Ryan Robinson

237 Titles

Is this you? Add a Profile

Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Re-recording Engineer: The Walt Disney Company

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Re-recording Engineer: The Walt Disney Company

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Doctor Sleep | ShotOnWhat?

Scoring Technical Support Engineer

Doctor Sleep (2019)

Directed by: Mike Flanagan

Cinematography by: Michael Fimognari

Edited by: Mike Flanagan

Cameras: ARRI ALEXA 65 Camera

Lenses: Hasselblad Lenses

Green Book | ShotOnWhat?

Scoring Technical Support Engineer

Green Book (2018)

Directed by: Peter Farrelly

Cinematography by: Sean Porter

Edited by: Patrick J. Don Vito

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Incredibles 2 | ShotOnWhat?

Score Mix Technical Support Engineer

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Ready Player One | ShotOnWhat?

Scoring Technical Support Engineer: Choir

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

The Nun | ShotOnWhat?

Scoring Technical Support Engineer

The Nun (2018)

Directed by: Corin Hardy

Cinematography by: Maxime Alexandre

Edited by: Michel Aller, Ken Blackwell

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

Overboard | ShotOnWhat?

Scoring Technical Support Engineer

Overboard (2018)

Directed by: Rob Greenberg

Cinematography by: Michael Barrett

Edited by: Lee Haxall

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses

Battle of the Sexes | ShotOnWhat?

Scoring Technical Support Engineer

Battle of the Sexes (2017)

Directed by: Jonathan Dayton, Valerie Faris

Cinematography by: Linus Sandgren

Edited by: Pamela Martin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

Coco | ShotOnWhat?

Scoring Technical Support Engineer

Coco (2017)

Directed by: Lee Unkrich, Adrian Molina

Edited by: Steve Bloom, Lee Unkrich

Girls Trip | ShotOnWhat?

Scoring Technical Support Engineer

Girls Trip (2017)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Geostorm | ShotOnWhat?

Scoring Technical Support Engineer

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Scoring Technical Support Engineer

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Finest Hours | ShotOnWhat?

Scoring Technical Support Engineer

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Allegiant | ShotOnWhat?

Score Mix Technical Support

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Zootopia | ShotOnWhat?

Scoring Technical Support Engineer

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

10 Cloverfield Lane | ShotOnWhat?

Scoring Technical Support Engineer

10 Cloverfield Lane (2016)

Directed by: Dan Trachtenberg

Cinematography by: Jeff Cutter

Edited by: Stefan Grube

Cameras: Red Epic Dragon Camera

The 5th Wave | ShotOnWhat?

Scoring Technical Support Engineer

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Suicide Squad | ShotOnWhat?

Scoring Technical Support Engineer

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Secret Life of Pets | ShotOnWhat?

Scoring Technical Support Engineer

The Secret Life of Pets (2016)

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

The Accountant | ShotOnWhat?

Scoring Technical Support Engineer

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The SpongeBob Movie: Sponge Out of Water | ShotOnWhat?

Scoring Technical Support Engineer

The SpongeBob Movie: Sponge Out of Water (2015)

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Run All Night | ShotOnWhat?

Scoring Technical Support Engineer

Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

San Andreas | ShotOnWhat?

Scoring Technical Support Engineer

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Scoring Technical Support Engineer

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

The Intern | ShotOnWhat?

Scoring Technical Support Engineer

The Intern (2015)

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Tomorrowland | ShotOnWhat?

Scoring Technical Support Engineer

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Trumbo | ShotOnWhat?

Scoring Technical Support Engineer

Trumbo (2015)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Creed | ShotOnWhat?

Scoring Technical Support Engineer

Creed (2015)

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Inside Out | ShotOnWhat?

Scoring Stage Crew

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Furious 7 | ShotOnWhat?

Scoring Technical Support Engineer

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Into the Storm | ShotOnWhat?

Scoring Technical Support Engineer

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

300: Rise of an Empire | ShotOnWhat?

Scoring Technical Support Engineer

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Godzilla | ShotOnWhat?

Scoring Technical Support Engineer

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

The Single Moms Club | ShotOnWhat?

