ARRIFLEX 535 B Camera | 82 Titles
Barfi! (2012)
Directed by | Anurag Basu | Cinematography by | Ravi Varman | Editing by | Akiv Ali
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Arrival II (1998)
Directed by | Kevin Tenney | Cinematography by | Bruno Philip | Editing by | Gregory Fine, Heidi Haines
Lenses | Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
Omkara (2006)
Directed by | Vishal Bhardwaj | Cinematography by | Tassaduq Hussain | Editing by | Meghna Manchanda Sen
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Alfie (2004)
Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | Padraic McKinley
Cameras | ARRIFLEX 535 B Camera, Moviecam Compact Camera
En sång för Martin (2001)
Directed by | Bille August | Cinematography by | Jörgen Persson | Editing by | Janus Billeskov Jansen
Cameras | ARRIFLEX 535 B Camera
No Country for Old Men (2007) 
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses
Faut que ça danse! (2007)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Emmanuelle Castro
Cameras | ARRIFLEX 535 B Camera
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Walled In (2009)
Directed by | Gilles Paquet-Brenner | Cinematography by | Karim Hussain | Editing by | Jackie Dzuba
Cameras | ARRIFLEX 535 B Camera
Virtuosity (1995)
Directed by | Brett Leonard | Cinematography by | Gale Tattersall | Editing by | Rob Kobrin, B.J. Sears
Cameras | ARRIFLEX 535 B Camera, Moviecam Compact Camera
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
L: Change the World (2008)
Directed by | Hideo Nakata | Cinematography by | Tokushô Kikumura | Editing by | Nobuyuki Takahashi
Cameras | ARRIFLEX 535 B Camera
Emmett’s Mark (2002)
Directed by | Keith Snyder | Cinematography by | Lawrence Sher | Editing by | Caroline Ross
Cameras | Aaton 35 I Camera, ARRIFLEX 535 B Camera
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
True Grit (2010)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Lenses | Zeiss Master Prime Lenses
Hearat Shulayim (2011)
Directed by | Joseph Cedar | Cinematography by | Yaron Scharf | Editing by | Einat Glaser-Zarhin
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
