Adr Engineer: 20th Century Fox Studios
Ready Player One (2018)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Adr Engineer
Goodbye Christopher Robin (2017)
| UK
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Victoria Boydell
Adr Engineer
Logan (2017)
| USA
Directed by: James Mangold
Cinematography by: John Mathieson
Adr Engineer
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
| USA
Cinematography by: Paul Cameron
Adr Engineer
War for the Planet of the Apes (2017)
| USA, Canada, New Zealand
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Adr Engineer
'Bones' The Fight in the Fixer (2016)
| USA
Directed by: Silver Tree
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Adr Engineer
Deadpool (2016)
| USA
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Adr Engineer
Why Him? (2016)
| USA, Cambodia
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Adr Engineer
'Bones' The Death in the Defense (2016)
| USA
Directed by: Arlene Sanford
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Adr Engineer
X-Men: Apocalypse (2016)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leica Summilux-C Series Lenses
Adr Engineer
'The X-Files' Babylon (2016)
| USA
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Robert Komatsu
Adr Engineer
'Bones' The Last Shot at a Second Chance (2016)
| USA
Directed by: David Grossman
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Adr Engineer
'The X-Files' Founder's Mutation (2016)
| USA
Directed by: James Wong
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Adr Engineer
La La Land (2016)
| USA, Hong Kong
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Adr Stage Engineer
Ride Along 2 (2016)
| USA
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Adr Engineer
'The X-Files' My Struggle II (2016)
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Robert Komatsu
Adr Engineer
'Bones' The Monster in the Closet (2016)
| USA
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Adr Engineer
'The X-Files' Mulder & Scully Meet the Were-Monster (2016)
| USA
Directed by: Darin Morgan
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Adr Engineer
'Bones' The Strike in the Chord (2016)
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Murder of the Meninist (2016)
| USA
Directed by: Ian Toynton
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Adr Engineer
'The X-Files' Home Again (2016)
| USA
Directed by: Glen Morgan
Cinematography by: Joel Ransom
Edited by: Robert Komatsu
Adr Engineer
'Bones' The Baker in the Bits (2015)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
'Bones' The Murder in the Middle East (2015)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
'The X-Files' My Struggle (2015)
| USA, Canada
Directed by: Chris Carter
Cinematography by: Joel Ransom
Edited by: Heather MacDougall
Adr Engineer
'Bones' The Carpals in the Coy-Wolves (2015)
| USA
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Adr Engineer
Star Wars: Episode VII - The Force Awakens (2015)
| USA
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Stage Engineer
Brooklyn (2015)
| UK, Canada, Ireland
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Adr Engineer
'Bones' The Eye in the Sky (2015)
Directed by: Arlene Sanford
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Stage Engineer
Spy (2015)
| USA, UK, France, Hungary, Germany
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Adr Engineer
'Bones' The Next in the Last (2015)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
'Bones' The Promise in the Palace (2015)
| USA
Directed by: Jeannot Szwarc
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Psychic in the Soup (2015)
Directed by: Jeannot Szwarc
Cinematography by: Loren S. Yaconelli
Edited by: Richard Currie
Adr Engineer
'Bones' The Lost in the Found (2015)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
'Bones' The Donor in the Drink (2015)
| USA
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Adr Engineer
'Bones' The Doom in the Boom (2015)
| USA
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Adr Engineer
Joy (2015)
| USA
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Adr Engineer
'Bones' The Putter in the Rough (2015)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Stage Engineer
Pitch Perfect 2 (2015)
| USA
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Adr Engineer
'Bones' The Loyalty in the Lie (2015)
| USA
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Senator in the Street Sweeper (2015)
Directed by: Steve Robin
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Adr Engineer
'Bones' The Verdict in the Victims (2015)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Brother in the Basement (2015)
| USA
Directed by: Dwight H. Little
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Adr Engineer
'Bones' The Cowboy in the Contest (2015)
| USA
Directed by: Chad Lowe
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Adr Engineer
'Bones' The Teacher in the Books (2015)
Directed by: Anne Renton
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Woman in the Whirlpool (2015)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
'Bones' The Resurrection in the Remains (2015)
| USA
Directed by: Chad Lowe
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Adr Engineer
'Bones' The Big Beef at the Royal Diner (2015)
Directed by: Alex Chapple
