Rights And Clearances
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Rights And Clearances
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Rights And Clearances
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Rights And Clearances
21 Bridges (2019)
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Rights And Clearances
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Rights And Clearances
Second Act (2018)
Directed by: Peter Segal
Cinematography by: Ueli Steiger
Edited by: Jason Gourson
Cameras: ARRI ALEXA Mini Camera
Rights And Clearances: Entertainment Clearances
Death Note (2017)
Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Rights And Clearances
Sleepless (2017)
Directed by: Baran bo Odar
Cinematography by: Mihai Malaimare Jr.
Edited by: Robert Rzesacz
Rights And Clearances
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Rights And Clearances
I, Tonya (2017)
Directed by: Craig Gillespie
Cinematography by: Nicolas Karakatsanis
Edited by: Tatiana S. Riegel
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Leitz Summilux-C Series Lenses
Rights And Clearances
The Forest (2016)
Directed by: Jason Zada
Cinematography by: Mattias Troelstrup
Edited by: Jim Flynn
Cameras: ARRI ALEXA XT Plus Camera
Rights And Clearances
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Rights And Clearances
My Big Fat Greek Wedding 2 (2016)
Directed by: Kirk Jones
Cinematography by: Jim Denault
Edited by: Mark Czyzewski
Cameras: Red Epic Dragon Camera
Script Clearance: Entertainment Clearances
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
Directed by: Woo-Ping Yuen
Cinematography by: Newton Thomas Sigel
Edited by: Jeff Betancourt
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Rights And Clearances
'Marco Polo' The Fellowship (2016)
Directed by: Alik Sakharov
Cinematography by: Gavin Struthers
Edited by: William Henry
Rights And Clearances
'Marco Polo' Whitehorse (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Rights And Clearances
'Marco Polo' Serpent's Terms (2016)
Directed by: Jon Amiel
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Rights And Clearances
'Marco Polo' Lullaby (2016)
Directed by: Jon Amiel
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Rights And Clearances
'Marco Polo' Hunter and the Sable Weaver (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Rights And Clearances
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Rights And Clearances
Kubo and the Two Strings (2016)
Directed by: Travis Knight
Cinematography by: Frank Passingham
Edited by: Christopher Murrie
Rights And Clearances - 4 Episodes, 2016
Ice (2016)
Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi
Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
Rights And Clearances
'Ice' Tears of the Gods (2016)
Directed by: Thomas Carter
Cinematography by: Robert Aschmann
Edited by: Lisa Binkley
Rights And Clearances
'Ice' Two Handkerchiefs (2016)
Directed by: Ashley Way
Cinematography by: Robert Aschmann
Edited by: Stein Myhrstad
Rights And Clearances
'Ice' The Line (2016)
Directed by: Norberto Barba
Cinematography by: Robert Aschmann
Edited by: Jamie Alain
Rights And Clearances
'Marco Polo' Heirs (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Rights And Clearances
'Marco Polo' Lost Crane (2016)
Directed by: Alik Sakharov
Cinematography by: Gavin Struthers
Edited by: William Henry
Rights And Clearances
'Marco Polo' Let God's Work Begin (2016)
Directed by: David Petrarca
Cinematography by: Vanja Cernjul
Edited by: Andy Keir
Rights And Clearances
'Marco Polo' Hug (2016)
Directed by: David Petrarca
Cinematography by: Vanja Cernjul
Edited by: Andy Keir
Rights And Clearances
'Marco Polo' Measure Against the Linchpin (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Rights And Clearances
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Rights And Clearances
Pitch Perfect 2 (2015)
Directed by: Elizabeth Banks
Cinematography by: Jim Denault
Edited by: Craig Alpert
Cameras: ARRI ALEXA Plus Camera
Rights And Clearances
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Rights And Clearances
Southpaw (2015)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Rights And Clearances
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Rights & Clearances
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Rights And Clearances
Room (2015)
Directed by: Lenny Abrahamson
Cinematography by: Danny Cohen
Edited by: Nathan Nugent
Cameras: Red Epic Dragon Camera
Rights And Clearances
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Rights And Clearances - 20 Episodes, 2014-2016
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Clearances
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Rights And Clearances
The Boxtrolls (2014)
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Rights And Clearances
'Marco Polo' Feast (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Rights And Clearances
'Marco Polo' The Heavenly and Primal (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Rights And Clearances
'Marco Polo' Prisoners (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Rights And Clearances
'Marco Polo' Rendering (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Rights And Clearances
'Marco Polo' The Scholar's Pen (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Rights And Clearances
'Marco Polo' White Moon (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Edited by: Barbara Tulliver
Rights And Clearances
'Marco Polo' Hashshashin (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Rights And Clearances
'Marco Polo' The Fourth Step (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Allyson C. Johnson
Rights And Clearances
'Marco Polo' The Wolf and the Deer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Rights And Clearances
'Marco Polo' The Wayfarer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Rights And Clearances
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Rights And Clearances
Snitch (2013)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Cameras: Red Epic Camera
