Gary A. Hecker

246 Titles

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Elemental | ShotOnWhat?

Foley Artist - Rumored

Elemental (2023)

Directed by: Peter Sohn

Cinematography by: David Juan Bianchi, Jean-Claude Kalache

Edited by: Stephen Schaffer

Zack Snyder's Justice League | ShotOnWhat?

Creature Vocals, Supervising Foley Artist

Zack Snyder's Justice League (2021)

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Leitz Summilux-C Series Lenses

Once Upon a Time... in Hollywood | ShotOnWhat?

Supervising Foley Artist

Once Upon a Time in Hollywood (2019)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Spider-Man: Into the Spider-Verse | ShotOnWhat?

Supervising Foley Artist

Spider-Man: Into the Spider-Verse (2018)

Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman

Edited by: Robert Fisher Jr.

Life Itself | ShotOnWhat?

Foley Artist

Life Itself (2018)

Directed by: Dan Fogelman

Cinematography by: Brett Pawlak

Edited by: Julie Monroe

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Cooke Panchro/i Classic Lenses

Fast 8 | ShotOnWhat?

Foley Artist

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Spider-Man: Homecoming | ShotOnWhat?

Foley Artist , Supervising Foley Artist

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Batman v Superman: Dawn of Justice | ShotOnWhat?

Creature Vocals, Supervising Foley Artist

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Snowden | ShotOnWhat?

Supervising Foley Artist

Snowden (2016)

Directed by: Oliver Stone

Cinematography by: Anthony Dod Mantle

Edited by: Alex Marquez, Lee Percy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses: Leitz Summicron-C Series Lenses

The 5th Wave | ShotOnWhat?

Foley Artist

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ghostbusters | ShotOnWhat?

Supervising Foley Artist

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

The Hateful Eight | ShotOnWhat?

Supervising Foley Artist

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Furious 7 | ShotOnWhat?

Supervising Foley Artist

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Divergent | ShotOnWhat?

Supervising Foley Artist

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Fury | ShotOnWhat?

Foley Artist

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

Supervising Foley Artist

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

A Walk Among the Tombstones | ShotOnWhat?

Foley Artist

A Walk Among the Tombstones (2014)

Directed by: Scott Frank

Cinematography by: Mihai Malaimare Jr.

Edited by: Jill Savitt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Dumb and Dumber To | ShotOnWhat?

Foley Artist

Dumb and Dumber To (2014)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Steven Rasch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Pacific Rim | ShotOnWhat?

Foley Artist

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

R.I.P.D. | ShotOnWhat?

Foley Artist / Supervising Foley Artist

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Last Stand | ShotOnWhat?

Supervising Foley Artist

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Movie 43 | ShotOnWhat?

Foley Artist - Segment "The Catch"

Movie 43 (2013)

Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk

Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt

Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Man of Steel | ShotOnWhat?

Supervising Foley Artist

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Furious 6 | ShotOnWhat?

Supervising Foley Artist

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Jack the Giant Slayer | ShotOnWhat?

Foley Artist / Supervising Foley Artist

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

Supervising Foley Artist

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

The Call | ShotOnWhat?

Supervising Foley Artist

The Call (2013)

Directed by: Brad Anderson

Cinematography by: Thomas Yatsko

Edited by: Avi Youabian

Cameras: ARRI ALEXA Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses

Lone Survivor | ShotOnWhat?

Supervising Foley Artist

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Bad Grandpa | ShotOnWhat?

Foley Artist

Bad Grandpa (2013)

Directed by: Jeff Tremaine

Cinematography by: Lance Bangs, Dimitry Elyashkevich

Edited by: Seth Casriel, Matthew Kosinski, Matthew Probst

Madea's Witness Protection | ShotOnWhat?

Supervising Foley Artist

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

Jayne Mansfield's Car | ShotOnWhat?

Foley Artist / Supervising Foley Artist

Jayne Mansfield's Car (2012)

Directed by: Billy Bob Thornton

Cinematography by: Barry Markowitz

Edited by: Lauren Zuckerman

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hunger Games | ShotOnWhat?

Supervising Foley Artist

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

End of Watch | ShotOnWhat?

Foley Artist

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Savages | ShotOnWhat?

Supervising Foley Artist

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Supervising Foley Artist

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Safe House | ShotOnWhat?

Supervising Foley Artist

Safe House (2012)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Twilight Saga: Breaking Dawn - Part 2 | ShotOnWhat?

Supervising Foley Artist

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Django Unchained | ShotOnWhat?

Foley Artist

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Source Code | ShotOnWhat?

Supervising Foley Artist

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Tower Heist | ShotOnWhat?

Supervising Foley Artist

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Cedar Rapids | ShotOnWhat?

