John T. Cucci

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Foley Artist

Oppenheimer (2023)

Motion Picture

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Editing System: Avid Editing System

Foley Artist

Avatar: The Way of Water (2022)

Motion Picture

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Foley Mixer: One Step Up

Babylon (2022)

Motion Picture

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Guillermo del Toro's Pinocchio | ShotOnWhat?

Foley Artist

Guillermo del Toro's Pinocchio (2022)

Movie

Directed by: Guillermo del Toro, Mark Gustafson

Cinematography by: Frank Passingham

Edited by: Holly Klein, Ken Schretzmann

Cameras: Canon EOS-1D Mark IV Camera

Foley Artist

Tenet (2020)

Motion Picture

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Foley Artist , Foley Artist: One Step Up

Pokémon: Detective Pikachu (2019)

Motion Picture

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Foley Artist

Avengers: Endgame (2019)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Foley Artist

Us (2019)

Motion Picture

Directed by: Jordan Peele

Cinematography by: Mike Gioulakis

Edited by: Nicholas Monsour

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Foley Artist

Ford v Ferrari (2019)

Motion Picture

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

John Wick: Chapter 3 - Parabellum | ShotOnWhat?

Foley Artist: One Step Up

John Wick: Chapter 3 - Parabellum (2019)

Motion Picture

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Foley Artist

Avengers: Infinity War (2018)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Foley Artist

First Man (2018)

Motion Picture

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Foley Artist

Christopher Robin (2018)

Motion Picture

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Foley Artist

A Star Is Born (2018)

Motion Picture

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Jay Cassidy

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Foley Artist

Skyscraper (2018)

Motion Picture

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Foley Artist

The Predator (2018)

Motion Picture

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Bad Times at the El Royale | ShotOnWhat?

Foley Artist

Bad Times at the El Royale (2018)

Motion Picture

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Foley Artist

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

The Fate of the Furious (2017)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Foley Artist

Logan (2017)

Motion Picture

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

War for the Planet of the Apes | ShotOnWhat?

Foley Artist

War for the Planet of the Apes (2017)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Foley Artist

Beauty and the Beast (2017)

Motion Picture

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Foley Artist

Battle of the Sexes (2017)

Motion Picture

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Foley Artist

Wind River (2017)

Motion Picture

Directed by: Taylor Sheridan

Cinematography by: Ben Richardson

Edited by: Gary Roach

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Lenses, Zeiss Standard Speed Prime Lenses

Foley Artist: One Step Up

Ghost in the Shell (2017)

Motion Picture

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Foley Artist

John Wick: Chapter 2 (2017)

Motion Picture

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Foley Artist , Foley Artist: One Step Up

All I See Is You (2016)

Motion Picture

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Hughes Winborne

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision G Series Anamorphic Lenses

Foley Artist

The Finest Hours (2016)

Motion Picture

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Foley Artist

How to Be Single (2016)

Motion Picture

Directed by: Christian Ditter

Cinematography by: Christian Rein

Edited by: Tia Nolan

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Foley Artist

Deadpool (2016)

Motion Picture

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Captain America: Civil War | ShotOnWhat?

Foley Artist

Captain America: Civil War (2016)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Foley Artist

X-Men: Apocalypse (2016)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

The Huntsman: Winter's War | ShotOnWhat?

Foley Artist

The Huntsman: Winter's War (2016)

Motion Picture

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Foley Artist

Kung Fu Panda 3 (2016)

Motion Picture

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

Foley Artist

Ride Along 2 (2016)

Motion Picture

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Foley Artist: One Step Up

Star Trek Beyond (2016)

Motion Picture

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Foley Artist

La La Land (2016)

Motion Picture

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Foley Artist

Live by Night (2016)

Motion Picture

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Foley Artist: One Step Up

13 Hours: The Secret Soldiers of Benghazi (2016)

Motion Picture

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Foley Artist

San Andreas (2015)

Motion Picture

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Foley Artist

Spy (2015)

Motion Picture

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Foley Artist

Pitch Perfect 2 (2015)

Motion Picture

Directed by: Elizabeth Banks

Cinematography by: Jim Denault

Edited by: Craig Alpert

Cameras: ARRI ALEXA Plus Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

Spectre (2015)

Motion Picture

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Foley Artist

Sicario (2015)

Motion Picture

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Foley Artist

The 33 (2015)

Motion Picture

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Michael Tronick

Cameras: ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Foley Artist

Straight Outta Compton (2015)

Motion Picture

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Foley Artist

Terminator Genisys (2015)

Motion Picture

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Foley Artist

Dawn of the Planet of the Apes (2014)

Motion Picture

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Foley Artist

300: Rise of an Empire (2014)

Motion Picture

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Foley Artist: One Step Up

Captain America: The Winter Soldier (2014)

Motion Picture

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Foley Artist

RoboCop (2014)

Motion Picture

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

X-Men: Days of Future Past | ShotOnWhat?