Scoring Technical Support Engineer

The Single Moms Club (2014)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Annie | ShotOnWhat?

Scoring Technical Support Engineer

Annie (2014)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony PMW-F55 Camera

Million Dollar Arm | ShotOnWhat?

Scoring Technical Support Engineer

Million Dollar Arm (2014)

Directed by: Craig Gillespie

Cinematography by: Gyula Pados

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Teenage Mutant Ninja Turtles | ShotOnWhat?

Scoring Technical Support Engineer

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

This Is Where I Leave You | ShotOnWhat?

Scoring Technical Support Engineer / Technical Score Engineer

This Is Where I Leave You (2014)

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

American Sniper | ShotOnWhat?

Scoring Technical Support Engineer

American Sniper (2014)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Heaven Is for Real | ShotOnWhat?

Scoring Technical Support Engineer

Heaven Is for Real (2014)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Man of Steel | ShotOnWhat?

Scoring Technical Support Engineer

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Monsters University | ShotOnWhat?

Score Mix Technical Support Engineer

Monsters University (2013)

Directed by: Dan Scanlon

Edited by: Greg Snyder

Identity Thief | ShotOnWhat?

Scoring Technical Support Engineer

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Jack the Giant Slayer | ShotOnWhat?

Scoring Technical Support Engineer

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kick-Ass 2 | ShotOnWhat?

Scoring Technical Support Engineer

Kick-Ass 2 (2013)

Directed by: Jeff Wadlow

Cinematography by: Tim Maurice-Jones

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

The Hangover Part III | ShotOnWhat?

Scoring Technical Support Engineer

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Captain Phillips | ShotOnWhat?

Scoring Technical Support Engineer

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Nebraska | ShotOnWhat?

Scoring Technical Support Engineer

Nebraska (2013)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

Editing System: Avid Editing System

The Conjuring | ShotOnWhat?

Scoring Technical Support Engineer

The Conjuring (2013)

Directed by: James Wan

Cinematography by: John R. Leonetti

Edited by: Kirk M. Morri

Cameras: ARRI ALEXA Camera

Lenses: Leitz Summilux-C Series Lenses

The Heat | ShotOnWhat?

Score Technical Engineer

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

We're the Millers | ShotOnWhat?

Scoring Technical Support Engineer

We're the Millers (2013)

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Anchorman 2: The Legend Continues | ShotOnWhat?

Scoring Technical Support Engineer

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Frozen | ShotOnWhat?

Technical Music Assistant

Frozen (2013)

Directed by: Chris Buck, Jennifer Lee

Edited by: Jeff Draheim

Get a Horse! | ShotOnWhat?

Scoring Technical Support Engineer

Get a Horse! (2013)

Directed by: Lauren MacMullan

Edited by: Julie Rogers

Labor Day | ShotOnWhat?

Scoring Technical Support Engineer

Labor Day (2013)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

The Three Stooges | ShotOnWhat?

Scoring Technical Support Engineer

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

John Carter | ShotOnWhat?

Scoring And Mix Stage Crew / Scoring Technical Support Engineer

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Trouble with the Curve | ShotOnWhat?

Scoring Technical Support Engineer

Trouble with the Curve (2012)

Directed by: Robert Lorenz

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Dark Shadows | ShotOnWhat?

Score Mix Technical Support Engineer

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

American Reunion | ShotOnWhat?

Scoring Technical Support Engineer

American Reunion (2012)

Directed by: Jon Hurwitz, Hayden Schlossberg

Cinematography by: Daryn Okada

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Campaign | ShotOnWhat?

Scoring Technical Support Engineer

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

The Lucky One | ShotOnWhat?

Scoring Technical Support Engineer

The Lucky One (2012)

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

The Odd Life of Timothy Green | ShotOnWhat?

Scoring Technical Support Engineer

The Odd Life of Timothy Green (2012)

Directed by: Peter Hedges

Cinematography by: John Toll

Edited by: Andrew Mondshein

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Savages | ShotOnWhat?

Scoring Technical Support Engineer

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Big Miracle | ShotOnWhat?

