Creature Vocals, Supervising Foley Artist
Zack Snyder's Justice League (2021)
| USA
Directed by: Zack Snyder
Cinematography by: Fabian Wagner
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35mm Cameras, ARRIFLEX 435 Camera
Lenses: Leica Summilux-C Series Lenses
Supervising Foley Artist
Once Upon a Time... in Hollywood (2019)
| USA, UK, China
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Supervising Foley Artist
Spider-Man: Homecoming (2017)
| USA
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Series Cameras, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Series Cameras, ARRI Cameras, Blackmagic Design Cameras, Blackmagic Pocket Cinema Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Foley Artist
The Fate of the Furious (2017)
| China, USA, Japan
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Creature Vocals, Supervising Foley Artist
Batman v Superman: Dawn of Justice (2016)
| USA
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Supervising Foley Artist
Ghostbusters (2016)
| USA, Australia
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Foley Artist
The 5th Wave (2016)
| USA, UK
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Supervising Foley Artist
Snowden (2016)
| France, Germany, USA, UK
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leica Summicron-C Series Lenses
Supervising Foley Artist
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Supervising Foley Artist
The Hateful Eight (2015)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Foley Artist
Dumb and Dumber To (2014)
| USA
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Foley Artist
Fury (2014)
| USA, China, UK
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Supervising Foley Artist
Birdman or (The Unexpected Virtue of Ignorance) (2014)
| USA
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Foley Artist
A Walk Among the Tombstones (2014)
| USA
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Supervising Foley Artist
Divergent (2014)
| USA
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Supervising Foley Artist
The Call (2013)
| USA
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
Supervising Foley Artist
Lone Survivor (2013)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Supervising Foley Artist
Furious 6 (2013)
| USA, Japan, Spain, UK
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Foley Artist / Supervising Foley Artist
R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Supervising Foley Artist
The Last Stand (2013)
| USA
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Foley Artist / Supervising Foley Artist
Jack the Giant Slayer (2013)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Foley Artist - Segment "The Catch"
Movie 43 (2013)
| USA
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Supervising Foley Artist
Temptation: Confessions of a Marriage Counselor (2013)
| USA
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Supervising Foley Artist
Man of Steel (2013)
| USA, UK
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Foley Artist
Pacific Rim (2013)
| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Supervising Foley Artist
Madea's Witness Protection (2012)
| USA
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Foley Artist / Supervising Foley Artist
Jayne Mansfield's Car (2012)
| USA, Russia
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Supervising Foley Artist
Safe House (2012)
| South Africa, Japan, USA
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Supervising Foley Artist
The Hunger Games (2012)
| USA
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Supervising Foley Artist
The Twilight Saga: Breaking Dawn - Part 2 (2012)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Foley Artist
End of Watch (2012)
| USA
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Supervising Foley Artist
Abraham Lincoln: Vampire Hunter (2012)
| USA, Russia
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Foley Artist
Django Unchained (2012)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Foley Artist: ToddAo/Soundelux
Apollo 18 (2011)
| USA, Canada
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Foley Artist
Big Mommas: Like Father, Like Son (2011)
| USA
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Supervising Foley Artist
Dream House (2011)
| USA, Canada
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Supervising Foley Artist
The Twilight Saga: Breaking Dawn - Part 1 (2011)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Supervising Foley Artist
Abduction (2011)
| USA
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Supervising Foley Artist
Source Code (2011)
| USA, Canada
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Supervising Foley Artist
Fast Five (2011)
| USA, Brazil, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Foley Artist
Hop (2011)
| USA, India, Malaysia, Taiwan, Canada, UK
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Foley Artist
Silent House (2011)
| France, USA
Cinematography by: Igor Martinovic
Cameras: Canon EOS-5D Mark II Camera
Lenses: Zeiss Compact Prime Lenses
Foley Artist / Supervising Foley Artist
Fright Night (2011)
| USA
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Supervising Foley Artist
The Green Hornet (2011)
| USA
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Supervising Foley Artist
Tower Heist (2011)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Foley Artist
Cedar Rapids (2011)
| USA
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Special Creature Vocals, Supervising Foley Artist
Sucker Punch (2011)
| USA, Canada
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Supervising Foley Artist
Mardi Gras: Spring Break (2011)
| USA
Directed by: Phil Dornfeld
Cinematography by: Thomas E. Ackerman
Edited by: Mark Scheib
Supervising Foley Artist
Devil (2010)
| USA
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Supervising Foley Artist
Extraordinary Measures (2010)
| USA
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Supervising Foley Artist
Bunraku (2010)
| USA
Directed by: Guy Moshe
Cinematography by: Juan Ruiz Anchía
Foley Artist / Supervising Foley Artist
The Switch (2010)
