Cinematographer
'Bones' The Final Chapter: The Grief and the Girl (2017)
Directed by: Anton Cropper
Edited by: Rick Tuber
Director
'Bones' The Final Chapter: The Steal in the Wheels (2017)
Directed by: Robert Reed Altman
Cinematography by: Jules Labarthe
Edited by: Bill Lynch
Additional Photography
'Bones' The Final Chapter: The Radioactive Panthers in the Party (2017)
Directed by: Michael Lange
Cinematography by: Jules Labarthe
Edited by: Rick Tuber
Cinematographer
'Bones' The Final Chapter: The Day in the Life (2017)
Directed by: Ian Toynton
Cinematography by: Robert Reed Altman
Edited by: C.J. Liao
Cinematographer
'Bones' The Final Chapter: The End in the End (2017)
Directed by: David Boreanaz
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Final Chapter: The Flaw in the Saw (2017)
Directed by: Denise Di Novi
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Final Chapter: The Tutor in the Tussle (2017)
Directed by: Dwight H. Little
Cinematography by: Robert Reed Altman
Edited by: C.J. Liao
Cinematographer
'Bones' The Final Chapter: The Price for the Past (2017)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Rick Tuber
Cinematographer
'Bones' The Final Chapter: The New Tricks in the Old Dogs (2017)
Directed by: David Grossman
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Final Chapter: The Brain in the Bot (2017)
Directed by: Ian Toynton
Cinematography by: Robert Reed Altman
Edited by: C.J. Liao
Cinematographer
'Bones' The Final Chapter: The Hope in the Horror (2017)
Directed by: Emily Deschanel
Cinematography by: Robert Reed Altman
Edited by: Rick Tuber
Director Of Photography
'Bones' The Nightmare in the Nightmare (2016)
Directed by: David Boreanaz
Cinematography by: Robert Reed Altman
Cinematographer
'Bones' The Jewel in the Crown (2016)
Directed by: David Grossman
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Stiff in the Cliff (2016)
Directed by: Jeannot Szwarc
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Cinematographer
'Bones' The Head in the Abutment (2016)
Directed by: Ian Toynton
Cinematography by: Robert Reed Altman
Edited by: C.J. Liao
Cinematographer
'Bones' The Movie in the Making (2016)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Director Of Photography
'Bones' The Secret in the Service (2016)
Directed by: Dwight H. Little
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Cinematographer
'Bones' The Strike in the Chord (2016)
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Cinematographer
'Bones' The Fight in the Fixer (2016)
Directed by: Silver Tree
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Last Shot at a Second Chance (2016)
Directed by: David Grossman
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Cinematographer
'Bones' The Monster in the Closet (2016)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Cinematographer
'Bones' The Murder of the Meninist (2016)
Directed by: Ian Toynton
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Death in the Defense (2016)
Directed by: Arlene Sanford
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Cinematographer
'Bones' The Doom in the Boom (2015)
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Director Of Photography
'Bones' The Cowboy in the Contest (2015)
Directed by: Chad Lowe
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Director Of Photography
'Bones' High Treason in the Holiday Season (2015)
Directed by: Anne Renton
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Cinematographer
'Bones' The Promise in the Palace (2015)
Directed by: Jeannot Szwarc
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Cinematographer
'Bones' The Senator in the Street Sweeper (2015)
Directed by: Steve Robin
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Resurrection in the Remains (2015)
Directed by: Chad Lowe
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Cinematographer
'Bones' The Carpals in the Coy-Wolves (2015)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Cinematographer
'Bones' The Donor in the Drink (2015)
Directed by: Michael Lange
Cinematography by: Robert Reed Altman
Edited by: Bill Lynch
Cinematographer
'Bones' The Brother in the Basement (2015)
Directed by: Dwight H. Little
Cinematography by: Robert Reed Altman
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Life in the Light (2015)
Directed by: Randy Zisk
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Next in the Last (2015)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Director Of Photography
'Bones' The Loyalty in the Lie (2015)
Directed by: Randy Zisk
Cinematography by: Robert Reed Altman
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Woman in the Whirlpool (2015)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Murder in the Middle East (2015)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Lost in the Found (2015)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Verdict in the Victims (2015)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Big Beef at the Royal Diner (2015)
