Christine Bergren

| USA

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Music Clearance And Legal

Second Act (2018)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

| USA

Directed by: Peter Segal

Cinematography by: Ueli Steiger

Edited by: Jason Gourson

Cameras: ARRI ALEXA Mini Camera

Music Clearance And Legal

If Beale Street Could Talk (2018)

| USA

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses

Music Clearance And Legal Services

Avengers: Infinity War (2018)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

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Black Panther (2018)

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

| USA

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Music Clearance And Legal

Guardians of the Galaxy Vol. 2 (2017)

| USA

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Music Clearance And Legal

Assassin's Creed (2016)

| USA, France, UK, Hong Kong, Taiwan, Malta

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Music Legal

Sing Street (2016)

| Ireland, UK, USA

Directed by: John Carney

Cinematography by: Yaron Orbach

Edited by: Andrew Marcus, Julian Ulrichs

Cameras: ARRICAM Lite (LT) Camera, Red Epic Camera

Music Clearance And Legal

Doctor Strange (2016)

| USA

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Music Clearance And Legal

Captain America: Civil War (2016)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Music Clearance And Licensing

The Nice Guys (2016)

| USA

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Music Legal & Clearances

Bad Moms (2016)

| USA

Directed by: Jon Lucas, Scott Moore

Cinematography by: Jim Denault

Edited by: Emma E. Hickox, James Thomas

Music Clearance And Licensing

Allegiant (2016)

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Music Legal

Sausage Party (2016)

| USA

Directed by: Greg Tiernan, Conrad Vernon

Edited by: Kevin Pavlovic

Music Legal

Everybody Wants Some!! (2016)

| USA

Directed by: Richard Linklater

Cinematography by: Shane F. Kelly

Edited by: Sandra Adair

Cameras: ARRI ALEXA Camera

Music Clearance

Joy (2015)

| USA

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Music And Legal Clearance

Child 44 (2015)

| Czech Republic, UK, USA, Russia

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Lenses: Hawk Anamorphic Lenses

Music Legal And Clearance

Trumbo (2015)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Clearance

The Revenant (2015)

Lenses: Leica Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

| USA, Hong Kong, Taiwan

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Music Clearance And Licensing

Avengers: Age of Ultron (2015)

| USA

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Music Clearance And Licensing

Godzilla (2014)

| USA, Japan

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Music Clearance And Licensing

Divergent (2014)

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

| USA

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Music Legal & Clearances

Captain America: The Winter Soldier (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Music Clearance And Licensing

Dumb and Dumber To (2014)

| USA

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Steven Rasch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Leica Summilux-C Series Lenses

Music Legal And Clearance

Transcendence (2014)

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| UK, China, USA

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Music Clearance And Licensing

Dolphin Tale 2 (2014)

| USA

Directed by: Charles Martin Smith

Cinematography by: Daryn Okada

Edited by: Harvey Rosenstock

Cameras: Sony PMW-F55 Camera

Music Licensing

Foxcatcher (2014)

| USA

Directed by: Bennett Miller

Cinematography by: Greig Fraser

Edited by: Jay Cassidy, Stuart Levy, Conor O'Neill

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Music Clearance And Legal Services

Guardians of the Galaxy (2014)

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens

| USA

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

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The Boxtrolls (2014)

| USA

Directed by: Graham Annable, Anthony Stacchi

Cinematography by: John Ashlee Prat

Edited by: Edie Ichioka

Cameras: Canon EOS-5D Mark III Camera

Music Legal

Birdman or (The Unexpected Virtue of Ignorance) (2014)

| USA

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leica Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music And Legal Clearance

Prisoners (2013)

| USA

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Music Clearances And Legal Services

The Wolf of Wall Street (2013)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses

| USA

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Editing System: Lightworks Editing System

Music Legal And Clearance

Warm Bodies (2013)

| USA, Canada

Directed by: Jonathan Levine

Cinematography by: Javier Aguirresarobe

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music Legal

Runner Runner (2013)

| USA

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Music Legal

12 Years a Slave (2013)

| USA, UK

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Clearance And Legal Services: Christine Bergren Music Cpnsulting

Now You See Me (2013)

| USA, France

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Music Legal Services

Begin Again (2013)

| USA

Directed by: John Carney

Cinematography by: Yaron Orbach

Edited by: Andrew Marcus

Cameras: Red Epic Camera

Editing System: Adobe Premiere Editing System

Music Legal Affairs

American Hustle (2013)

| USA

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Music Legal And Clearances

Admission (2013)

| USA

Directed by: Paul Weitz

Cinematography by: Declan Quinn

Edited by: Joan Sobel

Cameras: ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Clearance And Legal Services

