Gary A. Hecker

| USA

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Lenses: Leica Summilux-C Series Lenses

Supervising Foley Artist

Once Upon a Time... in Hollywood (2019)

| USA, UK, China

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Supervising Foley Artist

Spider-Man: Into the Spider-Verse (2018)

| USA

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

Supervising Foley Artist

Spider-Man: Homecoming (2017)

| USA

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Series Cameras, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Series Cameras, ARRI Cameras, Blackmagic Design Cameras, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Foley Artist

The Fate of the Furious (2017)

| China, USA, Japan

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Creature Vocals, Supervising Foley Artist

Batman v Superman: Dawn of Justice (2016)

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, Imax MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

| USA

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Supervising Foley Artist

Ghostbusters (2016)

| USA, Australia

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Foley Artist

The 5th Wave (2016)

| USA, UK

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Supervising Foley Artist

Snowden (2016)

| France, Germany, USA, UK

Directed by: Oliver Stone

Cinematography by: Anthony Dod Mantle

Edited by: Alex Marquez, Lee Percy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses: Leica Summicron-C Series Lenses

Supervising Foley Artist

Furious 7 (2015)

| USA, China, Japan, Canada, United Arab Emirates

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Supervising Foley Artist

The Hateful Eight (2015)

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Foley Artist

Dumb and Dumber To (2014)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Steven Rasch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Leica Summilux-C Series Lenses

Foley Artist

Fury (2014)

| USA, China, UK

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Supervising Foley Artist

Birdman or (The Unexpected Virtue of Ignorance) (2014)

| USA

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leica Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Foley Artist

A Walk Among the Tombstones (2014)

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Scott Frank

Cinematography by: Mihai Malaimare Jr.

Edited by: Jill Savitt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Supervising Foley Artist

Divergent (2014)

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

| USA

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Supervising Foley Artist

The Call (2013)

| USA

Directed by: Brad Anderson

Cinematography by: Thomas Yatsko

Edited by: Avi Youabian

Cameras: ARRI ALEXA Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses

Supervising Foley Artist

Lone Survivor (2013)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Supervising Foley Artist

Furious 6 (2013)

| USA, Japan, Spain, UK

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Foley Artist / Supervising Foley Artist

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Supervising Foley Artist

The Last Stand (2013)

| USA

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leica Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Foley Artist

Bad Grandpa (2013)

| USA

Directed by: Jeff Tremaine

Cinematography by: Lance Bangs, Dimitry Elyashkevich

Edited by: Seth Casriel, Matthew Kosinski, Matthew Probst

Foley Artist / Supervising Foley Artist

Jack the Giant Slayer (2013)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Foley Artist - Segment "The Catch"

Movie 43 (2013)

| USA

Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk

Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt

Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Supervising Foley Artist

Temptation: Confessions of a Marriage Counselor (2013)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Supervising Foley Artist

Man of Steel (2013)

| USA, UK

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Foley Artist

Pacific Rim (2013)

| USA

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Zeiss Ultra Prime Lenses

Supervising Foley Artist

Madea's Witness Protection (2012)

| USA

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Supervising Foley Artist

Savages (2012)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Foley Artist / Supervising Foley Artist

Jayne Mansfield's Car (2012)

| USA, Russia

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Lauren Zuckerman

Supervising Foley Artist

Safe House (2012)

| South Africa, Japan, USA

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Supervising Foley Artist

The Hunger Games (2012)

| USA

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Supervising Foley Artist

The Twilight Saga: Breaking Dawn - Part 2 (2012)

| USA

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Foley Artist

End of Watch (2012)

| USA

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Supervising Foley Artist

Abraham Lincoln: Vampire Hunter (2012)

| USA, Russia

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Foley Artist

Django Unchained (2012)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist: ToddAo/Soundelux

Apollo 18 (2011)

| USA, Canada

Directed by: Gonzalo López-Gallego

Cinematography by: José David Montero

Edited by: Patrick Lussier

Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses: Panavision Primo Digital Lenses

Foley Artist

Big Mommas: Like Father, Like Son (2011)

| USA

Directed by: John Whitesell

Cinematography by: Anthony B. Richmond

Edited by: Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Supervising Foley Artist

