David B. Nowell

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Aerial Unit Director Of Photography

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Top Gun: Maverick | ShotOnWhat?

Director Of Photography: Aerial Unit

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Ambulance | ShotOnWhat?

Aerial Unit Director Of Photography

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Zack Snyder's Justice League | ShotOnWhat?

Aerial Director Of Photography

Zack Snyder's Justice League (2021)

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Leitz Summilux-C Series Lenses

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Aerial Unit Director Of Photography: Location Units

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

6 Underground | ShotOnWhat?

Aerial Unit Director Of Photography

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

"Westworld" The Passenger | ShotOnWhat?

Aerial Director Of Photography

'Westworld' The Passenger (2018)

Television Episode

Directed by: Frederick E.O. Toye

Cinematography by: John Grillo

Edited by: Anna Hauger, Mako Kamitsuna, Andrew Seklir

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Aerial Director Of Photography

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Transformers: The Last Knight | ShotOnWhat?

Aerial Director Of Photography

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Aerial Director Of Photography

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Captain America: Civil War | ShotOnWhat?

Aerial Director Of Photography

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Ride Along 2 | ShotOnWhat?

Aerial Director Of Photography

Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Suicide Squad | ShotOnWhat?

Aerial Director Of Photography

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

War Dogs | ShotOnWhat?

Aerial Director Of Photography

War Dogs (2016)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA XT Camera

Westworld | ShotOnWhat?

Aerial Director Of Photography - 1 Episode, 2018

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Aerial Director Of Photography

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Jurassic World | ShotOnWhat?

Aerial Director Of Photography

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Tomorrowland | ShotOnWhat?

Aerial Director Of Photography

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Captain America: The Winter Soldier | ShotOnWhat?

Aerial Cinematographer

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Guardians of the Galaxy | ShotOnWhat?

Aerial Director Of Photography

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Transformers: Age of Extinction | ShotOnWhat?

Aerial Director Of Photography

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Aerial Director Of Photography

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Purge: Anarchy | ShotOnWhat?

Director Of Photography: Aerial Unit

The Purge: Anarchy (2014)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

Teenage Mutant Ninja Turtles | ShotOnWhat?

Aerial Director Of Photography: New York Second Unit

Teenage Mutant Ninja Turtles (2014)

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Oblivion | ShotOnWhat?

Aerial Director Of Photography

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Iron Man Three | ShotOnWhat?

Aerial Director Of Photography: Docks, Second Unit

Iron Man Three (2013)

Directed by: Shane Black

Cinematography by: John Toll

Edited by: Peter S. Elliot, Jeffrey Ford

Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

Man of Steel | ShotOnWhat?

Aerial Director Of Photography

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

The Lone Ranger | ShotOnWhat?

Aerial Director Of Photography

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

G.I. Joe: Retaliation | ShotOnWhat?

Aerial Director Of Photography

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pain & Gain | ShotOnWhat?

Aerial Director Of Photography

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

The Secret Life of Walter Mitty | ShotOnWhat?

Aerial Director Of Photography: Iceland

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

The Avengers | ShotOnWhat?

Aerial Director Of Photography

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

One for the Money | ShotOnWhat?

Aerial Director Of Photography

One for the Money (2012)

Directed by: Julie Anne Robinson

Cinematography by: Jim Whitaker

Edited by: Lisa Zeno Churgin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Act of Valor | ShotOnWhat?

Aerial Cameraman

Act of Valor (2012)

Directed by: Mike McCoy, Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Michael Tronick, Scott Waugh

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Argo | ShotOnWhat?

Aerial Director Of Photography: Second Unit

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Savages | ShotOnWhat?

Aerial Director Of Photography: Splinter Unit

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Journey 2: The Mysterious Island | ShotOnWhat?

Aerial Director Of Photography

Journey 2: The Mysterious Island (2012)

Directed by: Brad Peyton

Cinematography by: David Tattersall

Edited by: David Rennie

Cameras: Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera

The Hobbit: An Unexpected Journey | ShotOnWhat?

Director Of Photography: Aerial Unit

The Hobbit: An Unexpected Journey (2012)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Zero Dark Thirty | ShotOnWhat?

Aerial Director Of Photography: Aerial Unit, US

Zero Dark Thirty (2012)

Directed by: Kathryn Bigelow

Cinematography by: Greig Fraser

Edited by: William Goldenberg, Dylan Tichenor

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Editing System: Avid Editing System

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Aerial Director Of Photography

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

New Year's Eve | ShotOnWhat?