Thor: The Dark World (2013)

| USA

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Music Clearance And Legal Services

RED 2 (2013)

| USA, France, Canada

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Music Legal And Clearance

Her (2013)

| USA

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Music Licensing

42 (2013)

| USA

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Legal And Clearance

Beautiful Creatures (2013)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Music Clearances

Lawless (2012)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Zeiss Master Prime Lenses

| USA

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Music Clearance And Legal Services

Man on a Ledge (2012)

| USA

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Music Legal And Clearance

Hyde Park on Hudson (2012)

| UK

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250mm T3.5 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Cooke S4 Lenses

Music Clearance And Legal Services

The Perks of Being a Wallflower (2012)

| USA

Directed by: Stephen Chbosky

Cinematography by: Andrew Dunn

Edited by: Mary Jo Markey

Music Clearance And Legal Services

The Twilight Saga: Breaking Dawn - Part 2 (2012)

| USA

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz, Ian Slater

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Music Legal And Clearances

Being Flynn (2012)

| USA

Directed by: Paul Weitz

Cinematography by: Declan Quinn

Edited by: Joan Sobel

Music Legal And Clearances

Promised Land (2012)

| USA, United Arab Emirates

Directed by: Gus Van Sant

Cinematography by: Linus Sandgren

Edited by: Billy Rich

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses

Music Legal And Clearance

The Raven (2012)

| USA, Spain, Hungary, Serbia

Directed by: James McTeigue

Cinematography by: Danny Ruhlmann

Edited by: Niven Howie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Music Legal And Clearance

The Avengers (2012)

| USA

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Music Clearance And Legal Services

Step Up Revolution (2012)

| USA

Directed by: Scott Speer

Cinematography by: Karsten Gopinath

Edited by: Matt Friedman, Avi Youabian

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses

Music Clearance And Legal Services

Won't Back Down (2012)

| USA

Directed by: Daniel Barnz

Cinematography by: Roman Osin

Edited by: Kristina Boden

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Legal And Clearance

The Cold Light of Day (2012)

| USA, Spain

Directed by: Mabrouk El Mechri

Cinematography by: Remi Adefarasin

Edited by: Valerio Bonelli

Cameras: ARRIFLEX 435 Camera

Editing System: Avid Editing System

Music Legal And Clearance

Joyful Noise (2012)

| USA

Directed by: Todd Graff

Cinematography by: David Boyd

Edited by: Kathryn Himoff

Music Legal And Clearance

The Twilight Saga: Breaking Dawn - Part 1 (2011)

| USA

Directed by: Bill Condon

Cinematography by: Guillermo Navarro

Edited by: Virginia Katz

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Legal And Clearance

In Time (2011)

| USA

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Music Legal And Clearance

A Little Bit of Heaven (2011)

| USA

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Music Legal And Clearances

Captain America: The First Avenger (2011)

| USA

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Music Legal And Clearance

The Beaver (2011)

| USA, United Arab Emirates

Directed by: Jodie Foster

Cinematography by: Hagen Bogdanski

Edited by: Lynzee Klingman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses

Music Legal And Clearance: Christine Bergren Music Consulting

Hugo (2011)

| USA, UK, France

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Music Legal And Clearance

What's Your Number? (2011)

| USA

Directed by: Mark Mylod

Cinematography by: James M. Muro

Edited by: Julie Monroe

Music Legal And Clearance: Christine Bergren Music Consulting

The Rum Diary (2011)

| USA, UK

Directed by: Bruce Robinson

Cinematography by: Dariusz Wolski

Edited by: Carol Littleton

Cameras: ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 416 Camera

Music Clearance And Legal Services: Christine Bergren Music Consulting

A Better Life (2011)

| USA

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music Legal And Clearance

Hanna (2011)

| USA, UK, Germany

Directed by: Joe Wright

Cinematography by: Alwin H. Küchler

Edited by: Paul Tothill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Music Legal

One Day (2011)

| USA, UK

Directed by: Lone Scherfig

Cinematography by: Benoît Delhomme

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Cooke S4 Lenses

Music Legal And Clearance

Something Borrowed (2011)

| USA

Directed by: Luke Greenfield

Cinematography by: Charles Minsky

Edited by: John Axelrad

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Music Clearance And Legal Services