Foley Artist

Cedar Rapids (2011)

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Eric Kissack

The Green Hornet | ShotOnWhat?

Supervising Foley Artist

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Silent House | ShotOnWhat?

Foley Artist

Silent House (2011)

Directed by: Chris Kentis, Laura Lau

Cinematography by: Igor Martinovic

Cameras: Canon EOS-5D Mark II Camera

Lenses: Zeiss Compact Prime Lenses

Hop | ShotOnWhat?

Foley Artist

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Fast Five | ShotOnWhat?

Supervising Foley Artist

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Apollo 18 | ShotOnWhat?

Foley Artist: ToddAo/Soundelux

Apollo 18 (2011)

Directed by: Gonzalo López-Gallego

Cinematography by: José David Montero

Edited by: Patrick Lussier

Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses: Panavision Primo Digital Lenses

Dream House | ShotOnWhat?

Supervising Foley Artist

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Mardi Gras: Spring Break | ShotOnWhat?

Supervising Foley Artist

Mardi Gras: Spring Break (2011)

Directed by: Phil Dornfeld

Cinematography by: Thomas E. Ackerman

Edited by: Mark Scheib

Big Mommas: Like Father, Like Son | ShotOnWhat?

Foley Artist

Big Mommas: Like Father, Like Son (2011)

Directed by: John Whitesell

Cinematography by: Anthony B. Richmond

Edited by: Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Fright Night | ShotOnWhat?

Foley Artist / Supervising Foley Artist

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Sucker Punch | ShotOnWhat?

Special Creature Vocals, Supervising Foley Artist

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

The Twilight Saga: Breaking Dawn - Part 1 | ShotOnWhat?

Supervising Foley Artist

The Twilight Saga: Breaking Dawn - Part 1 (2011)

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Abduction | ShotOnWhat?

Supervising Foley Artist

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Tourist | ShotOnWhat?

Supervising Foley Artist

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Bunraku | ShotOnWhat?

Supervising Foley Artist

Bunraku (2010)

Directed by: Guy Moshe

Cinematography by: Juan Ruiz Anchía

Edited by: Glenn Garland, Zach Staenberg

The Big Bang | ShotOnWhat?

Supervising Foley Artist

The Big Bang (2010)

Directed by: Tony Krantz

Cinematography by: Shelly Johnson

Edited by: Fred Raskin

The Next Three Days | ShotOnWhat?

Supervising Foley Artist

The Next Three Days (2010)

Directed by: Paul Haggis

Cinematography by: Stéphane Fontaine

Edited by: Jo Francis

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Devil | ShotOnWhat?

Supervising Foley Artist

Devil (2010)

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

Vampires Suck | ShotOnWhat?

Supervising Foley Artist

Vampires Suck (2010)

Directed by: Jason Friedberg, Aaron Seltzer

Cinematography by: Shawn Maurer

Edited by: Peck Prior

Cameras: Moviecam Compact Camera

The Book of Eli | ShotOnWhat?

Supervising Foley Artist

The Book of Eli (2010)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Extraordinary Measures | ShotOnWhat?

Supervising Foley Artist

Extraordinary Measures (2010)

Directed by: Tom Vaughan

Cinematography by: Andrew Dunn

Edited by: Anne V. Coates

Charlie St. Cloud | ShotOnWhat?

Foley Artist

Charlie St. Cloud (2010)

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

Robin Hood | ShotOnWhat?

Adr Voice, Supervising Foley Artist

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

A Nightmare on Elm Street | ShotOnWhat?

Supervising Foley Artist

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Wall Street: Money Never Sleeps | ShotOnWhat?

Supervising Foley Artist

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

The Switch | ShotOnWhat?

Foley Artist / Supervising Foley Artist

The Switch (2010)

Directed by: Josh Gordon, Will Speck

Cinematography by: Jess Hall

Edited by: John Axelrad

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

RED | ShotOnWhat?

Supervising Foley Artist

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Surrogates | ShotOnWhat?

Supervising Foley Artist

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

The Uninvited | ShotOnWhat?

Supervising Foley Artist

The Uninvited (2009)

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

The Taking of Pelham 1 2 3 | ShotOnWhat?

Foley Artist

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Twilight Saga: New Moon | ShotOnWhat?

Supervising Foley Artist

The Twilight Saga: New Moon (2009)

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Terminator Salvation | ShotOnWhat?

Foley Artist

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

2012 | ShotOnWhat?

Foley Artist

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Watchmen | ShotOnWhat?

Foley Artist , Special Voices

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Incredible Hulk | ShotOnWhat?

Supervising Foley Artist

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Seven Pounds | ShotOnWhat?

Foley Artist

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

21 | ShotOnWhat?

Foley Artist

21 (2008)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Hancock | ShotOnWhat?

