Production Designer
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Production Designer
Causeway (2022)
Directed by: Lila Neugebauer
Cinematography by: Diego García
Cameras: ARRI ALEXA LF Camera
Lenses: Panavision H Series Lenses
Production Designer
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Production Designer
To the Wonder (2012)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Production Designer
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Production Designer
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Production Designer
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Production Designer
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Production Designer
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Production Designer
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Production Designer
The Straight Story (1999)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold II Camera
Production Designer
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Director
Violets Are Blue... (1986)
Directed by: Jack Fisk
Cinematography by: Ralf D. Bode
Edited by: Edward Warschilka
Director
Raggedy Man (1981)
Directed by: Jack Fisk
Cinematography by: Ralf D. Bode
Edited by: Edward Warschilka
Cameras: Panavision Cameras
Production Designer
Heart Beat (1980)
Directed by: John Byrum
Cinematography by: László Kovács
Edited by: Eric Jenkins
Art Director
Days of Heaven (1978)
Directed by: Terrence Malick
Cinematography by: Néstor Almendros
Edited by: Billy Weber
Cameras: Panavision Panaflex Camera
Lenses: Canon FD 55mm f1.2 AL, Panavision Lenses
Man In The Planet
Eraserhead (1977)
Directed by: David Lynch
Edited by: David Lynch
Cameras: Eclair Cameras