Scoring Technical Support Engineer

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Here Comes the Boom | ShotOnWhat?

Scoring Technical Support Engineer

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Flight | ShotOnWhat?

Scoring Technical Support Engineer

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Paperman | ShotOnWhat?

Scoring Technical Support Engineer

Paperman (2012)

Directed by: John Kahrs

Edited by: Lisa Linder

The Guilt Trip | ShotOnWhat?

Scoring Technical Support Engineer

The Guilt Trip (2012)

Directed by: Anne Fletcher

Cinematography by: Oliver Stapleton

Edited by: Dana E. Glauberman, Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

New Year's Eve | ShotOnWhat?

Scoring Technical Support Engineer

New Year's Eve (2011)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

I Am Number Four | ShotOnWhat?

Scoring Crew / Scoring Technical Support Engineer

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Red Riding Hood | ShotOnWhat?

Scoring Technical Support Engineer

Red Riding Hood (2011)

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Hop | ShotOnWhat?

Scoring Technical Support Engineer

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Fast Five | ShotOnWhat?

Score Mix Crew

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

J. Edgar | ShotOnWhat?

Scoring Technical Support Engineer

J. Edgar (2011)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens

Too Big to Fail | ShotOnWhat?

Scoring Technical Support Engineer

Too Big to Fail (2011)

Television Movie

Directed by: Curtis Hanson

Cinematography by: Kramer Morgenthau

Edited by: Plummy Tucker, Barbara Tulliver

Zookeeper | ShotOnWhat?

Scoring Technical Support Engineer

Zookeeper (2011)

Directed by: Frank Coraci

Cinematography by: Michael Barrett

Edited by: Scott Hill

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Contagion | ShotOnWhat?

Scoring Technical Support Engineer

Contagion (2011)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Super 8 | ShotOnWhat?

Technical Score Engineer

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

The Rite | ShotOnWhat?

Scoring Technical Support Engineer

The Rite (2011)

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

Monte Carlo | ShotOnWhat?

Scoring Technical Support Engineer

Monte Carlo (2011)

Directed by: Thomas Bezucha

Cinematography by: Jonathan Brown

Edited by: Jeffrey Ford

Mr. Popper's Penguins | ShotOnWhat?

Scoring Technical Support Engineer

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Sucker Punch | ShotOnWhat?

Scoring Technical Support Engineer

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Mission: Impossible - Ghost Protocol | ShotOnWhat?

Score Mix Technical Support Engineer / Scoring Technical Support Engineer

Mission: Impossible - Ghost Protocol (2011)

Directed by: Brad Bird

Cinematography by: Robert Elswit

Edited by: Paul Hirsch

Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Muppets | ShotOnWhat?

Scoring Technical Support Engineer

The Muppets (2011)

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Change-Up | ShotOnWhat?

Scoring Crew / Scoring Technical Support Engineer

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Moneyball | ShotOnWhat?

Scoring Technical Support Engineer

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Cape | ShotOnWhat?

Scoring Technical Support Engineer - 1 Episode, 2011

The Cape (2011)

Television Series

Directed by: Deran Sarafian, Roxann Dawson, Ernest R. Dickerson, Karen Gaviola, Dennie Gordon, David Jackson, Michael Nankin, David Straiton, Simon West

Cinematography by: John Newby, Michael Negrin, Barry Peterson

Edited by: Casey Brown, Heather MacDougall, Michael O'Halloran, Sue Blainey, Ray Daniels III, John Duffy

"The Cape" Dice | ShotOnWhat?

Scoring Technical Support Engineer

'The Cape' Dice (2011)

Television Episode

Directed by: Michael Nankin

Cinematography by: John Newby

Edited by: Casey Brown

Arthur | ShotOnWhat?

Scoring Technical Support Engineer

Arthur (2011)

Directed by: Jason Winer

Cinematography by: Uta Briesewitz

Edited by: Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Knight and Day | ShotOnWhat?

Score Engineer / Scoring Technical Support Engineer

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Eat Pray Love | ShotOnWhat?