Foley Artist

X-Men: Days of Future Past (2014)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Foley Artist

Godzilla (2014)

Motion Picture

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Foley Recordist

Need for Speed (2014)

Motion Picture

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Foley Artist

Unbroken (2014)

Motion Picture

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Teenage Mutant Ninja Turtles | ShotOnWhat?

Foley Artist

Teenage Mutant Ninja Turtles (2014)

Motion Picture

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist

Dracula Untold (2014)

Motion Picture

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Foley Artist

American Sniper (2014)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Foley Artist

Night at the Museum: Secret of the Tomb (2014)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Foley Artist

The Book of Life (2014)

Motion Picture

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Foley Artist

Wild (2014)

Motion Picture

Directed by: Jean-Marc Vallée

Cinematography by: Yves Bélanger

Edited by: Martin Pensa, Jean-Marc Vallée

Cameras: ARRI ALEXA XT Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Foley Artist

The Maze Runner (2014)

Motion Picture

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Foley Artist

The Gambler (2014)

Motion Picture

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Kingsman: The Secret Service | ShotOnWhat?

Foley Artist

Kingsman: The Secret Service (2014)

Motion Picture

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Foley Artist

Hansel & Gretel: Witch Hunters (2013)

Motion Picture

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Foley Artist

47 Ronin (2013)

Motion Picture

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Foley Walker

Thor: The Dark World (2013)

Motion Picture

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Foley Artist

The Lone Ranger (2013)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Foley Artist

G.I. Joe: Retaliation (2013)

Motion Picture

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

A Good Day to Die Hard (2013)

Motion Picture

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Foley Artist

Stoker (2013)

Motion Picture

Directed by: Chan-wook Park

Cinematography by: Chung-hoon Chung

Edited by: Nicolas De Toth

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Foley Artist

Pain & Gain (2013)

Motion Picture

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist

The Wolverine (2013)

Motion Picture

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Percy Jackson: Sea of Monsters | ShotOnWhat?

Foley Artist

Percy Jackson: Sea of Monsters (2013)

Motion Picture

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

RED 2 (2013)

Motion Picture

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Foley Artist

Prisoners (2013)

Motion Picture

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Foley Artist

The Internship (2013)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Foley Artist

This Means War (2012)

Motion Picture

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Nicolas De Toth

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

Get the Gringo (2012)

Motion Picture

Directed by: Adrian Grunberg

Cinematography by: Benoît Debie

Edited by: Steven Rosenblum

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses

Foley Artist

Prometheus (2012)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Foley Artist

Pitch Perfect (2012)

Motion Picture

Directed by: Jason Moore

Cinematography by: Julio Macat

Edited by: Lisa Zeno Churgin

Cameras: ARRI ALEXA Camera

Foley Artist

The Three Stooges (2012)

Motion Picture

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Foley Artist

Trouble with the Curve (2012)

Motion Picture

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Snow White and the Huntsman | ShotOnWhat?

Foley Artist

Snow White and the Huntsman (2012)

Motion Picture

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Foley Artist

Argo (2012)

Motion Picture

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Foley Artist

Rock of Ages (2012)

Motion Picture

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Foley Artist

ParaNorman (2012)

Motion Picture

Directed by: Chris Butler, Sam Fell

Cinematography by: Tristan Oliver

Edited by: Christopher Murrie

Cameras: Canon EOS-5D Mark II Camera

Lenses: Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Foley Artist

The Bourne Legacy (2012)

Motion Picture

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Foley Artist

Skyfall (2012)

Motion Picture

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Foley Artist: One Step Up

Hitchcock (2012)

Motion Picture

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Foley Artist

Chasing Mavericks (2012)

Motion Picture

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Foley Artist

Pirates of the Caribbean: On Stranger Tides (2011)

Motion Picture

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Foley Artist

I Am Number Four (2011)

Motion Picture

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Foley Artist

X: First Class (2011)

Motion Picture

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Foley Artist

Green Lantern (2011)

Motion Picture

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Foley Artist

We Bought a Zoo (2011)

Motion Picture

Directed by: Cameron Crowe

Cinematography by: Rodrigo Prieto

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Ultra Prime Lenses

Foley Artist

J. Edgar (2011)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Foley Artist

Alvin and the Chipmunks: Chipwrecked (2011)

Motion Picture

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

Real Steel (2011)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Rise of the Planet of the Apes | ShotOnWhat?