| USA
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Supervising Foley Artist
Vampires Suck (2010)
| USA
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Foley Artist
Charlie St. Cloud (2010)
| USA, Canada
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Supervising Foley Artist
The Book of Eli (2010)
| USA
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Supervising Foley Artist
RED (2010)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Adr Voice, Supervising Foley Artist
Robin Hood (2010)
| USA, UK
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Supervising Foley Artist
The Big Bang (2010)
| USA
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Supervising Foley Artist
The Next Three Days (2010)
| USA, France
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Supervising Foley Artist
The Tourist (2010)
| USA, France, Italy, UK
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Supervising Foley Artist
Wall Street: Money Never Sleeps (2010)
| USA
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Supervising Foley Artist
A Nightmare on Elm Street (2010)
| USA
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Supervising Foley Artist
Surrogates (2009)
| USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Foley Artist
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Supervising Foley Artist
The Uninvited (2009)
| USA, Canada, Germany
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Foley Artist
Terminator Salvation (2009)
| USA, Germany, UK, Italy
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Foley Artist , Special Voices
Watchmen (2009)
| USA
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Foley Artist
The Taking of Pelham 123 (2009)
| USA, UK
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Supervising Foley Artist
The Twilight Saga: New Moon (2009)
| USA
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Foley Artist
21 (2008)
| USA
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Foley Artist
Seven Pounds (2008)
| USA
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Supervising Foley Artist
Superhero Movie (2008)
| USA
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Supervising Foley Artist
The Incredible Hulk (2008)
| USA
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Foley Artist
Made of Honor (2008)
| USA, UK
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Supervising Foley Artist
Frost/Nixon (2008)
| UK, France, USA
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Foley Artist / Supervising Foley Artist
Hancock (2008)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Supervising Foley Artist
The Strangers (2008)
| USA
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Foley Artist
Walk Hard: The Dewey Cox Story (2007)
| USA
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Tyrant Vocal
Resident Evil: Extinction (2007)
| France, Australia, Germany, UK, USA, Mexico, Canada
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Foley Artist
Ghost Rider (2007)
| USA, Australia
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Supervising Foley Artist
Spider-Man 3 (2007)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Foley Artist
August Rush (2007)
| USA
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
RV (2006)
| UK, Germany, USA
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Foley Artist
The Da Vinci Code (2006)
| USA, Malta, France, UK
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Special Sound Effects
Ultraviolet (2006)
| USA
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Supervising Foley Artist, Ubermortal Vocals
300 (2006)
| USA, Canada, Bulgaria
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Foley Artist
All the King's Men (2006)
| Germany, USA
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Foley Artist
Click (2006)
| USA
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Foley Artist
The Holiday (2006)
| USA
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
The Interpreter (2005)
| UK, France, Germany, USA
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Supervising Foley Artist
War of the Worlds (2005)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Foley Artist
Memoirs of a Geisha (2005)
| USA, Japan
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Supervising Foley Artist
Aurora Borealis (2005)
| USA, Canada
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Foley Artist
Lords of Dogtown (2005)
| USA, Germany
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Supervising Foley Artist
The Bourne Supremacy (2004)
| USA, Germany
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Supervising Foley Artist
Dawn of the Dead (2004)
| USA, Canada, Japan, France
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Supervising Foley Artist
Spider-Man 2 (2004)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Supervising Foley Artist
Terminator 3: Rise of the Machines (2003)
| USA, Germany, UK
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Artist
National Security (2003)
| USA
Directed by: Dennis Dugan
Cinematography by: Oliver Wood
Edited by: Debra Neil-Fisher
Foley Artist
I'll Be There (2003)
| USA, UK
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Foley Artist
Duplex (2003)
| Germany, USA
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Foley Artist
Big Fish (2003)
| USA
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist , Horse Vocals
Seabiscuit (2003)
| USA
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Foley Artist
Under the Tuscan Sun (2003)
| USA, Italy
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Foley Artist
Beyond Borders (2003)
| Germany, USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Foley Artist
Something's Gotta Give (2003)
| USA
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Foley Artist
Master and Commander: The Far Side of the World (2003)
| USA
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Foley Artist , Tooth Fairy Vocal Effects
Darkness Falls (2003)
| USA, Australia
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Foley Artist
Peter Pan (2003)
| UK, Australia, USA, New Zealand
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Foley Artist