Foley Artist / Supervising Foley Artist

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Strangers | ShotOnWhat?

Supervising Foley Artist

The Strangers (2008)

Directed by: Bryan Bertino

Cinematography by: Peter Sova

Edited by: Kevin Greutert

Cameras: Panavision Cameras

Made of Honor | ShotOnWhat?

Foley Artist

Made of Honor (2008)

Directed by: Paul Weiland

Cinematography by: Tony Pierce-Roberts

Edited by: Richard Marks

Cameras: Panavision Cameras

Frost/Nixon | ShotOnWhat?

Supervising Foley Artist

Frost/Nixon (2008)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill, Robert Komatsu

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses, Cooke Varotal Lenses

Editing System: Avid Editing System

Superhero Movie | ShotOnWhat?

Supervising Foley Artist

Superhero Movie (2008)

Directed by: Craig Mazin

Cinematography by: Thomas E. Ackerman

Edited by: Andrew S. Eisen, Craig Herring, Dan Schalk

Cameras: ARRI Cameras

August Rush | ShotOnWhat?

Foley Artist

August Rush (2007)

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ghost Rider | ShotOnWhat?

Foley Artist

Ghost Rider (2007)

Directed by: Mark Steven Johnson

Cinematography by: Russell Boyd

Edited by: Richard Francis-Bruce

Cameras: Panavision Cameras

Spider-Man 3 | ShotOnWhat?

Supervising Foley Artist

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Walk Hard: The Dewey Cox Story | ShotOnWhat?

Foley Artist

Walk Hard: The Dewey Cox Story (2007)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Resident Evil: Extinction | ShotOnWhat?

Tyrant Vocal

Resident Evil: Extinction (2007)

Directed by: Russell Mulcahy

Cinematography by: David Johnson

Edited by: Niven Howie

Surf's Up | ShotOnWhat?

Foley Artist

Surf's Up (2007)

Directed by: Ash Brannon, Chris Buck

Edited by: Ivan Bilancio, Nancy Frazen

The Da Vinci Code | ShotOnWhat?

Foley Artist

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

RV | ShotOnWhat?

Foley Artist

RV (2006)

Directed by: Barry Sonnenfeld

Cinematography by: Fred Murphy

Edited by: Kevin Tent

All the King's Men | ShotOnWhat?

Foley Artist

All the King's Men (2006)

Directed by: Steven Zaillian

Cinematography by: Pawel Edelman

Edited by: Wayne Wahrman

Ultraviolet | ShotOnWhat?

Special Sound Effects

Ultraviolet (2006)

Directed by: Kurt Wimmer

Cinematography by: Arthur Wong

Edited by: William Yeh

Click | ShotOnWhat?

Foley Artist

Click (2006)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

300 | ShotOnWhat?

Supervising Foley Artist, Ubermortal Vocals

300 (2006)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Editing System: Final Cut Pro Editing System

The Holiday | ShotOnWhat?

Foley Artist

The Holiday (2006)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

War of the Worlds | ShotOnWhat?

Supervising Foley Artist

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lords of Dogtown | ShotOnWhat?

Foley Artist

Lords of Dogtown (2005)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Aurora Borealis | ShotOnWhat?

Supervising Foley Artist

Aurora Borealis (2005)

Directed by: James C.E. Burke

Cinematography by: Alar Kivilo

Edited by: Richard Nord

Memoirs of a Geisha | ShotOnWhat?

Foley Artist

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Interpreter | ShotOnWhat?

Foley Artist

The Interpreter (2005)

Directed by: Sydney Pollack

Cinematography by: Darius Khondji

Edited by: William Steinkamp

Dawn of the Dead | ShotOnWhat?

Supervising Foley Artist

Dawn of the Dead (2004)

Directed by: Zack Snyder

Cinematography by: Matthew F. Leonetti

Edited by: Niven Howie

Spider-Man 2 | ShotOnWhat?

Supervising Foley Artist

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Bourne Supremacy | ShotOnWhat?

Supervising Foley Artist

The Bourne Supremacy (2004)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Richard Pearson, Christopher Rouse

Cameras: ARRI Cameras

Beyond Borders | ShotOnWhat?

Foley Artist

Beyond Borders (2003)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Nicholas Beauman

Darkness Falls | ShotOnWhat?

Foley Artist , Tooth Fairy Vocal Effects

Darkness Falls (2003)

Directed by: Jonathan Liebesman

Cinematography by: Dan Laustsen

Edited by: Timothy Alverson, Steve Mirkovich

Identity | ShotOnWhat?

Foley Artist

Identity (2003)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: David Brenner

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Peter Pan | ShotOnWhat?

Foley Artist

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

National Security | ShotOnWhat?