Dream House (2011)

| USA, Canada

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Supervising Foley Artist

The Twilight Saga: Breaking Dawn - Part 1 (2011)

| USA

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Supervising Foley Artist

Abduction (2011)

| USA

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Supervising Foley Artist

Source Code (2011)

| USA, Canada

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Supervising Foley Artist

Fast Five (2011)

| USA, Brazil, Japan

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Foley Artist

Hop (2011)

| USA, India, Malaysia, Taiwan, Canada, UK

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Foley Artist

Silent House (2011)

| France, USA

Directed by: Chris Kentis, Laura Lau

Cinematography by: Igor Martinovic

Cameras: Canon EOS-5D Mark II Camera

Lenses: Zeiss Compact Prime Lenses

Foley Artist / Supervising Foley Artist

Fright Night (2011)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Supervising Foley Artist

The Green Hornet (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

| USA

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Editing System: Avid Editing System

Supervising Foley Artist

Tower Heist (2011)

| USA

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Foley Artist

Cedar Rapids (2011)

| USA

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Eric Kissack

Special Creature Vocals, Supervising Foley Artist

Sucker Punch (2011)

| USA, Canada

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Supervising Foley Artist

Mardi Gras: Spring Break (2011)

| USA

Directed by: Phil Dornfeld

Cinematography by: Thomas E. Ackerman

Edited by: Mark Scheib

Supervising Foley Artist

Devil (2010)

| USA

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

Supervising Foley Artist

Extraordinary Measures (2010)

| USA

Directed by: Tom Vaughan

Cinematography by: Andrew Dunn

Edited by: Anne V. Coates

Supervising Foley Artist

Bunraku (2010)

| USA

Directed by: Guy Moshe

Cinematography by: Juan Ruiz Anchía

Edited by: Glenn Garland, Zach Staenberg

Foley Artist / Supervising Foley Artist

The Switch (2010)

| USA

Directed by: Josh Gordon, Will Speck

Cinematography by: Jess Hall

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Supervising Foley Artist

Vampires Suck (2010)

| USA

Directed by: Jason Friedberg, Aaron Seltzer

Cinematography by: Shawn Maurer

Edited by: Peck Prior

Cameras: Moviecam Compact Camera

Foley Artist

Charlie St. Cloud (2010)

| USA, Canada

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Supervising Foley Artist

The Book of Eli (2010)

| USA

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Supervising Foley Artist

RED (2010)

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Adr Voice, Supervising Foley Artist

Robin Hood (2010)

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Supervising Foley Artist

The Big Bang (2010)

| USA

Directed by: Tony Krantz

Cinematography by: Shelly Johnson

Edited by: Fred Raskin

Supervising Foley Artist

The Next Three Days (2010)

| USA, France

Directed by: Paul Haggis

Cinematography by: Stéphane Fontaine

Edited by: Jo Francis

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Supervising Foley Artist

The Tourist (2010)

| USA, France, Italy, UK

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Supervising Foley Artist

Wall Street: Money Never Sleeps (2010)

| USA

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

Supervising Foley Artist

A Nightmare on Elm Street (2010)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Supervising Foley Artist

Surrogates (2009)

| USA

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

Foley Artist

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Supervising Foley Artist

The Uninvited (2009)

| USA, Canada, Germany

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

Foley Artist

Terminator Salvation (2009)

| USA, Germany, UK, Italy

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Foley Artist , Special Voices

Watchmen (2009)

| USA

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

The Taking of Pelham 123 (2009)

| USA, UK

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Supervising Foley Artist

The Twilight Saga: New Moon (2009)

| USA

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Foley Artist

21 (2008)

| USA

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Foley Artist

Seven Pounds (2008)

| USA

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Supervising Foley Artist

Superhero Movie (2008)

| USA

Directed by: Craig Mazin

Cinematography by: Thomas E. Ackerman

Edited by: Andrew S. Eisen, Craig Herring, Dan Schalk

Cameras: ARRI Cameras

Supervising Foley Artist

The Incredible Hulk (2008)

| USA

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Foley Artist

Made of Honor (2008)

| USA, UK

Directed by: Paul Weiland

Cinematography by: Tony Pierce-Roberts

Edited by: Richard Marks

Cameras: Panavision Cameras

Supervising Foley Artist

Frost/Nixon (2008)

| UK, France, USA

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill, Robert Komatsu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Editing System: Avid Editing System

