Adr Mixer
House of Gucci (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Adr Recordist
Promising Young Woman (2020)
Directed by: Emerald Fennell
Cinematography by: Benjamin Kracun
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA Mini Camera
Adr Recordist: 20TH Century FOX
Sonic the Hedgehog (2020)
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Adr Recordist
Seberg (2019)
Directed by: Benedict Andrews
Cinematography by: Rachel Morrison
Edited by: Pamela Martin
Adr Recordist
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Editing System: Adobe Premiere Editing System
Adr Recordist
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Adr Recordist
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Adr Recordist
John Wick: Chapter 3 - Parabellum (2019)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Adr Recordist: 20TH Century FOX
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Sound Recordist
'The Simpsons' Throw Grampa from the Dane (2018)
Adr Recordist
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Adr Recordist
Love, Simon (2018)
Directed by: Greg Berlanti
Cinematography by: John Guleserian
Edited by: Harry Jierjian
Cameras: ARRI ALEXA XT Camera
Adr Recordist
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Adr Recordist
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Adr Recordist
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Adr Recordist
Goodbye Christopher Robin (2017)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Victoria Boydell
Adr Recordist
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Adr Recordist
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Adr Recordist
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Adr Recordist
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Adr Recordist: 20TH Century FOX Studios
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Adr Recordist
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Adr Recordist
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Adr Recordist
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Adr Recordist
Why Him? (2016)
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Sound Recordist
'The Simpsons' Dad Behavior (2016)
Adr Recordist
The Edge of Seventeen (2016)
Directed by: Kelly Fremon Craig
Cinematography by: Doug Emmett
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Adr Recordist
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Adr Recordist
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Adr Recordist
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Sound Recordist
'The Simpsons' The Man Who Came to Be Dinner (2015)
Adr Recordist
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Adr Recordist
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Adr Recordist / Adr Recordist: 20th Century Fox Studios
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Adr Recordist
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Adr Recordist
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Adr Recordist
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Adr Recordist
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Adr Recordist
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Adr Recordist
Wild (2014)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA XT Camera
Adr Recordist
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Adr Recordist
The Gambler (2014)
Directed by: Rupert Wyatt
Cinematography by: Greig Fraser
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA XT Camera
Sound Recordist
'The Simpsons' Married to the Blob (2014)
Adr Recordist
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Adr Recordist
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Adr Recordist
Stoker (2013)
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Adr Recordist
Epic (2013)
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Adr Recordist
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Adr Recordist
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Adr Recordist
'How I Met Your Mother' The Locket (2013)
Directed by: Pamela Fryman
Cinematography by: Chris La Fountaine
Edited by: Susan Federman
Adr Recordist
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Adr Recordist
Ender's Game (2013)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Cameras: Red Epic Camera
Adr Recordist
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Adr Recordist
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Adr Recordist
'How I Met Your Mother' Last Time in New York (2013)
Directed by: Pamela Fryman
Cinematography by: Chris La Fountaine
Edited by: Susan Federman
Adr Recordist
'How I Met Your Mother' Coming Back (2013)
Directed by: Pamela Fryman
Cinematography by: Chris La Fountaine
Edited by: Susan Federman
Sound Recordist
'The Simpsons' Treehouse of Horror XXIV (2013)
Adr Recordist
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Adr Recordist
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Recordist
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Adr Recordist
Diary of a Wimpy Kid: Dog Days (2012)
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Adr Recordist
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Adr Recordist
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Adr Recordist
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Adr Recordist: 20th Century Fox Studios
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Adr Recordist
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Adr Recordist: Twentieth Century Fox Studios
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Adr Recordist
We Bought a Zoo (2011)
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Adr Recordist
Alvin and the Chipmunks: Chipwrecked (2011)
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Adr Recordist
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Adr Recordist
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Adr Recordist
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Adr Recordist
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Adr Recordist
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Adr Recordist
Monte Carlo (2011)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Adr Recordist
Mr. Popper's Penguins (2011)
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Adr Recordist
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Adr Recordist
Rio (2011)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Adr Recordist
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Adr Recordist
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Adr Recordist
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Adr Recordist
Diary of a Wimpy Kid (2010)
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Adr Recordist
Gulliver's Travels (2010)
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Adr Recordist
Date Night (2010)
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Adr Recordist
Love & Other Drugs (2010)
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Adr Recordist
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Adr Recordist
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Adr Recordist
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Adr Recordist
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Adr Recordist
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Adr Recordist
Tooth Fairy (2010)
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Adr Recordist
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Adr Recordist
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Adr Recordist
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Adr Recordist
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Adr Recordist
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Adr Recordist
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Adr Recordist
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Adr Recordist
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Adr Recordist
All About Steve (2009)
Directed by: Phil Traill
Cinematography by: Tim Suhrstedt
Cameras: Panavision Cameras