Foley Artist

Rise of the Planet of the Apes (2011)

Motion Picture

Directed by: Rupert Wyatt

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV, Mark Goldblatt

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Foley Artist

The Muppets (2011)

Motion Picture

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Foley Artist

Kung Fu Panda 2 (2011)

Motion Picture

Directed by: Jennifer Yuh Nelson

Edited by: Maryann Brandon, Clare Knight

Foley Artist

Salt (2010)

Motion Picture

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Foley Artist

Knight and Day (2010)

Motion Picture

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Foley Artist

Hot Tub Time Machine (2010)

Motion Picture

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Foley Artist

The Sorcerer's Apprentice (2010)

Motion Picture

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Prince of Persia: The Sands of Time | ShotOnWhat?

Foley Artist

Prince of Persia: The Sands of Time (2010)

Motion Picture

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Foley Artist

The A-Team (2010)

Motion Picture

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Foley Artist

Little Fockers (2010)

Motion Picture

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

Foley Artist

Edge of Darkness (2010)

Motion Picture

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Foley Artist

Ramona and Beezus (2010)

Motion Picture

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: John Bailey

Edited by: Jane Moran

Foley Artist

You Again (2010)

Motion Picture

Directed by: Andy Fickman

Cinematography by: David Hennings

Edited by: Keith Brachmann, David Rennie

Foley Artist

Secretariat (2010)

Motion Picture

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Foley Artist

Unstoppable (2010)

Motion Picture

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Foley Artist

G.I. Joe: The Rise of Cobra (2009)

Motion Picture

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Foley Artist

X-Men Origins: Wolverine (2009)

Motion Picture

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Foley Mixer

Race to Witch Mountain (2009)

Motion Picture

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Foley Mixer

Coraline (2009)

Motion Picture

Directed by: Henry Selick

Cinematography by: Pete Kozachik

Edited by: Christopher Murrie, Ronald Sanders

Cameras: Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Editing System: Avid Editing System

Foley Artist

G-Force (2009)

Motion Picture

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Foley Artist

Night at the Museum: Battle of the Smithsonian (2009)

Motion Picture

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Confessions of a Shopaholic | ShotOnWhat?

Foley Artist

Confessions of a Shopaholic (2009)

Motion Picture

Directed by: P.J. Hogan

Cinematography by: Jo Willems

Edited by: William Goldenberg

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Jonas Brothers: The 3D Concert Experience | ShotOnWhat?

Foley Artist

Jonas Brothers: The 3D Concert Experience (2009)

Motion Picture

Directed by: Bruce Hendricks

Cinematography by: Mitchell Amundsen, Reed Smoot

Edited by: Michael Tronick

Foley Artist

Invictus (2009)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Foley Artist

Changeling (2008)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Foley Artist

Valkyrie (2008)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Foley Artist

Jumper (2008)

Motion Picture

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Foley Artist

Sex and the City (2008)

Motion Picture

Directed by: Michael Patrick King

Cinematography by: John Thomas

Edited by: Michael Berenbaum

Foley Artist

Body of Lies (2008)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Foley Artist

Eagle Eye (2008)

Motion Picture

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Foley Artist

Max Payne (2008)

Motion Picture

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

Foley Artist

Kung Fu Panda (2008)

Motion Picture

Directed by: Mark Osborne, John Stevenson

Cinematography by: Yong Duk Jhun

Edited by: Clare Knight

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Foley Artist

Fantastic Four: Rise of the Silver Surfer (2007)

Motion Picture

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

Aliens vs. Predator: Requiem | ShotOnWhat?

Foley Artist

Aliens vs. Predator: Requiem (2007)

Motion Picture

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

Foley Artist

Wild Hogs (2007)

Motion Picture

Directed by: Walt Becker

Cinematography by: Robbie Greenberg

Edited by: Christopher Greenbury, Stuart H. Pappé

Cameras: Panavision Cameras

Pirates of the Caribbean: At World's End | ShotOnWhat?

Foley Artist

Pirates of the Caribbean: At World's End (2007)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Avid Editing System

Foley Artist

The Bourne Ultimatum (2007)

Motion Picture

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

National Treasure: Book of Secrets | ShotOnWhat?

