Foley Artist
Pacific Rim (2013)
| USA
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Foley Artist / Supervising Foley Artist
R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Supervising Foley Artist
The Last Stand (2013)
| USA
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Foley Artist - Segment "The Catch"
Movie 43 (2013)
| USA
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Foley Artist
Django Unchained (2012)
| USA
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Supervising Foley Artist
Madea's Witness Protection (2012)
| USA
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Supervising Foley Artist
Safe House (2012)
| South Africa, Japan, USA
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Foley Artist / Supervising Foley Artist
Jayne Mansfield's Car (2012)
| USA, Russia
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Supervising Foley Artist
The Hunger Games (2012)
| USA
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Supervising Foley Artist
The Twilight Saga: Breaking Dawn - Part 2 (2012)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Foley Artist
End of Watch (2012)
| USA
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Supervising Foley Artist
Abraham Lincoln: Vampire Hunter (2012)
| USA, Russia
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Foley Artist
Cedar Rapids (2011)
| USA
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Special Creature Vocals, Supervising Foley Artist
Sucker Punch (2011)
| USA, Canada
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Supervising Foley Artist
Mardi Gras: Spring Break (2011)
| USA
Directed by: Phil Dornfeld
Cinematography by: Thomas E. Ackerman
Edited by: Mark Scheib
Foley Artist: ToddAo/Soundelux
Apollo 18 (2011)
| USA, Canada
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Foley Artist
Big Mommas: Like Father, Like Son (2011)
| USA
Directed by: John Whitesell
Cinematography by: Anthony B. Richmond
Edited by: Priscilla Nedd-Friendly
Supervising Foley Artist
Dream House (2011)
| USA, Canada
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Supervising Foley Artist
The Twilight Saga: Breaking Dawn - Part 1 (2011)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Supervising Foley Artist
Source Code (2011)
| USA, Canada
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Supervising Foley Artist
Fast Five (2011)
| USA, Brazil, Japan
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Foley Artist
Hop (2011)
| USA, India, Malaysia, Taiwan, Canada, UK
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Foley Artist
Silent House (2011)
| France, USA
Cinematography by: Igor Martinovic
Cameras: Canon EOS-5D Mark II Camera
Lenses: Zeiss Compact Prime Lenses
Foley Artist / Supervising Foley Artist
Fright Night (2011)
| USA
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Supervising Foley Artist
The Green Hornet (2011)
| USA
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Supervising Foley Artist
Tower Heist (2011)
| USA
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Supervising Foley Artist
The Next Three Days (2010)
| USA, France
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Supervising Foley Artist
Wall Street: Money Never Sleeps (2010)
| USA
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Supervising Foley Artist
The Tourist (2010)
| USA, France, Italy, UK
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Supervising Foley Artist
A Nightmare on Elm Street (2010)
| USA
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Supervising Foley Artist
Devil (2010)
| USA
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Supervising Foley Artist
Extraordinary Measures (2010)
| USA
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Foley Artist / Supervising Foley Artist
The Switch (2010)
| USA
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Supervising Foley Artist
Bunraku (2010)
| USA
Directed by: Guy Moshe
Cinematography by: Juan Ruiz Anchía
Supervising Foley Artist
Vampires Suck (2010)
| USA
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Foley Artist
Charlie St. Cloud (2010)
| USA, Canada
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Supervising Foley Artist
The Book of Eli (2010)
| USA
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Adr Voice, Supervising Foley Artist
Robin Hood (2010)
| USA, UK
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Supervising Foley Artist
The Big Bang (2010)
| USA
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Foley Artist
The Taking of Pelham 123 (2009)
| USA, UK
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Supervising Foley Artist
The Twilight Saga: New Moon (2009)
| USA
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Supervising Foley Artist
Surrogates (2009)
| USA
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Supervising Foley Artist
The Uninvited (2009)
| USA, Canada, Germany
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Foley Artist
Terminator Salvation (2009)
| USA, Germany, UK, Italy
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Foley Artist / Supervising Foley Artist
Hancock (2008)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Supervising Foley Artist
The Strangers (2008)
| USA
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Foley Artist
21 (2008)
| USA
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Supervising Foley Artist
Superhero Movie (2008)
| USA
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Foley Artist
Seven Pounds (2008)
| USA
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Supervising Foley Artist
The Incredible Hulk (2008)
| USA
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Foley Artist
Made of Honor (2008)
| USA, UK
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Supervising Foley Artist
Frost/Nixon (2008)
| UK, France, USA
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Foley Artist
August Rush (2007)
| USA
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Walk Hard: The Dewey Cox Story (2007)
| USA