Foley Artist

National Security (2003)

Directed by: Dennis Dugan

Cinematography by: Oliver Wood

Edited by: Debra Neil-Fisher

Something's Gotta Give | ShotOnWhat?

Foley Artist

Something's Gotta Give (2003)

Directed by: Nancy Meyers

Cinematography by: Michael Ballhaus

Edited by: Joe Hutshing

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Zeiss Lenses

Under the Tuscan Sun | ShotOnWhat?

Foley Artist

Under the Tuscan Sun (2003)

Directed by: Audrey Wells

Cinematography by: Geoffrey Simpson

Edited by: Arthur Coburn, Andrew Marcus, Todd E. Miller

Master and Commander: The Far Side of the World | ShotOnWhat?

Foley Artist

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

Supervising Foley Artist

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Dreamcatcher | ShotOnWhat?

Alien Voice, Sound Effects: Special Alien Voices

Dreamcatcher (2003)

Directed by: Lawrence Kasdan

Cinematography by: John Seale

Edited by: Raúl Dávalos, Carol Littleton

I'll Be There | ShotOnWhat?

Foley Artist

I'll Be There (2003)

Directed by: Craig Ferguson

Cinematography by: Ian Wilson

Edited by: Sheldon Kahn

Big Fish | ShotOnWhat?

Foley Artist

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Seabiscuit | ShotOnWhat?

Foley Artist , Horse Vocals

Seabiscuit (2003)

Directed by: Gary Ross

Cinematography by: John Schwartzman

Edited by: William Goldenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Duplex | ShotOnWhat?

Foley Artist

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

I Spy | ShotOnWhat?

Foley Artist

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

Equilibrium | ShotOnWhat?

Foley Artist

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Rollerball | ShotOnWhat?

Foley: Artist

Rollerball (2002)

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

Spider-Man | ShotOnWhat?

Foley Artist

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Signs | ShotOnWhat?

Supervising Foley Artist

Signs (2002)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Road to Perdition | ShotOnWhat?

Foley Artist

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

The Glass House | ShotOnWhat?

Foley Artist

The Glass House (2001)

Directed by: Daniel Sackheim

Cinematography by: Alar Kivilo

Edited by: Howard E. Smith

Scary Movie 2 | ShotOnWhat?

Foley Artist

Scary Movie 2 (2001)

Directed by: Keenen Ivory Wayans

Cinematography by: Steven Bernstein

Edited by: Thomas J. Nordberg, Richard Pearson, Peter Teschner

America's Sweethearts | ShotOnWhat?

Foley Artist

America's Sweethearts (2001)

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

Riding in Cars with Boys | ShotOnWhat?

Foley Artist

Riding in Cars with Boys (2001)

Directed by: Penny Marshall

Cinematography by: Miroslav Ondrícek

Edited by: Lawrence Jordan, Richard Marks

Shrek | ShotOnWhat?

Dragon Vocals

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Hollow Man | ShotOnWhat?

Foley Artist, Gorilla Vocals

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

28 Days | ShotOnWhat?

Foley Artist

28 Days (2000)

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Charlie's Angels | ShotOnWhat?

Foley Artist

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Vertical Limit | ShotOnWhat?

Foley Artist

Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Unbreakable | ShotOnWhat?

Supervising Foley Artist

Unbreakable (2000)

Directed by: M. Night Shyamalan

Cinematography by: Eduardo Serra

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

How the Grinch Stole Christmas | ShotOnWhat?

Foley Artist

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

The Patriot | ShotOnWhat?

Foley Artist

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Idle Hands | ShotOnWhat?

Foley Artist

Idle Hands (1999)

Directed by: Rodman Flender

Cinematography by: Christopher Baffa

Edited by: Stephen E. Rivkin

The Adventures of Elmo in Grouchland | ShotOnWhat?

Foley Artist

The Adventures of Elmo in Grouchland (1999)

Directed by: Gary Halvorson

Cinematography by: Alan Caso

Edited by: Alan Baumgarten

Muppets from Space | ShotOnWhat?

Foley Artist

Muppets from Space (1999)

Directed by: Tim Hill

Cinematography by: Alan Caso

Edited by: Richard Pearson, Michael A. Stevenson

8MM | ShotOnWhat?

Foley Artist

8MM (1999)

Directed by: Joel Schumacher

Cinematography by: Robert Elswit

Edited by: Mark Stevens

Cameras: Beaulieu Cameras, Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Girl, Interrupted | ShotOnWhat?

Foley Artist

Girl, Interrupted (1999)

Directed by: James Mangold

Cinematography by: Jack N. Green

Edited by: Kevin Tent

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blue Streak | ShotOnWhat?

Foley Artist

Blue Streak (1999)

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

Stuart Little | ShotOnWhat?

