Foley Mixer
'13 Reasons Why' The Missing Page (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Foley Mixer
'13 Reasons Why' The Second Polaroid (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Foley Mixer
'13 Reasons Why' Bryce and Chloe (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Foley Mixer
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Foley Mixer
'13 Reasons Why' The Little Girl (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Foley Mixer
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Foley Mixer
'13 Reasons Why' The Box of Polaroids (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Foley Mixer
'13 Reasons Why' The Third Polaroid (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
Foley Mixer
'13 Reasons Why' The Drunk Slut (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Foley Mixer
'13 Reasons Why' Smile, Bitches (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Foley Mixer
The Girl in the Spider's Web (2018)
| Germany, Sweden, USA
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Foley Mixer
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Foley Mixer
'13 Reasons Why' Bye (2018)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
Foley Mixer
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Foley Mixer - 13 Episodes, 2018
13 Reasons Why (2017)
| USA
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Foley Mixer
Miracles from Heaven (2016)
| USA
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Foley Mixer
Passengers (2016)
| USA, Australia
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Sound Mixer
Batman v Superman: Dawn of Justice (2016)
| USA
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Foley Mixer
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Sound Mixer
The Hateful Eight (2015)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Foley Mixer
Dumb and Dumber To (2014)
| USA
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Foley Mixer
'Hawaii Five-0' Hana Lokomaika'i (2014)
| USA
Directed by: Sylvain White
Cinematography by: Alan Caso
Edited by: James Wilcox
Foley Mixer
'Hawaii Five-0' Makani 'Olu a Holo Malie (2014)
| USA
Directed by: Jeffrey G. Hunt
Edited by: Roderick Davis
Foley Mixer
Fury (2014)
| USA, China, UK
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Mixer
'Hawaii Five-0' Hoku Welowelo (2014)
| USA
Directed by: Jeffrey G. Hunt
Cinematography by: Michael Martinez
Edited by: James Wilcox
Foley Mixer
Divergent (2014)
| USA
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Foley Mixer
'Hawaii Five-0' O kela me keia manawa (2014)
| USA
Directed by: Peter Weller
Cinematography by: Michael Martinez
Edited by: Roderick Davis
Foley Mixer
'Hawaii Five-0' Ku I Ka Pili Koko (2014)
| USA
Directed by: Maja Vrvilo
Edited by: James Wilcox
Foley Mixer
Birdman or (The Unexpected Virtue of Ignorance) (2014)
| USA
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Foley Mixer
'Hawaii Five-0' Na hala a ka makua (2014)
| USA
Directed by: Peter Weller
Cinematography by: Michael Martinez
Edited by: Maja Vrvilo
Foley Mixer
'Hawaii Five-0' O ka Pili'Ohana ka 'Oi (2014)
| USA
Directed by: Bryan Spicer
Edited by: James Wilcox
Foley Mixer
'Hawaii Five-0' Ho'i Hou (2014)
| USA
Directed by: Sylvain White
Cinematography by: Michael Martinez
Edited by: Roderick Davis
Foley Mixer
'Hawaii Five-0' Pe'epe'e Kainaka (2014)
| USA
Directed by: Jeff Cadiente
Cinematography by: Michael Martinez
Edited by: Maja Vrvilo
Sound Mixer
The Single Moms Club (2014)
| USA
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Foley Mixer
'Hawaii Five-0' Ma lalo o ka 'ili (2014)
| USA
Directed by: Bryan Spicer
Cinematography by: Alan Caso
Edited by: John A. Keris
Foley Mixer
Pacific Rim (2013)
| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Foley Mixer
'Hawaii Five-0' Kupouli 'la (2013)
| USA
Directed by: John Terlesky
Edited by: Roderick Davis
Foley Mixer - Segment "The Catch"
Movie 43 (2013)
| USA
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Foley Mixer
'Hawaii Five-0' A'ale Ma'a Wau (2013)
| USA
Directed by: Joe Dante
Cinematography by: Michael Martinez
Edited by: Maja Vrvilo
Foley Mixer
'Hawaii Five-0' Aloha Ke Kahi I Ke Kahi (2013)
| USA
Directed by: Bryan Spicer
Cinematography by: Alan Caso
Edited by: James Wilcox
Foley Mixer
'Hawaii Five-0' Hau'oli La Ho'omoaika'i (2013)
| USA
Directed by: Allison Liddi-Brown
Edited by: Roderick Davis
Sound Mixer
R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Foley Mixer
'Hawaii Five-0' Kupu'eu (2013)
| USA
Directed by: Jeffrey G. Hunt
Cinematography by: Michael Martinez
Edited by: James Wilcox
Foley Mixer
Man of Steel (2013)
| USA, UK
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Sound Mixer
Temptation: Confessions of a Marriage Counselor (2013)
| USA
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Sound Mixer
Lone Survivor (2013)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Foley Mixer
'Hawaii Five-0' Ka 'oia'i'o ma loko (2013)
| USA
Directed by: Duane Clark
Edited by: Roderick Davis
Sound Mixer
Furious 6 (2013)
| USA, Japan, Spain, UK
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Sound Mixer