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Tyrant Vocal
Resident Evil: Extinction (2007)
| France, Australia, Germany, UK, USA, Mexico, Canada
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Foley Artist
Ghost Rider (2007)
| USA, Australia
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Supervising Foley Artist
Spider-Man 3 (2007)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Foley Artist
The Holiday (2006)
| USA
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Foley Artist
RV (2006)
| UK, Germany, USA
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Foley Artist
The Da Vinci Code (2006)
| USA, Malta, France, UK
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Special Sound Effects
Ultraviolet (2006)
| USA
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Supervising Foley Artist, Ubermortal Vocals
300 (2006)
| USA, Canada, Bulgaria
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Foley Artist
All the King's Men (2006)
| Germany, USA
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Foley Artist
Click (2006)
| USA
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Foley Artist
Lords of Dogtown (2005)
| USA, Germany
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Foley Artist
The Interpreter (2005)
| UK, France, Germany, USA
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Supervising Foley Artist
War of the Worlds (2005)
| USA
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Foley Artist
Memoirs of a Geisha (2005)
| USA, Japan
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Supervising Foley Artist
Aurora Borealis (2005)
| USA, Canada
Directed by: James C.E. Burke
Cinematography by: Alar Kivilo
Edited by: Richard Nord
Supervising Foley Artist
Spider-Man 2 (2004)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Supervising Foley Artist
The Bourne Supremacy (2004)
| USA, Germany
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Supervising Foley Artist
Dawn of the Dead (2004)
| USA, Canada, Japan, France
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Foley Artist , Tooth Fairy Vocal Effects
Darkness Falls (2003)
| USA, Australia
Directed by: Jonathan Liebesman
Cinematography by: Dan Laustsen
Foley Artist
Peter Pan (2003)
| UK, Australia, USA, New Zealand
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Foley Artist
Identity (2003)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Alien Voice, Sound Effects: Special Alien Voices
Dreamcatcher (2003)
| USA, Canada
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Supervising Foley Artist
Terminator 3: Rise of the Machines (2003)
| USA, Germany, UK
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Foley Artist
National Security (2003)
| USA
Directed by: Dennis Dugan
Cinematography by: Oliver Wood
Edited by: Debra Neil-Fisher
Foley Artist
I'll Be There (2003)
| USA, UK
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Foley Artist
Duplex (2003)
| Germany, USA
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Foley Artist
Big Fish (2003)
| USA
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist , Horse Vocals
Seabiscuit (2003)
| USA
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Foley Artist
Under the Tuscan Sun (2003)
| USA, Italy
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Foley Artist
Beyond Borders (2003)
| Germany, USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Foley Artist
Something's Gotta Give (2003)
| USA
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Foley Artist
Master and Commander: The Far Side of the World (2003)
| USA
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Foley Artist
I Spy (2002)
| USA
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Foley Artist
Equilibrium (2002)
| USA
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Supervising Foley Artist
Signs (2002)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Foley: Artist
Rollerball (2002)
| USA, Germany, Japan
Directed by: John McTiernan
Cinematography by: Steve Mason
Foley Artist
Spider-Man (2002)
| USA
Directed by: Sam Raimi
Cinematography by: Don Burgess
Foley Artist
Road to Perdition (2002)
| USA
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Foley Artist
Riding in Cars with Boys (2001)
| USA
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Foley Artist
America's Sweethearts (2001)
| USA
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Foley Artist
Scary Movie 2 (2001)
| USA, Canada
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Foley Artist
The Glass House (2001)
| USA
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Foley Artist
28 Days (2000)
| USA
Directed by: Betty Thomas
Cinematography by: Declan Quinn
Edited by: Peter Teschner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
How the Grinch Stole Christmas (2000)
| USA
Directed by: Ron Howard
Cinematography by: Donald Peterman
Foley Artist
Vertical Limit (2000)
| USA, Germany
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Supervising Foley Artist
Unbreakable (2000)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Foley Artist, Gorilla Vocals
Hollow Man (2000)
| USA, Germany
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Foley Artist
Charlie's Angels (2000)
| USA, Germany
Directed by: McG
Cinematography by: Russell Carpenter
Foley Artist
The Patriot (2000)
| USA, Germany
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
The Adventures of Elmo in Grouchland (1999)
| USA, Germany
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Foley Artist
Girl, Interrupted (1999)
| USA, Germany
Directed by: James Mangold
Cinematography by: Jack N. Green
Edited by: Kevin Tent
Foley Artist
Blue Streak (1999)
| USA, Germany
Directed by: Les Mayfield
Cinematography by: David Eggby
Edited by: Michael Tronick
Foley Artist
Idle Hands (1999)
| USA
Directed by: Rodman Flender
Cinematography by: Christopher Baffa
Edited by: Stephen E. Rivkin
Foley Artist
8MM (1999)
| Germany, USA
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Can't Hardly Wait (1998)
| USA
Cinematography by: Lloyd Ahern II
Edited by: Michael Jablow