Directed by: Alex Chapple
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Eye in the Sky (2015)
Directed by: Arlene Sanford
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Putter in the Rough (2015)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Teacher in the Books (2015)
Directed by: Anne Renton
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Baker in the Bits (2015)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera
'Bones' The Psychic in the Soup (2015)
Directed by: Jeannot Szwarc
Cinematography by: Loren S. Yaconelli
Edited by: Richard Currie
Director Of Phtography: Additional Photography
3 Days to Kill (2014)
Directed by: McG
Cinematography by: Thierry Arbogast
Edited by: Audrey Simonaud
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The 200th in the 10th (2014)
Directed by: David Boreanaz
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Mutilation of the Master Manipulator (2014)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Puzzler in the Pit (2014)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Money Maker on the Merry-Go-Round (2014)
Directed by: Michael Lange
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Lost Love in the Foreign Land (2014)
Directed by: Allison Liddi-Brown
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Corpse at the Convention (2014)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Geek in the Guck (2014)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Purging of the Pundit (2014)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Lance to the Heart (2014)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Conspiracy in the Corpse (2014)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera / Second Unit Director Of Photography
'Bones' The Recluse in the Recliner (2014)
Directed by: David Boreanaz
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera / Second Unit Director Of Photography
'Bones' The Drama in the Queen (2014)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Second Unit Director Of Photography
'Bones' The Nail in the Coffin (2014)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera / Second Unit Director Of Photography
'Bones' The Cold in the Case (2014)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera
'Bones' The High in the Low (2014)
Directed by: Anne Renton
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Turn in the Urn (2014)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera
'Bones' The Carrot in the Kudzu (2014)
Directed by: Rob Hardy
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera
'Bones' The Repo Man in the Septic Tank (2014)
Directed by: Jeffrey Walker
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Source in the Sludge (2014)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera
'Bones' The Heiress in the Hill (2014)
Directed by: Milan Cheylov
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera
'Bones' The Master in the Slop (2014)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Casey O. Rohrs
"a" Camera Operator / Second Unit Director Of Photography
'Bones' Big in the Philippines (2014)
Directed by: David Boreanaz
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera
'Bones' The Ghost in the Killer (2014)
Directed by: Allison Liddi-Brown
Cinematography by: Gregory Paul Collier
Camera Operator: "a" Camera, Los Angeles
21 & Over (2013)
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Camera Operator: "a" Camera
'Bones' The Spark in the Park (2013)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera
'Bones' The Mystery in the Meat (2013)
Directed by: Tim Southam
Cinematography by: Gregory Paul Collier
Edited by: C.J. Liao
Camera Operator: "a" Camera / Director Of Photography: Second Unit
'Bones' The Fury in the Jury (2013)
Directed by: Dwight H. Little
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator: "a" Camera
'Bones' The Dude in the Dam (2013)
Directed by: Kevin Hooks
Cinematography by: Gregory Paul Collier
Camera Operator: "a" Camera
'Bones' The Nazi on the Honeymoon (2013)
Directed by: Jeannot Szwarc
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera
'Bones' The Woman in White (2013)
Directed by: Kevin Hooks
Cinematography by: Gregory Paul Collier
Edited by: Bill Lynch
Camera Operator: "a" Camera
'Bones' The Lady on the List (2013)
Directed by: Chad Lowe
Cinematography by: Gregory Paul Collier
Camera Operator: "a" Camera
'Bones' El Carnicero en el Coche (2013)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Richard Currie
Camera Operator: "a" Camera
'Bones' The Sense in the Sacrifice (2013)
Directed by: Kate Woods
Cinematography by: Gregory Paul Collier
Edited by: Richard Currie