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
'Bones' The Life in the Light (2015)
Directed by: Randy Zisk
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' High Treason in the Holiday Season (2015)
| USA
Directed by: Anne Renton
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Adr Stage Engineer
Horrible Bosses 2 (2014)
| USA
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leica Summilux-C Series Lenses
Adr Engineer
'Bones' The Corpse at the Convention (2014)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
X-Men: Days of Future Past (2014)
| USA, UK, Canada
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Stage Engineer
The Gambler (2014)
| USA
Directed by: Rupert Wyatt
Cinematography by: Greig Fraser
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA XT Camera
Adr Engineer
'Bones' The Carrot in the Kudzu (2014)
Directed by: Rob Hardy
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Conspiracy in the Corpse (2014)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
'Bones' The Puzzler in the Pit (2014)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
'Bones' The Master in the Slop (2014)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Casey O. Rohrs
Adr Stage Engineer
The Book of Life (2014)
| USA
Directed by: Jorge R. Gutiérrez
Edited by: Ahren Shaw
Adr Engineer
'Bones' The Cold in the Case (2014)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Stage Engineer
Exodus: Gods and Kings (2014)
| UK, Spain, USA
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Adr Engineer
'Bones' The Geek in the Guck (2014)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Stage Engineer
If I Stay (2014)
| USA
Directed by: R.J. Cutler
Cinematography by: John de Borman
Edited by: Keith Henderson
Adr Engineer
'Bones' The Repo Man in the Septic Tank (2014)
Directed by: Jeffrey Walker
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
'Bones' The Recluse in the Recliner (2014)
Directed by: David Boreanaz
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer: 20th Century Fox Studios
Need for Speed (2014)
| USA, India
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Adr Engineer
'Bones' The Money Maker on the Merry-Go-Round (2014)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
'Bones' Big in the Philippines (2014)
Directed by: David Boreanaz
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Stage Engineer
Wild (2014)
| USA
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA XT Camera
Adr Engineer
'Bones' The High in the Low (2014)
Directed by: Anne Renton
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Stage Engineer
Let's Be Cops (2014)
| USA
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Adr Engineer
'Bones' The Purging of the Pundit (2014)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The 200th in the 10th (2014)
Directed by: David Boreanaz
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Stage Engineer
Kingsman: The Secret Service (2014)
| UK, USA
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Adr Engineer
'Bones' The Source in the Sludge (2014)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Stage Engineer
Mr. Peabody & Sherman (2014)
| USA
Directed by: Rob Minkoff
Edited by: Mike Andrews
Adr Engineer
'Bones' The Drama in the Queen (2014)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
The Fault in Our Stars (2014)
| USA
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Adr Engineer
'Bones' The Lost Love in the Foreign Land (2014)
Directed by: Allison Liddi-Brown
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
Dawn of the Planet of the Apes (2014)
| USA, UK, Canada
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Adr Engineer
'Bones' The Ghost in the Killer (2014)
| USA
Directed by: Allison Liddi-Brown
Cinematography by: Gregory Paul Collier
Adr Engineer
The Maze Runner (2014)
| USA, UK
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Adr Engineer
'Bones' The Turn in the Urn (2014)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Stage Engineer
John Wick (2014)
| China, USA
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA XT Camera
Adr Engineer
'Bones' The Lance to the Heart (2014)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
'Bones' The Mutilation of the Master Manipulator (2014)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Heiress in the Hill (2014)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Stage Engineer
Night at the Museum: Secret of the Tomb (2014)
| UK, USA
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Adr Engineer
'Bones' The Nail in the Coffin (2014)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
'Bones' The Party in the Pants (2013)
Directed by: Reginald Hudlin
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' El Carnicero en el Coche (2013)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Epic (2013)
| USA
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Adr Engineer
'Bones' The Spark in the Park (2013)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
'Bones' The Diamond in the Rough (2013)
Directed by: Alex Chapple
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Doll in the Derby (2013)
Directed by: Tawnia McKiernan
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
The Internship (2013)
| USA
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Adr Engineer
'Bones' The Secrets in the Proposal (2013)