Aerial Director Of Photography

New Year's Eve (2011)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

I Am Number Four | ShotOnWhat?

Aerial Director Of Photography

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

X: First Class | ShotOnWhat?

Aerial Director Of Photography

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Green Lantern | ShotOnWhat?

Aerial Director Of Photography

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Cowboys & Aliens | ShotOnWhat?

Aerial Director Of Photography

Cowboys & Aliens (2011)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Rum Diary | ShotOnWhat?

Aerial Director Of Photography

The Rum Diary (2011)

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Lenses: Zeiss Ultra Prime Lenses

Real Steel | ShotOnWhat?

Aerial Director Of Photography

Real Steel (2011)

Directed by: Shawn Levy

Cinematography by: Mauro Fiore

Edited by: Dean Zimmerman

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Battle Los Angeles | ShotOnWhat?

Aerial Director Of Photography

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Aerial Director Of Photography

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Friends with Benefits | ShotOnWhat?

Aerial Director Of Photography

Friends with Benefits (2011)

Directed by: Will Gluck

Cinematography by: Michael Grady

Edited by: Tia Nolan

Cameras: Sony CineAlta F35 Camera, Sony Other Camera

Lenses: Panavision Primo Anamorphic Lenses

Warrior | ShotOnWhat?

Aerial Director Of Photography

Warrior (2011)

Directed by: Gavin O'Connor

Cinematography by: Masanobu Takayanagi

Edited by: Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Editing System: Avid Editing System

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Aerial Director Of Photography

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Takers | ShotOnWhat?

Aerial Director Of Photography

Takers (2010)

Directed by: John Luessenhop

Cinematography by: Michael Barrett

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Gulliver's Travels | ShotOnWhat?

Aerial Director Of Photography: Los Angeles

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Next Three Days | ShotOnWhat?

Aerial Director Of Photography: Helicopter Unit

The Next Three Days (2010)

Directed by: Paul Haggis

Cinematography by: Stéphane Fontaine

Edited by: Jo Francis

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Due Date | ShotOnWhat?

Aerial Director Of Photography

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Love & Other Drugs | ShotOnWhat?

Director Of Photography: Aerial Unit

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Iron Man 2 | ShotOnWhat?

Aerial Director Of Photography

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

127 Hours | ShotOnWhat?

Aerial Director Of Photography

127 Hours (2010)

Directed by: Danny Boyle

Cinematography by: Enrique Chediak, Anthony Dod Mantle

Edited by: Jon Harris

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera

Lenses: Cooke Speed Panchro Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Unstoppable | ShotOnWhat?

Aerial Director Of Photography, Helicopter Co-pilot

Unstoppable (2010)

Directed by: Tony Scott

Cinematography by: Ben Seresin

Edited by: Robert Duffy, Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Aerial Director Of Photography

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

The Lovely Bones | ShotOnWhat?

Aerial Director Of Photography

The Lovely Bones (2009)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Unborn | ShotOnWhat?

Aerial Director Of Photography

The Unborn (2009)

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Law Abiding Citizen | ShotOnWhat?

Aerial Director Of Photography: Insert And Aerial Unit

Law Abiding Citizen (2009)

Directed by: F. Gary Gray

Cinematography by: Jonathan Sela

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Star Trek | ShotOnWhat?

Aerial Director Of Photography

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Terminator Salvation | ShotOnWhat?

Aerial Director Of Photography: Second Unit

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Aerial Director Of Photography

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Tropic Thunder | ShotOnWhat?

Aerial Director Of Photography: Aerial Unit

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Hancock | ShotOnWhat?

Director Of Aerial Photography

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Body of Lies | ShotOnWhat?

Aerial Director Of Photography: Washington D.C.

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Iron Man | ShotOnWhat?

Aerial Director Of Photography

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Eagle Eye | ShotOnWhat?

Aerial Director Of Photography

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Nights in Rodanthe | ShotOnWhat?

Aerial Director Of Photography

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

Quantum of Solace | ShotOnWhat?

Aerial Director Of Photography: Mexico

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Max Payne | ShotOnWhat?

Aerial Director Of Photography

Max Payne (2008)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

Fred Claus | ShotOnWhat?

Aerial Director Of Photography: Second Unit, Chicago

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

I Am Legend | ShotOnWhat?