Foley Artist

Stuart Little (1999)

Directed by: Rob Minkoff

Cinematography by: Guillermo Navarro

Edited by: Tom Finan

Cameras: Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

I Still Know What You Did Last Summer | ShotOnWhat?

Foley Artist

I Still Know What You Did Last Summer (1998)

Directed by: Danny Cannon

Cinematography by: Vernon Layton

Edited by: Peck Prior

One True Thing | ShotOnWhat?

Foley Artist

One True Thing (1998)

Directed by: Carl Franklin

Cinematography by: Declan Quinn

Edited by: Carole Kravetz Aykanian

Cameras: Moviecam Compact Camera, Panavision Cameras

Lenses: Panavision Lenses

Lost in Space | ShotOnWhat?

Blarp

Lost in Space (1998)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Ray Lovejoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Can't Hardly Wait | ShotOnWhat?

Foley Artist

Can't Hardly Wait (1998)

Directed by: Harry Elfont, Deborah Kaplan

Cinematography by: Lloyd Ahern II

Edited by: Michael Jablow

Godzilla | ShotOnWhat?

Creature Vocals, Foley Artist , Special Vocal Effects

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Wild Things | ShotOnWhat?

Foley Artist

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Atomic Dog | ShotOnWhat?

Dog

Atomic Dog (1998)

Television Movie

Directed by: Brian Trenchard-Smith

Cinematography by: David Lewis

Edited by: Stephen R. Myers

The Replacement Killers | ShotOnWhat?

Foley Artist

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

The Mask of Zorro | ShotOnWhat?

Foley Artist

The Mask of Zorro (1998)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

The Faculty | ShotOnWhat?

Creature Vocals

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Starship Troopers | ShotOnWhat?

Foley Artist

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Gattaca | ShotOnWhat?

Foley Artist

Gattaca (1997)

Directed by: Andrew Niccol

Cinematography by: Slawomir Idziak

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX Camera, Moviecam Cameras

Air Force One | ShotOnWhat?

Foley Artist

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

The Relic | ShotOnWhat?

Foley Artist , Kothoga Vocalization

The Relic (1997)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Steven Kemper

The Jackal | ShotOnWhat?

Foley Walker

The Jackal (1997)

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Jim Clark

Anaconda | ShotOnWhat?

Anaconda Vocal Effects, Foley Artist

Anaconda (1997)

Directed by: Luis Llosa

Cinematography by: Bill Butler

Edited by: Michael R. Miller

Independence Day | ShotOnWhat?

Alien Vocal Effects

Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

The Fan | ShotOnWhat?

Foley Artist

The Fan (1996)

Directed by: Tony Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson, Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Last Man Standing | ShotOnWhat?

Foley Artist

Last Man Standing (1996)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

The Long Kiss Goodnight | ShotOnWhat?

Foley Artist

The Long Kiss Goodnight (1996)

Directed by: Renny Harlin

Cinematography by: Guillermo Navarro

Edited by: William Goldenberg

The Chamber | ShotOnWhat?

Foley Artist

The Chamber (1996)

Directed by: James Foley

Cinematography by: Ian Baker

Edited by: Mark Warner

That Thing You Do! | ShotOnWhat?

Foley Artist

That Thing You Do! (1996)

Directed by: Tom Hanks

Cinematography by: Tak Fujimoto

Edited by: Richard Chew

Bad Boys | ShotOnWhat?

Foley Walker

Bad Boys (1995)

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Cutthroat Island | ShotOnWhat?

Foley Artist

Cutthroat Island (1995)

Directed by: Renny Harlin

Cinematography by: Peter Levy

Edited by: Derek Brechin, Florent Retz, Frank J. Urioste, Ralph E. Winters, Bert Lovitt

Hideaway | ShotOnWhat?

Foley Artist

Hideaway (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: B.J. Sears

Waterworld | ShotOnWhat?

Foley Artist

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

French Kiss | ShotOnWhat?

Foley Artist

French Kiss (1995)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Camera

Lenses: Panavision E Series Anamorphic Lenses

Outbreak | ShotOnWhat?

Foley Artist

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Rob Roy | ShotOnWhat?

Foley Artist

Rob Roy (1995)

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter Honess

Father of the Bride Part II | ShotOnWhat?

Foley Artist

Father of the Bride Part II (1995)

Directed by: Charles Shyer

Cinematography by: Elliot Davis, William A. Fraker

Edited by: Adam Bernardi, Stephen A. Rotter

The Net | ShotOnWhat?

Foley Artist

The Net (1995)

Directed by: Irwin Winkler

Cinematography by: Jack N. Green

Edited by: Richard Halsey

The American President | ShotOnWhat?

Foley Artist

The American President (1995)

Directed by: Rob Reiner

Cinematography by: John Seale

Edited by: Robert Leighton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Quick and the Dead | ShotOnWhat?

Foley Sound Effects

The Quick and the Dead (1995)

Directed by: Sam Raimi

Cinematography by: Dante Spinotti

Edited by: Pietro Scalia

Nixon | ShotOnWhat?

Foley Artist

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Bad Girls | ShotOnWhat?

Foley Artist

Bad Girls (1994)

Directed by: Jonathan Kaplan

Cinematography by: Ralf D. Bode

Edited by: Jane Kurson

Cops and Robbersons | ShotOnWhat?

Foley Artist

Cops and Robbersons (1994)

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Stephen A. Rotter, William S. Scharf

Speechless | ShotOnWhat?

Foley Artist

Speechless (1994)

Directed by: Ron Underwood

Cinematography by: Donald Peterman

Edited by: Richard Francis-Bruce

Legends of the Fall | ShotOnWhat?

Foley Artist , The Bear

Legends of the Fall (1994)

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Lenses: Canon Lenses, Panavision Lenses

Blankman | ShotOnWhat?

Foley Artist

Blankman (1994)

Directed by: Mike Binder

Cinematography by: Newton Thomas Sigel

Edited by: Adam Weiss

Terminal Velocity | ShotOnWhat?

Foley Artist

Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Natural Born Killers | ShotOnWhat?

Foley Artist

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Color of Night | ShotOnWhat?

Foley Artist

Color of Night (1994)

Directed by: Richard Rush

Cinematography by: Dietrich Lohmann

Edited by: Jack Hofstra, Thom Noble

North | ShotOnWhat?

Foley Artist

North (1994)

Directed by: Rob Reiner

Cinematography by: Adam Greenberg

Edited by: Robert Leighton

Guarding Tess | ShotOnWhat?

Foley Artist

Guarding Tess (1994)

Directed by: Hugh Wilson

Cinematography by: Brian J. Reynolds

Edited by: Sidney Levin

The Beverly Hillbillies | ShotOnWhat?

Foley Artist

The Beverly Hillbillies (1993)

Directed by: Penelope Spheeris

Cinematography by: Robert Brinkmann

Edited by: Ross Albert

Cameras: ARRIFLEX 535 B Camera

Geronimo: An American Legend | ShotOnWhat?

Foley Artist

Geronimo: An American Legend (1993)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

The Wrong Man | ShotOnWhat?

Foley Artist

The Wrong Man (1993)

Directed by: Jim McBride

Cinematography by: Affonso Beato

Edited by: Lisa Zeno Churgin

Robin Hood: Men in Tights | ShotOnWhat?

Foley Artist

Robin Hood: Men in Tights (1993)

Directed by: Mel Brooks

Cinematography by: Michael D. O'Shea

Edited by: Stephen E. Rivkin

This Boy's Life | ShotOnWhat?

Foley Mixer

This Boy's Life (1993)

Directed by: Michael Caton-Jones

Cinematography by: David Watkin

Edited by: Jim Clark

Silent Tongue | ShotOnWhat?

Foley Artist

Silent Tongue (1993)

Directed by: Sam Shepard

Cinematography by: Jack Conroy

Edited by: Bill Yahraus

Super Mario Bros. | ShotOnWhat?

Foley Artist

Super Mario Bros. (1993)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Dean Semler

Edited by: Mark Goldblatt

In the Line of Fire | ShotOnWhat?

Foley Artist

In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

Cliffhanger | ShotOnWhat?

Foley Artist

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

The Joy Luck Club | ShotOnWhat?

Foley Artist

The Joy Luck Club (1993)

Directed by: Wayne Wang

Cinematography by: Amir Mokri

Edited by: Maysie Hoy

Blood In, Blood Out | ShotOnWhat?

Foley Mixer

Blood In, Blood Out (1993)

Directed by: Taylor Hackford

Cinematography by: Gabriel Beristain

Edited by: Fredric Steinkamp, Karl F. Steinkamp

Cameras: ARRIFLEX Camera

Rapid Fire | ShotOnWhat?

Foley Mixer

Rapid Fire (1992)

Directed by: Dwight H. Little

Cinematography by: Ric Waite

Edited by: Gib Jaffe

Of Mice and Men | ShotOnWhat?

Foley Mixer

Of Mice and Men (1992)

Directed by: Gary Sinise

Cinematography by: Kenneth MacMillan

Edited by: Robert L. Sinise

Rich in Love | ShotOnWhat?

Foley Mixer

Rich in Love (1992)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

Night and the City | ShotOnWhat?

Foley Mixer

Night and the City (1992)

Directed by: Irwin Winkler

Cinematography by: Tak Fujimoto

Edited by: David Brenner

Cameras: Panavision Cameras

Shattered | ShotOnWhat?

Foley Artist

Shattered (1991)

Directed by: Wolfgang Petersen

Cinematography by: László Kovács

Edited by: Glenn Farr, Hannes Nikel

Mystery Date | ShotOnWhat?

Foley Mixer

Mystery Date (1991)

Directed by: Jonathan Wacks

Cinematography by: Oliver Wood

Edited by: Tina Hirsch

Nothing But Trouble | ShotOnWhat?

Foley Artist

Nothing But Trouble (1991)

Directed by: Dan Aykroyd

Cinematography by: Dean Cundey

Edited by: Malcolm Campbell, James R. Symons

Wild Hearts Can't Be Broken | ShotOnWhat?

Foley Mixer

Wild Hearts Can't Be Broken (1991)

Directed by: Steve Miner

Cinematography by: Daryn Okada

Edited by: Jon Poll

One Good Cop | ShotOnWhat?

Foley Artist

One Good Cop (1991)

Directed by: Heywood Gould

Cinematography by: Ralf D. Bode

Edited by: Richard Marks

Toy Soldiers | ShotOnWhat?

Foley Mixer

Toy Soldiers (1991)

Directed by: Daniel Petrie Jr.

Cinematography by: Thomas Burstyn

Edited by: Michael Kahn

Dying Young | ShotOnWhat?

Foley Mixer

Dying Young (1991)

Directed by: Joel Schumacher

Cinematography by: Juan Ruiz Anchía

Edited by: Robert Brown, Jim Prior

Deceived | ShotOnWhat?

Foley Mixer

Deceived (1991)

Directed by: Damian Harris

Cinematography by: Jack N. Green

Edited by: Neil Travis

King Ralph | ShotOnWhat?

Foley Artist

King Ralph (1991)

Directed by: David S. Ward

Cinematography by: Kenneth MacMillan

Edited by: John Jympson

Curly Sue | ShotOnWhat?

Foley Mixer

Curly Sue (1991)

Directed by: John Hughes

Cinematography by: Jeffrey L. Kimball

Edited by: Peck Prior, Harvey Rosenstock

Cameras: Panavision Cameras

Paradise | ShotOnWhat?

Foley Mixer

Paradise (1991)

Directed by: Mary Agnes Donoghue

Cinematography by: Jerzy Zielinski

Edited by: Éva Gárdos, Debra McDermott

Freddy's Dead: The Final Nightmare | ShotOnWhat?

Foley Mixer

Freddy's Dead: The Final Nightmare (1991)

Directed by: Rachel Talalay

Cinematography by: Declan Quinn

Edited by: Janice Hampton

Rocky V | ShotOnWhat?

Foley Artist

Rocky V (1990)

Directed by: John G. Avildsen

Cinematography by: Steven Poster

Edited by: John G. Avildsen, Robert A. Ferretti, Michael N. Knue

The Hot Spot | ShotOnWhat?

Foley Artist

The Hot Spot (1990)

Directed by: Dennis Hopper

Cinematography by: Ueli Steiger

Edited by: Wende Phifer Mate

Wild at Heart | ShotOnWhat?

Foley Artist

Wild at Heart (1990)

Directed by: David Lynch

Cinematography by: Frederick Elmes

Edited by: Duwayne Dunham

Narrow Margin | ShotOnWhat?

Foley Artist

Narrow Margin (1990)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: James Mitchell

Home Alone | ShotOnWhat?

Foley Mixer

Home Alone (1990)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Speed Panchro Lenses, Zeiss Lenses

Men at Work | ShotOnWhat?

Foley Artist

Men at Work (1990)

Directed by: Emilio Estevez

Cinematography by: Tim Suhrstedt

Edited by: Craig Bassett

Love at Large | ShotOnWhat?

Foley Artist

Love at Large (1990)

Directed by: Alan Rudolph

Cinematography by: Elliot Davis

Edited by: Lisa Zeno Churgin

Chances Are | ShotOnWhat?

Foley Artist

Chances Are (1989)

Directed by: Emile Ardolino

Cinematography by: William A. Fraker

Edited by: Harry Keramidas

Checking Out | ShotOnWhat?

Foley Artist

Checking Out (1989)

Directed by: David Leland

Cinematography by: Ian Wilson

Edited by: Lee Percy

National Lampoon's Christmas Vacation | ShotOnWhat?

Foley Artist

National Lampoon's Christmas Vacation (1989)

Directed by: Jeremiah S. Chechik

Cinematography by: Thomas E. Ackerman

Edited by: Gerald B. Greenberg, Michael A. Stevenson

Coming to America | ShotOnWhat?