Dream House (2011)

| USA, Canada

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Music Legal

The Tree of Life (2011)

| USA

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Legal And Clearance

Thor (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

| USA

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Music Legal And Clearance

Dolphin Tale (2011)

| Canada, USA

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Legal And Clearance

The American (2010)

| USA, UK

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Legal And Clearance

Iron Man 2 (2010)

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Music Legal And Clearance

London Boulevard (2010)

| USA, UK

Directed by: William Monahan

Cinematography by: Chris Menges

Edited by: Dody Dorn, Robb Sullivan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music Legal And Clearance

RED (2010)

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Music Legal & Clearances

The Book of Eli (2010)

| USA

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Music Legal And Clearance

Edge of Darkness (2010)

| UK, USA

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Music Legal And Clearances

Greenberg (2010)

| USA

Directed by: Noah Baumbach

Cinematography by: Harris Savides

Edited by: Tim Streeto

Music Legal And Clearance

It's Kind of a Funny Story (2010)

| USA

Directed by: Anna Boden, Ryan Fleck

Cinematography by: Andrij Parekh

Edited by: Anna Boden

Music Legal And Clearance

Remember Me (2010)

| USA

Directed by: Allen Coulter

Cinematography by: Jonathan Freeman

Edited by: Andrew Mondshein

Music Legal And Clearance: Christine Bergren Music Consulting

The Tourist (2010)

| USA, France, Italy, UK

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Music Legal And Clearance

The Twilight Saga: Eclipse (2010)

| USA

Directed by: David Slade

Cinematography by: Javier Aguirresarobe

Edited by: Art Jones, Nancy Richardson

Cameras: Panavision Cameras

Music Legal And Clearance

Letters to Juliet (2010)

| USA

Directed by: Gary Winick

Cinematography by: Marco Pontecorvo

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Music Legal And Clearance

The Unborn (2009)

| USA

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Music Clearance

The Blind Side (2009)

| USA

Directed by: John Lee Hancock

Cinematography by: Alar Kivilo

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Music Legal And Clearance

Orphan (2009)

| USA, Canada, Germany

Directed by: Jaume Collet-Serra

Cinematography by: Jeff Cutter

Edited by: Timothy Alverson

Music Legal And Clearance

Taking Woodstock (2009)

| USA

Directed by: Ang Lee

Cinematography by: Eric Gautier

Edited by: Tim Squyres

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Legal And Clearance

Push (2009)

| USA, Canada

Directed by: Paul McGuigan

Cinematography by: Peter Sova

Edited by: Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Music Legal And Clearance

Coraline (2009)

| USA

Directed by: Henry Selick

Cinematography by: Pete Kozachik

Edited by: Christopher Murrie, Ronald Sanders

Cameras: Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Editing System: Avid Editing System

Music Clearance And Legal Services

Miss March (2009)

| USA

Directed by: Zach Cregger, Trevor Moore

Cinematography by: Anthony B. Richmond

Edited by: Tim Mirkovich

Music Legal And Clearance

Fighting (2009)

| USA

Directed by: Dito Montiel

Cinematography by: Stefan Czapsky

Edited by: Saar Klein, Jake Pushinsky

Music Legal

Bandslam (2009)

| USA

Directed by: Todd Graff

Cinematography by: Eric Steelberg

Edited by: John Gilbert

Cameras: Panavision Cameras

Music Legal And Clearance

A Single Man (2009)

| USA

Directed by: Tom Ford

Cinematography by: Eduard Grau

Edited by: Joan Sobel

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Music Legal And Clearance

The Twilight Saga: New Moon (2009)

| USA

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Music Legal

The Young Victoria (2009)

| UK, USA

Directed by: Jean-Marc Vallée

Cinematography by: Hagen Bogdanski

Edited by: Jill Bilcock, Matt Garner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Music Legal And Clearance

Away We Go (2009)

| USA, UK

Directed by: Sam Mendes

Cinematography by: Ellen Kuras

Edited by: Sarah Flack

Music Legal And Clearance

Sorority Row (2009)

| USA

Directed by: Stewart Hendler

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Music Legal And Clearance

Knowing (2009)

| USA, UK, Australia

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Legal And Clearance

Miss Pettigrew Lives for a Day (2008)

| UK, USA

Directed by: Bharat Nalluri

Cinematography by: John de Borman

Edited by: Barney Pilling

Cameras: Panavision Cameras

Music Legal And Clearance

Sex Drive (2008)

| USA

Directed by: Sean Anders

Cinematography by: Tim Orr

Edited by: George Folsey Jr., Charles Kaplan

Music Clearances

Iron Man (2008)