Foley Artist

National Treasure: Book of Secrets (2007)

Motion Picture

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Santa Clause 3: The Escape Clause | ShotOnWhat?

Foley Artist

The Santa Clause 3: The Escape Clause (2006)

Motion Picture

Directed by: Michael Lembeck

Cinematography by: Robbie Greenberg

Edited by: David Finfer

Foley Artist

Night at the Museum (2006)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Foley Walker

The Shaggy Dog (2006)

Motion Picture

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

Foley Artist

Flags of our Fathers (2006)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Foley Artist

Accepted (2006)

Motion Picture

Directed by: Steve Pink

Cinematography by: Matthew F. Leonetti

Edited by: Scott Hill

Cameras: Moviecam Cameras

Foley Artist

Marie Antoinette (2006)

Motion Picture

Directed by: Sofia Coppola

Cinematography by: Lance Acord

Edited by: Sarah Flack

Cameras: Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Foley Artist

The Woods (2006)

Motion Picture

Directed by: Lucky McKee

Cinematography by: John R. Leonetti

Edited by: Dan Lebental, Joel Plotch

Cameras: Panavision Cameras

Foley Artist: Dublin

The Omen (2006)

Motion Picture

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: Panavision Cameras

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Foley Artist

Pirates of the Caribbean: Dead Man's Chest (2006)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley By

Deja Vu (2006)

Motion Picture

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Foley Artist

Cursed (2005)

Motion Picture

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Foley Artist

Kicking & Screaming (2005)

Motion Picture

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

Foley Artist

Fun with Dick and Jane (2005)

Motion Picture

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Foley Artist

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Motion Picture

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Foley Artist

Domino (2005)

Motion Picture

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Foley Artist

Sky High (2005)

Motion Picture

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Foley Artist

The Island (2005)

Motion Picture

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

The Ring Two (2005)

Motion Picture

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Foley Artist

Fantastic Four (2005)

Motion Picture

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

Foley Artist

Man on Fire (2004)

Motion Picture

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

Van Helsing (2004)

Motion Picture

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Foley Artist

Million Dollar Baby (2004)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Foley Artist

National Treasure (2004)

Motion Picture

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

Flight of the Phoenix (2004)

Motion Picture

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Foley Artist

Raising Helen (2004)

Motion Picture

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green, Tara Timpone

Foley Artist

Hidalgo (2004)

Motion Picture

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

Shall We Dance (2004)

Motion Picture

Directed by: Peter Chelsom

Cinematography by: John de Borman

Edited by: Charles Ireland, Robert Leighton

Cameras: ARRI Cameras

Foley Artist

Shark Tale (2004)

Motion Picture

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Foley Artist

Mystic River (2003)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist

Bruce Almighty (2003)

Motion Picture

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Foley Artist

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Motion Picture

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Foley Artist

The Cat in the Hat (2003)

Motion Picture

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Foley Artist

Bad Boys II (2003)

Motion Picture

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Foley Artist

Freaky Friday (2003)

Motion Picture

Directed by: Mark Waters

Cinematography by: Oliver Wood

Edited by: Bruce Green

Foley Artist

Dreamcatcher (2003)

Motion Picture

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Foley Artist

Kangaroo Jack (2003)

Motion Picture

Directed by: David McNally

Cinematography by: Peter Menzies Jr.

Edited by: William Goldenberg, Jim May, John Murray

Cameras: Panavision Cameras

Foley Artist

The Scorpion King (2002)

Motion Picture

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Foley Artist

The Bourne Identity (2002)

Motion Picture

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Foley Artist

The Time Machine (2002)

Motion Picture

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist

The Country Bears (2002)

Motion Picture

Directed by: Peter Hastings

Cinematography by: Mitchell Amundsen

Edited by: George Bowers, Seth Flaum

Foley Artist

Blood Work (2002)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Foley Artist

Sweet Home Alabama (2002)

Motion Picture

Directed by: Andy Tennant

Cinematography by: Andrew Dunn

Edited by: Troy Takaki, Tracey Wadmore-Smith

Foley Artist

The Santa Clause 2 (2002)

Motion Picture

Directed by: Michael Lembeck

Cinematography by: Adam Greenberg

Edited by: David Finfer

Foley Artist

Unconditional Love (2002)

Motion Picture

Directed by: P.J. Hogan

Cinematography by: Remi Adefarasin

Edited by: Robert C. Jones

Cameras: Panavision Cameras

Foley Artist

The Princess Diaries (2001)

