ADR Mixer: Walt Disney Studios
The Killer (2023)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Editing System: Adobe Premiere Editing System
Adr Mixer: The Walt Disney Company
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Adr Mixer
Glass Onion (2022)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Mini LF Camera
Adr Mixer: The Walt Disney Studios, Burbank
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Adr Mixer
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Adr Mixer
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Additional Adr Mixer
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Adr Mixer: Walt Disney Studios
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Adr Mixer
The Sun Is Also a Star (2019)
Directed by: Ry Russo-Young
Cinematography by: Autumn Durald Arkapaw
Edited by: Joe Landauer
Cameras: ARRI ALEXA Mini Camera
Adr Mixer
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Adr Mixer
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Adr Mixer: The Walt Disney Studios, Burbank
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Adr Mixer: Walt Disney Studios
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Adr Mixer
The Other Side of the Wind (2018)
Directed by: Orson Welles
Cinematography by: Gary Graver
Cameras: Éclair NPR Camera
Adr Mixer
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Adr Mixer: The Walt Disney Studios
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Original Dialogue Mixer
Coco (2017)
Adr Mixer: The Walt Disney Studios
The Post (2017)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Adr Mixer
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Adr Mixer: The Walt Disney Studios
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Adr Mixer: Walt Disney Studios
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
ADR Recorded By: DISNEY SOUND, LA
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Adr Mixer
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Adr Mixer
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Adr Mixer
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Adr Mixer
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Adr Mixer
Fifty Shades of Grey (2015)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Adr Mixer
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Adr Mixer
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Adr Mixer
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Adr Mixer
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Adr Mixer
Creed (2015)
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Adr Mixer
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Adr Mixer
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Adr Mixer
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Adr Mixer
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Adr Mixer - 1 Episode, 2013
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Adr Mixer
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Adr Mixer
We're the Millers (2013)
Directed by: Rawson Marshall Thurber
Cinematography by: Barry Peterson
Edited by: Michael L. Sale
Cameras: ARRI ALEXA Camera
Adr Mixer
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Adr Mixer
'House of Cards' Chapter 2 (2013)
Directed by: David Fincher
Cinematography by: Eigil Bryld
Edited by: Kirk Baxter
Adr Mixer: Walt Disney Studios
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Adr Mixer
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Adr Mixer
The Vow (2012)
Directed by: Michael Sucsy
Cinematography by: Rogier Stoffers
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Adr Mixer
Frankenweenie (2012)
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Adr Mixer
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Original Dialogue Mixer
Wreck-It Ralph (2012)
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Adr Mixer
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Adr Mixer
Prom (2011)
Directed by: Joe Nussbaum
Cinematography by: Byron Shah
Edited by: Jeffrey M. Werner
Cameras: ARRI ALEXA Camera
Adr Mixer
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Adr Mixer
Rango (2011)
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Dialogue Adr Recordist
Rio (2011)
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Original Dialogue Mixer
Toy Story 3 (2010)
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Adr Mixer
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Adr Mixer
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Adr Mixer
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Adr Mixer
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Adr Mixer
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
Extraordinary Measures (2010)
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Adr Mixer
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Adr Mixer
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Adr Mixer
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Adr Mixer
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Adr Mixer
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Adr Mixer
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Original Dialogue Mixer
The Princess and the Frog (2009)
Cinematography by: Rasoul Azadani
Edited by: Jeff Draheim
Adr Mixer
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist: Disney Studios
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Adr Mixer
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Adr Mixer
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Adr Mixer
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Original Dialogue Mixer
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Adr Mixer
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Adr Mixer: Buena Vista Studios
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Adr Mixer
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Adr Mixer / Original Dialogue Mixer
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Mixer
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Adr Mixer
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Adr Mixer
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Adr Mixer
The Game Plan (2007)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Cameras: Panavision Cameras
Adr Mixer
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Original Dialogue Mixer
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Adr Mixer
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Adr Mixer
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Adr Mixer
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Adr Mixer
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Adr Engineer
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Adr Mixer
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Adr Mixer
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Adr Mixer
The Painted Veil (2006)
Directed by: John Curran
Cinematography by: Stuart Dryburgh
Edited by: Alexandre de Franceschi
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
The Omen (2006)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
Adr Mixer
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Adr Mixer
Keeping Up with the Steins (2006)
Directed by: Scott Marshall
Cinematography by: Charles Minsky
Edited by: Tara Timpone
Adr Mixer
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Adr Mixer , Original Dialogue Mixer
Cars (2006)
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Adr Mixer
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Adr Mixer
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Adr Mixer
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Adr Re-recording Mixer
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Additional Adr Mixer
Aurora Borealis (2005)
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Adr Mixer
Ice Princess (2005)
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Adr Mixer
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Adr Mixer
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Adr Mixer
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Adr Mixer
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Adr Mixer
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Adr Mixer
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Adr Mixer
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Adr Mixer