Camera Operator: "a" Camera
'Bones' The Secrets in the Proposal (2013)
Directed by: Ian Toynton
Cinematography by: Gregory Paul Collier
Edited by: Kimberly Ettinger
Camera Operator
'Hart of Dixie' Old Alabama (2013)
Directed by: David Paymer
Cinematography by: Buzz Feitshans IV
Edited by: Jeff Granzow
Camera Operator
'Hart of Dixie' Islands in the Stream (2013)
Directed by: Joe Lazarov
Cinematography by: Buzz Feitshans IV
Edited by: Les Butler
Camera Operator
'Hart of Dixie' Lovesick Blues (2013)
Directed by: Ron Lagomarsino
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Camera Operator
'Hart of Dixie' Take Me Home, Country Roads (2013)
Directed by: Jeremiah S. Chechik
Cinematography by: Buzz Feitshans IV
Edited by: Jeff Granzow
Camera Operator
'Hart of Dixie' The Gambler (2013)
Directed by: James Hayman
Cinematography by: Buzz Feitshans IV
Edited by: Les Butler
Camera Operator
'Hart of Dixie' Where I Lead Me (2013)
Directed by: Kevin Mock
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Camera Operator
'Hart of Dixie' We Are Never Ever Getting Back Together (2013)
Directed by: David Paymer
Cinematography by: Buzz Feitshans IV
Edited by: Jeff Granzow
Camera Operator
'Hart of Dixie' Why Don't We Get Drunk? (2013)
Directed by: Rebecca Asher
Cinematography by: Buzz Feitshans IV
Edited by: Les Butler
Camera Operator
'Hart of Dixie' The Kiss (2013)
Directed by: Bethany Rooney
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Camera Operator
'Hart of Dixie' If Tomorrow Never Comes (2013)
Directed by: James Hayman
Cinematography by: Buzz Feitshans IV
Edited by: Jeff Granzow
Camera Operator
'Hart of Dixie' I'm Moving On (2013)
Directed by: Janice Cooke
Cinematography by: Buzz Feitshans IV
Edited by: Les Butler
Camera Operator
'Hart of Dixie' On the Road Again (2013)
Directed by: Tim Matheson
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Cinematographer: Intro Sequence
Columbus Circle (2012)
Directed by: George Gallo
Cinematography by: Anastas N. Michos
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "a" Camera, Additional Photography, Los Angeles
The Collection (2012)
Directed by: Marcus Dunstan
Cinematography by: Sam McCurdy
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Camera Operator: "a" Camera
'Bones' The But in the Joke (2012)
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Edited by: Kimberly Ettinger
Camera Operator
'Hart of Dixie' I Fall to Pieces (2012)
Directed by: Tim Matheson
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Camera Operator
'Hart of Dixie' Always on My Mind (2012)
Directed by: Anton Cropper
Cinematography by: Buzz Feitshans IV
Edited by: Jeff Granzow
Camera Operator
'Hart of Dixie' If It Makes You Happy (2012)
Directed by: Elodie Keene
Cinematography by: Buzz Feitshans IV
Edited by: Les Butler
Camera Operator
'Hart of Dixie' Suspicious Minds (2012)
Directed by: John Stephens
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Camera Operator
'Hart of Dixie' Walkin' After Midnight (2012)
Directed by: Joe Lazarov
Cinematography by: Buzz Feitshans IV
Edited by: Jeff Granzow
Camera Operator
'Hart of Dixie' I Walk the Line (2012)
Directed by: Tim Matheson
Cinematography by: Buzz Feitshans IV
Edited by: Les Butler
Camera Operator
'Hart of Dixie' Baby, Don't Get Hooked on Me (2012)
Directed by: Michael Schultz
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Camera Operator
'Hart of Dixie' Achy Breaky Hearts (2012)
Directed by: Janice Cooke
Cinematography by: Buzz Feitshans IV
Edited by: Jeff Granzow
Camera Operator
'Hart of Dixie' Sparks Fly (2012)
Directed by: Norman Buckley
Cinematography by: Buzz Feitshans IV
Edited by: Les Butler
Camera Operator
'Hart of Dixie' Blue Christmas (2012)
Directed by: Patrick R. Norris
Cinematography by: Buzz Feitshans IV
Edited by: Brandi Bradburn
Camera Operator - 22 Episodes, 2012-2013
Hart of Dixie (2011)
Directed by: David Paymer, Tim Matheson, James Hayman, Joe Lazarov, Janice Cooke, Patrick R. Norris, Bethany Rooney, Jeremiah S. Chechik, Ron Lagomarsino, Michael Schultz, Kevin Mock, Mary Lou Belli, Tom Amandes, Jason Ensler, John Stephens, Elodie Keene, Brandi Bradburn, Rebecca Asher, Les Butler, Ricardo Méndez Matta, Andrew McCarthy, Norman Buckley, Anton Cropper, Andy Wolk, Richard W. Abramitis
Edited by: Jeff Granzow, Brandi Bradburn, Les Butler, Barbara Gerard, Benjamin J. Bumgarner, Luke Pebler
Cameras: Sony CineAlta F35 Camera
Camera Operator: Second Unit
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Camera Operator
Alien Raiders (2008)
Directed by: Ben Rock
Cinematography by: Walt Lloyd
Edited by: Augie Hess
Camera Operator
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Camera Operator
'Lost' The Economist (2008)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Edited by: Christopher Nelson
Camera Operator