Creature Vocals
The Faculty (1998)
| USA
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Foley Artist
One True Thing (1998)
| USA
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Foley Artist
The Mask of Zorro (1998)
| USA, Germany, Mexico
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Dog
Atomic Dog (1998)
| USA
Directed by: Brian Trenchard-Smith
Cinematography by: David Lewis
Edited by: Stephen R. Myers
Foley Artist
I Still Know What You Did Last Summer (1998)
| USA, Mexico
Directed by: Danny Cannon
Cinematography by: Vernon Layton
Edited by: Peck Prior
Blarp
Lost in Space (1998)
| USA
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Artist
Wild Things (1998)
| USA
Directed by: John McNaughton
Cinematography by: Jeffrey L. Kimball
Edited by: Elena Maganini
Foley Artist
The Replacement Killers (1998)
| USA
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Creature Vocals, Foley Artist , Special Vocal Effects
Godzilla (1998)
| USA, Japan
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Anaconda Vocal Effects, Foley Artist
Anaconda (1997)
| USA, Brazil, Peru
Directed by: Luis Llosa
Cinematography by: Bill Butler
Edited by: Michael R. Miller
Foley Artist , Kothoga Vocalization
The Relic (1997)
| UK, Germany, Japan, New Zealand, USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Foley Artist
Gattaca (1997)
| USA
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Foley Artist
Air Force One (1997)
| USA, Germany
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Foley Walker
The Jackal (1997)
| USA, UK, France, Germany, Japan
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Foley Artist
Starship Troopers (1997)
| USA
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera, Moviecam Compact Camera
Lenses: Zeiss Lenses
Foley Artist
The Chamber (1996)
| USA
Directed by: James Foley
Cinematography by: Ian Baker
Edited by: Mark Warner
Alien Vocal Effects
Independence Day (1996)
| USA
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Foley Artist
The Long Kiss Goodnight (1996)
| USA
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Foley Artist
Last Man Standing (1996)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Foley Artist
That Thing You Do! (1996)
| USA
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Foley Artist
Rob Roy (1995)
| UK, USA
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter Honess
Foley Artist
The American President (1995)
| USA
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Walker
Bad Boys (1995)
| USA
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Foley Artist
Waterworld (1995)
| USA
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Foley Artist
The Net (1995)
| USA
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Foley Sound Effects
The Quick and the Dead (1995)
| Japan, USA
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Foley Artist
French Kiss (1995)
| UK, USA
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Foley Artist
Cutthroat Island (1995)
| France, Italy, Germany, USA
Directed by: Renny Harlin
Cinematography by: Peter Levy
Foley Artist
Hideaway (1995)
| USA
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Foley Artist
Bad Girls (1994)
| USA
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Foley Artist
Guarding Tess (1994)
| USA
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Foley Artist
Color of Night (1994)
| USA
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Foley Artist
North (1994)
| USA
Directed by: Rob Reiner
Cinematography by: Adam Greenberg
Edited by: Robert Leighton
Foley Artist
Speechless (1994)
| USA
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Foley Artist
Terminal Velocity (1994)
| USA, Canada
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Foley Artist
Blankman (1994)
| USA
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Foley Artist
Natural Born Killers (1994)
| USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Foley Artist , The Bear
Legends of the Fall (1994)
| USA
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Foley Artist
Cops and Robbersons (1994)
| USA
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Foley Mixer
This Boy's Life (1993)
| USA
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Foley Artist
Robin Hood: Men in Tights (1993)
| France, USA
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Foley Artist
In the Line of Fire (1993)
| USA
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Foley Artist
The Beverly Hillbillies (1993)
| USA
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Foley Artist
Super Mario Bros. (1993)
| UK, USA, Japan
Cinematography by: Dean Semler
Edited by: Mark Goldblatt
Foley Artist
The Joy Luck Club (1993)
| USA, China
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Foley Artist
Geronimo: An American Legend (1993)
| USA
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Foley Artist
The Wrong Man (1993)
| USA, Mexico
Directed by: Jim McBride
Cinematography by: Affonso Beato
Edited by: Lisa Zeno Churgin
Foley Artist
Silent Tongue (1993)
| France, Netherlands, UK, USA
Directed by: Sam Shepard
Cinematography by: Jack Conroy
Edited by: Bill Yahraus
Foley Artist
Cliffhanger (1993)
| USA, Italy, France
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Foley Mixer
Blood In, Blood Out (1993)
| USA
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Foley Mixer
Rich in Love (1992)
| USA
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Foley Mixer
Rapid Fire (1992)
| USA
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: Gib Jaffe
Foley Mixer
Of Mice and Men (1992)
| USA
Directed by: Gary Sinise
Cinematography by: Kenneth MacMillan
Edited by: Robert L. Sinise
Foley Mixer
Night and the City (1992)
| USA
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Foley Artist
King Ralph (1991)
| USA
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson
Foley Mixer
Deceived (1991)
| USA
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Foley Mixer
Toy Soldiers (1991)
| USA
Directed by: Daniel Petrie Jr.