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

| USA

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System, Final Cut Pro Editing System

Music Legal And Clearance

Doomsday (2008)

| UK, USA, South Africa, Germany

Directed by: Neil Marshall

Cinematography by: Sam McCurdy

Edited by: Andrew MacRitchie, Neil Marshall

Music Legal And Clearance

One Missed Call (2008)

| USA, Japan, Germany, UK

Directed by: Eric Valette

Cinematography by: Glen MacPherson

Edited by: Steve Mirkovich

Music Legal And Clearance

Twilight (2008)

| USA

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Licensing

What Just Happened (2008)

| USA

Directed by: Barry Levinson

Cinematography by: Stéphane Fontaine

Edited by: Hank Corwin

Music Legal

Killshot (2008)

| USA

Directed by: John Madden

Cinematography by: Caleb Deschanel

Edited by: Mick Audsley, Lisa Gunning

Music Legal And Clearance

The Incredible Hulk (2008)

| USA

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Music Legal And Clearances

In Bruges (2008)

| UK, USA

Directed by: Martin McDonagh

Cinematography by: Eigil Bryld

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Legal And Clearance

Never Back Down (2008)

| USA

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Music Legal And Clearance

City of Ember (2008)

| USA

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Music Legal Clearance

Nim's Island (2008)

| USA

Directed by: Jennifer Flackett, Mark Levin

Cinematography by: Stuart Dryburgh

Edited by: Stuart Levy

Cameras: Panavision Cameras

Music Licensing

Flash of Genius (2008)

| Canada, USA

Directed by: Marc Abraham

Cinematography by: Dante Spinotti

Edited by: Jill Savitt

Music Clearance

Lost Boys: The Tribe (2008)

Direct to Video

| USA, Canada

Directed by: P.J. Pesce

Cinematography by: Barry Donlevy

Edited by: Amanda I. Kirpaul

Music Legal And Clearances

The Strangers (2008)

| USA

Directed by: Bryan Bertino

Cinematography by: Peter Sova

Edited by: Kevin Greutert

Cameras: Panavision Cameras

Music Legal And Clearance

Bigger Stronger Faster* (2008)

| USA

Directed by: Chris Bell

Cinematography by: Alexander Buono

Edited by: Brian Singbiel

Music Legal And Clearance

Reservation Road (2007)

| USA, Germany

Directed by: Terry George

Cinematography by: John Lindley

Edited by: Naomi Geraghty

Music Licensing

Married Life (2007)

| USA, Canada

Directed by: Ira Sachs

Cinematography by: Peter Deming

Edited by: Affonso Gonçalves

Music Clearances

The Nines (2007)

| USA

Directed by: John August

Cinematography by: Nancy Schreiber

Edited by: Douglas Crise

Music Licensing

Lars and the Real Girl (2007)

| USA, Canada

Directed by: Craig Gillespie

Cinematography by: Adam Kimmel

Edited by: Tatiana S. Riegel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Music Clearances

Sydney White (2007)

| USA

Directed by: Joe Nussbaum

Cinematography by: Mark Irwin

Edited by: Danny Saphire

Music Legal And Clearance

The Savages (2007)

| USA

Directed by: Tamara Jenkins

Cinematography by: W. Mott Hupfel III

Edited by: Brian A. Kates

Lenses: Cooke S4 Lenses

Music Clearance

Mr. Magorium's Wonder Emporium (2007)

| USA, Canada

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

Music Legal And Clearance

The Nanny Diaries (2007)

| USA

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Terry Stacey

Edited by: Robert Pulcini

Music Legal And Clearance

The Great Debaters (2007)

| USA

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Clearances

Before the Rains (2007)

| USA, India, UK

Directed by: Santosh Sivan

Cinematography by: Santosh Sivan

Edited by: Steven Cohen, A. Sreekar Prasad

Music Clearance

The Air I Breathe (2007)

| USA, Mexico

Directed by: Jieho Lee

Cinematography by: Walt Lloyd

Edited by: Robert Hoffman

Music Clearance

Bridge to Terabithia (2007)