Scoring Technical Support Engineer

Eat Pray Love (2010)

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Hot Tub Time Machine | ShotOnWhat?

Score Technician

Hot Tub Time Machine (2010)

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Flipped | ShotOnWhat?

Scoring Technical Support Engineer

Flipped (2010)

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Classic Spherical Lenses

Yogi Bear | ShotOnWhat?

Scoring Technical Support Engineer

Yogi Bear (2010)

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Marmaduke | ShotOnWhat?

Scoring Technical Support Engineer

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Alice in Wonderland | ShotOnWhat?

Score Mix Technical Support Engineer

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Town | ShotOnWhat?

Scoring Technical Support Engineer

The Town (2010)

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

When in Rome | ShotOnWhat?

Scoring Technical Support Engineer

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Hereafter | ShotOnWhat?

Scoring Technical Support Engineer

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

You Again | ShotOnWhat?

Scoring Technical Support Engineer

You Again (2010)

Directed by: Andy Fickman

Cinematography by: David Hennings

Edited by: Keith Brachmann, David Rennie

Secretariat | ShotOnWhat?

Scoring Technical Support Engineer

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Life as We Know It | ShotOnWhat?

Scoring Technical Support Engineer

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Dear John | ShotOnWhat?

Scoring Technical Support Engineer

Dear John (2010)

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Kristina Boden

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Tooth Fairy | ShotOnWhat?

Scoring Technical Support Engineer

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Tangled | ShotOnWhat?

Music Recording Crew / Scoring Technical Support Engineer

Tangled (2010)

Directed by: Nathan Greno, Byron Howard

Edited by: Tim Mertens

Case 39 | ShotOnWhat?

Scoring Technical Support Engineer

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Race to Witch Mountain | ShotOnWhat?

Scoring Technical Support Engineer

Race to Witch Mountain (2009)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: David Rennie

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Public Enemies | ShotOnWhat?

Scoring Technical Support Engineer

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

12 Rounds | ShotOnWhat?

Scoring Stage Crew / Scoring Technical Support Engineer

12 Rounds (2009)

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Land of the Lost | ShotOnWhat?

Scoring Technical Support Engineer

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

A Single Man | ShotOnWhat?

Music Recording Stage Crew: Warner Bros

A Single Man (2009)

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Pink Panther 2 | ShotOnWhat?

Scoring Technical Support Engineer

The Pink Panther 2 (2009)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Julia Wong

Cameras: Moviecam Compact Camera

Hotel for Dogs | ShotOnWhat?

Scoring Technical Support Engineer

Hotel for Dogs (2009)

Directed by: Thor Freudenthal

Cinematography by: Michael Grady

Edited by: Sheldon Kahn

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Invictus | ShotOnWhat?

Scoring Technical Support Engineer

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Up | ShotOnWhat?

Scoring Crew

Up (2009)

Directed by: Pete Docter, Bob Peterson

Cinematography by: Patrick Lin

Edited by: Kevin Nolting

Old Dogs | ShotOnWhat?

Scoring Technical Support Engineer

Old Dogs (2009)

Directed by: Walt Becker

Cinematography by: Jeffrey L. Kimball

Edited by: Ryan Folsey, Tom Lewis

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Watchmen | ShotOnWhat?

Scoring Technical Support Engineer

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Seven Pounds | ShotOnWhat?

Scoring Technical Support Engineer

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Score Mix Technical Support Engineer

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Changeling | ShotOnWhat?

Scoring Crew / Scoring Technical Support Engineer

Changeling (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Tropic Thunder | ShotOnWhat?

Scoring Technical Support Engineer

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Swing Vote | ShotOnWhat?

Scoring Technical Support Engineer

Swing Vote (2008)

Directed by: Joshua Michael Stern

Cinematography by: Shane Hurlbut

Edited by: Jeff McEvoy

Four Christmases | ShotOnWhat?

Scoring Technical Support Engineer

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

Jumper | ShotOnWhat?

Scoring Technical Support Engineer

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

The Boy in the Striped Pajamas | ShotOnWhat?