Adr Recordist
Bride Wars (2009)
Directed by: Gary Winick
Cinematography by: Frederick Elmes
Edited by: Susan Littenberg
Cameras: ARRI Cameras
Adr Recordist
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Adr Recordist
Mother and Child (2009)
Directed by: Rodrigo García
Cinematography by: Xavier Grobet
Edited by: Steven Weisberg
Adr Recordist
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Adr Recordist
What Happens in Vegas (2008)
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Adr Recordist
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Adr Recordist
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Adr Recordist
Recount (2008)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Adr Recordist
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Adr Recordist
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Adr Recordist
Max Payne (2008)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Adr Recordist
Babylon A.D. (2008)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Adr Recordist
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Adr Recordist
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Charlie Bartlett (2007)
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Adr Recordist
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Adr Recordist
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Adr Recordist
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Adr Recordist: Post-production
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Adr Recordist
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Adr Recordist
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Adr Recordist
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Adr Recordist
Failure to Launch (2006)
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Adr Recordist
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Adr Recordist
A Good Year (2006)
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Adr Recordist
Flicka (2006)
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Sound Recordist
Aquamarine (2006)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Brian J. Breheny
Edited by: Jane Moran
Cameras: Panavision Cameras
Adr Recordist: Twentieth Century Fox Studios
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Adr Engineer / Adr Recordist
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Adr Recordist
The Family Stone (2005)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Adr Recordist
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Adr Recordist
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Adr Recordist
Hide and Seek (2005)
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Adr Recordist
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Adr Recordist
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Adr Recordist
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Adr Recordist
Little Manhattan (2005)
Directed by: Mark Levin
Cinematography by: Tim Orr
Edited by: Alan Edward Bell
Editing System: Final Cut Pro Editing System
Adr Recordist
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Adr Recordist
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Adr Recordist
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Adr Recordist
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Adr Recordist
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Adr Recordist
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Adr Recordist
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Adr Recordist: Los Angeles
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Adr Recordist
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Adr Recordist
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Adr Recordist
Shrek 2 (2004)
Adr Recordist
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Adr Recordist
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist: 20th Century Fox
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Adr Recordist
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Adr Recordist
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Adr Recordist
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Adr Recordist
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Adr Recordist
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Adr Recordist
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Adr Recordist
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Adr Recordist
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Adr Recordist
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Adr Recordist: Twentieth Century Fox Studios
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Adr Recordist
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Adr Recordist
People I Know (2002)
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Adr Recordist: USA
Moulin Rouge! (2001)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Adr Recordist: LA
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer: Los Angeles
Birthday Girl (2001)
Directed by: Jez Butterworth
Cinematography by: Oliver Stapleton
Edited by: Christopher Tellefsen
Adr Recordist
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Adr Recordist
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Adr Recordist
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Adr Recordist
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Adr Recordist
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Adr Recordist
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Adr Recordist
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Adr Recordist
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Adr Recordist
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Adr Recordist
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Adr Recordist
Me, Myself & Irene (2000)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Adr Recordist
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Adr Recordist
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Adr Recordist
Remember the Titans (2000)
Directed by: Boaz Yakin
Cinematography by: Philippe Rousselot
Edited by: Michael Tronick
Adr Recordist
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Adr Recordist
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Adr Recordist
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Adr Recordist
The Beach (2000)
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
Adr Recordist
Office Space (1999)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Adr Recordist
Anywhere But Here (1999)
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Adr Recordist
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Adr Recordist
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Adr Recordist
Never Been Kissed (1999)
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Adr Recordist
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Adr Recordist
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Adr Recordist
How Stella Got Her Groove Back (1998)
Directed by: Kevin Rodney Sullivan
Cinematography by: Jeffrey Jur
Edited by: George Bowers
Adr Recordist
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Adr Recordist
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Adr Recordist
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Adr Recordist
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Recordist - 5 Episodes, 2013-2018
The Simpsons (1989)
Directed by: Mike B. Anderson, Mark Kirkland, Steven Dean Moore, Bob Anderson, Matthew Nastuk, Jim Reardon, Michael Polcino, David Silverman, Wesley Archer, Nancy Kruse, Chris Clements, Lance Kramer, Rob Oliver, Chuck Sheetz, Rich Moore, Matthew Faughnan, Timothy Bailey, Jeffrey Lynch, Susie Dietter, Pete Michels, Raymond S. Persi, Carlos Baeza, Swinton O. Scott III, Dominic Polcino, Neil Affleck, Michael Marcantel, Lauren MacMullan, Matthew Schofield, Ralph Sosa, Mark Ervin, Jen Kamerman, Milton Gray, Brad Bird, Kent Butterworth, John Harvatine IV, Gregg Vanzo, Alan Smart, David Mirkin, Klay Hall, Shaun Cashman, Guillermo del Toro, Don Hertzfeldt, Bill Plympton, Jennifer Moeller
