Production Designer
Song to Song (2017)
| USA
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRI ALEXA M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Production Designer
Knight of Cups (2015)
Movie
| USA
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Production Designer
The Revenant (2015)
| USA, Hong Kong, Taiwan
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Production Designer
To the Wonder (2012)
| USA
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Production Designer
The Master (2012)
| USA
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Production Designer
The Tree of Life (2011)
| USA
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Production Designer
Water for Elephants (2011)
| USA
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Production Designer
There Will Be Blood (2007)
| USA
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Production Designer
The New World (2005)
| USA, UK
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Production Designer
Mulholland Dr. (2001)
| France, USA
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Production Designer
The Straight Story (1999)
| France, UK, USA
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold II Camera
Production Designer
The Thin Red Line (1998)
| USA
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Director
Violets Are Blue... (1986)
| USA
Directed by: Jack Fisk
Cinematography by: Ralf D. Bode
Edited by: Edward Warschilka
Director
Raggedy Man (1981)
| USA
Directed by: Jack Fisk
Cinematography by: Ralf D. Bode
Edited by: Edward Warschilka
Cameras: Panavision Cameras
Production Designer
Heart Beat (1980)
| USA
Directed by: John Byrum
Cinematography by: László Kovács
Edited by: Eric Jenkins
Art Director
Days of Heaven (1978)
| USA
Directed by: Terrence Malick
Cinematography by: Néstor Almendros
Edited by: Billy Weber
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Man In The Planet
Eraserhead (1977)
| USA
Directed by: David Lynch
Edited by: David Lynch
Cameras: Eclair Cameras