The Call (2013)
| USA
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
Foley Mixer
'Hawaii Five-0' Ua Nalohia (2013)
| USA
Directed by: Joe Dante
Cinematography by: Alan Caso
Edited by: James Wilcox
Sound Mixer
The Last Stand (2013)
| USA
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Foley Mixer
'Hawaii Five-0' A ia la aku (2013)
| USA
Directed by: Bryan Spicer
Cinematography by: Alan Caso
Edited by: Maja Vrvilo
Sound Mixer
Jack the Giant Slayer (2013)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Foley Mixer
'Hawaii Five-0' Ho'onani Makuakane (2013)
| USA
Directed by: Larry Teng
Cinematography by: Michael Martinez
Edited by: James Wilcox
Foley Mixer
Jayne Mansfield's Car (2012)
| USA, Russia
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Foley Mixer
Safe House (2012)
| South Africa, Japan, USA
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Foley Mixer
Madea's Witness Protection (2012)
| USA
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Foley Mixer
End of Watch (2012)
| USA
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Additional Sound
The Twilight Saga: Breaking Dawn - Part 2 (2012)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Foley Mixer
Django Unchained (2012)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Mixer
Abraham Lincoln: Vampire Hunter (2012)
| USA, Russia
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Foley Mixer
The Hunger Games (2012)
| USA
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Foley Mixer: ToddAo/Soundelux
Apollo 18 (2011)
| USA, Canada
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Sound Mixer
The Green Hornet (2011)
| USA
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Additional Sound Mixer
The Twilight Saga: Breaking Dawn - Part 1 (2011)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Sound Mixer
Fright Night (2011)
| USA
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Foley Mixer
Source Code (2011)
| USA, Canada
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Sound Mixer
Hop (2011)
| USA, India, Malaysia, Taiwan, Canada, UK
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Sound Mixer
Final Destination 5 (2011)
| USA, Canada, Singapore, Hong Kong
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Sound Mixer
Tower Heist (2011)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Sound Mixer
Big Mommas: Like Father, Like Son (2011)
| USA
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Sound Mixer
Abduction (2011)
| USA
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Foley Mixer
Cedar Rapids (2011)
| USA
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Foley Mixer
Dream House (2011)
| USA, Canada
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Sound Mixer
Sucker Punch (2011)
| USA, Canada
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Foley Mixer
Fast Five (2011)
| USA, Brazil, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Sound Mixer
Unstoppable (2010)
| USA
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Sound Mixer
The Switch (2010)
| USA
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Sound Mixer
When in Rome (2010)
| USA
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Foley Mixer
Vampires Suck (2010)
| USA
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Foley Mixer
The Tourist (2010)
| USA, France, Italy, UK
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Foley Mixer
A Nightmare on Elm Street (2010)
| USA
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Foley Mixer
Wall Street: Money Never Sleeps (2010)
| USA
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Sound Mixer
The Big Bang (2010)
| USA
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Sound Mixer
Charlie St. Cloud (2010)
| USA, Canada
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Foley Mixer
The Book of Eli (2010)
| USA
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Sound Mixer
The Next Three Days (2010)
| USA, France
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Sound Mixer
RED (2010)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Sound Mixer
Devil (2010)
| USA
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Sound Mixer
Why Did I Get Married Too? (2010)
| USA
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Foley Mixer - 22 Episodes, 2013-2014
Hawaii Five-0 (2010)
| USA
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Sound Mixer
Robin Hood (2010)
| USA, UK
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Mixer
Extraordinary Measures (2010)
| USA
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Foley Mixer
She's Out of My League (2010)
| USA
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Sound Mixer
The Twilight Saga: New Moon (2009)
| USA
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Sound Mixer
He's Just Not That Into You (2009)
| Germany, USA
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Sound Mixer
The Final Destination (2009)
| USA
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Foley Artist / Sound Mixer
Shrink (2009)
| USA
Directed by: Jonas Pate
Edited by: Luis Carballar
Cameras: Panavision Cameras
