Director Of Photography
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Director Of Photography
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
Director Of Photography
'13 Reasons Why' The Drunk Slut (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Director Of Photography
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Director Of Photography
'13 Reasons Why' The Second Polaroid (2018)
Directed by: Karen Moncrieff
Cinematography by: Cameron Duncan
Edited by: Philip Harrison
Director Of Photography
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Cinematographer - 6 Episodes, 2018
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Director Of Photography
'Queen of the South' Punto Sin Retorno (2016)
Directed by: Constantine Makris
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Director Of Photography
'Queen of the South' Cuarenta Minutos (2016)
Directed by: Matthew Penn
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Director Of Photography
'Queen of the South' Estrategia de Entrada (2016)
Directed by: Scott Peters
Cinematography by: Cameron Duncan
Director Of Photography
'Queen of the South' Lirio de los Valles (2016)
Directed by: Zetna Fuentes
Cinematography by: Cameron Duncan
Edited by: Briana London
Director Of Photography
'Queen of the South' Un Alma. Un Mapa. A Futuro (2016)
Directed by: T.J. Scott
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Director Of Photography
'Queen of the South' El Engaño Como la Regla (2016)
Directed by: David Rodriguez
Cinematography by: Cameron Duncan
Director Of Photography
'Queen of the South' El Hombre Pájaro (2016)
Directed by: David Platt
Cinematography by: Cameron Duncan
Edited by: Briana London
Cinematographer
'Queen of the South' Esta 'Cosa' Que Es Nuestra (2016)
Directed by: Scott Peters
Cinematography by: Cameron Duncan
Cinematographer
'Queen of the South' Coge Todo lo Que Puede Llevar (2016)
Directed by: Jamie Payne
Cinematography by: Cameron Duncan
Director Of Photography
'Queen of the South' Billete de Magia (2016)
Directed by: David Boyd
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Cinematographer
'Queen of the South' Quinientos Mil (2016)
Directed by: David Rodriguez
Cinematography by: Cameron Duncan
Cinematographer - 11 Episodes, 2016
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Director Of Photography: Second Unit
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Camera Operator: Second Unit
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Second Assistant Camera: "c" Camera, Second Unit
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Additional Photographer
Dust to Glory (2005)
Directed by: Dana Brown
Cinematography by: Kevin Ward
Cameras: Panasonic AG-DVX100 Camera
Editing System: Adobe Premiere Editing System
Camera Loader, Drunken G.I.
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Camera Loader
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Camera Loader
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