Foley Artist / Supervising Foley Artist

Hancock (2008)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Supervising Foley Artist

The Strangers (2008)

| USA

Directed by: Bryan Bertino

Cinematography by: Peter Sova

Edited by: Kevin Greutert

Cameras: Panavision Cameras

Foley Artist

Walk Hard: The Dewey Cox Story (2007)

| USA

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Foley Artist

Surf's Up (2007)

| USA

Directed by: Ash Brannon, Chris Buck

Edited by: Ivan Bilancio, Nancy Frazen

Tyrant Vocal

Resident Evil: Extinction (2007)

| France, Australia, Germany, UK, USA, Mexico, Canada

Directed by: Russell Mulcahy

Cinematography by: David Johnson

Edited by: Niven Howie

Foley Artist

Ghost Rider (2007)

| USA, Australia

Directed by: Mark Steven Johnson

Cinematography by: Russell Boyd

Edited by: Richard Francis-Bruce

Cameras: Panavision Cameras

Supervising Foley Artist

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Foley Artist

August Rush (2007)

| USA

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

RV (2006)

| UK, Germany, USA

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

Foley Artist

The Da Vinci Code (2006)

| USA, Malta, France, UK

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Special Sound Effects

Ultraviolet (2006)

| USA

Directed by: Kurt Wimmer

Cinematography by: Arthur Wong

Edited by: William Yeh

Supervising Foley Artist, Ubermortal Vocals

300 (2006)

| USA, Canada, Bulgaria

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Final Cut Pro Editing System

Foley Artist

All the King's Men (2006)

| Germany, USA

Directed by: Steven Zaillian

Cinematography by: Pawel Edelman

Edited by: Wayne Wahrman

Foley Artist

Click (2006)

| USA

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Foley Artist

The Holiday (2006)

| USA

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Foley Artist

The Interpreter (2005)

| UK, France, Germany, USA

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Supervising Foley Artist

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Foley Artist

Memoirs of a Geisha (2005)

| USA, Japan

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Supervising Foley Artist

Aurora Borealis (2005)

| USA, Canada

Directed by: James C.E. Burke

Cinematography by: Alar Kivilo

Edited by: Richard Nord

Foley Artist

Lords of Dogtown (2005)

| USA, Germany

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Supervising Foley Artist

The Bourne Supremacy (2004)

| USA, Germany

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Supervising Foley Artist

Dawn of the Dead (2004)

| USA, Canada, Japan, France

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Supervising Foley Artist

Spider-Man 2 (2004)

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses

Supervising Foley Artist

Terminator 3: Rise of the Machines (2003)

| USA, Germany, UK

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Foley Artist

National Security (2003)

| USA

Directed by: Dennis Dugan

Cinematography by: Oliver Wood

Edited by: Debra Neil-Fisher

Foley Artist

I'll Be There (2003)

| USA, UK

Directed by: Craig Ferguson

Cinematography by: Ian Wilson

Edited by: Sheldon Kahn

Foley Artist

Duplex (2003)

| Germany, USA

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Foley Artist

Big Fish (2003)

| USA

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist , Horse Vocals

Seabiscuit (2003)

| USA

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Editing System: Avid Editing System

Foley Artist

Under the Tuscan Sun (2003)

| USA, Italy

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

Foley Artist

Beyond Borders (2003)

| Germany, USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Foley Artist

Something's Gotta Give (2003)

| USA

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Foley Artist

Master and Commander: The Far Side of the World (2003)

| USA

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Foley Artist , Tooth Fairy Vocal Effects

Darkness Falls (2003)

| USA, Australia

Directed by: Jonathan Liebesman

Cinematography by: Dan Laustsen

Edited by: Timothy Alverson, Steve Mirkovich

Foley Artist

Peter Pan (2003)

| UK, Australia, USA, New Zealand

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

Identity (2003)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Alien Voice, Sound Effects: Special Alien Voices

Dreamcatcher (2003)

| USA, Canada

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

Supervising Foley Artist

Signs (2002)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Foley: Artist

Rollerball (2002)

| USA, Germany, Japan

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

Foley Artist

Spider-Man (2002)

| USA

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Foley Artist

Road to Perdition (2002)

| USA

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Editing System: Lightworks Editing System