Foley Mixer
The Time Traveler's Wife (2009)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Sound Mixer
Law Abiding Citizen (2009)
| USA
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Sound Mixer
Duplicity (2009)
| USA, Germany
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer
The Express (2008)
| USA, Germany
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Foley Mixer, Sound Mixer
Hellboy II: The Golden Army (2008)
| USA, Germany
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Foley Mixer
Defiance (2008)
| USA
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Foley Mixer
The Mummy: Tomb of the Dragon Emperor (2008)
| USA, Germany, China, Canada
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Foley Mixer
Revolutionary Road (2008)
| USA, UK
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Foley Mixer
27 Dresses (2008)
| USA
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Sound Mixer
Meet the Browns (2008)
| USA
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Foley Mixer / Sound Mixer
Untraceable (2008)
| USA
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Foley Mixer / Sound Mixer
Hell Ride (2008)
| USA
Directed by: Larry Bishop
Cinematography by: Scott Kevan
Foley Mixer / Sound Mixer
Never Back Down (2008)
| USA
Directed by: Jeff Wadlow
Cinematography by: Lukas Ettlin
Sound Mixer
Baby Mama (2008)
| USA
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Sound Mixer
Wanted (2008)
| USA, Germany
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Foley Mixer
Grand Canyon Adventure: River at Risk (2008)
| USA
Directed by: Greg MacGillivray
Edited by: Stephen Judson
Foley Mixer / Sound Mixer
While She Was Out (2008)
| USA, Canada, Germany
Directed by: Susan Montford
Cinematography by: Steve Gainer
Edited by: William M. Anderson
Sound Mixer
The Rocker (2008)
| USA
Directed by: Peter Cattaneo
Cinematography by: Anthony B. Richmond
Foley Mixer
Role Models (2008)
| Germany, USA
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Foley Mixer / Sound Mixer
War (2007)
| USA, Canada
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Sound Mixer
The Hitcher (2007)
| USA
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Foley Mixer / Sound Mixer
Things We Lost in the Fire (2007)
| USA, UK, Canada
Directed by: Susanne Bier
Cinematography by: Tom Stern
Foley Mixer
Code Name: The Cleaner (2007)
| USA
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Foley Mixer / Sound Mixer
Slipstream (2007)
| USA
Directed by: Anthony Hopkins
Cinematography by: Dante Spinotti
Edited by: Michael R. Miller
Foley Mixer / Sound Mixer
The Bucket List (2007)
| USA
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Foley Mixer
The Number 23 (2007)
| Germany, USA
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Foley Mixer / Sound Mixer
Death Proof (2007)
| USA
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Foley Mixer / Sound Mixer
In the Valley of Elah (2007)
| USA
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Foley Mixer
Breach (2007)
| USA
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Sound Mixer
Gone Baby Gone (2007)
| USA
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Sound Mixer
Why Did I Get Married? (2007)
| USA
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Foley Mixer
Next (2007)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Foley Mixer / Sound Mixer
Into the Wild (2007)
| USA
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Foley Mixer / Sound Mixer
Fracture (2007)
| USA, Germany
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Foley Mixer / Sound Mixer
Shoot 'Em Up (2007)
| USA
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Foley Mixer, Sound Mixer
How to Eat Fried Worms (2006)
| USA
Directed by: Bob Dolman
Cinematography by: Richard Rutkowski
Foley Mixer
Eight Below (2006)
| USA
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Sound Mixer
Scary Movie 4 (2006)
| USA
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Foley Mixer
The Pink Panther (2006)
| USA, Czech Republic
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Sound Mixer
Step Up (2006)
| USA
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Sound Mixer
The Fast and the Furious: Tokyo Drift (2006)
| USA, Germany, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Foley Recordist
Snakes on a Plane (2006)
| USA, Germany
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Sound Mixer
The Benchwarmers (2006)
| USA
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Sound Mixer
Slither (2006)
| Canada, USA
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Foley Mixer / Sound Mixer
Black Christmas (2006)
| USA, Canada
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Foley Artist / Sound Mixer
Bobby (2006)
| USA
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Foley Mixer
Final Destination 3 (2006)
| USA, Germany
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Foley Mixer / Sound Mixer
The Marine (2006)
| USA
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Foley Mixer / Sound Mixer
Starter for 10 (2006)
| UK, USA
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
