Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893.
Cooke S4 Lenses | 317 Titles
Phone: +1 (0)116 264 0700 UK / +1 973 335 4460 USA
Contact: Alison Green
Specs
Introduced: 1998
Cooke S4, T2.0 Primes became S4/i lenses in 2005 when Cooke /i Technology for metadata capture was incorporated from that date forward. Cooke S4 and S4/i lenses are visually the same. The only change is the upgrade to allow digital connectivity for recording metadata frame-by-frame. See list of /i Technology Partners at cookeoptics.com for compatible products saving you time and money during production through post. Note: lens image shown is S4/i lens with /i Technology connector near base.
The Village (2004)
Directed by | M. Night Shyamalan | Cinematography by | Roger Deakins | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
Pars vite et reviens tard (2007)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Brokeback Mountain (2005)
Directed by | Ang Lee | Cinematography by | Rodrigo Prieto | Editing by | Geraldine Peroni, Dylan Tichenor
Lenses | Cooke S4 Lenses
La conquête (2011)
Directed by | Xavier Durringer | Cinematography by | Gilles Porte | Editing by | Catherine Schwartz
Cameras | Moviecam Compact Camera
Le code a changé (2009)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | Moviecam Compact MK2 Camera
Dorian Gray (2009)
Directed by | Oliver Parker | Cinematography by | Roger Pratt | Editing by | Guy Bensley
Lenses | Angenieux Lenses, Cooke S4 Lenses
The American (2010)
Directed by | Anton Corbijn | Cinematography by | Martin Ruhe | Editing by | Andrew Hulme
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Cider House Rules (1999)
Directed by | Lasse Hallström | Cinematography by | Oliver Stapleton | Editing by | Lisa Zeno Churgin
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
L’enfant d’en haut (2012)
Directed by | Ursula Meier | Cinematography by | Agnès Godard | Editing by | Nelly Quettier
Cameras | ARRI ALEXA Camera
New Year’s Eve (2011)
Directed by | Garry Marshall | Cinematography by | Charles Minsky | Editing by | Michael Tronick
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Five (2011)
Directed by | Jennifer Aniston, Patty Jenkins, Alicia Keys, Demi Moore, Penelope Spheeris | Cinematography by | Eric Alan Edwards, Guy Livneh, Jim Orr, Christopher Popp, Tami Reiker | Editing by | Zene Baker, Adrienne Gits, Lynzee Klingman, Byron Smith, Tom Wilson
Cameras | ARRI ALEXA Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Beat That My Heart Skipped (2005)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton 35-III Camera
Lenses | Cooke S4 Lenses
Hunger (2008)
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Lenses | Cooke S4 Lenses
Harry Potter and the Deathly Hallows: Part 1 (2010)
Angel-A (2005)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval
Precious (2009)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Joe Klotz
Lenses | Angenieux Lenses, Cooke S4 Lenses