| USA

Directed by: Gabor Csupo

Cinematography by: Michael Chapman

Edited by: John Gilbert

Cameras: Panavision Cameras

Music Legal And Clearance

Evening (2007)

| USA, Germany

Directed by: Lajos Koltai

Cinematography by: Gyula Pados

Edited by: Allyson C. Johnson

Music Legal And Clearance

In the Valley of Elah (2007)

| USA

Directed by: Paul Haggis

Cinematography by: Roger Deakins

Edited by: Jo Francis

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Music Legal And Clearance

The Hitcher (2007)

| USA

Directed by: Dave Meyers

Cinematography by: James Hawkinson

Edited by: Jim May

Music Clearance

Charlie Bartlett (2007)

| USA

Directed by: Jon Poll

Cinematography by: Paul Sarossy

Edited by: Alan Baumgarten

Music Consultant / Music Legal And Clearance

Lust, Caution (2007)

| USA, China, Taiwan

Directed by: Ang Lee

Cinematography by: Rodrigo Prieto

Edited by: Tim Squyres

Music Legal And Clearance

Eastern Promises (2007)

| UK, Canada, USA

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Music Legal And Clearance

Balls of Fury (2007)

| USA

Directed by: Robert Ben Garant

Cinematography by: Thomas E. Ackerman

Edited by: John Refoua

Cameras: Panavision Genesis Camera

Editing System: Final Cut Pro Editing System

Music Clearance

The Good Life (2007)

| Canada, USA

Directed by: Stephen Berra

Cinematography by: Patrice Lucien Cochet

Edited by: Sean Hubbert

Music Clearance

Stranger Than Fiction (2006)

| USA

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4 Lenses

Music Legal And Clearance

Hollywoodland (2006)

| USA

Directed by: Allen Coulter

Cinematography by: Jonathan Freeman

Edited by: Michael Berenbaum

Music Legal

Bachelor Party Vegas (2006)

Direct to Video

| USA

Directed by: Eric Bernt

Cinematography by: Robert Primes

Edited by: David Finfer

Music Legal And Clearance

Waist Deep (2006)

| USA

Directed by: Vondie Curtis-Hall

Cinematography by: Shane Hurlbut

Edited by: Terilyn A. Shropshire

Music Legal Services

Bobby (2006)

| USA

Directed by: Emilio Estevez

Cinematography by: Michael Barrett

Edited by: Richard Chew

Music Clearance

School for Scoundrels (2006)

| USA

Directed by: Todd Phillips

Cinematography by: Jonathan Brown

Edited by: Leslie Jones, Dan Schalk

Music Legal And Clearance

Step Up (2006)

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

| USA

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Music Legal And Clearance

Deck the Halls (2006)

| USA

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Paul Hirsch, James Start

Music Clearances

Hoot (2006)

| USA

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

Music Legal Services

Pulse (2006)

| USA

Directed by: Jim Sonzero

Cinematography by: Mark Plummer

Edited by: Robert K. Lambert, Bob Mori, Kirk M. Morri

Production Counsel

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

| USA, UK

Directed by: Larry Charles

Cinematography by: Luke Geissbuhler, Anthony Hardwick

Edited by: Craig Alpert, Peter Teschner, James Thomas

Cameras: Panasonic AJ-HDC27 Varicam Camera

Music Clearance

How to Eat Fried Worms (2006)

| USA

Directed by: Bob Dolman

Cinematography by: Richard Rutkowski

Edited by: Janice Hampton, Frederick Wardell

Music Legal And Clearance

Assault on Precinct 13 (2005)

| France, USA

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Bill Pankow

Additional Music Clearance

Dave Chappelle's Block Party (2005)

| USA

Directed by: Michel Gondry

Cinematography by: Ellen Kuras

Edited by: Jeff Buchanan, Sarah Flack, Jamie Kirkpatrick

Music Legal And Clearance

The Ice Harvest (2005)

| USA

Directed by: Harold Ramis

Cinematography by: Alar Kivilo

Edited by: Lee Percy

Music Legal

Little Manhattan (2005)

| USA

Directed by: Mark Levin

Cinematography by: Tim Orr

Edited by: Alan Edward Bell

Editing System: Final Cut Pro Editing System

Music Legal And Clearance

The Sisterhood of the Traveling Pants (2005)

| USA

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Kathryn Himoff

Additional Music Clearance

Walk the Line (2005)

| USA, Germany

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

Music Legal And Clearance

Bee Season (2005)

| USA, Germany

Directed by: Scott McGehee, David Siegel

Cinematography by: Giles Nuttgens

Edited by: Lauren Zuckerman

Music Legal And Clearances

Brokeback Mountain (2005)

| USA, Canada

Directed by: Ang Lee

Cinematography by: Rodrigo Prieto

Edited by: Geraldine Peroni, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Music Business Affairs