Aerial Director Of Photography

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

Transformers | ShotOnWhat?

Aerial Director Of Photography

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Director Of Photography: Aerial Unit

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Live Free or Die Hard | ShotOnWhat?

Aerial Director Of Photography

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Knocked Up | ShotOnWhat?

Aerial Director Of Photography

Knocked Up (2007)

Directed by: Judd Apatow

Cinematography by: Eric Alan Edwards

Edited by: Craig Alpert, Brent White

Cameras: Panavision Cameras

National Treasure: Book of Secrets | ShotOnWhat?

Aerial Director Of Photography

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Mission: Impossible III | ShotOnWhat?

Aerial Director Of Photography

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

The Ex | ShotOnWhat?

Camera Operator: Wescam Camera

The Ex (2006)

Directed by: Jesse Peretz

Cinematography by: Tom Richmond

Edited by: Tricia Cooke, Jeff McEvoy, John Michel

Flicka | ShotOnWhat?

Director Of Aerial Photography: Wyoming

Flicka (2006)

Directed by: Michael Mayer

Cinematography by: James M. Muro

Edited by: Andrew Marcus

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Aerial Director Of Photography

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Deja Vu | ShotOnWhat?

Aerial Director Of Photography

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

Serenity | ShotOnWhat?

Aerial Director Of Photography

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

King Kong | ShotOnWhat?

Aerial Director Of Photography

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Domino | ShotOnWhat?

Aerial Director Of Photography

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

The Island | ShotOnWhat?

Aerial Director Of Photography

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Elizabethtown | ShotOnWhat?

Aerial Director Of Photography: Second Unit

Elizabethtown (2005)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: David Moritz

Man on Fire | ShotOnWhat?

Aerial Director Of Photography

Man on Fire (2004)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

National Treasure | ShotOnWhat?

Director Of Photography: Aerial Unit

National Treasure (2004)

Directed by: Jon Turteltaub

Cinematography by: Caleb Deschanel

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Flight of the Phoenix | ShotOnWhat?

Aerial Photographer

Flight of the Phoenix (2004)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

The Big Bounce | ShotOnWhat?

Aerial Director Of Photography: Second Unit

The Big Bounce (2004)

Directed by: George Armitage

Cinematography by: Jeffrey L. Kimball

Edited by: Brian Berdan, Barry Malkin

Collateral | ShotOnWhat?

Aerial Director Of Photography

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Starsky & Hutch | ShotOnWhat?

Aerial Director Of Photography

Starsky & Hutch (2004)

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

Holes | ShotOnWhat?

Aerial Coordinator

Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Pirates of the Caribbean: The Curse of the Black Pearl | ShotOnWhat?

Aerial Director Of Photography

Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Arthur Schmidt, Craig Wood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Bad Boys II | ShotOnWhat?

Aerial Director Of Photography

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

A Guy Thing | ShotOnWhat?

Director Of Photography: Aerial Unit

A Guy Thing (2003)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Hollywood Homicide | ShotOnWhat?

Director Of Photography: Aerial Unit

Hollywood Homicide (2003)

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

Austin Powers in Goldmember | ShotOnWhat?

Aerial Director Of Photography

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

Minority Report | ShotOnWhat?

Aerial Photographer

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

The Lord of the Rings: The Two Towers | ShotOnWhat?

Aerial Director Of Photography

The Lord of the Rings: The Two Towers (2002)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Michael Horton

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses

We Were Soldiers | ShotOnWhat?

Aerial Camera Operator

We Were Soldiers (2002)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: William Hoy

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Signs | ShotOnWhat?

Aerial Director Of Photography: Second Unit / Camera Operator: Second Unit

Signs (2002)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Ballistic: Ecks vs. Sever | ShotOnWhat?

Aerial Director Of Photography: Aerial Unit

Ballistic: Ecks vs. Sever (2002)

Directed by: Wych Kaosayananda

Cinematography by: Julio Macat

Edited by: Jay Cassidy, Caroline Ross

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses

The Ring | ShotOnWhat?

Aerial Director Of Photography: Second Unit

The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Behind Enemy Lines | ShotOnWhat?

Aerial Camera Operator

Behind Enemy Lines (2001)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Paul Martin Smith

Pearl Harbor | ShotOnWhat?

Aerial Unit Director

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The One | ShotOnWhat?

Aerial Director Of Photography

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

The Adventures of Rocky & Bullwinkle | ShotOnWhat?