Foley Artist

I Spy (2002)

| USA

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Foley Artist

Equilibrium (2002)

| USA

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Foley Artist

Scary Movie 2 (2001)

| USA, Canada

Directed by: Keenen Ivory Wayans

Cinematography by: Steven Bernstein

Edited by: Thomas J. Nordberg, Richard Pearson, Peter Teschner

Foley Artist

The Glass House (2001)

| USA

Directed by: Daniel Sackheim

Cinematography by: Alar Kivilo

Edited by: Howard E. Smith

Dragon Vocals

Shrek (2001)

| USA

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Foley Artist

Riding in Cars with Boys (2001)

| USA

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Foley Artist

America's Sweethearts (2001)

| USA

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Foley Artist

Vertical Limit (2000)

| USA, Germany

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Supervising Foley Artist

Unbreakable (2000)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist, Gorilla Vocals

Hollow Man (2000)

| USA, Germany

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Foley Artist

Charlie's Angels (2000)

| USA, Germany

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Foley Artist

The Patriot (2000)

| USA, Germany

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

28 Days (2000)

| USA

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

How the Grinch Stole Christmas (2000)

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

| USA

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Foley Artist

Blue Streak (1999)

| USA, Germany

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Foley Artist

Stuart Little (1999)

| Germany, USA

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Foley Artist

Muppets from Space (1999)

| USA

Directed by: Tim Hill

Cinematography by: Alan Caso

Edited by: Richard Pearson, Michael A. Stevenson

Foley Artist

Idle Hands (1999)

| USA

Directed by: Rodman Flender

Cinematography by: Christopher Baffa

Edited by: Stephen E. Rivkin

Foley Artist

8MM (1999)

| Germany, USA

Directed by: Joel Schumacher

Cinematography by: Robert Elswit

Edited by: Mark Stevens

Cameras: Beaulieu Cameras, Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Foley Artist

The Adventures of Elmo in Grouchland (1999)

| USA, Germany

Directed by: Gary Halvorson

Cinematography by: Alan Caso

Edited by: Alan Baumgarten

Foley Artist

Girl, Interrupted (1999)

| USA, Germany

Directed by: James Mangold

Cinematography by: Jack N. Green

Edited by: Kevin Tent

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Creature Vocals

The Faculty (1998)

| USA

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Foley Artist

One True Thing (1998)

| USA

Directed by: Carl Franklin

Cinematography by: Declan Quinn

Edited by: Carole Kravetz Aykanian

Foley Artist

The Mask of Zorro (1998)

| USA, Germany, Mexico

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

Dog

Atomic Dog (1998)

Television Movie

| USA

Directed by: Brian Trenchard-Smith

Cinematography by: David Lewis

Edited by: Stephen R. Myers

Foley Artist

I Still Know What You Did Last Summer (1998)

| USA, Mexico

Directed by: Danny Cannon

Cinematography by: Vernon Layton

Edited by: Peck Prior

Blarp

Lost in Space (1998)

| USA

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Ray Lovejoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Artist

Wild Things (1998)

| USA

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Foley Artist

The Replacement Killers (1998)

| USA

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Creature Vocals, Foley Artist , Special Vocal Effects

Godzilla (1998)

| USA, Japan

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Foley Artist

Can't Hardly Wait (1998)

| USA

Directed by: Harry Elfont, Deborah Kaplan

Cinematography by: Lloyd Ahern II

Edited by: Michael Jablow

Foley Artist

Gattaca (1997)

| USA

Directed by: Andrew Niccol

Cinematography by: Slawomir Idziak

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX Camera, Moviecam Cameras

Foley Artist

Air Force One (1997)

| USA, Germany

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Foley Walker

The Jackal (1997)

| USA, UK, France, Germany, Japan

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Jim Clark

Foley Artist

Starship Troopers (1997)

| USA

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Anaconda Vocal Effects, Foley Artist