Rights And Clearances: Entertainment Clearances
The Spectacular Now (2013)
Directed by: James Ponsoldt
Cinematography by: Jess Hall
Edited by: Darrin Navarro
Rights And Clearances: Entertainment Clearances
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Rights And Clearances: Entertainment Clearances
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Rights And Clearances: Entertainment Clearances
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Rights And Clearances: Entertainment Clearances
Inside Llewyn Davis (2013)
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Rights And Clearances: Entertainment Clearances
The Way Way Back (2013)
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Rights And Clearances: Entertainment Clearances
Begin Again (2013)
Directed by: John Carney
Cinematography by: Yaron Orbach
Edited by: Andrew Marcus
Cameras: Red Epic Camera
Editing System: Adobe Premiere Editing System
Rights And Clearances: Entertainment Clearances
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Clearance
Seeking a Friend for the End of the World (2012)
Directed by: Lorene Scafaria
Cinematography by: Tim Orr
Edited by: Zene Baker
Cameras: ARRI ALEXA Plus Camera
Rights And Clearances
Madea's Witness Protection (2012)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Rights And Clearances: Entertainment Clearances
Lawless (2012)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Rights And Clearances: Entertainment Clearances
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Rights And Clearances: Entertainment Clearanes
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Rights And Clearances
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Rights And Clearances: Entertainment Clearances
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Script Clearance Researcher: Entertainment Clearances
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Rights And Clearaces: Entertainment Clearances
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Rights And Clearances
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Rights And Clearances: Entertainment Clearances
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Rights & Clearances: Entertainment Clearances
The Collection (2012)
Directed by: Marcus Dunstan
Cinematography by: Sam McCurdy
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Rights And Clearances: Entertainment Clearances
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Rights And Clearances: Entertainment Clearances
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Rights And Clearances
Scream 4 (2011)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Script Researcher
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Rights And Clearances: Entertainment Clearances
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Rights And Clearances: Entertainment Clearances
Rampart (2011)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Camera
Rights And Clearances: Entertainment Clearances
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Rights And Clearances: Entertainment Clearances
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Rights And Clearances: Entertainment Clearances
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Rights And Clearances: Entertainment Clearances
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Clearances: Entertainment Clearances
The Artist (2011)
Directed by: Michel Hazanavicius
Cinematography by: Guillaume Schiffman
Cameras: ARRIFLEX 435 ES Camera
Editing System: Avid Editing System
Rights And Clearances: Entertainment Clearances
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Rights And Clearances: Entertainment Clearances
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Rights And Clearances: Entertainment Clearances
The Company Men (2010)
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Clearance
The Next Three Days (2010)
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Rights And Script Clearance
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Rights And Clearances: Entertainment Clearances
Every Day (2010)
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Clearance
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Rights And Clearances: Entertainment Clearances
All Good Things (2010)
Directed by: Andrew Jarecki
Cinematography by: Michael Seresin
Clearance: Entertainment Clearances
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Rights And Clearances: Entertainment Clearances
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Script Clearances: Entertainment Clearances
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Clearance Services: Entertainment Clearances
A Serious Man (2009)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Rights And Clearances: Entertainment Clearances
Coraline (2009)
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Clearance
He's Just Not That Into You (2009)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Rights And Clearances
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Rights And Clearances
12 Rounds (2009)
Directed by: Renny Harlin
Cinematography by: David Boyd
Edited by: Brian Berdan
Rights And Clearances
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Rights And Clearances
Law Abiding Citizen (2009)
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Rights And Clearances
Ghosts of Girlfriends Past (2009)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Rights And Clearances
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Rights And Clearances: Entertainment Clearances
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Rights And Clearances
Bandslam (2009)
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Rights And Clearances
What Just Happened (2008)
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Rights And Clearances: Entertainment Clearances
Over Her Dead Body (2008)
Directed by: Jeff Lowell
Cinematography by: John Bailey
Edited by: Matt Friedman
Rights And Clearances: Entertainment Clearances Inc.