| USA
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Nazi on the Honeymoon (2013)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
'Bones' The Twist in the Plot (2013)
Directed by: Milan Cheylov
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Pathos in the Pathogens (2013)
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
The Counselor (2013)
| UK, USA
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Adr Engineer
'Bones' The Sense in the Sacrifice (2013)
Directed by: Kate Woods
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Stage Engineer
The Smurfs 2 (2013)
| USA, France, Canada, Belgium
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Adr Engineer
'Bones' The Mystery in the Meat (2013)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: C.J. Liao
Adr Engineer
A Good Day to Die Hard (2013)
| USA, Russia
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Adr Engineer
'Bones' The Shot in the Dark (2013)
Directed by: François Velle
Cinematography by: Gordon Lonsdale
Adr Engineer
'Bones' The Blood from the Stones (2013)
Directed by: François Velle
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Woman in White (2013)
Directed by: Kevin Hooks
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Adr Engineer
Stoker (2013)
| UK, USA
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Adr Engineer
'Bones' The Archaeologist in the Cocoon (2013)
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Doom in the Gloom (2013)
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Adr Engineer
Ender's Game (2013)
| USA
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Adr Engineer
'Bones' The Cheat in the Retreat (2013)
Directed by: Alex Chapple
Cinematography by: Gordon Lonsdale
Edited by: Bill Lynch
Stage Engineer
The Wolverine (2013)
| USA, UK
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Adr Engineer
'Bones' The Fury in the Jury (2013)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Friend in Need (2013)
Directed by: Jeffrey Walker
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Maiden in the Mushrooms (2013)
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Lady on the List (2013)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Adr Engineer
Parker (2013)
| USA
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Adr Engineer
'Bones' The Corpse on the Canopy (2013)
Directed by: Rob Hardy
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Survivor in the Soap (2013)
Directed by: Tim Southam
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Stage Engineer
The Heat (2013)
| USA
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Adr Engineer
'Bones' The Secret in the Siege (2013)
Directed by: David Boreanaz
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
Percy Jackson: Sea of Monsters (2013)
| USA
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Adr Engineer
'Bones' The Dude in the Dam (2013)
Directed by: Kevin Hooks
Cinematography by: Gregory Paul Collier
Adr Engineer
'Bones' The Fact in the Fiction (2013)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Stage Engineer
Premium Rush (2012)
| USA
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Adr Engineer
'Bones' The Don't in the Do (2012)
| USA
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Gunk in the Garage (2012)
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Life of Pi (2012)
| USA, Taiwan, UK, Canada
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Adr Engineer
'Bones' The Prisoner in the Pipe (2012)
| USA
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Suit on the Set (2012)
Directed by: Emile B. Levisetti
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Patriot in Purgatory (2012)
Directed by: François Velle
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer: Twentieth Century Fox Studios
Hitchcock (2012)
| USA, UK
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Adr Engineer
Battleship (2012)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Adr Engineer
'Bones' The Bump in the Road (2012)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
Safe House (2012)
| South Africa, Japan, USA
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Adr Engineer
'Bones' The Partners in the Divorce (2012)
Directed by: Allison Liddi-Brown
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
Prometheus (2012)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Engineer
'Bones' The Ghost in the Machine (2012)
Directed by: Milan Cheylov
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Family in the Feud (2012)
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Method in the Madness (2012)
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Parental Guidance (2012)
| USA
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Engineer
This Means War (2012)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Adr Engineer
'Bones' The Future in the Past (2012)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Diary of a Wimpy Kid: Dog Days (2012)
| USA, Canada
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Adr Engineer
'Bones' The But in the Joke (2012)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer: 20th Century Fox Studios
Lincoln (2012)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Adr Engineer
'Bones' The Warrior in the Wuss (2012)
| USA
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Tiger in the Tale (2012)