Anaconda (1997)

| USA, Brazil, Peru

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: Michael R. Miller

Foley Artist , Kothoga Vocalization

The Relic (1997)

| UK, Germany, Japan, New Zealand, USA

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

Alien Vocal Effects

Independence Day (1996)

| USA

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Foley Artist

The Long Kiss Goodnight (1996)

| USA

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

Foley Artist

Last Man Standing (1996)

| USA

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Foley Artist

That Thing You Do! (1996)

| USA

Directed by: Tom Hanks

Cinematography by: Tak Fujimoto

Edited by: Richard Chew

Foley Artist

The Fan (1996)

| USA

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Foley Artist

The Chamber (1996)

| USA

Directed by: James Foley

Cinematography by: Ian Baker

Edited by: Mark Warner

Foley Artist

Outbreak (1995)

| USA

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Foley Artist

Rob Roy (1995)

| UK, USA

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter Honess

Foley Artist

Nixon (1995)

| USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Foley Artist

The American President (1995)

| USA

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Foley Walker

Bad Boys (1995)

| USA

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Foley Artist

Waterworld (1995)

| USA

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Foley Artist

The Net (1995)

| USA

Directed by: Irwin Winkler

Cinematography by: Jack N. Green

Edited by: Richard Halsey

Foley Sound Effects

The Quick and the Dead (1995)

| Japan, USA

Directed by: Sam Raimi

Cinematography by: Dante Spinotti

Edited by: Pietro Scalia

Foley Artist

French Kiss (1995)

| UK, USA

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Camera

Lenses: Panavision E Series Anamorphic Lenses

Foley Artist

Father of the Bride Part II (1995)

| USA

Directed by: Charles Shyer

Cinematography by: Elliot Davis, William A. Fraker

Edited by: Adam Bernardi, Stephen A. Rotter

Foley Artist

Cutthroat Island (1995)

| France, Italy, Germany, USA

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Foley Artist

Hideaway (1995)

| USA

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: B.J. Sears

Foley Artist

North (1994)

| USA

Directed by: Rob Reiner

Cinematography by: Adam Greenberg

Edited by: Robert Leighton

Foley Artist

Speechless (1994)

| USA

Directed by: Ron Underwood

Cinematography by: Donald Peterman

Edited by: Richard Francis-Bruce

Foley Artist

Terminal Velocity (1994)

| USA, Canada

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Foley Artist

Blankman (1994)

| USA

Directed by: Mike Binder

Cinematography by: Newton Thomas Sigel

Edited by: Adam Weiss

Foley Artist

Natural Born Killers (1994)

| USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Foley Artist , The Bear

Legends of the Fall (1994)

| USA

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

Foley Artist

Cops and Robbersons (1994)

| USA

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Stephen A. Rotter, William S. Scharf

Foley Artist

Bad Girls (1994)

| USA

Directed by: Jonathan Kaplan

Cinematography by: Ralf D. Bode

Edited by: Jane Kurson

Foley Artist

Guarding Tess (1994)

| USA

Directed by: Hugh Wilson

Cinematography by: Brian J. Reynolds

Edited by: Sidney Levin

Foley Artist

Color of Night (1994)

| USA

Directed by: Richard Rush

Cinematography by: Dietrich Lohmann

Edited by: Jack Hofstra, Thom Noble

Foley Artist

The Beverly Hillbillies (1993)

| USA

Directed by: Penelope Spheeris

Cinematography by: Robert Brinkmann

Edited by: Ross Albert

Cameras: ARRIFLEX 535 B Camera

Foley Artist

Super Mario Bros. (1993)

| UK, USA, Japan

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Dean Semler

Edited by: Mark Goldblatt

Foley Artist

Geronimo: An American Legend (1993)

| USA

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Foley Artist

The Joy Luck Club (1993)

| USA, China

Directed by: Wayne Wang

Cinematography by: Amir Mokri

Edited by: Maysie Hoy

Foley Artist

The Wrong Man (1993)

| USA, Mexico

Directed by: Jim McBride

Cinematography by: Affonso Beato

Edited by: Lisa Zeno Churgin

Foley Artist

Silent Tongue (1993)

| France, Netherlands, UK, USA

Directed by: Sam Shepard

Cinematography by: Jack Conroy

Edited by: Bill Yahraus

Foley Artist

Cliffhanger (1993)

| USA, Italy, France

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Foley Mixer

Blood In, Blood Out (1993)

| USA

Directed by: Taylor Hackford

Cinematography by: Gabriel Beristain

Edited by: Fredric Steinkamp, Karl F. Steinkamp

Cameras: ARRIFLEX Camera

Foley Mixer

This Boy's Life (1993)

| USA

Directed by: Michael Caton-Jones

Cinematography by: David Watkin

Edited by: Jim Clark

Foley Artist

Robin Hood: Men in Tights (1993)

| France, USA

Directed by: Mel Brooks

Cinematography by: Michael D. O'Shea

Edited by: Stephen E. Rivkin

Foley Artist

In the Line of Fire (1993)

| USA

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Foley Mixer

Rich in Love (1992)

| USA

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

Foley Mixer

Rapid Fire (1992)

| USA

Directed by: Dwight H. Little

Cinematography by: Ric Waite

Edited by: Gib Jaffe

Foley Mixer

Of Mice and Men (1992)

| USA

Directed by: Gary Sinise

Cinematography by: Kenneth MacMillan

Edited by: Robert L. Sinise

Foley Mixer

Night and the City (1992)

| USA

Directed by: Irwin Winkler

Cinematography by: Tak Fujimoto

Edited by: David Brenner

Cameras: Panavision Cameras

Foley Mixer

Freddy's Dead: The Final Nightmare (1991)

| USA

Directed by: Rachel Talalay

Cinematography by: Declan Quinn

Edited by: Janice Hampton

Foley Mixer

Dying Young (1991)

| USA

Directed by: Joel Schumacher

Cinematography by: Juan Ruiz Anchía

Edited by: Robert Brown, Jim Prior

Foley Artist

Nothing But Trouble (1991)

| USA

Directed by: Dan Aykroyd

Cinematography by: Dean Cundey

Edited by: Malcolm Campbell, James R. Symons

Foley Artist

One Good Cop (1991)

| USA

Directed by: Heywood Gould

Cinematography by: Ralf D. Bode

Edited by: Richard Marks

Foley Artist

Shattered (1991)

| USA

Directed by: Wolfgang Petersen

Cinematography by: László Kovács

Edited by: Glenn Farr, Hannes Nikel

Foley Mixer

Wild Hearts Can't Be Broken (1991)

| USA

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Jon Poll

Foley Artist

King Ralph (1991)

| USA

Directed by: David S. Ward

Cinematography by: Kenneth MacMillan

Edited by: John Jympson

Foley Mixer

Deceived (1991)

| USA

Directed by: Damian Harris

Cinematography by: Jack N. Green

Edited by: Neil Travis

Foley Mixer

Paradise (1991)

| USA

Directed by: Mary Agnes Donoghue

Cinematography by: Jerzy Zielinski

Edited by: Éva Gárdos, Debra McDermott

Foley Mixer

Toy Soldiers (1991)

| USA

Directed by: Daniel Petrie Jr.

Cinematography by: Thomas Burstyn

Edited by: Michael Kahn

Foley Mixer

Mystery Date (1991)

| USA

Directed by: Jonathan Wacks

Cinematography by: Oliver Wood

Edited by: Tina Hirsch

Foley Mixer

Curly Sue (1991)

| USA

Directed by: John Hughes

Cinematography by: Jeffrey L. Kimball

Edited by: Peck Prior, Harvey Rosenstock

Cameras: Panavision Cameras

Foley Artist

Men at Work (1990)

| USA

Directed by: Emilio Estevez

Cinematography by: Tim Suhrstedt

Edited by: Craig Bassett

Foley Artist

Rocky V (1990)

| USA

Directed by: John G. Avildsen

Cinematography by: Steven Poster

Edited by: John G. Avildsen, Robert A. Ferretti, Michael N. Knue

Foley Artist

Wild at Heart (1990)

| USA

Directed by: David Lynch

Cinematography by: Frederick Elmes

Edited by: Duwayne Dunham

Foley Artist

Love at Large (1990)

| USA

Directed by: Alan Rudolph

Cinematography by: Elliot Davis

Edited by: Lisa Zeno Churgin

Foley Mixer

Home Alone (1990)

| USA

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Foley Artist

The Hot Spot (1990)

| USA

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Wende Phifer Mate

Foley Artist

Narrow Margin (1990)

| USA

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: James Mitchell

Foley Artist

Chances Are (1989)

| USA

Directed by: Emile Ardolino

Cinematography by: William A. Fraker

Edited by: Harry Keramidas

Foley Artist

Checking Out (1989)

| UK

Directed by: David Leland

Cinematography by: Ian Wilson

Edited by: Lee Percy

Foley Artist

National Lampoon's Christmas Vacation (1989)

| USA

Directed by: Jeremiah S. Chechik

Cinematography by: Thomas E. Ackerman

Edited by: Gerald B. Greenberg, Michael A. Stevenson

Foley Artist

They Live (1988)

| USA

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Gib Jaffe, Frank E. Jimenez

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Anamorphic Super High Speed Lenses

Foley By: Los Angeles

Coming to America (1988)

| USA

Directed by: John Landis

Cinematography by: Woody Omens

Edited by: Malcolm Campbell, George Folsey Jr.