'Lost' The Constant (2008)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Edited by: Mark Goldman
Camera Operator
'Lost' The Other Woman (2008)
Directed by: Eric Laneuville
Cinematography by: Cort Fey
Edited by: Christopher Nelson
Camera Operator
'Lost' Ji Yeon (2008)
Directed by: Stephen Semel
Cinematography by: John S. Bartley
Edited by: Henk Van Eeghen
Camera Operator
'Lost' Meet Kevin Johnson (2008)
Directed by: Stephen Williams
Cinematography by: Cort Fey
Edited by: Mark Goldman
Camera Operator
'Lost' The Shape of Things to Come (2008)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Edited by: Stephen Semel
Camera Operator
'Lost' Something Nice Back Home (2008)
Directed by: Stephen Williams
Cinematography by: Cort Fey
Edited by: Henk Van Eeghen
Camera Operator
'Lost' Cabin Fever (2008)
Directed by: Paul A. Edwards
Cinematography by: John S. Bartley
Edited by: Mark Goldman
Camera Operator
'Lost' There's No Place Like Home: Part 1 (2008)
Directed by: Stephen Williams
Cinematography by: Cort Fey
Camera Operator
'Lost' There's No Place Like Home: Part 2 (2008)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Camera Operator
'Lost' D.O.C. (2007)
Directed by: Frederick E.O. Toye
Cinematography by: Cort Fey
Edited by: Christopher Nelson
Camera Operator
'Lost' The Brig (2007)
Directed by: Eric Laneuville
Cinematography by: John S. Bartley
Edited by: Mark Goldman
Camera Operator
'Lost' The Man Behind the Curtain (2007)
Directed by: Bobby Roth
Cinematography by: Cort Fey
Edited by: Stephen Semel
Camera Operator
'Lost' Greatest Hits (2007)
Directed by: Stephen Williams
Cinematography by: Michael Bonvillain
Edited by: Christopher Nelson
Camera Operator
'Lost' Through the Looking Glass (2007)
Directed by: Jack Bender
Cinematography by: John S. Bartley
Camera Operator
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Camera Operator
The Dukes of Hazzard (2005)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Camera Operator: "a" Camera / Director Of Photography: Second Unit / Second Unit Director Of Photography / "a" Camera Operator / Additional Photography - 47 Episodes, 2012-2017, Cinematographer - 31 Episodes, 2015-2017, Director - 1 Episode, 2017
Bones (2005)
Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi
Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli
Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera
Camera Operator - 16 Episodes, 2007-2008
Lost (2004)
Directed by: Jack Bender, Stephen Williams, Paul A. Edwards, Tucker Gates, Eric Laneuville, Greg Yaitanes, Bobby Roth, Kevin Hooks, J.J. Abrams, Daniel Attias, Rod Holcomb, Karen Gaviola, Stephen Semel, Marita Grabiak, Michael Zinberg, Adam Davidson, David Grossman, Robert Mandel, Alan Taylor, Matt Earl Beesley, Roxann Dawson, Deran Sarafian, Paris Barclay, Frederick E.O. Toye, Mark Goldman, Mario Van Peebles
Cinematography by: John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei
Edited by: Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Operator: Additional Photography
Where the Red Fern Grows (2003)
Cinematography by: James Jansen
Edited by: Paul Trejo
Camera Operator
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Camera Operator
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Camera Operator: "b" Camera
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Camera Operator
Dr. T & the Women (2000)
Directed by: Robert Altman
Cinematography by: Jan Kiesser
Edited by: Geraldine Peroni
Camera Operator / Director Of Photography: Second Unit
Cookie's Fortune (1999)
Directed by: Robert Altman
Cinematography by: Toyomichi Kurita
Edited by: Abraham Lim
Camera Operator
The Gingerbread Man (1998)
Directed by: Robert Altman
Cinematography by: Changwei Gu
Edited by: Geraldine Peroni
Camera Operator: Second Unit
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Camera Operator
Kansas City (1996)
Directed by: Robert Altman
Cinematography by: Oliver Stapleton
Edited by: Geraldine Peroni
Camera Operator
Andersonville (1996)
Directed by: John Frankenheimer
Cinematography by: Ric Waite
Edited by: Paul Rubell
First Assistant Camera: Las Vegas
Another Stakeout (1993)
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss
Assistant Camera: Second Unit
Run (1991)
Directed by: Geoff Burrowes
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
First Assistant Camera: "b" Camera
Predator 2 (1990)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Assistant Camera
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)
Directed by: Robert Altman
Cinematography by: Pierre Mignot
Edited by: Jason Rosenfield
Camera Loader
A Perfect Couple (1979)
Directed by: Robert Altman
Cinematography by: Edmond L. Koons
Edited by: Tony Lombardo
Cameras: Panavision Cameras
Camera Assistant
A Wedding (1978)
Directed by: Robert Altman
Cinematography by: Charles Rosher Jr.
Edited by: Tony Lombardo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