Motion Picture

Directed by: Garry Marshall

Cinematography by: Karl Walter Lindenlaub

Edited by: Bruce Green

Foley Artist

See Spot Run (2001)

Motion Picture

Directed by: John Whitesell

Cinematography by: John S. Bartley

Edited by: Cara Silverman

Foley Artist

Pearl Harbor (2001)

Motion Picture

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist

Spy Game (2001)

Motion Picture

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

Hannibal (2001)

Motion Picture

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Foley Artist

Black Hawk Down (2001)

Motion Picture

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Foley Artist

Swordfish (2001)

Motion Picture

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

Foley Artist

Max Keeble's Big Move (2001)

Motion Picture

Directed by: Tim Hill

Cinematography by: Arthur Albert

Edited by: Tony Lombardo, Peck Prior

Cameras: Moviecam Compact Camera

Nutty Professor II: The Klumps | ShotOnWhat?

Foley Artist

Nutty Professor II: The Klumps (2000)

Motion Picture

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: William Kerr

Foley Artist

The Whole Nine Yards (2000)

Motion Picture

Directed by: Jonathan Lynn

Cinematography by: David Franco

Edited by: Tom Lewis

Foley Mixer

Scream 3 (2000)

Motion Picture

Directed by: Wes Craven

Cinematography by: Peter Deming

Edited by: Patrick Lussier

Foley Artist

Gladiator (2000)

Motion Picture

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Foley Artist

Remember the Titans (2000)

Motion Picture

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

Foley Artist

Space Cowboys (2000)

Motion Picture

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

The Replacements (2000)

Motion Picture

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Seth Flaum, Bud S. Smith

Foley Artist

Screwed (2000)

Motion Picture

Directed by: Scott Alexander, Larry Karaszewski

Cinematography by: Robert Brinkmann

Edited by: Michael Jablow

Foley Artist

Gone in 60 Seconds (2000)

Motion Picture

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Foley Artist

My Favorite Martian (1999)

Motion Picture

Directed by: Donald Petrie

Cinematography by: Thomas E. Ackerman

Edited by: Malcolm Campbell

Foley Artist

Wild Wild West (1999)

Motion Picture

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Foley Artist

The 13th Warrior (1999)

Motion Picture

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

The Thomas Crown Affair (1999)

Motion Picture

Directed by: John McTiernan

Cinematography by: Tom Priestley Jr.

Edited by: John Wright

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Foley Artist

The Insider (1999)

Motion Picture

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

Sleepy Hollow (1999)

Motion Picture

Directed by: Tim Burton

Cinematography by: Emmanuel Lubezki

Edited by: Chris Lebenzon, Joel Negron

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

The Bone Collector (1999)

Motion Picture

Directed by: Phillip Noyce

Cinematography by: Dean Semler

Edited by: William Hoy

Foley Artist

American Pie (1999)

Motion Picture

Directed by: Paul Weitz, Chris Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

Foley Artist

Magnolia (1999)

Motion Picture

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Cameras, Pathé Cameras

Lenses: Panavision Lenses

Foley Artist

Being John Malkovich (1999)

Motion Picture

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: Eric Zumbrunnen

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Foley Artist

Life (1999)

Motion Picture

Directed by: Ted Demme

Cinematography by: Geoffrey Simpson

Edited by: Jeffrey Wolf

Foley Artist

Patch Adams (1998)

Motion Picture

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Mixer

The Gingerbread Man (1998)

Motion Picture

Directed by: Robert Altman

Cinematography by: Changwei Gu

Edited by: Geraldine Peroni

Foley Mixer

Safe Men (1998)

Motion Picture

Directed by: John Hamburg

Cinematography by: Michael Barrett

Edited by: Suzanne Pillsbury, M. Scott Smith

Foley Artist

Enemy of the State (1998)

Motion Picture

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Foley Artist

Armageddon (1998)

Motion Picture

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Foley Artist

Mafia! (1998)

Motion Picture

Directed by: Jim Abrahams

Cinematography by: Pierre Letarte

Edited by: Terry Stokes

Foley Artist

Apt Pupil (1998)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Foley Artist

Dante's Peak (1997)

Motion Picture

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Foley Artist

Home Alone 3 (1997)

Motion Picture

Directed by: Raja Gosnell

Cinematography by: Julio Macat

Edited by: Malcolm Campbell, Bruce Green, David Rennie

Cameras: Panavision Panaflex Gold Camera

Foley Artist

Shadow Conspiracy (1997)