Director Of Photography: Aerial Unit

The Adventures of Rocky & Bullwinkle (2000)

Directed by: Des McAnuff

Cinematography by: Thomas E. Ackerman

Edited by: Dennis Virkler

The Cell | ShotOnWhat?

Aerial Camera Operator

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

The Perfect Storm | ShotOnWhat?

Aerial Director Of Photography

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Wild Wild West | ShotOnWhat?

Aerial Photographer

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

The Bachelor | ShotOnWhat?

Director Of Aerial Photography

The Bachelor (1999)

Directed by: Gary Sinyor

Cinematography by: Simon Archer

Edited by: Robert M. Reitano, Florence Vinger

Instinct | ShotOnWhat?

Aerial Photographer

Instinct (1999)

Directed by: Jon Turteltaub

Cinematography by: Philippe Rousselot

Edited by: Richard Francis-Bruce

The Straight Story | ShotOnWhat?

Aerial Director Of Photography

The Straight Story (1999)

Directed by: David Lynch

Cinematography by: Freddie Francis

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

Wild Things | ShotOnWhat?

Director Of Photography: Helicopter

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Enemy of the State | ShotOnWhat?

Director Of Aerial Photography

Enemy of the State (1998)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Armageddon | ShotOnWhat?

Aerial Director Of Photography

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Six Days Seven Nights | ShotOnWhat?

Aerial Camera Operator

Six Days Seven Nights (1998)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Turbulence | ShotOnWhat?

Aerial Camera Operator , Aerial Unit Director

Turbulence (1997)

Directed by: Robert Butler

Cinematography by: Lloyd Ahern II

Edited by: John Duffy

Air Force One | ShotOnWhat?

Aerial Unit Director, Aerial Unit Photographer, Director: Aerial Unit

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

The Lost World: Jurassic Park | ShotOnWhat?

Aerial Unit Director

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

G.I. Jane | ShotOnWhat?

Aerial Director Of Photography

G.I. Jane (1997)

Directed by: Ridley Scott

Cinematography by: Hugh Johnson

Edited by: Pietro Scalia

I Know What You Did Last Summer | ShotOnWhat?

Aerial Camera Operator: California

I Know What You Did Last Summer (1997)

Directed by: Jim Gillespie

Cinematography by: Denis Crossan

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

The Rock | ShotOnWhat?

Director Of Photography: Aerial Unit

The Rock (1996)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Fan | ShotOnWhat?

Helicopter Camera Operator

The Fan (1996)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Evening Star | ShotOnWhat?

Helicopter Camera Operator

The Evening Star (1996)

Directed by: Robert Harling

Cinematography by: Don Burgess

Edited by: David Moritz, Priscilla Nedd-Friendly

Ransom | ShotOnWhat?

Aerial Director Of Photography: Second Unit

Ransom (1996)

Directed by: Ron Howard

Cinematography by: Piotr Sobocinski

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Heat | ShotOnWhat?

Aerial Director Of Photography

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Apollo 13 | ShotOnWhat?

Director Of Photography: KC-135 Weightless Unit

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Outbreak | ShotOnWhat?

Aerial Sequences Directed By, Aerial Sequences Director, Aerial Sequences Photographed By

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Exit to Eden | ShotOnWhat?

Director Of Photography: Second Unit

Exit to Eden (1994)

Directed by: Garry Marshall

Cinematography by: Theo van de Sande

Edited by: David Finfer

Junior | ShotOnWhat?

Aerial Photographer

Junior (1994)

Directed by: Ivan Reitman

Cinematography by: Adam Greenberg

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Camera Operator: San Francisco

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blown Away | ShotOnWhat?

Helicopter News Cameraman

Blown Away (1994)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

Striking Distance | ShotOnWhat?

Aerial Photographer: Second Unit

Striking Distance (1993)

Directed by: Rowdy Herrington

Cinematography by: Mac Ahlberg

Edited by: Pasquale Buba, Mark Helfrich

The Pelican Brief | ShotOnWhat?

Gyroscope Camera Operator: New Orleans

The Pelican Brief (1993)

Directed by: Alan J. Pakula

Cinematography by: Stephen Goldblatt

Edited by: Tom Rolf, Trudy Ship

Cameras: Moviecam Compact Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Last Action Hero | ShotOnWhat?

Director Of Photography: Second Unit

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Jurassic Park | ShotOnWhat?