Sound Mixer
World Trade Center (2006)
| USA
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Sound Mixer
Material Girls (2006)
| USA
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Sound Mixer
The Sisterhood of the Traveling Pants (2005)
| USA
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Sound Mixer
Dark Water (2005)
| USA
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Foley Mixer
Dominion: Prequel to the Exorcist (2005)
| USA
Directed by: Paul Schrader
Cinematography by: Vittorio Storaro
Foley Mixer / Sound Mixer
Lackawanna Blues (2005)
| USA
Directed by: George C. Wolfe
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Foley Mixer, Foley Recordist
Two for the Money (2005)
| USA
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Foley Mixer / Sound Mixer
Rumor Has It... (2005)
| USA, Germany, Australia
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Sound Mixer
Flightplan (2005)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Foley Mixer
Are We There Yet? (2005)
| USA, Canada
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Sound Mixer
The Skeleton Key (2005)
| USA, Germany
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Foley Mixer / Sound Mixer
The Big White (2005)
| Germany, Canada, New Zealand, USA
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Foley Mixer / Sound Mixer
Be Cool (2005)
| USA
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Foley Mixer , Foley Recordist
xXx: State of the Union (2005)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Foley Mixer
Wedding Crashers (2005)
| USA
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Foley Mixer
Ray (2004)
| USA
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Sound Mixer
Troy (2004)
| USA, Malta, UK
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Foley Mixer
The Chronicles of Riddick (2004)
| USA
Directed by: David Twohy
Cinematography by: Hugh Johnson
Foley Mixer
The Notebook (2004)
| USA
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Foley Recordist / Sound Mixer
13 Going on 30 (2004)
| USA
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Mixer
Godsend (2004)
| Canada, USA
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Foley Mixer
Cellular (2004)
| USA, Germany
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Foley Mixer
Kill Bill: Vol. 2 (2004)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Sound Mixer
Shanghai Knights (2003)
| USA, Hong Kong
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Foley Mixer / Sound Mixer
Freddy vs. Jason (2003)
| Canada, USA
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Foley Mixer
Willard (2003)
| Canada, USA
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Foley Man / Sound Mixer
Shade (2003)
| USA
Directed by: Damian Nieman
Cinematography by: Anthony B. Richmond
Foley Mixer
Elf (2003)
| USA
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Foley Recordist
Final Destination 2 (2003)
| USA, Canada
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Foley Mixer / Sound Mixer
Dumb and Dumberer: When Harry Met Lloyd (2003)
| USA
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Foley Mixer
Runaway Jury (2003)
| USA
Directed by: Gary Fleder
Cinematography by: Robert Elswit
Edited by: William Steinkamp
Sound Mixer
Underworld (2003)
| USA, UK, Germany, Hungary
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Foley Mixer
Open Water (2003)
| USA
Directed by: Chris Kentis
Edited by: Chris Kentis
Cameras: Sony DCR-VX2000 Camera, Sony DSR-PD150 Camera
Editing System: Final Cut Pro Editing System
Foley Mixer
Gods and Generals (2003)
| USA
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Sound Mixer
Spy Kids 3-D: Game Over (2003)
| USA
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Foley Mixer
Kill Bill: Vol. 1 (2003)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer
A Guy Thing (2003)
| USA
Directed by: Chris Koch
Cinematography by: Robbie Greenberg
Edited by: David Moritz
Foley Mixer
Deliver Us from Eva (2003)
| USA
Directed by: Gary Hardwick
Cinematography by: Alexander Gruszynski
Edited by: Earl Watson
Foley Mixer
21 Grams (2003)
| USA
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Foley Mixer
2 Fast 2 Furious (2003)
| USA, Germany
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Foley Mixer
The Last Samurai (2003)
| USA, New Zealand, Japan
Directed by: Edward Zwick
Cinematography by: John Toll
Foley Mixer / Sound Mixer
Eye See You (2002)
| Germany, USA
Directed by: Jim Gillespie
Cinematography by: Dean Semler
Foley Mixer
About Schmidt (2002)
| USA
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Foley Mixer
Unfaithful (2002)
| France, Germany, USA
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Foley Mixer / Sound Mixer
Blade II (2002)
| Germany, USA
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recordist
About a Boy (2002)
| UK, USA, France, Germany
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Sound Mixer
The Rules of Attraction (2002)
| Germany, USA
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Foley Mixer / Sound Mixer
High Crimes (2002)
| USA
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Foley Mixer