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Crack in the Code (2012)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Past in the Present (2012)
Directed by: David Boreanaz
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Bod in the Pod (2012)
Directed by: Tim Southam
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
Snow White and the Huntsman (2012)
| USA, UK
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Adr Engineer
'Bones' The Hot Dog in the Competition (2011)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
We Bought a Zoo (2011)
| USA
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Adr Stage Engineer
Water for Elephants (2011)
| USA
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Adr Engineer
'Bones' The Bikini in the Soup (2011)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Signs in the Silence (2011)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Stage Engineer
'The Chicago Code' O'Leary's Cow (2011)
| USA
Directed by: Clark Johnson
Cinematography by: Rohn Schmidt
Edited by: Jordan Goldman
Adr Engineer
'Bones' The Body in the Bag (2011)
| USA
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Feet on the Beach (2011)
| USA
Directed by: Emile B. Levisetti
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Stage Engineer
'The Chicago Code' Pilot (2011)
| USA
Directed by: Charles McDougall
Cinematography by: M. David Mullen
Adr Engineer
Super 8 (2011)
| USA
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Adr Engineer
'Bones' The Change in the Game (2011)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Stage Engineer
The Big Year (2011)
| USA, Canada
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Adr Engineer
'Bones' The Daredevil in the Mold (2011)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Pinocchio in the Planter (2011)
| USA
Directed by: François Velle
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Stage Engineer
'The Chicago Code' Cabrini Green (2011)
| USA
Directed by: Jean de Segonzac
Cinematography by: Rohn Schmidt
Edited by: Rick Tuber
Adr Engineer
X: First Class (2011)
| USA, UK
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Adr Engineer
Rise of the Planet of the Apes (2011)
| USA, UK, Canada
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Adr Engineer
'Bones' The Male in the Mail (2011)
| USA
Directed by: Kevin Hooks
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Blackout in the Blizzard (2011)
| USA
Directed by: David Boreanaz
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Memories in the Shallow Grave (2011)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Stage Engineer
'House M.D.' Two Stories (2011)
| USA
Directed by: Greg Yaitanes
Cinematography by: Anthony Gaudioz
Edited by: Amy M. Fleming
Adr Stage Engineer
Thor (2011)
| USA
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Adr Engineer
'Bones' The Twist in the Twister (2011)
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Stage Engineer
Real Steel (2011)
| USA, India
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Adr Stage Engineer
The Descendants (2011)
| USA
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Engineer
'Bones' The Sin in the Sisterhood (2011)
| USA
Directed by: Rob Hardy
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Stage Engineer
Monte Carlo (2011)
| Hungary, USA
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Adr Stage Engineer
'The Chicago Code' Gillis, Chase & Baby Face (2011)
| USA
Directed by: Guy Ferland
Cinematography by: Rohn Schmidt
Edited by: Jordan Goldman
Foley Engineer
There Be Dragons (2011)
| Spain, USA
Directed by: Roland Joffé
Cinematography by: Gabriel Beristain
Edited by: Richard Nord
Adr Engineer
'Bones' The Prince in the Plastic (2011)
| USA
Directed by: Alex Chapple
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Stage Engineer - 5 Episodes, 2011
The Chicago Code (2011)
| USA
Directed by: Lesli Linka Glatter, Clark Johnson, Michael Offer, Adam Arkin, Paris Barclay, Jean de Segonzac, Guy Ferland, Billy Gierhart, Charles McDougall, Terrence O'Hara
Cameras: ARRI ALEXA Camera
Adr Engineer
Mr. Popper's Penguins (2011)
| USA
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Adr Engineer
'Bones' The Killer in the Crosshairs (2011)
| USA
Directed by: Milan Cheylov
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Hole in the Heart (2011)
| USA
Directed by: Alex Chapple
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Stage Engineer
Rio (2011)
| USA, Brazil
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Adr Engineer
'Bones' The Bullet in the Brain (2011)
| USA
Directed by: David Boreanaz
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Truth in the Myth (2011)
| USA
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Stage Engineer
'The Chicago Code' Hog Butcher (2011)
| USA
Directed by: Clark Johnson
Cinematography by: Rohn Schmidt
Edited by: Rick Tuber
Adr Engineer
'Bones' The Bones on the Blue Line (2010)
| USA
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Stage Engineer
Secretariat (2010)
| USA
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Adr Engineer
'Bones' The Beginning in the End (2010)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Doctor in the Photo (2010)
| USA
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The X in the File (2010)