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Rights And Clearances
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Rights And Clearances
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Rights And Clearances: Entertainment Clearances
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Rights And Clearances: Entertainment Clearances
Appaloosa (2008)
Directed by: Ed Harris
Cinematography by: Dean Semler
Edited by: Kathryn Himoff
Rights And Clearances
The Mysteries of Pittsburgh (2008)
Directed by: Rawson Marshall Thurber
Cinematography by: Michael Barrett
Edited by: Barbara Tulliver
Rights And Clearances: Entertainment Clearances
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Rights And Clearances: Entertainment Clearances
Smart People (2008)
Directed by: Noam Murro
Cinematography by: Toby Irwin
Rights And Clearances: Entertainment Clearances Inc.
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Rights And Clearances
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Rights And Clearances
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Rights And Clearances: Entertainment Clearances, Inc.
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Rights And Clearances: Entertainment Clearances, Inc.
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Rights And Clearances: Entertainment Clearances, Inc.
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Rights And Clearances: Entertainment Clearances Inc.
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Rights And Clearances
My Sassy Girl (2008)
Directed by: Yann Samuell
Cinematography by: Eric Schmidt
Edited by: Anita Brandt Burgoyne
Rights And Clearances
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Rights And Clearances: Entertainment Clearances
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Rights And Clearances
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Rights And Clearances
Death at a Funeral (2007)
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Rights And Clearances
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Rights And Clearances: Entertainment Clearances, Inc.
War (2007)
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Rights And Clearances
The Number 23 (2007)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Rights And Clearances: Entertainment Clearances
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Rights And Clearances: Entertainment Clearances, Inc.
Code Name: The Cleaner (2007)
Directed by: Les Mayfield
Cinematography by: David Franco
Edited by: Michael Matzdorff
Rights And Clearances
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Rights And Clearances: Entertainment Clearances
Married Life (2007)
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Rights And Clearances
Normal Adolescent Behavior (2007)
Directed by: Beth Schacter
Cinematography by: Harlan Bosmajian
Edited by: Benjamin Meyer
Rights And Clearances
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Rights And Clearances
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Rights And Clearances: Entertainment Clearances
Charlie Bartlett (2007)
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Rights And Clearances: Entertainment Clearances
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Rights And Clearances: Entertainment Clearances
Mr. Magorium's Wonder Emporium (2007)
Directed by: Zach Helm
Cinematography by: Roman Osin
Rights And Clearances
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Rights And Clearances: Entertainment Clearances
Talk to Me (2007)
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
Rights And Clearances: Entertainment Clearances Inc.
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Rights And Clearances
Disturbia (2007)
Directed by: D.J. Caruso
Cinematography by: Rogier Stoffers
Edited by: Jim Page
Cameras: Panavision Panaflex Platinum Camera
Rights And Clearances: Entertainment Clearances, Inc.
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Rights And Clearances
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Rights And Clearances
Why Did I Get Married? (2007)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Rights And Clearances
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Rights And Clearances: Entertainment Clearances
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Rights And Clearances: Entertainment Clearances
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Rights And Clearances
The Hunting Party (2007)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Research Services And Clearances: Entertainment Clearances Inc.
Ratatouille (2007)
Cinematography by: Robert Anderson
Edited by: Darren T. Holmes
Rights And Clearances
Grandma's Boy (2006)
Directed by: Nicholaus Goossen
Cinematography by: Mark Irwin
Edited by: Tom Costain
Rights And Clearances
Peaceful Warrior (2006)
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Rights And Clearances
How to Eat Fried Worms (2006)
Directed by: Bob Dolman
Cinematography by: Richard Rutkowski
Rights And Clearances
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Rights And Clearances: Entertainment Clearances Inc.
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Rights And Clearances
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Rights And Clearances
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Rights And Clearances
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Rights And Clearances
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Rights And Clearances: Entertainment Clearances
Hoot (2006)
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Rights And Clearances
Undisputed 2: Last Man Standing (2006)
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Rights And Clearances: Entertainment Clearances, Inc.
