toll | Editing by | Joseph Jett Sally
Cameras | Red Komodo Camera
Lenses | Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses
Insomnia (2002)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Batman Begins (2005)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Dark Knight (2008)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
The Prestige (2006)
The Immortal Story (1968)
Directed by | Orson Welles | Cinematography by | Willy Kurant | Editing by | Claude Farny, Françoise Garnault, Yolande Maurette, Marcelle Pluet
Ofelia (2024)
Directed by | Facundo Bartucci | Cinematography by | Facundo Mugica | Editing by | Tomás Belottini
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
Lost Gold of WW2 (2019)
| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios
The Dark Knight Rises (2012)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Matrix (1999)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras
Hacking the Wild (2017)
Editing by | Andrew Kimble
Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Killers of the Flower Moon (2023)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
The Irishman (2019)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