Sahara (2005)

| UK, Spain, Germany, USA

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Music Legal And Clearance

The Prize Winner of Defiance, Ohio (2005)

| USA

Directed by: Jane Anderson

Cinematography by: Jonathan Freeman

Edited by: Robert Dalva

Music Clearance

Domino (2005)

| France, USA, UK

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Music Legal

Club Dread (2004)

| USA, Mexico

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Ryan Folsey

Music Legal And Clearance

Vanity Fair (2004)

| USA, UK, India

Directed by: Mira Nair

Cinematography by: Declan Quinn

Edited by: Allyson C. Johnson

Music Legal And Clearance

The Punisher (2004)

| USA, Germany

Directed by: Jonathan Hensleigh

Cinematography by: Conrad W. Hall

Edited by: Jeff Gullo, Steven Kemper, John Leonetti

Music Clearances

Eternal Sunshine of the Spotless Mind (2004)

| USA

Directed by: Michel Gondry

Cinematography by: Ellen Kuras

Edited by: Valdís Óskarsdóttir

Lenses: Zeiss ARRI Macro Lenses, Zeiss Super Speed Lenses

Music Business Affairs

Ray (2004)

| USA

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Music Clearance Consultant

Man on Fire (2004)

| USA, UK, Mexico, Switzerland

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Legal And Clearance

Seed of Chucky (2004)

| Romania, USA, UK

Directed by: Don Mancini

Cinematography by: Vernon Layton

Edited by: Chris Dickens

Music Consultant

I Heart Huckabees (2004)

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

| USA, UK, Germany

Directed by: David O. Russell

Cinematography by: Peter Deming

Edited by: Robert K. Lambert

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Music Clearance

Shanghai Knights (2003)

| USA, Hong Kong

Directed by: David Dobkin

Cinematography by: Adrian Biddle

Edited by: Malcolm Campbell

Music Clearance

21 Grams (2003)

| USA

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Moviecam Superlight Camera

Editing System: Avid Editing System

Music Business Affairs

Deliver Us from Eva (2003)

| USA

Directed by: Gary Hardwick

Cinematography by: Alexander Gruszynski

Edited by: Earl Watson

Music Clearance

The Recruit (2003)

| USA

Directed by: Roger Donaldson

Cinematography by: Stuart Dryburgh

Edited by: David Rosenbloom

Music Legal

In America (2002)

| Ireland, UK, USA

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Naomi Geraghty

Cameras: Panavision Panaflex Millennium XL Camera

Editing System: Avid Editing System

Music Legal

Blade II (2002)

| Germany, USA

Directed by: Guillermo del Toro

Cinematography by: Gabriel Beristain

Edited by: Peter Amundson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Music Clearances

Bowling for Columbine (2002)

Documentary

| USA, Canada, Germany

Directed by: Michael Moore

Edited by: Kurt Engfehr

Music Legal

Garage Days (2002)

| Australia

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Music Legal

The Guys (2002)

| USA

Directed by: Jim Simpson

Cinematography by: Maryse Alberti

Edited by: Sarah Flack

Cameras: Aaton Cameras, Panavision Cameras

Music Legal

Brown Sugar (2002)

| USA

Directed by: Rick Famuyiwa

Cinematography by: Jeff Barnett, Enrique Chediak

Edited by: Dirk Westervelt

Music Legal

The Banger Sisters (2002)

| USA

Directed by: Bob Dolman

Cinematography by: Karl Walter Lindenlaub

Edited by: Aram Nigoghossian

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision E Series Anamorphic Lenses

Music Legal And Clearance

Ghost World (2001)

| USA, UK, Germany

Directed by: Terry Zwigoff

Cinematography by: Affonso Beato

Edited by: Carole Kravetz Aykanian, Michael R. Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Music Clearance

Out Cold (2001)

| USA

Directed by: Brendan Malloy, Emmett Malloy

Cinematography by: Richard Crudo

Edited by: Jeffrey Wolf

Music Legal

Traffic (2000)

| USA, Mexico, Germany

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Music Licensing

You Can Count on Me (2000)