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Rights And Clearances: Entertainment Clearances
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Rights And Clearances
Alpha Dog (2006)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Rights And Clearances: Entertainment Clearances
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Rights And Clearances: Entertainment Clearances Inc.
The Great Raid (2005)
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Rights And Clearances
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rights And Clearances
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Rights And Clearances
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Rights And Clearances
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Rights And Clearances: Entertainment Clearances
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Rights And Clearances: Entertainment Clearances
Fierce People (2005)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Allyson C. Johnson
Rights And Clearances: Entertainment Clearances
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Rights And Clearances: Entertainment Clearances, Inc.
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Rights And Clearances
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Rights And Clearances
Magnificent Desolation: Walking on the Moon 3D (2005)
Directed by: Mark Cowen
Cinematography by: Sean MacLeod Phillips
Edited by: Billy Schinski
Rights And Clearances
Hustle & Flow (2005)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Cameras: Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses: Zeiss Ultra Prime Lenses
Rights And Clearances
Beauty Shop (2005)
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Rights And Clearances: Entertainment Clearances
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Rights And Clearances
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Legal Clearances: Entertainment Clearances
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Rights And Clearances: Entertainment Clearances
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Rights And Clearances
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Rights And Clearances: Entertainment Clearances
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Rights And Clearances
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Rights And Clearances
Godsend (2004)
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Clearances: Entertainment Clearances, Inc.
Shall We Dance (2004)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Rights And Clearances: Entertainment Clearances Inc.
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Rights And Clearances
Beyond Borders (2003)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Rights And Clearances: Entertainment Clearances, Inc.
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Rights And Clearances
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Rights And Clearances
Dumb and Dumberer: When Harry Met Lloyd (2003)
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Rights And Clearances: Entertainment Clearances
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Rights And Clearances
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Rights And Clearances: Entertainment Clearances
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Rights And Clearances: Entertainment Clearances
Wonderland (2003)
Directed by: James Cox
Cinematography by: Michael Grady
Edited by: Jeff McEvoy
Rights And Clearances: Entertainment Clearances
The Sleeping Dictionary (2003)
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Rights And Clearances: Entertainment Clearances Inc.
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Rights And Clearances: Entertainment Clearances
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Researcher: Entertainment Clearances
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Clearances: Entertainment Clearances
Full Frontal (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Sarah Flack
Cameras: Canon XL1S Camera
Editing System: Final Cut Pro Editing System
Rights And Clearances: Post-production
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rights And Clearances: Post-production
Trapped (2002)
Directed by: Luis Mandoki
Edited by: Gerald B. Greenberg
Rights And Clearances
Cheats (2002)
Directed by: Andrew Gurland
Cinematography by: Fred Murphy
Edited by: Troy Takaki
Rights And Clearances
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Rights And Clearances
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Rights And Clearances: Post-production
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Rights And Clearances
All About the Benjamins (2002)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines
Rights And Clearances
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Rights And Clearances
Enemy at the Gates (2001)
Directed by: Jean-Jacques Annaud
Cinematography by: Robert Fraisse
Rights And Clearances: Post-production
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Rights And Clearances
Jeepers Creepers (2001)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Rights And Clearances
Ghost World (2001)
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Rights And Clearances
Go Tigers! (2001)
Directed by: Kenneth A. Carlson
Cinematography by: Curt Apduhan
Edited by: Jeff Werner
Clearances: Entertainment Clearances, Inc. / Script Research: Entertainment Clearances, Inc.
The Whole Shebang (2001)
Directed by: George Zaloom
Cinematography by: Jacek Laskus
Edited by: J. Kathleen Gibson
Rights And Clearances
Urban Legends: Final Cut (2000)
Directed by: John Ottman
Cinematography by: Brian Pearson
Rights And Clearances
The Dish (2000)
Directed by: Rob Sitch
Cinematography by: Graeme Wood
Edited by: Jill Bilcock
Rights And Clearances
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Rights And Clearances: Entertainment Clearances, Inc.
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Rights And Clearances
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Rights And Clearances
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Footage Clearances Provider: Entertainment Clearances
The Limey (1999)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Sarah Flack
Rights And Clearances: Entertainment Clearances, Inc.
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Script Clearances: Entertainment Clearances
Playing by Heart (1998)
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