Director: Aerial Unit

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Candyman | ShotOnWhat?

Gyrosphere Operator

Candyman (1992)

Directed by: Bernard Rose

Cinematography by: Anthony B. Richmond

Edited by: Dan Rae

Aces: Iron Eagle III | ShotOnWhat?

Director Of Photography: Aerial Unit, Director: Aerial Unit

Aces: Iron Eagle III (1992)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: Bernard Gribble

Unlawful Entry | ShotOnWhat?

Aerial Director Of Photography

Unlawful Entry (1992)

Directed by: Jonathan Kaplan

Cinematography by: Jamie Anderson

Edited by: Curtiss Clayton

White Sands | ShotOnWhat?

Aerial Photographer

White Sands (1992)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Nicholas Beauman

Cameras: Panavision Cameras

Thelma & Louise | ShotOnWhat?

Aerial Director Of Photography

Thelma & Louise (1991)

Directed by: Ridley Scott

Cinematography by: Adrian Biddle

Edited by: Thom Noble

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Curly Sue | ShotOnWhat?

Aerial Photographer

Curly Sue (1991)

Directed by: John Hughes

Cinematography by: Jeffrey L. Kimball

Edited by: Peck Prior, Harvey Rosenstock

Cameras: Panavision Cameras

Air America | ShotOnWhat?

Camera Operator

Air America (1990)

Directed by: Roger Spottiswoode

Cinematography by: Roger Deakins

Edited by: John Bloom, Lois Freeman-Fox

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

Black Rain | ShotOnWhat?

Aerial Photographer

Black Rain (1989)

Directed by: Ridley Scott

Cinematography by: Jan de Bont

Edited by: Tom Rolf

Cameras: Beaulieu Cameras, Panavision Cameras

Lenses: Panavision Lenses

Iron Eagle II | ShotOnWhat?

Aerial Director Of Photography

Iron Eagle II (1988)

Directed by: Sidney J. Furie

Cinematography by: Alain Dostie

Edited by: Rit Wallis

Earth Girls Are Easy | ShotOnWhat?

Gyrosphere Camera Operator

Earth Girls Are Easy (1988)

Directed by: Julien Temple

Cinematography by: Oliver Stapleton

Edited by: Richard Halsey

Dragnet | ShotOnWhat?

Aerial Photographer

Dragnet (1987)

Directed by: Tom Mankiewicz

Cinematography by: Matthew F. Leonetti

Edited by: William D. Gordean, Richard Halsey

Top Gun | ShotOnWhat?

Aerial Camera Operator , Astrovision Operator

Top Gun (1986)

Directed by: Tony Scott

Cinematography by: Jeffrey L. Kimball

Edited by: Chris Lebenzon, Billy Weber

Cameras: Panavision Cameras

UFOria | ShotOnWhat?

Aerial Photographer

UFOria (1985)

Directed by: John Binder

Cinematography by: David Myers

Edited by: Dennis M. Hill

Cameras: Panavision Cameras

Blue Thunder | ShotOnWhat?

Camera Operator

Blue Thunder (1983)

Directed by: John Badham

Cinematography by: John A. Alonzo

Edited by: Edward M. Abroms, Frank Morriss

Cameras: Panavision Cameras

Octopussy | ShotOnWhat?

Camera Operator: Second Unit

Octopussy (1983)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies, Henry Richardson

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Blues Brothers | ShotOnWhat?

Helicopter Pilot And/or Camera Operator

The Blues Brothers (1980)

Directed by: John Landis

Cinematography by: Stephen M. Katz

Edited by: George Folsey Jr.

Apocalypse Now | ShotOnWhat?

Assistant Camera

Apocalypse Now (1979)

Directed by: Francis Ford Coppola

Cinematography by: Vittorio Storaro

Edited by: Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Cameras: ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses: Technovision Lenses, Todd-AO Lenses

Editing System: K.E.M. Editing System, Moviola Editing System

Capricorn One | ShotOnWhat?

Assistant Aerial Camera Operator

Capricorn One (1977)

Directed by: Peter Hyams

Cinematography by: Bill Butler

Edited by: James Mitchell

Cameras: Panavision Cameras

A Woman Under the Influence | ShotOnWhat?

Camera Operator

A Woman Under the Influence (1974)

Directed by: John Cassavetes

Cinematography by: Mitch Breit, Al Ruban

Edited by: David Armstrong, Sheila Viseltear, Beth Bergeron

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