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John Wick: Chapter 4 (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 169 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff

Starring | Keanu Reeves, Laurence Fishburne, George Georgiou

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

John Wick: Chapter 3 – Parabellum (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Halle Berry, Ian McShane

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

John Wick: Chapter 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Riccardo Scamarcio, Ian McShane

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Memento (2000)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Gyani Maiya (2019)

Documentary | 2D | 2K Project | Color | 2.39:1 | 25 Minutes

Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi

Starring | Gyani Maiya Sen Kusunda, Uday Raj Aaley

Cameras | Canon Cameras, Nikon Cameras

Lenses | Canon EF-S 18-55mm f4 Lens, Nikon - Nikkor Lenses

Até que a Vida nos Separe (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | José Zaragoza | Cinematography by | Rodolfo Sánchez | Editing by | Mauro Alice

Starring | Murilo Benício, Alexandre Borges, Francisco Di Franco

Buffalo ’66 (1998)

Motion Picture | 2D | Film Project | Color | 110 Minutes

Directed by | Vincent Gallo | Cinematography by | Lance Acord | Editing by | Curtiss Clayton

Starring | Vincent Gallo, Christina Ricci, Ben Gazzara, Mickey Rourke

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Super Speed Lenses

Get on the Bus (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Spike Lee | Cinematography by | Elliot Davis | Editing by | Leander T. Sales

Starring | Ossie Davis, Charles S. Dutton, Andre Braugher, Richard Belzer

Cameras | Aaton XTR Camera, Krasnogorsk-3 Camera

A:D (2005)

Short Film | 2D | SD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef

Starring | Owen Callaghan, John Collins, Clodagh Downing, Michael Glynn

Cameras | Sony DCR-VX2000 Camera

Lenses | Sony Lenses

Waking Ned Devine (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 91 Minutes

Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan

Starring | Ian Bannen, David Kelly, Fionnula Flanagan, Susan Lynch

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

The Pills (2021)

Short Film | 2D | 4K Project | Color | 2.0:1 | 6 Minutes

Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov

Starring | Nikita Hrushev, Vladislav Ivanov, Petr Kasatiev

Cameras | Red Komodo Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Scan Ahead (2024)

Short Film | 2D | 2K Project | Color | 1.85:1 | 27 Minutes

Directed by | Joe Stebbens | Cinematography by | Rafe Moate | Editing by | Rafe Moate, Joe Stebbens

Starring | Katie Lever, Lewis Hill, Kane Norman

Cameras | Canon EOS-C100 Camera, Sony NEX-FS700 Camera

Lenses | Sigma Lenses, Zeiss Lenses

Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

Ordinary People (1980)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Robert Redford | Cinematography by | John Bailey | Editing by | Jeff Kanew

Starring | Donald Sutherland, Mary Tyler Moore, Judd Hirsch, Timothy Hutton

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Victor Victoria (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 134 Minutes

Directed by | Blake Edwards | Cinematography by | Dick Bush | Editing by | Ralph E. Winters

Starring | Julie Andrews, James Garner, Robert Preston, Lesley Ann Warren

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Lenses

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

Craig Ferguson’s Hobo Fabulous (2019)

Television Series | 2D | Color |

| Cinematography by | Tobias Deml

Cameras | Canon EOS-C300 Mark II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon CN-E 30-105 mm T2.8 Lens

FML (2016)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Jason Nash | Cinematography by | Tobias Deml

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andy Daly

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

The Zone of Interest (2023)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 105 Minutes

Directed by | Jonathan Glazer | Cinematography by | Lukasz Zal | Editing by | Paul Watts

Starring | Christian Friedel, Sandra Hüller, Johann Karthaus

Cameras | Sony CineAlta VENICE Camera

Lenses | Leitz M 0.8 Series Lenses

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