| USA
Directed by: Allison Liddi-Brown
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Diary of a Wimpy Kid (2010)
| USA, UK
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Adr Engineer
'Bones' The Predator in the Pool (2010)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Body and the Bounty (2010)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Devil in the Details (2010)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Stage Engineer
Salt (2010)
| USA
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Adr Engineer
Love & Other Drugs (2010)
| USA
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Adr Engineer
'Bones' The Boy with the Answer (2010)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Shallow in the Deep (2010)
| USA
Directed by: Mark Helfrich
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Stage Engineer
Date Night (2010)
| USA
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Adr Engineer
'Bones' The Parts in the Sum of the Whole (2010)
| USA
Directed by: David Boreanaz
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Couple in the Cave (2010)
| USA
Directed by: Milan Cheylov
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Stage Engineer
Gulliver's Travels (2010)
| USA
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Adr Engineer
'Bones' The Babe in the Bar (2010)
| USA
Directed by: Tim Southam
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Dentist in the Ditch (2010)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Stage Engineer
Knight and Day (2010)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Adr Engineer
'Bones' The Witch in the Wardrobe (2010)
| USA
Directed by: François Velle
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Bones That Weren't (2010)
| USA
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
The A-Team (2010)
| USA, UK
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Adr Engineer
Marmaduke (2010)
| USA
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Adr Engineer
'Bones' The Death of the Queen Bee (2010)
| USA
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Stage Engineer
Iron Man 2 (2010)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Adr Engineer
'Bones' The Mastodon in the Room (2010)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Twisted Bones in the Melted Truck (2010)
| USA
Directed by: Gordon Lonsdale
Cinematography by: Gregory Paul Collier
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Proof in the Pudding (2010)
| USA
Directed by: Emile B. Levisetti
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Rocker in the Rinse Cycle (2010)
| USA
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Stage Engineer
Percy Jackson & the Olympians: The Lightning Thief (2010)
| UK, Canada, USA
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Adr Engineer
'Bones' The Maggots in the Meathead (2010)
| USA
Directed by: Tim Southam
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
I Love You, Beth Cooper (2009)
| Canada, USA
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Adr Engineer
'Bones' The Doctor in the Den (2009)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
The Soloist (2009)
| UK, France, USA
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Adr Engineer
'Bones' The Girl in the Mask (2009)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Beautiful Day in the Neighborhood (2009)
| USA
Directed by: Gordon Lonsdale
Cinematography by: Gregory Paul Collier
Edited by: Andrea Folprecht
Adr Engineer
'Bones' Double Trouble in the Panhandle (2009)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Science in the Physicist (2009)
| USA
Directed by: Brad Turner
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Land of the Lost (2009)
| USA
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Adr Engineer
'Bones' The End in the Beginning (2009)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Dwarf in the Dirt (2009)
| USA
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Stage Engineer
X-Men Origins: Wolverine (2009)
| USA, UK
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Adr Engineer
'Bones' The Princess and the Pear (2009)
| USA
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Double Death of the Dearly Departed (2009)
| USA
Directed by: Milan Cheylov
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
All About Steve (2009)
| USA
Directed by: Phil Traill
Cinematography by: Tim Suhrstedt
Cameras: Panavision Cameras
Adr Engineer
'Bones' The Plain in the Prodigy (2009)
| USA
Directed by: Allan Kroeker
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Gamer in the Grease (2009)
| USA
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Bones That Foam (2009)
| USA
Directed by: David Boreanaz
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Critic in the Cabernet (2009)
| USA
Directed by: Kevin Hooks
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Stage Sound Engineer
Avatar (2009)
| UK, USA
Directed by: James Cameron
Cinematography by: Mauro Fiore
Stage Engineer
Star Trek (2009)
| USA, Germany
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Adr Engineer
'Bones' The Tough Man in the Tender Chicken (2009)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Hero in the Hold (2009)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' Mayhem on a Cross (2009)
| USA
