ARRIFLEX 535 B Camera | 82 Titles
The Big Lebowski (1998)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Waiting Alone (2004)
Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng
Cameras | ARRIFLEX 535 B Camera
Being Julia (2004)
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Autoreiji (2010)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Yoshinori Ohta, Takeshi Kitano
Cameras | ARRIFLEX 535 B Camera
Gangs of New York (2002)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Sai chiu (2006)
Directed by | Kin-Lung Lam | Cinematography by | Chiu-Lam Ko | Editing by | Wing-Ming Wong
Cameras | ARRIFLEX 535 B Camera
The First Aggregate (2012)
Directed by | Darhad Erdenibulag, Emyr ap Richard | Cinematography by | Emyr ap Richard | Editing by | Jinlei Kong, Matthieu Laclau
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bolex H16 Camera, Red Epic Camera, Red One Camera, Red One MX Camera
Lenses | Kern-Paillard Switar Lens, Red Pro Zoom 17-50 mm T2.9 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
The Vow (2012)
Directed by | Michael Sucsy | Cinematography by | Rogier Stoffers | Editing by | Melissa Kent, Nancy Richardson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Shakespeare in Love (1998) 
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Variable Prime Lenses
The Lives of Others (2006)
Directed by | Florian Henckel von Donnersmarck | Cinematography by | Hagen Bogdanski | Editing by | Patricia Rommel
Cameras | ARRIFLEX 535 B Camera
Lenses | Hawk C-Series Lenses, Hawk V-Series Lenses
Jo sok (2005)
Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Girl with a Pearl Earring (2003)
Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Ghastly Love of Johnny X (2012)
Directed by | Paul Bunnell | Cinematography by | Francisco Bulgarelli | Editing by | Russell Harnden III
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A Dirty Shame (2004)
Directed by | John Waters | Cinematography by | Steve Gainer | Editing by | Jeffrey Wolf
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by | Andrew Dominik | Cinematography by | Roger Deakins | Editing by | Curtiss Clayton, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
A torinói ló (2011)
Directed by | Béla Tarr, Ágnes Hranitzky | Cinematography by | Fred Kelemen | Editing by | Ágnes Hranitzky
Cameras | ARRIFLEX 535 B Camera
Revolutionary Road (2008)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Tariq Anwar
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Hurricane (1999)
Directed by | Norman Jewison | Cinematography by | Roger Deakins | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
A Dog of Flanders (1999)
Directed by | Kevin Brodie | Cinematography by | Walther van den Ende | Editing by | Annamaria Szanto
Cameras | ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
