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Jack Fisk

18 Titles

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| ShotOnWhat?

Production Designer

Song to Song (2017)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Rehman Nizar Ali, Hank Corwin, Keith Fraase

Cameras: ARRI ALEXA Camera, ARRI ALEXA M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

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Production Designer

Knight of Cups (2015)

Movie

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Geoffrey Richman, Mark Yoshikawa

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Production Designer

The Revenant (2015)

| USA, Hong Kong, Taiwan

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

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Production Designer

To the Wonder (2012)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

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Production Designer

The Master (2012)

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

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Production Designer

The Tree of Life (2011)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

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Production Designer

Water for Elephants (2011)

| USA

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

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Production Designer

There Will Be Blood (2007)

| USA

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

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Production Designer

The New World (2005)

| USA, UK

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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Production Designer

Mulholland Dr. (2001)

| France, USA

Directed by: David Lynch

Cinematography by: Peter Deming

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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Production Designer

The Straight Story (1999)

| France, UK, USA

Directed by: David Lynch

Cinematography by: Freddie Francis

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

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Production Designer

The Thin Red Line (1998)

| USA

Directed by: Terrence Malick

Cinematography by: John Toll

Edited by: Leslie Jones, Saar Klein, Billy Weber

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens

Editing System: Avid Editing System

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Director

Violets Are Blue... (1986)

| USA

Directed by: Jack Fisk

Cinematography by: Ralf D. Bode

Edited by: Edward Warschilka

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Director

Raggedy Man (1981)

| USA

Directed by: Jack Fisk

Cinematography by: Ralf D. Bode

Edited by: Edward Warschilka

Cameras: Panavision Cameras

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Production Designer

Heart Beat (1980)

| USA

Directed by: John Byrum

Cinematography by: László Kovács

Edited by: Eric Jenkins

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Art Director

Days of Heaven (1978)

| USA

Directed by: Terrence Malick

Cinematography by: Néstor Almendros

Edited by: Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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Man In The Planet

Eraserhead (1977)

| USA

Directed by: David Lynch

Cinematography by: Herbert Cardwell, Frederick Elmes

Edited by: David Lynch

Cameras: Eclair Cameras

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Art Director

Carrie (1976)

| USA

Directed by: Brian De Palma

Cinematography by: Mario Tosi, Isidore Mankofsky

Edited by: Paul Hirsch

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