We Were Soldiers (2002)
| USA, Germany
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Foley Mixer / Sound Mixer
Scooby-Doo (2002)
| USA, Australia
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Sound Mixer
The Country Bears (2002)
| USA
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Foley Mixer, Sound Mixer
One Night at McCool's (2001)
| USA
Directed by: Harald Zwart
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer / Sound Mixer
Spy Kids (2001)
| USA
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Foley Mixer / Sound Mixer
Original Sin (2001)
| France, Mexico, USA
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Foley Mixer
Don't Say a Word (2001)
| USA, Australia, Switzerland, Canada
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Foley Mixer
Spy Game (2001)
| Germany, USA, Japan, France
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Max Keeble's Big Move (2001)
| USA
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Foley Mixer
The Affair of the Necklace (2001)
| USA
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Foley Mixer
Blow (2001)
| USA
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Foley Mixer / Sound Mixer
The One (2001)
| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Foley Mixer
Evolution (2001)
| USA
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Foley Mixer
Almost Famous (2000)
| USA
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Final Destination (2000)
| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Sound Mixer
Bait (2000)
| Canada, USA
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell
Cameras: Panavision Cameras
Foley Mixer
Mission to Mars (2000)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Sound Mixer
The Perfect Storm (2000)
| USA
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Foley Mixer
The 6th Day (2000)
| USA, Canada
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Foley Mixer
Gladiator (2000)
| USA, UK, Malta, Morocco
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Foley Mixer
Body Shots (1999)
| USA
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Sound Mixer
Instinct (1999)
| USA
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Foley Mixer
My Favorite Martian (1999)
| USA
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Foley Mixer / Sound Mixer
End of Days (1999)
| USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Foley Mixer
The Adventures of Elmo in Grouchland (1999)
| USA, Germany
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Foley Mixer
Election (1999)
| USA
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
8MM (1999)
| Germany, USA
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Foley Mixer
Inspector Gadget (1999)
| USA
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Foley Mixer
American Beauty (1999)
| USA
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Sound Mixer
American Pie (1999)
| USA
Cinematography by: Richard Crudo
Edited by: Priscilla Nedd-Friendly
Foley Artist / Sound Mixer
Any Given Sunday (1999)
| USA
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Foley Mixer
Wild Things (1998)
| USA
Directed by: John McNaughton
Cinematography by: Jeffrey L. Kimball
Edited by: Elena Maganini
Foley Mixer / Sound Mixer
Godzilla (1998)
| USA, Japan
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Foley Mixer
One True Thing (1998)
| USA
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Foley Mixer
Wrongfully Accused (1998)
| Germany, USA
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Foley Mixer
Can't Hardly Wait (1998)
| USA
Cinematography by: Lloyd Ahern II
Edited by: Michael Jablow
Foley Mixer
The Mask of Zorro (1998)
| USA, Germany, Mexico
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Foley Mixer
I Still Know What You Did Last Summer (1998)
| USA, Mexico
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Foley Mixer
Playing by Heart (1998)
| USA
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Foley Mixer
The Replacement Killers (1998)
| USA
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Foley Mixer
The Jackal (1997)
| USA, UK, France, Germany, Japan
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Foley Mixer
Gattaca (1997)
| USA
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Foley Mixer / Sound Mixer
Anaconda (1997)
| USA, Brazil, Peru
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Foley Mixer
Starship Troopers (1997)
| USA
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Foley Mixer / Sound Mixer
The Relic (1997)
| UK, Germany, Japan, New Zealand, USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Foley Mixer
Air Force One (1997)
| USA, Germany
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Foley Mixer
Last Man Standing (1996)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Foley Mixer / Sound Mixer
The Fan (1996)
| USA
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Foley Recordist
That Thing You Do! (1996)
| USA
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Foley Mixer / Foley Recordist
The Long Kiss Goodnight (1996)
| USA