Scoring Technical Support Engineer

The Boy in the Striped Pajamas (2008)

Directed by: Mark Herman

Cinematography by: Benoît Delhomme

Edited by: Michael Ellis

Role Models | ShotOnWhat?

Scoring Crew / Scoring Technical Support Engineer

Role Models (2008)

Directed by: David Wain

Cinematography by: Russ T. Alsobrook

Edited by: Eric Kissack

Cameras: Panavision Cameras

Gran Torino | ShotOnWhat?

Scoring Technical Support Engineer

Gran Torino (2008)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Body of Lies | ShotOnWhat?

Scoring Technical Support Engineer

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Love Guru | ShotOnWhat?

Scoring Technical Support Engineer

The Love Guru (2008)

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Speed Racer | ShotOnWhat?

Scoring Technical Support Engineer

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

Nights in Rodanthe | ShotOnWhat?

Scoring Technical Support Engineer

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

Get Smart | ShotOnWhat?

Scoring Technical Support Engineer

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Journey to the Center of the Earth | ShotOnWhat?

Scoring Technical Support Engineer

Journey to the Center of the Earth (2008)

Directed by: Eric Brevig

Cinematography by: Chuck Shuman

Edited by: Steven Rosenblum, Paul Martin Smith, Dirk Westervelt

Doubt | ShotOnWhat?

Scoring Technical Support Engineer

Doubt (2008)

Directed by: John Patrick Shanley

Cinematography by: Roger Deakins

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

August Rush | ShotOnWhat?

Scoring Technical Support Engineer

August Rush (2007)

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

License to Wed | ShotOnWhat?

Scoring Technical Support Engineer

License to Wed (2007)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Kathryn Himoff

Illegal Tender | ShotOnWhat?

Scoring Technical Support Engineer

Illegal Tender (2007)

Directed by: Franc. Reyes

Cinematography by: Frank Byers

Edited by: Tony Ciccone

Walk Hard: The Dewey Cox Story | ShotOnWhat?

Scoring Technical Support Engineer

Walk Hard: The Dewey Cox Story (2007)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

The Reaping | ShotOnWhat?

Scoring Technical Support Engineer

The Reaping (2007)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

The Kite Runner | ShotOnWhat?

Scoring Technical Support Engineer

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Kingdom | ShotOnWhat?

Scoring Crew

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

The Bucket List | ShotOnWhat?

Scoring Technical Support Engineer

The Bucket List (2007)

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Trick 'r Treat | ShotOnWhat?

Scoring Technical Support Engineer

Trick 'r Treat (2007)

Directed by: Michael Dougherty

Cinematography by: Glen MacPherson

Edited by: Robert Ivison

Aliens vs. Predator: Requiem | ShotOnWhat?

Scoring Technical Support Engineer

Aliens vs. Predator: Requiem (2007)

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

An American Crime | ShotOnWhat?

Scoring Technical Support Engineer

An American Crime (2007)

Directed by: Tommy O'Haver

Cinematography by: Byron Shah

Edited by: Melissa Kent

Cameras: Moviecam Compact Camera

Lenses: Hawk C-Series Lenses

Wild Hogs | ShotOnWhat?

Scoring Technical Support Engineer

Wild Hogs (2007)

Directed by: Walt Becker

Cinematography by: Robbie Greenberg

Edited by: Christopher Greenbury, Stuart H. Pappé

Cameras: Panavision Cameras

Disturbia | ShotOnWhat?

Scoring Technical Support Engineer

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rendition | ShotOnWhat?

Scoring Technical Support Engineer

Rendition (2007)

Directed by: Gavin Hood

Cinematography by: Dion Beebe

Edited by: Megan Gill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Shooter | ShotOnWhat?

Scoring Technical Support Engineer

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain Abu Raed | ShotOnWhat?

Scoring Technical Support Engineer

Captain Abu Raed (2007)

Directed by: Amin Matalqa

Cinematography by: Reinhart 'Rayteam' Peschke

Edited by: Laith Majali

Cameras: ARRIFLEX D-20 Camera

Editing System: Adobe Premiere Editing System, Avid Editing System

Lars and the Real Girl | ShotOnWhat?

Scoring Engineer

Lars and the Real Girl (2007)

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Breach | ShotOnWhat?

Scoring Crew

Breach (2007)

Directed by: Billy Ray

Cinematography by: Tak Fujimoto

Edited by: Jeffrey Ford

Cameras: Panavision Cameras

Ratatouille | ShotOnWhat?

Scoring Crew

Ratatouille (2007)

Directed by: Brad Bird, Jan Pinkava

Cinematography by: Robert Anderson

Edited by: Darren T. Holmes

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Scoring Technical Support Engineer

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Letters from Iwo Jima | ShotOnWhat?

Scoring Technical Support Engineer

Letters from Iwo Jima (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

You, Me and Dupree | ShotOnWhat?

Scoring Technical Support Engineer

You, Me and Dupree (2006)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

The Break-Up | ShotOnWhat?

Scoring Technical Support Engineer

The Break-Up (2006)

Directed by: Peyton Reed

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental, David Rosenbloom

The Marine | ShotOnWhat?

Scoring Technical Support Engineer

The Marine (2006)

Directed by: John Bonito

Cinematography by: David Eggby

Edited by: Dallas Puett

Superman Returns | ShotOnWhat?

Scoring Technical Support Engineer

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Payback: Straight Up | ShotOnWhat?

Scoring Technical Support Engineer

Payback: Straight Up (2006)

Direct to Video

Directed by: Brian Helgeland

Cinematography by: Ericson Core

Edited by: Kevin Stitt

Flags of Our Fathers | ShotOnWhat?

Scoring Technical Support Engineer

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Final Destination 3 | ShotOnWhat?

Scoring Technical Support Engineer

Final Destination 3 (2006)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Smokin' Aces | ShotOnWhat?

Scoring Technical Support Engineer

Smokin' Aces (2006)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Robert Frazen

Firewall | ShotOnWhat?

Scoring Technical Support Engineer

Firewall (2006)

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

Poseidon | ShotOnWhat?

Scoring Technical Support Engineer

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible III | ShotOnWhat?

Score Mix Technical Support Engineer

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Snakes on a Plane | ShotOnWhat?

Scoring Technical Support Engineer

Snakes on a Plane (2006)

Directed by: David R. Ellis

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

Unaccompanied Minors | ShotOnWhat?

Scoring Technical Support Engineer

Unaccompanied Minors (2006)

Directed by: Paul Feig

Cinematography by: Christopher Baffa

Edited by: George Folsey Jr., Brad Wilhite

Believe in Me | ShotOnWhat?

Scoring Technical Support Engineer

Believe in Me (2006)

Directed by: Robert Collector

Cinematography by: James L. Carter

Edited by: Anthony Redman

The Fountain | ShotOnWhat?

Scoring Technical Support Engineer

The Fountain (2006)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Jay Rabinowitz

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Scoring Technical Support Engineer

Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Deep Sea | ShotOnWhat?

Scoring Technical Support Engineer: Choir And Mix

Deep Sea (2006)

Directed by: Howard Hall

Cinematography by: Howard Hall

Sea of Fear | ShotOnWhat?

Scoring Technical Support Engineer

Sea of Fear (2006)

Directed by: Andrew Schuth

Cinematography by: Marco Cappetta

Edited by: Clay Rawlins, David Rawlins

Happy Feet | ShotOnWhat?

Scoring Technical Support Engineer

Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Charlotte's Web | ShotOnWhat?

Scoring Technical Support Engineer: Choir And Mix

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Rumor Has It... | ShotOnWhat?

Scoring Technical Support Engineer

Rumor Has It... (2005)

Directed by: Rob Reiner

Cinematography by: Peter Deming

Edited by: Robert Leighton

Dreamer: Inspired by a True Story | ShotOnWhat?

Scoring Technical Support Engineer

Dreamer: Inspired by a True Story (2005)

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

The Amityville Horror | ShotOnWhat?

Scoring Technical Support Engineer

The Amityville Horror (2005)

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

xXx: State of the Union | ShotOnWhat?

Scoring Technical Support Engineer

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

March of the Penguins | ShotOnWhat?