Cameras: Panavision Panaflex Gold Camera

Foley Walker

Throw Momma from the Train (1987)

| USA

Directed by: Danny DeVito

Cinematography by: Barry Sonnenfeld

Edited by: Michael Jablow

Foley Artist

The Running Man (1987)

| USA

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

Foley Artist

The Witches of Eastwick (1987)

| USA

Directed by: George Miller

Cinematography by: Vilmos Zsigmond

Edited by: Hubert de La Bouillerie, Richard Francis-Bruce

Foley Artist

Planes, Trains & Automobiles (1987)

| USA

Directed by: John Hughes

Cinematography by: Donald Peterman

Edited by: Paul Hirsch

Cameras: Panavision Cameras

Foley Artist

Hoosiers (1986)

| UK, USA

Directed by: David Anspaugh

Cinematography by: Fred Murphy

Edited by: Carroll Timothy O'Meara

Cameras: ARRI Cameras

Foley Artist

Band of the Hand (1986)

| USA

Directed by: Paul Michael Glaser

Cinematography by: Reynaldo Villalobos

Edited by: Jack Hofstra

Foley Artist

The Hitcher (1986)

| USA

Directed by: Robert Harmon

Cinematography by: John Seale

Edited by: Frank J. Urioste

Foley Artist

Jumpin' Jack Flash (1986)

| USA

Directed by: Penny Marshall

Cinematography by: Matthew F. Leonetti

Edited by: Mark Goldblatt

Foley Artist

No Mercy (1986)

| USA

Directed by: Richard Pearce

Cinematography by: Michel Brault

Edited by: Gerald B. Greenberg, Bill Yahraus

Foley: Artist

Manhunter (1986)

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig

Foley Artist

Big Trouble in Little China (1986)

| USA

Directed by: John Carpenter

Cinematography by: Dean Cundey

Edited by: Steve Mirkovich, Mark Warner, Edward A. Warschilka

Cameras: Panavision Cameras

Foley Walker

Young Sherlock Holmes (1985)

| USA

Directed by: Barry Levinson

Cinematography by: Stephen Goldblatt

Edited by: Stu Linder

Foley Artist

Back to the Future (1985)

| USA

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Foley Artist

Police Academy (1984)

| USA

Directed by: Hugh Wilson

Cinematography by: Michael D. Margulies

Edited by: Robert Brown, Zach Staenberg

Supervising Foley Editor

Twilight Zone: The Movie (1983)

| USA

Directed by: Joe Dante, John Landis, George Miller, Steven Spielberg

Cinematography by: Allen Daviau, John Hora, Stevan Larner

Edited by: Malcolm Campbell, Tina Hirsch, Michael Kahn, Howard E. Smith

Voice

Poltergeist (1982)

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

| USA

Directed by: Tobe Hooper

Cinematography by: Matthew F. Leonetti

Edited by: Michael Kahn

Cameras: Ultracam 35 Camera

Foley Artist

Wolfen (1981)

| USA

Directed by: Michael Wadleigh

Cinematography by: Gerry Fisher

Edited by: Marshall M. Borden, Martin J. Bram, Dennis Dolan, Chris Lebenzon

Cameras: Panavision Cameras

Foley Artist

Friday the 13th (1980)

| USA

Directed by: Sean S. Cunningham

Cinematography by: Barry Abrams

Edited by: Bill Freda

Foley Artist

Star Wars: Episode V - The Empire Strikes Back (1980)

| USA

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera

Lenses: Panavision C Series Anamorphic Lenses

Foley Editor

Star Trek: The Motion Picture (1979)

| USA

Directed by: Robert Wise

Cinematography by: Richard H. Kline

Edited by: Todd C. Ramsay

Foley Artist - 2000 Version

The Exorcist (1973)