Special Visual Effects
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Cinematographer
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Director Of Photography: Lava & Paths Of The Dead Miniatures Unit
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Director Of Photography: Miniature Unit
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Director Of Photography: Miniatures Unit
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Blue Screen Consultant
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Director Of Photography: Second Unit
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Director Of Photography: Miniatures
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography: Falls Lake Unit
Godzilla (1998)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Visual Effects Director Of Photography
Barney's Great Adventure (1998)
Directed by: Steve Gomer
Cinematography by: Sandi Sissel
Edited by: Richard Halsey
Plate Supervisor: Plate Photography Unit
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Visual Effects Director Of Photography
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Visual Effects Director Of Photography
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Director Of Photography: Blue Screen Unit
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Director Of Photography: Visual Effects Film Crew
Super Mario Bros. (1993)
Cinematography by: Dean Semler
Edited by: Mark Goldblatt
Plate Photography: ILM
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Plate Camera Operator: DQI
Grand Canyon (1991)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Additional Photographer: Los Angeles Bluescreen Unit
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Plate And Blue Screen Photography
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Effects Photography: DQI
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Special Effects Photographer
The Lost Boys (1987)
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