Scoring Technical Support Engineer

March of the Penguins (2005)

Directed by: Luc Jacquet

Cinematography by: Laurent Chalet, Jérôme Maison

Edited by: Sabine Emiliani

Cameras: Aaton XTR Prod Camera

Kicking & Screaming | ShotOnWhat?

Scoring Technical Support Engineer

Kicking & Screaming (2005)

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

Bewitched | ShotOnWhat?

Scoring Technical Support Engineer

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

Fun with Dick and Jane | ShotOnWhat?

Scoring Technical Support Engineer

Fun with Dick and Jane (2005)

Directed by: Dean Parisot

Cinematography by: Jerzy Zielinski

Edited by: Don Zimmerman

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

Score Mix Technical Support Engineer

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Sky High | ShotOnWhat?

Scoring Technical Support Engineer

Sky High (2005)

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Coach Carter | ShotOnWhat?

Score Technical Engineer / Scoring Technical Support Engineer

Coach Carter (2005)

Directed by: Thomas Carter

Cinematography by: Sharone Meir

Edited by: Peter E. Berger

Constantine | ShotOnWhat?

Scoring Technical Support Engineer

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Casanova | ShotOnWhat?

Scoring Technical Support Engineer

Casanova (2005)

Directed by: Lasse Hallström

Cinematography by: Oliver Stapleton

Edited by: Andrew Mondshein

Beauty Shop | ShotOnWhat?

Scoring Technical Support Engineer

Beauty Shop (2005)

Directed by: Bille Woodruff

Cinematography by: Theo van de Sande

Edited by: Michael Jablow

Must Love Dogs | ShotOnWhat?

Scoring Technical Support Engineer

Must Love Dogs (2005)

Directed by: Gary David Goldberg

Cinematography by: John Bailey

Edited by: Roger Bondelli, Eric A. Sears

Cameras: Panavision Cameras

Syriana | ShotOnWhat?

Scoring Technical Support Engineer

Syriana (2005)

Directed by: Stephen Gaghan

Cinematography by: Robert Elswit

Edited by: Tim Squyres

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

North Country | ShotOnWhat?

Scoring Technical Support Engineer

North Country (2005)

Directed by: Niki Caro

Cinematography by: Chris Menges

Edited by: David Coulson

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Three Burials of Melquiades Estrada | ShotOnWhat?

Scoring Crew

The Three Burials of Melquiades Estrada (2005)

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

The Chronicles of Riddick | ShotOnWhat?

Scoring Technical Support Engineer

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

Million Dollar Baby | ShotOnWhat?

Scoring Technical Support Engineer

Million Dollar Baby (2004)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

National Treasure | ShotOnWhat?

Scoring Technical Support Engineer

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

The Big Bounce | ShotOnWhat?

Scoring Technical Support Engineer

The Big Bounce (2004)

Directed by: George Armitage

Cinematography by: Jeffrey L. Kimball

Edited by: Brian Berdan, Barry Malkin

Starsky & Hutch | ShotOnWhat?

Scoring Technical Support Engineer

Starsky & Hutch (2004)

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Confessions of a Teenage Drama Queen | ShotOnWhat?

Scoring Technical Support Engineer

Confessions of a Teenage Drama Queen (2004)

Directed by: Sara Sugarman

Cinematography by: Stephen H. Burum

Edited by: Anita Brandt Burgoyne

Spider-Man 2 | ShotOnWhat?

Score Mix Technical Support Engineer

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Raising Helen | ShotOnWhat?

Scoring Technical Support Engineer

Raising Helen (2004)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green, Tara Timpone

A Cinderella Story | ShotOnWhat?

Scoring Technical Support Engineer

A Cinderella Story (2004)

Directed by: Mark Rosman

Cinematography by: Anthony B. Richmond

Edited by: Cara Silverman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision Lenses

The Polar Express | ShotOnWhat?

Scoring Technical Support Engineer

The Polar Express (2004)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Willard | ShotOnWhat?

Scoring Technical Support Engineer

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Mystic River | ShotOnWhat?