Cinematography by: Thomas Burstyn
Edited by: Michael Kahn
Foley Mixer
Mystery Date (1991)
| USA
Directed by: Jonathan Wacks
Cinematography by: Oliver Wood
Edited by: Tina Hirsch
Foley Mixer
Curly Sue (1991)
| USA
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Foley Mixer
Freddy's Dead: The Final Nightmare (1991)
| USA
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Foley Artist
One Good Cop (1991)
| USA
Directed by: Heywood Gould
Cinematography by: Ralf D. Bode
Edited by: Richard Marks
Foley Mixer
Wild Hearts Can't Be Broken (1991)
| USA
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Jon Poll
Foley Mixer
Home Alone (1990)
| USA
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Foley Artist
The Hot Spot (1990)
| USA
Directed by: Dennis Hopper
Cinematography by: Ueli Steiger
Edited by: Wende Phifer Mate
Foley Artist
Narrow Margin (1990)
| USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Foley Artist
Men at Work (1990)
| USA
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Foley Artist
Wild at Heart (1990)
| USA
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Foley Artist
Love at Large (1990)
| USA
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Foley Artist
National Lampoon's Christmas Vacation (1989)
| USA
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Foley Artist
Chances Are (1989)
| USA
Directed by: Emile Ardolino
Cinematography by: William A. Fraker
Edited by: Harry Keramidas
Foley Artist
Checking Out (1989)
| UK
Directed by: David Leland
Cinematography by: Ian Wilson
Edited by: Lee Percy
Foley By: Los Angeles
Coming to America (1988)
| USA
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Foley Artist
They Live (1988)
| USA
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Cameras: Panavision Panaflex Gold Camera
Foley Artist
Planes, Trains & Automobiles (1987)
| USA
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Foley Walker
Throw Momma from the Train (1987)
| USA
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Foley Artist
The Running Man (1987)
| USA
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Foley Artist
The Witches of Eastwick (1987)
| USA
Directed by: George Miller
Cinematography by: Vilmos Zsigmond
Foley: Artist
Manhunter (1986)
| USA
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Edited by: Dov Hoenig
Foley Artist
Hoosiers (1986)
| UK, USA
Directed by: David Anspaugh
Cinematography by: Fred Murphy
Edited by: Carroll Timothy O'Meara
Cameras: ARRI Cameras
Foley Artist
Band of the Hand (1986)
| USA
Directed by: Paul Michael Glaser
Cinematography by: Reynaldo Villalobos
Edited by: Jack Hofstra
Foley Artist
The Hitcher (1986)
| USA
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Foley Artist
Jumpin' Jack Flash (1986)
| USA
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Foley Artist
Back to the Future (1985)
| USA
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Foley Walker
Young Sherlock Holmes (1985)
| USA
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Foley Artist
Police Academy (1984)
| USA
Directed by: Hugh Wilson
Cinematography by: Michael D. Margulies
Voice
Poltergeist (1982)
| USA
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
Foley Artist
Wolfen (1981)
| USA
Directed by: Michael Wadleigh
Cinematography by: Gerry Fisher
Cameras: Panavision Cameras
Foley Artist
Friday the 13th (1980)
| USA
Directed by: Sean S. Cunningham
Cinematography by: Barry Abrams
Edited by: Bill Freda
Foley Editor
Star Trek: The Motion Picture (1979)
| USA
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