Foley By: Los Angeles

Coming to America (1988)

Directed by: John Landis

Cinematography by: Woody Omens

Edited by: Malcolm Campbell, George Folsey Jr.

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

They Live | ShotOnWhat?

Foley Artist

They Live (1988)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Gib Jaffe, Frank E. Jimenez

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Anamorphic Super High Speed Lenses

Throw Momma from the Train | ShotOnWhat?

Foley Walker

Throw Momma from the Train (1987)

Directed by: Danny DeVito

Cinematography by: Barry Sonnenfeld

Edited by: Michael Jablow

The Running Man | ShotOnWhat?

Foley Artist

The Running Man (1987)

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

Planes, Trains & Automobiles | ShotOnWhat?

Foley Artist

Planes, Trains & Automobiles (1987)

Directed by: John Hughes

Cinematography by: Donald Peterman

Edited by: Paul Hirsch

Cameras: Panavision Cameras

The Witches of Eastwick | ShotOnWhat?

Foley Artist

The Witches of Eastwick (1987)

Directed by: George Miller

Cinematography by: Vilmos Zsigmond

Edited by: Hubert de La Bouillerie, Richard Francis-Bruce

Manhunter | ShotOnWhat?

Foley: Artist

Manhunter (1986)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig

The Hitcher | ShotOnWhat?

Foley Artist

The Hitcher (1986)

Directed by: Robert Harmon

Cinematography by: John Seale

Edited by: Frank J. Urioste

Jumpin' Jack Flash | ShotOnWhat?

Foley Artist

Jumpin' Jack Flash (1986)

Directed by: Penny Marshall

Cinematography by: Matthew F. Leonetti

Edited by: Mark Goldblatt

Band of the Hand | ShotOnWhat?

Foley Artist

Band of the Hand (1986)

Directed by: Paul Michael Glaser

Cinematography by: Reynaldo Villalobos

Edited by: Jack Hofstra

No Mercy | ShotOnWhat?

Foley Artist

No Mercy (1986)

Directed by: Richard Pearce

Cinematography by: Michel Brault

Edited by: Gerald B. Greenberg, Bill Yahraus

Hoosiers | ShotOnWhat?

Foley Artist

Hoosiers (1986)

Directed by: David Anspaugh

Cinematography by: Fred Murphy

Edited by: Carroll Timothy O'Meara

Cameras: ARRI Cameras

Big Trouble in Little China | ShotOnWhat?

Foley Artist

Big Trouble in Little China (1986)

Directed by: John Carpenter

Cinematography by: Dean Cundey

Edited by: Steve Mirkovich, Mark Warner, Edward A. Warschilka

Cameras: Panavision Cameras

Back to the Future | ShotOnWhat?

Foley Artist

Back to the Future (1985)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Young Sherlock Holmes | ShotOnWhat?

Foley Walker

Young Sherlock Holmes (1985)

Directed by: Barry Levinson

Cinematography by: Stephen Goldblatt

Edited by: Stu Linder

Police Academy | ShotOnWhat?

Foley Artist

Police Academy (1984)

Directed by: Hugh Wilson

Cinematography by: Michael D. Margulies

Edited by: Robert Brown, Zach Staenberg

Twilight Zone: The Movie | ShotOnWhat?

Supervising Foley Editor

Twilight Zone: The Movie (1983)

Directed by: Joe Dante, John Landis, George Miller, Steven Spielberg

Cinematography by: Allen Daviau, John Hora, Stevan Larner

Edited by: Malcolm Campbell, Tina Hirsch, Michael Kahn, Howard E. Smith

Poltergeist | ShotOnWhat?

Voice

Poltergeist (1982)

Directed by: Tobe Hooper

Cinematography by: Matthew F. Leonetti

Edited by: Michael Kahn

Cameras: Ultracam 35 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Wolfen | ShotOnWhat?

Foley Artist

Wolfen (1981)

Directed by: Michael Wadleigh

Cinematography by: Gerry Fisher

Edited by: Marshall M. Borden, Martin J. Bram, Dennis Dolan, Chris Lebenzon

Cameras: Panavision Cameras

Friday the 13th | ShotOnWhat?

Foley Artist

Friday the 13th (1980)

Directed by: Sean S. Cunningham

Cinematography by: Barry Abrams

Edited by: Bill Freda

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Foley Artist

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

Star Trek: The Motion Picture | ShotOnWhat?

Foley Editor

Star Trek: The Motion Picture (1979)

Directed by: Robert Wise

Cinematography by: Richard H. Kline

Edited by: Todd C. Ramsay

The Exorcist | ShotOnWhat?

Foley Artist - 2000 Version

The Exorcist (1973)

Directed by: William Friedkin

Cinematography by: Owen Roizman

Edited by: Norman Gay, Evan A. Lottman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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