Motion Picture

Directed by: George P. Cosmatos

Cinematography by: Buzz Feitshans IV

Edited by: Robert A. Ferretti

Foley Artist

Speed 2: Cruise Control (1997)

Motion Picture

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Foley Artist

Turbulence (1997)

Motion Picture

Directed by: Robert Butler

Cinematography by: Lloyd Ahern II

Edited by: John Duffy

Foley Artist

Alien Resurrection (1997)

Motion Picture

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Foley Artist

Liar Liar (1997)

Motion Picture

Directed by: Tom Shadyac

Cinematography by: Russell Boyd

Edited by: Don Zimmerman

Foley Artist

Red Corner (1997)

Motion Picture

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

Foley Artist

Drive (1997)

Motion Picture

Directed by: Steve Wang

Cinematography by: Michael G. Wojciechowski

Edited by: Ivan Ladizinsky

Foley Artist

The Edge (1997)

Motion Picture

Directed by: Lee Tamahori

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Foley Artist

Con Air (1997)

Motion Picture

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Foley Artist

Nothing to Lose (1997)

Motion Picture

Directed by: Steve Oedekerk

Cinematography by: Donald E. Thorin

Edited by: Malcolm Campbell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

Face/Off (1997)

Motion Picture

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Foley Artist

The Rock (1996)

Motion Picture

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Foley Artist

The Sunchaser (1996)

Motion Picture

Directed by: Michael Cimino

Cinematography by: Douglas Milsome

Edited by: Joe D'Augustine

Foley Artist

Daylight (1996)

Motion Picture

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Foley Artist

The Chamber (1996)

Motion Picture

Directed by: James Foley

Cinematography by: Ian Baker

Edited by: Mark Warner

Foley Effects

The Crow: City of Angels (1996)

Motion Picture

Directed by: Tim Pope

Cinematography by: Jean-Yves Escoffier

Edited by: Michael N. Knue, Anthony Redman

Foley Artist

2 Days in the Valley (1996)

Motion Picture

Directed by: John Herzfeld

Cinematography by: Oliver Wood

Edited by: Jim Miller, Wayne Wahrman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

Adrenalin: Fear the Rush (1996)

Motion Picture

Directed by: Albert Pyun

Cinematography by: George Mooradian

Edited by: Ken Morrisey

Cameras: Moviecam Compact Camera

The Truth About Cats & Dogs | ShotOnWhat?

Foley Artist

The Truth About Cats & Dogs (1996)

Motion Picture

Directed by: Michael Lehmann

Cinematography by: Robert Brinkmann

Edited by: Stephen Semel

Cameras: ARRIFLEX 535 Camera

Foley Artist

Ghosts of Mississippi (1996)

Motion Picture

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Foley Artist

Devil in a Blue Dress (1995)

Motion Picture

Directed by: Carl Franklin

Cinematography by: Tak Fujimoto

Edited by: Carole Kravetz Aykanian

Foley Artist

The Usual Suspects (1995)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: Panavision Panaflex Platinum Camera

Foley Artist

Waterworld (1995)

Motion Picture

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

First Knight (1995)

Motion Picture

Directed by: Jerry Zucker

Cinematography by: Adam Greenberg

Edited by: Walter Murch

Foley Artist

The Net (1995)

Motion Picture

Directed by: Irwin Winkler

Cinematography by: Jack N. Green

Edited by: Richard Halsey

Foley Artist

The American President (1995)

Motion Picture

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

The Quick and the Dead (1995)

Motion Picture

Directed by: Sam Raimi

Cinematography by: Dante Spinotti

Edited by: Pietro Scalia

Foley Artist

The Crossing Guard (1995)

Motion Picture

Directed by: Sean Penn

Cinematography by: Vilmos Zsigmond

Edited by: Jay Cassidy

Cameras: Panavision Cameras

Foley Artist

Legends of the Fall (1994)

Motion Picture

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Lenses: Canon Lenses, Panavision Lenses

Foley Artist

Natural Born Killers (1994)

Motion Picture

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Foley Artist

Color of Night (1994)

Motion Picture

Directed by: Richard Rush

Cinematography by: Dietrich Lohmann

Edited by: Jack Hofstra, Thom Noble

Foley Artist

Speed (1994)

Motion Picture

Directed by: Jan de Bont

Cinematography by: Andrzej Bartkowiak

Edited by: John Wright

Cameras: Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

20254.20

John T. Cucci

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