Score Mix Technical Support Engineer

Mystic River (2003)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

My Boss's Daughter | ShotOnWhat?

Scoring Technical Support Engineer

My Boss's Daughter (2003)

Directed by: David Zucker

Cinematography by: Martin McGrath

Edited by: Samuel Craven, Patrick Lussier

Holes | ShotOnWhat?

Scoring Technical Support Engineer

Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Gothika | ShotOnWhat?

Scoring Technical Support Engineer

Gothika (2003)

Directed by: Mathieu Kassovitz

Cinematography by: Matthew Libatique

Edited by: Yannick Kergoat

Looney Tunes: Back in Action | ShotOnWhat?

Scoring Technical Support Engineer

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

Terminator 3: Rise of the Machines | ShotOnWhat?

Score Mix Technical Support Engineer

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Boys II | ShotOnWhat?

Scoring Technical Support Engineer

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Hulk | ShotOnWhat?

Score Mix Technical Support Engineer

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Cradle 2 the Grave | ShotOnWhat?

Scoring Technical Support Engineer

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Final Destination 2 | ShotOnWhat?

Scoring Crew

Final Destination 2 (2003)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Kangaroo Jack | ShotOnWhat?

Scoring Technical Support Engineer

Kangaroo Jack (2003)

Directed by: David McNally

Cinematography by: Peter Menzies Jr.

Edited by: William Goldenberg, Jim May, John Murray

Cameras: Panavision Cameras

Avenging Angelo | ShotOnWhat?

Scoring Technical Support Engineer

Avenging Angelo (2002)

Directed by: Martyn Burke

Cinematography by: Ousama Rawi

Edited by: David Codron

Punch-Drunk Love | ShotOnWhat?

Scoring Technical Support Engineer

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

I Spy | ShotOnWhat?

Scoring Technical Support Engineer

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Chicago | ShotOnWhat?

Technical Engineer

Chicago (2002)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Martin Walsh

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System, Lightworks Editing System

Red Dragon | ShotOnWhat?

Scoring Technical Support Engineer

Red Dragon (2002)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Blood Work | ShotOnWhat?

Scoring Technical Support Engineer

Blood Work (2002)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Stuart Little 2 | ShotOnWhat?

Scoring Technical Support Engineer: Pickup

Stuart Little 2 (2002)

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

Spider-Man | ShotOnWhat?

Score Mix Technical Support Engineer

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Collateral Damage | ShotOnWhat?

Scoring Technical Support Engineer

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

Showtime | ShotOnWhat?

Scoring Technical Support Engineer

Showtime (2002)

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

Queen of the Damned | ShotOnWhat?

Scoring Technical Support Engineer

Queen of the Damned (2002)

Directed by: Michael Rymer

Cinematography by: Ian Baker

Edited by: Dany Cooper

xXx | ShotOnWhat?

Scoring Technical Support Engineer

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

The Hot Chick | ShotOnWhat?

Scoring Technical Support Engineer

The Hot Chick (2002)

Directed by: Tom Brady

Cinematography by: Tim Suhrstedt

Edited by: Peck Prior

Bad Company | ShotOnWhat?

Scoring Technical Support Engineer

Bad Company (2002)

Directed by: Joel Schumacher

Cinematography by: Dariusz Wolski

Edited by: Mark Goldblatt, Robert K. Lambert

Far from Heaven | ShotOnWhat?

Scoring Technical Support Engineer

Far from Heaven (2002)

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: James Lyons

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Training Day | ShotOnWhat?

Scoring Technical Support Engineer

Training Day (2001)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Domestic Disturbance | ShotOnWhat?

Scoring Technical Support Engineer

Domestic Disturbance (2001)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

The One | ShotOnWhat?

Scoring Technical Support Engineer

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Boogie Nights | ShotOnWhat?

Pre-dub Re-recording Engineer

Boogie Nights (1997)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Camp Nowhere | ShotOnWhat?

Digital Sound Technician

Camp Nowhere (1994)

Directed by: Jonathan Prince

Cinematography by: Sandi Sissel

Edited by: Jon Poll

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

©2012 - 2025 ShotOnWhat?

20254.20