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Bond in the Boot (2009)
| USA
Directed by: Alex Chapple
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Stage Engineer
Dragonball Evolution (2009)
| USA, Hong Kong, UK
Directed by: James Wong
Cinematography by: Robert McLachlan
Adr Engineer
'Bones' The Goop on the Girl (2009)
| USA
Directed by: Tim Southam
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Salt in the Wounds (2009)
| USA
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Beaver in the Otter (2009)
| USA
Directed by: Brad Turner
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' A Night at the Bones Museum (2009)
| USA
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' Fire in the Ice (2009)
| USA
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Stage Engineer
Public Enemies (2009)
| USA, Japan
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Adr Engineer
'Bones' The Cinderella in the Cardboard (2009)
| USA
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
Hachi: A Dog's Tale (2009)
| UK, USA
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Adr Engineer
'Bones' Harbingers in a Fountain (2009)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Foot in the Foreclosure (2009)
| USA
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The He in the She (2008)
| USA
Directed by: Craig Ross Jr.
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Baby in the Bough (2008)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Perfect Pieces in the Purple Pond (2008)
| USA
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Stage Engineer
The Day the Earth Stood Still (2008)
| USA, Canada
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Adr Engineer
'Bones' The Pain in the Heart (2008)
| USA
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
Recount (2008)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Adr Engineer
'Bones' The Skull in the Sculpture (2008)
| USA
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' Player Under Pressure (2008)
| USA
Directed by: Jessica Landaw
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Stage Engineer
Soul Men (2008)
| USA
Directed by: Malcolm D. Lee
Cinematography by: Matthew F. Leonetti
Adr Engineer
'Bones' The Finger in the Nest (2008)
| USA
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Bone That Blew (2008)
| USA
Directed by: Jessica Landaw
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
Street Kings (2008)
| USA
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Adr Engineer
Max Payne (2008)
| USA, Canada
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Adr Engineer
'Bones' The Wannabe in the Weeds (2008)
| USA
Directed by: Gordon Lonsdale
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Adr Engineer
The Loss of a Teardrop Diamond (2008)
| USA
Directed by: Jodie Markell
Cinematography by: Giles Nuttgens
Cameras: Panavision Panaflex Platinum Camera
Adr Engineer
Meet Dave (2008)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Adr Engineer
Role Models (2008)
| Germany, USA
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Adr Engineer
Eagle Eye (2008)
| USA, Germany
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Adr Engineer
'Bones' The Con Man in the Meth Lab (2008)
| USA
Directed by: Allison Liddi-Brown
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' The Man in the Mud (2008)
| USA
Directed by: Scott Lautanen
Cinematography by: Gregory Paul Collier
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Man in the Outhouse (2008)
| USA
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Passenger in the Oven (2008)
| USA
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
What Happens in Vegas (2008)
| USA
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Adr Engineer
'Bones' The Verdict in the Story (2008)
| USA
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Adr Engineer
'Bones' The Crank in the Shaft (2008)
| USA
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Body of Lies (2008)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Engineer
Babylon A.D. (2008)
| France, UK
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Adr Engineer
Welcome Home, Roscoe Jenkins (2008)
| USA
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Adr Engineer
'Bones' The Yanks in the U.K.: Parts 1 and 2 (2008)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Adr Engineer
Live Free or Die Hard (2007)
| USA, UK
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Adr Engineer
'Bones' The Man in the Cell (2007)
| USA
Directed by: Jesús Salvador Treviño
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Adr Engineer
Fantastic Four: Rise of the Silver Surfer (2007)
| USA, Germany, UK
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Adr Engineer
Lions for Lambs (2007)
| USA
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Engineer
'Bones' Spaceman in a Crater (2007)
| USA
Directed by: Jeannot Szwarc
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' Mummy in the Maze (2007)
| USA
Directed by: Marita Grabiak
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'The Simpsons' Eternal Moonshine of the Simpson Mind (2007)
| USA
Directed by: Chuck Sheetz
Adr Engineer
Pirates of the Caribbean: At World's End (2007)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Adr Engineer
'Bones' The Bodies in the Book (2007)
| USA
Directed by: Craig Ross Jr.