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Adr Mixer
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Adr Mixer
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Sound: English Version
Howl's Moving Castle (2004)
Directed by: Hayao Miyazaki
Cinematography by: Atsushi Okui
Edited by: Takeshi Seyama
Adr Mixer
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Adr Mixer
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Adr Mixer
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Adr Mixer
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Mixer
Freaky Friday (2003)
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Adr Mixer
The Recruit (2003)
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Adr Mixer
The Lizzie McGuire Movie (2003)
Directed by: Jim Fall
Cinematography by: Jerzy Zielinski
Edited by: Margaret Goodspeed
Cameras: Panavision Cameras
Adr Mixer
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Adr Mixer
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Adr Mixer
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Adr Mixer
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Original Dialogue Recordist
Treasure Planet (2002)
Cinematography by: Rasoul Azadani
Edited by: Michael Kelly
Adr Mixer
The Accountant (2001)
Directed by: Ray McKinnon
Cinematography by: Blake B. Jackson
Edited by: Joan Sobel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
The Princess Diaries (2001)
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Adr Mixer
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Adr Mixer
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Adr Mixer
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Adr Mixer: Los Angeles
Crocodile Dundee in Los Angeles (2001)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Adr Mixer
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Original Dialogue Mixer
Monsters, Inc. (2001)
Adr Mixer
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Adr Mixer
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Original Dialogue Recordist
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Adr Mixer
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Adr Mixer
The Bone Collector (1999)
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Adr Mixer
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Adr Mixer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Adr Mixer / Principal Dialogue Editor
The Iron Giant (1999)
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Adr Mixer
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Adr Mixer
Music of the Heart (1999)
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Adr Mixer
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Adr Mixer
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Adr Mixer
One True Thing (1998)
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
Rushmore (1998)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Adr Mixer
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Adr Mixer
Krippendorf's Tribe (1998)
Directed by: Todd Holland
Cinematography by: Dean Cundey
Edited by: Jon Poll
Cameras: Panavision Cameras
Adr Mixer
Scream 2 (1997)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Adr Mixer
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Adr Mixer
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Adr Mixer
Breast Men (1997)
Directed by: Lawrence O'Neil
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Adr Mixer
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Adr Mixer
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Adr Mixer
Telling Lies in America (1997)
Directed by: Guy Ferland
Cinematography by: Reynaldo Villalobos
Edited by: Jill Savitt
Adr Mixer
Homeward Bound II: Lost in San Francisco (1996)
Directed by: David R. Ellis
Cinematography by: Jack Conroy
Adr Recordist
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Adr Mixer
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer
Up Close & Personal (1996)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Debra Neil-Fisher
Adr Mixer
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Adr Recordist
A Family Thing (1996)
Directed by: Richard Pearce
Cinematography by: Fred Murphy
Edited by: Mark Warner
Adr Mixer
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
2 Days in the Valley (1996)
Directed by: John Herzfeld
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Dolores Claiborne (1995)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Edited by: Mark Warner
Adr Mixer
Tom and Huck (1995)
Directed by: Peter Hewitt
Cinematography by: Bobby Bukowski
Edited by: David Freeman
Adr Mixer
Bad Company (1995)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Stuart H. Pappé
Adr Mixer
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Adr Mixer
White Man's Burden (1995)
Directed by: Desmond Nakano
Cinematography by: Willy Kurant
Edited by: Nancy Richardson
Adr Mixer
Things to Do in Denver When You're Dead (1995)
Directed by: Gary Fleder
Cinematography by: Elliot Davis
Edited by: Richard Marks
Adr Mixer
Mr. Holland's Opus (1995)
Directed by: Stephen Herek
Cinematography by: Oliver Wood
Edited by: Trudy Ship
Adr Mixer
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Adr Mixer
Cabin Boy (1994)
Directed by: Adam Resnick
Cinematography by: Steve Yaconelli
Edited by: Jon Poll
Additional Adr Mixer
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Adr Mixer
My Father the Hero (1994)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Marshall Harvey
Adr Mixer
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Adr Mixer
Holy Matrimony (1994)
Directed by: Leonard Nimoy
Cinematography by: Bobby Bukowski
Edited by: Peter E. Berger
Adr Mixer
Iron Will (1994)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
Adr Mixer
Milk Money (1994)
Directed by: Richard Benjamin
Cinematography by: David Watkin
Edited by: Jacqueline Cambas
Adr Mixer
Little Big League (1994)
Directed by: Andrew Scheinman
Cinematography by: Donald E. Thorin
Edited by: Michael Jablow
Adr Mixer
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
Adr Mixer
The Flintstones (1994)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Kent Beyda
Cameras: Panavision Cameras
Adr Mixer
Son in Law (1993)
Directed by: Steve Rash
Cinematography by: Peter Deming
Edited by: Dennis M. Hill
Adr Mixer
Cool Runnings (1993)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Adr Mixer
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Adr Mixer
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Mother's Boys (1993)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Michael D. Ornstein
Adr Mixer
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Adr Mixer
Sneakers (1992)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Tom Rolf
Adr Mixer
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Adr Mixer
The Distinguished Gentleman (1992)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Adr Mixer
Captain Ron (1992)
Directed by: Thom Eberhardt
Cinematography by: Daryn Okada
Edited by: Tina Hirsch
Adr Mixer
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Adr Mixer
True Identity (1991)
Directed by: Charles Lane
Cinematography by: Thomas E. Ackerman
Edited by: Kent Beyda
Adr Mixer
Wild Hearts Can't Be Broken (1991)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Jon Poll
Adr Mixer
Toy Soldiers (1991)
Directed by: Daniel Petrie Jr.
Cinematography by: Thomas Burstyn
Edited by: Michael Kahn
Foley Mixer
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Adr Mixer
Welcome Home, Roxy Carmichael (1990)
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green
Foley Mixer
Solar Crisis (1990)
Cinematography by: Russell Carpenter
Edited by: Richard Trevor
Adr Mixer
Dances with Wolves (1990)
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Original Dialogue Mixer: L.A. Studios
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Adr Mixer
The Big Picture (1989)
Directed by: Christopher Guest
Cinematography by: Jeffrey Jur
Edited by: Martin Nicholson
Adr Mixer
Chances Are (1989)
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Adr Mixer
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Adr Mixer
Bad Dreams (1988)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Re-recording Mixer
St. Elmo's Fire (1985)
Directed by: Joel Schumacher
Cinematography by: Stephen H. Burum
Edited by: Richard Marks
