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Panavision Ultra Speed MKII Lenses | 42 Titles

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Room (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | Lenny Abrahamson | Cinematography by | Danny Cohen | Editing by | Nathan Nugent

Starring | Brie Larson, Jacob Tremblay, Sean Bridgers, Wendy Crewson

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

A Walk Among the Tombstones (2014)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt

Starring | Liam Neeson, Dan Stevens, David Harbour, Boyd Holbrook

Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Warrior (2011)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Starring | Tom Hardy, Nick Nolte, Joel Edgerton, Jennifer Morrison

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Nightcrawler (2014)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jake Gyllenhaal, Rene Russo, Bill Paxton, Riz Ahmed

Cameras | ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Foxcatcher (2014)

Motion Picture | 2D | Black & White, Color | 134 Minutes

Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill

Starring | Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Summoned (2013)

Television Movie | 2D | Color | 89 Minutes

Directed by | Peter Sullivan | Cinematography by | Roberto Schein | Editing by | Randy Carter

Starring | Cuba Gooding Jr., Ashley Scott, Bailey Chase, James Hong

Cameras | Sony Cameras, Sony PMW-F3 Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision Ultra Speed MKII Lenses

Desperate Housewives (2004)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

Desperate Housewives | ShotOnWhat?

Mad Max: Fury Road (2015)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | George Miller | Cinematography by | John Seale | Editing by | Margaret Sixel

Starring | Tom Hardy, Charlize Theron, Nicholas Hoult, Zoë Kravitz

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Hot to Trot (1988)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Michael Dinner | Cinematography by | Victor J. Kemper | Editing by | Frank Morriss, Dallas Puett

Starring | Bobcat Goldthwait, Dabney Coleman, John Candy, Virginia Madsen

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Men in Black (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller

Starring | Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

The Cemetery Club (1993)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter

Starring | Ellen Burstyn, Olympia Dukakis, Diane Ladd, Danny Aiello

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

The Iceman (2012)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Ariel Vromen | Cinematography by | Bobby Bukowski | Editing by | Danny Rafic

Starring | Michael Shannon, Chris Evans, James Franco, Winona Ryder

Cameras | ARRI ALEXA Plus Camera, Canon EOS-7D Camera

Lenses | Panavision Lenses, Panavision Ultra Speed MKII Lenses

Zombieland (2009)

Motion Picture | 2D | Color | 2.35:1 | 88 Minutes

Zombieland | ShotOnWhat?

Directed by | Ruben Fleischer | Cinematography by | Michael Bonvillain | Editing by | Alan Baumgarten

Starring | Jesse Eisenberg, Emma Stone, Woody Harrelson, Abigail Breslin

Cameras | Panavision Genesis Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Repo! The Genetic Opera (2008)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock

Starring | Paul Sorvino, Anthony Head, Alexa PenaVega, Sarah Brightman

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Australia (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 165 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Dody Dorn, Michael McCusker

Starring | Nicole Kidman, Hugh Jackman, Shea Adams, Eddie Baroo

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Safety Not Guaranteed (2012)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Safety Not Guaranteed | ShotOnWhat?

Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson

Starring | Aubrey Plaza, Mark Duplass, Jake Johnson, Karan Soni

Cameras | Sony PMW-F3 Camera

Lenses | Panavision Ultra Speed MKII Lenses

Lost in America (1985)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Albert Brooks | Cinematography by | Eric Saarinen | Editing by | David Finfer

Starring | Albert Brooks, Julie Hagerty, Sylvia Farrel, Tina Kincaid

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision Ultra Speed MKII Lenses

Crazy People (1990)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman

Starring | Dudley Moore, Daryl Hannah, Paul Reiser, J.T. Walsh

Cameras | ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Ultra Speed MKII Lenses

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

The Cooler (2003)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Wayne Kramer | Cinematography by | Jim Whitaker | Editing by | Arthur Coburn

Starring | William H. Macy, Maria Bello, Alec Baldwin, Shawn Hatosy

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

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