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Adr Engineer
The Comebacks (2007)
| USA
Directed by: Tom Brady
Cinematography by: Anthony B. Richmond
Edited by: Alan Edward Bell
Adr Engineer
'Bones' The Widow's Son in the Windshield (2007)
| USA
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Adr Engineer
Enchanted (2007)
| USA
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Engineer
Beowulf (2007)
| USA
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Adr Engineer
'Bones' The Knight on the Grid (2007)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Priest in the Churchyard (2007)
| USA
Directed by: Scott Lautanen
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'Bones' The Secret in the Soil (2007)
| USA
Directed by: Steven DePaul
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
Aliens vs. Predator: Requiem (2007)
| USA
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Adr Engineer
'Bones' The Man in the Mansion (2007)
| USA
Directed by: Dwight H. Little
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
'The Simpsons' Revenge Is a Dish Best Served Three Times (2007)
| USA
Directed by: Michael Polcino
Adr Engineer
'Bones' Stargazer in a Puddle (2007)
| USA
Directed by: Tony Wharmby
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
'Bones' Boy in the Time Capsule (2007)
| USA
Directed by: Chad Lowe
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer
'The Simpsons' You Kent Always Say What You Want (2007)
| USA
Directed by: Matthew Nastuk
Dialogue Engineer
The Simpsons Movie (2007)
| USA
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Adr Engineer
'Bones' The Killer in the Concrete (2007)
| USA
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Adr Engineer
'Bones' Death in the Saddle (2007)
| USA
Directed by: Craig Ross Jr.
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht
Adr Engineer
Blades of Glory (2007)
| USA
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Adr Engineer
'The Simpsons' I Don't Wanna Know Why the Caged Bird Sings (2007)
| USA
Directed by: Bob Anderson
Adr Engineer
3:10 to Yuma (2007)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Adr Engineer
'Bones' The Girl in the Gator (2007)
| USA
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Adr Engineer
'Bones' The Glowing Bones in 'The Old Stone House' (2007)
| USA
Directed by: Caleb Deschanel
Cinematography by: Gordon Lonsdale
Edited by: Casey O. Rohrs
Adr Engineer
Transformers (2007)
| USA
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Adr Engineer
'Bones' Intern in the Incinerator (2007)
| USA
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Hairspray (2007)
| USA, UK
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Adr Engineer
'Bones' The Boneless Bride in the River (2007)
| USA
Directed by: Tony Wharmby
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Adr Engineer
'Bones' Soccer Mom in the Mini-Van (2007)
| USA
Directed by: Allan Kroeker
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Adr Engineer
Norbit (2007)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Engineer
'Bones' The Santa in the Slush (2007)
| USA
Directed by: Jeff Woolnough
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Adr Engineer, Adr Stage Engineer
'Bones' The Skull in the Desert (2006)
| USA
Directed by: Donna Deitch
Cinematography by: Dennis Hall
Edited by: Thomas R. Moore
Adr Engineer
Mission: Impossible III (2006)
| USA, Germany, China, Italy
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Adr Engineer
'Bones' The Titan on the Track (2006)
| USA
Directed by: Tony Wharmby
Cinematography by: Gordon Lonsdale
Edited by: Thomas R. Moore
Adr Engineer
A Good Year (2006)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Adr Engineer
Eragon (2006)
| USA, UK, Hungary
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Adr Engineer
'Bones' The Woman in the Sand (2006)
| USA
Directed by: Kate Woods
Cinematography by: Gordon Lonsdale
Edited by: Andrea Folprecht