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Foley Mixer
The American President (1995)
| USA
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Recordist
Congo (1995)
| USA
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Foley Recordist
The Net (1995)
| USA
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Foley Mixer
Bad Boys (1995)
| USA
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Foley Mixer
Rob Roy (1995)
| UK, USA
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Foley Recordist
French Kiss (1995)
| UK, USA
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Foley Artist
Nixon (1995)
| USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Foley Recordist
Hideaway (1995)
| USA
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Foley Recordist
Wild Bill (1995)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Foley Recordist
Waterworld (1995)
| USA
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Foley Recordist
Fair Game (1995)
| USA
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Foley Recordist
Tall Tale (1995)
| USA
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Foley Mixer
The Quick and the Dead (1995)
| Japan, USA
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Foley Recordist
The Desperate Trail (1994)
| USA
Directed by: P.J. Pesce
Cinematography by: Michael Bonvillain
Edited by: Bill Johnson
Foley Recordist
Wyatt Earp (1994)
| USA
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Foley Recordist
Guarding Tess (1994)
| USA
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Foley Recordist
Speechless (1994)
| USA
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Foley Recordist
Natural Born Killers (1994)
| USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Foley Recordist
Cops and Robbersons (1994)
| USA
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Foley Recordist
Airheads (1994)
| USA
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Foley Recordist
Blankman (1994)
| USA
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Foley Recordist
Terminal Velocity (1994)
| USA, Canada
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Foley Mixer / Sound Mixer
Color of Night (1994)
| USA
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Foley Recordist
North (1994)
| USA
Directed by: Rob Reiner
Cinematography by: Adam Greenberg
Edited by: Robert Leighton
Foley Recordist / Sound Recordist
Bad Girls (1994)
| USA
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Foley Recordist
King of the Hill (1993)
| USA
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Steven Soderbergh
Cameras: Panavision Cameras
Foley Recordist
My Life (1993)
| USA
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Foley Recordist
The Vanishing (1993)
| USA
Directed by: George Sluizer
Cinematography by: Peter Suschitzky
Edited by: Bruce Green
Foley Recordist
Geronimo: An American Legend (1993)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Foley Recordist
The Joy Luck Club (1993)
| USA, China
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Foley Recordist
Super Mario Bros. (1993)
| UK, USA, Japan
Cinematography by: Dean Semler
Edited by: Mark Goldblatt
Foley Recordist
The Wrong Man (1993)
| USA, Mexico
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Lisa Zeno Churgin
Foley Recordist
Sommersby (1993)
| France, USA
Directed by: Jon Amiel
Cinematography by: Philippe Rousselot
Edited by: Peter Boyle
Foley Recordist
The Beverly Hillbillies (1993)
| USA
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Foley Recordist
Last Action Hero (1993)
| USA
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Foley Recordist
Robin Hood: Men in Tights (1993)
| France, USA
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Foley Artist
Cliffhanger (1993)
| USA, Italy, France
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Foley Recordist
The Last of the Mohicans (1992)
| USA
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Foley Recordist
Unlawful Entry (1992)
| Japan, USA
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Foley Recordist: Los Angeles
Basic Instinct (1992)
| France, USA, UK
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Foley Recordist
Fortress (1992)
| Australia, USA
Directed by: Stuart Gordon
Cinematography by: David Eggby
Edited by: Tim Wellburn
Foley Recordist
Raising Cain (1992)
| USA
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Foley Recordist
Stop! Or My Mom Will Shoot (1992)
| USA
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Foley Recordist
The Public Eye (1992)
| USA
Directed by: Howard Franklin
Cinematography by: Peter Suschitzky
Foley Recordist
Trespass (1992)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Foley Recordist
Kafka (1991)
| France, USA
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Foley Recordist
Grand Canyon (1991)
| USA
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Cameras: Panavision Panaflex Gold Camera
Foley Recordist
Ricochet (1991)
| USA
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Foley Recordist , Machine Operator
Hot Shots! (1991)
| USA
Directed by: Jim Abrahams
Cinematography by: Bill Butler