Identity (2003)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Alien Voice, Sound Effects: Special Alien Voices
Dreamcatcher (2003)
| USA, Canada
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Supervising Foley Artist
Signs (2002)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Foley: Artist
Rollerball (2002)
| USA, Germany, Japan
Directed by: John McTiernan
Cinematography by: Steve Mason
Foley Artist
Spider-Man (2002)
| USA
Directed by: Sam Raimi
Cinematography by: Don Burgess
Foley Artist
Road to Perdition (2002)
| USA
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Foley Artist
I Spy (2002)
| USA
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Foley Artist
Equilibrium (2002)
| USA
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Foley Artist
Scary Movie 2 (2001)
| USA, Canada
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Foley Artist
The Glass House (2001)
| USA
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Foley Artist
Riding in Cars with Boys (2001)
| USA
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Foley Artist
America's Sweethearts (2001)
| USA
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Foley Artist
Vertical Limit (2000)
| USA, Germany
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Supervising Foley Artist
Unbreakable (2000)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Foley Artist, Gorilla Vocals
Hollow Man (2000)
| USA, Germany
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Foley Artist
Charlie's Angels (2000)
| USA, Germany
Directed by: McG
Cinematography by: Russell Carpenter
Foley Artist
The Patriot (2000)
| USA, Germany
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
28 Days (2000)
| USA
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
How the Grinch Stole Christmas (2000)
| USA
Directed by: Ron Howard
Cinematography by: Donald Peterman
Foley Artist
Blue Streak (1999)
| USA, Germany
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Foley Artist
Stuart Little (1999)
| Germany, USA
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Foley Artist
Idle Hands (1999)
| USA
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Foley Artist
8MM (1999)
| Germany, USA
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Foley Artist
The Adventures of Elmo in Grouchland (1999)
| USA, Germany
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Foley Artist
Girl, Interrupted (1999)
| USA, Germany
Directed by: James Mangold
Cinematography by: Jack N. Green
Edited by: Kevin Tent
Creature Vocals
The Faculty (1998)
| USA
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Foley Artist
One True Thing (1998)
| USA
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Foley Artist
The Mask of Zorro (1998)
| USA, Germany, Mexico
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Dog
Atomic Dog (1998)
| USA
Directed by: Brian Trenchard-Smith
Cinematography by: David Lewis
Edited by: Stephen R. Myers
Foley Artist
I Still Know What You Did Last Summer (1998)
| USA, Mexico
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Blarp
Lost in Space (1998)
| USA
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Wild Things (1998)
| USA
Directed by: John McNaughton
Cinematography by: Jeffrey L. Kimball
Edited by: Elena Maganini
Foley Artist
The Replacement Killers (1998)
| USA
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Creature Vocals, Foley Artist , Special Vocal Effects
Godzilla (1998)
| USA, Japan
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Foley Artist
Can't Hardly Wait (1998)
| USA
Cinematography by: Lloyd Ahern II
Edited by: Michael Jablow
Foley Artist
Gattaca (1997)
| USA
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Foley Artist
Air Force One (1997)
| USA, Germany
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Foley Walker
The Jackal (1997)
| USA, UK, France, Germany, Japan
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Foley Artist
Starship Troopers (1997)
| USA
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Anaconda Vocal Effects, Foley Artist
Anaconda (1997)
| USA, Brazil, Peru
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Foley Artist , Kothoga Vocalization
The Relic (1997)
| UK, Germany, Japan, New Zealand, USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Alien Vocal Effects
Independence Day (1996)
| USA
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Foley Artist
The Long Kiss Goodnight (1996)
| USA
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Foley Artist
Last Man Standing (1996)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Foley Artist
That Thing You Do! (1996)
| USA
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Foley Artist
The Chamber (1996)
| USA
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Foley Artist
Rob Roy (1995)
| UK, USA
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Foley Artist
Nixon (1995)
| USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Foley Artist
The American President (1995)
| USA
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Walker
Bad Boys (1995)
| USA
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Foley Artist
Waterworld (1995)
| USA
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Foley Artist
The Net (1995)
| USA
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Foley Sound Effects
The Quick and the Dead (1995)
| Japan, USA
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Foley Artist
French Kiss (1995)
| UK, USA
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Foley Artist
Cutthroat Island (1995)
| France, Italy, Germany, USA
Directed by: Renny Harlin
Cinematography by: Peter Levy
Foley Artist
Hideaway (1995)
| USA
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Foley Artist
North (1994)
| USA
Directed by: Rob Reiner
Cinematography by: Adam Greenberg
Edited by: Robert Leighton
Foley Artist
Speechless (1994)
| USA
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Foley Artist
Terminal Velocity (1994)
| USA, Canada
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Foley Artist
Blankman (1994)
| USA
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Foley Artist
Natural Born Killers (1994)
| USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Foley Artist , The Bear
Legends of the Fall (1994)
| USA
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Foley Artist
Cops and Robbersons (1994)
| USA
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Foley Artist
Bad Girls (1994)
| USA
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Foley Artist
Guarding Tess (1994)
| USA
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Foley Artist
Color of Night (1994)
| USA
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Foley Artist
The Beverly Hillbillies (1993)
| USA
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Foley Artist
Super Mario Bros. (1993)
| UK, USA, Japan
Cinematography by: Dean Semler
Edited by: Mark Goldblatt
Foley Artist
Geronimo: An American Legend (1993)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Foley Artist
The Joy Luck Club (1993)
| USA, China
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Foley Artist
The Wrong Man (1993)
| USA, Mexico
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Lisa Zeno Churgin
Foley Artist
Silent Tongue (1993)
| France, Netherlands, UK, USA
Directed by: Sam Shepard
Cinematography by: Jack Conroy
Edited by: Bill Yahraus
Foley Artist
Cliffhanger (1993)
| USA, Italy, France
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Foley Mixer
Blood In, Blood Out (1993)
| USA
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Foley Mixer
This Boy's Life (1993)
| USA
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Foley Artist
Robin Hood: Men in Tights (1993)
| France, USA
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Foley Artist
In the Line of Fire (1993)
| USA
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Foley Mixer
Rich in Love (1992)
| USA
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Foley Mixer
Rapid Fire (1992)
| USA
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: Gib Jaffe
Foley Mixer
Of Mice and Men (1992)
| USA
Directed by: Gary Sinise
Cinematography by: Kenneth MacMillan
Edited by: Robert L. Sinise
Foley Mixer
Night and the City (1992)
| USA
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Foley Mixer
Freddy's Dead: The Final Nightmare (1991)
| USA
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Foley Artist
One Good Cop (1991)
| USA
Directed by: Heywood Gould
Cinematography by: Ralf D. Bode
Edited by: Richard Marks
Foley Mixer
Wild Hearts Can't Be Broken (1991)
| USA
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Jon Poll
Foley Artist
King Ralph (1991)
| USA
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Foley Mixer
Deceived (1991)
| USA
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Foley Mixer
Toy Soldiers (1991)
| USA
Directed by: Daniel Petrie Jr.
Cinematography by: Thomas Burstyn
Edited by: Michael Kahn
Foley Mixer
Mystery Date (1991)
| USA
Directed by: Jonathan Wacks
Cinematography by: Oliver Wood
Edited by: Tina Hirsch
Foley Mixer
Curly Sue (1991)
| USA
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Foley Artist
Men at Work (1990)
| USA
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Foley Artist
Wild at Heart (1990)
| USA
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Foley Artist
Love at Large (1990)
| USA
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Foley Mixer
Home Alone (1990)
| USA
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Foley Artist
The Hot Spot (1990)
| USA
Directed by: Dennis Hopper
Cinematography by: Ueli Steiger
Edited by: Wende Phifer Mate
Foley Artist
Narrow Margin (1990)
| USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Foley Artist
Chances Are (1989)
| USA
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Foley Artist
Checking Out (1989)
| UK
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: Lee Percy
Foley Artist
National Lampoon's Christmas Vacation (1989)
| USA
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Foley Artist
They Live (1988)
| USA
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Foley By: Los Angeles
Coming to America (1988)
| USA
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Foley Walker
Throw Momma from the Train (1987)
| USA
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Foley Artist
The Running Man (1987)
| USA
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Foley Artist
The Witches of Eastwick (1987)
| USA
Directed by: George Miller
Cinematography by: Vilmos Zsigmond
Foley Artist
Planes, Trains & Automobiles (1987)
| USA
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Foley Artist
Hoosiers (1986)
| UK, USA
Directed by: David Anspaugh
Cinematography by: Fred Murphy
Edited by: Carroll Timothy O'Meara
Cameras: ARRI Cameras
Foley Artist
Band of the Hand (1986)
| USA
Directed by: Paul Michael Glaser
Cinematography by: Reynaldo Villalobos
Edited by: Jack Hofstra
Foley Artist
The Hitcher (1986)
| USA
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Foley Artist
Jumpin' Jack Flash (1986)
| USA
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Foley: Artist
Manhunter (1986)
| USA
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Edited by: Dov Hoenig
Foley Artist
Big Trouble in Little China (1986)
| USA
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Foley Walker
Young Sherlock Holmes (1985)
| USA
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Foley Artist
Back to the Future (1985)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Artist
Police Academy (1984)
| USA
Directed by: Hugh Wilson
Cinematography by: Michael D. Margulies
Voice
Poltergeist (1982)
| USA
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
Foley Artist
Wolfen (1981)
| USA
Directed by: Michael Wadleigh
Cinematography by: Gerry Fisher
Cameras: Panavision Cameras
Foley Artist
Friday the 13th (1980)
| USA
Directed by: Sean S. Cunningham
Cinematography by: Barry Abrams
Edited by: Bill Freda
Foley Artist
Star Wars: Episode V - The Empire Strikes Back (1980)
| USA
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Foley Editor
Star Trek: The Motion Picture (1979)
| USA
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
Foley Artist - 2000 Version
The Exorcist (1973)
| USA
Directed by: William Friedkin
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses