Music Clearance And Legal
Guardians of the Galaxy Vol. 2 (2017)
| USA
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Music Legal
Sing Street (2016)
| Ireland, UK, USA
Directed by: John Carney
Cinematography by: Yaron Orbach
Cameras: ARRICAM Lite (LT) Camera, Red Epic Camera
Music Clearance And Legal
Doctor Strange (2016)
| USA
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Music Clearance And Legal
Captain America: Civil War (2016)
| USA
Cinematography by: Trent Opaloch
Music Clearance And Licensing
The Nice Guys (2016)
| USA
Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Music Clearance And Licensing
Allegiant (2016)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Music Legal
Everybody Wants Some!! (2016)
| USA
Directed by: Richard Linklater
Cinematography by: Shane F. Kelly
Edited by: Sandra Adair
Cameras: ARRI ALEXA Camera
Music Clearance And Legal
Assassin's Creed (2016)
| USA, France, UK, Hong Kong, Taiwan, Malta
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Music Legal And Clearance
Trumbo (2015)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Music Clearance
The Revenant (2015)
| USA, Hong Kong, Taiwan
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Music Clearance And Licensing
Avengers: Age of Ultron (2015)
| USA
Directed by: Joss Whedon
Cinematography by: Ben Davis
Music Clearance
Joy (2015)
| USA
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Music And Legal Clearance
Child 44 (2015)
| Czech Republic, UK, USA, Russia
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
Music Clearance And Licensing
Divergent (2014)
| USA
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Music Legal & Clearances
Captain America: The Winter Soldier (2014)
| USA
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Music Clearance And Licensing
Dumb and Dumber To (2014)
| USA
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Music Legal And Clearance
Transcendence (2014)
| UK, China, USA
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Music Clearance And Licensing
Dolphin Tale 2 (2014)
| USA
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Music Licensing
Foxcatcher (2014)
| USA
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Music Clearance And Legal Services
Guardians of the Galaxy (2014)
| USA
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Legal
The Boxtrolls (2014)
| USA
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Music Legal
Birdman or (The Unexpected Virtue of Ignorance) (2014)
| USA
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Music Clearance And Licensing
Godzilla (2014)
| USA, Japan
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Music Clearances And Legal Services
The Wolf of Wall Street (2013)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Music Legal And Clearance
Warm Bodies (2013)
| USA, Canada
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Music Legal
Runner Runner (2013)
| USA
Directed by: Brad Furman
Cinematography by: Mauro Fiore
Edited by: Jeff McEvoy
Music Legal And Clearances
Iron Man Three (2013)
| USA
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Music Legal
12 Years a Slave (2013)
| USA, UK
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Music Clearance And Legal Services: Christine Bergren Music Cpnsulting
Now You See Me (2013)
| USA, France
Directed by: Louis Leterrier
Music Legal Services
Begin Again (2013)
| USA
Directed by: John Carney
Cinematography by: Yaron Orbach
Edited by: Andrew Marcus
Cameras: Red Epic Camera
Editing System: Adobe Premiere Editing System
Music Legal Affairs
American Hustle (2013)
| USA
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Music Legal And Clearances
Admission (2013)
| USA
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Music Clearance And Legal Services
Thor: The Dark World (2013)
| USA
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Music Clearance And Legal Services
RED 2 (2013)
| USA, France, Canada
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Music Legal And Clearance
Her (2013)
| USA
Directed by: Spike Jonze
Cinematography by: Hoyte Van Hoytema
Music Licensing
42 (2013)
| USA
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Music Legal And Clearance
Beautiful Creatures (2013)
| USA
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Music And Legal Clearance
Prisoners (2013)
| USA
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Music Legal And Clearances
Being Flynn (2012)
| USA
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Music Legal And Clearances
Promised Land (2012)
| USA, United Arab Emirates
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Music Legal And Clearance
The Raven (2012)
| USA, Spain, Hungary, Serbia
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Music Legal And Clearance
The Avengers (2012)
| USA
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Music Clearance And Legal Services
Step Up Revolution (2012)
| USA
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Cameras: Red Epic Camera
Music Clearance And Legal Services
Won't Back Down (2012)
| USA
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Music Legal And Clearance
The Cold Light of Day (2012)
| USA, Spain
Directed by: Mabrouk El Mechri
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
Cameras: ARRIFLEX 435 Camera
Editing System: Avid Editing System
Music Legal And Clearance
Joyful Noise (2012)
| USA
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Music Clearances
Lawless (2012)
| USA
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Music Clearance And Legal Services
Man on a Ledge (2012)
| USA
Directed by: Asger Leth
Cinematography by: Paul Cameron
Edited by: Kevin Stitt
Music Legal And Clearance
Hyde Park on Hudson (2012)
| UK
Directed by: Roger Michell
Cinematography by: Lol Crawley
Edited by: Nicolas Gaster
Music Clearance And Legal Services
The Perks of Being a Wallflower (2012)
| USA
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Music Clearance And Legal Services
The Twilight Saga: Breaking Dawn - Part 2 (2012)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Music Legal And Clearance
A Little Bit of Heaven (2011)
| USA
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Music Legal And Clearances
Captain America: The First Avenger (2011)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Music Legal And Clearance
The Beaver (2011)
| USA, United Arab Emirates
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Music Legal And Clearance: Christine Bergren Music Consulting
Hugo (2011)
| USA, UK, France
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Music Legal And Clearance
What's Your Number? (2011)
| USA
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: Julie Monroe
Music Legal And Clearance: Christine Bergren Music Consulting
The Rum Diary (2011)
| USA, UK
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Music Clearance And Legal Services: Christine Bergren Music Consulting
A Better Life (2011)
| USA
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Music Legal And Clearance
Hanna (2011)
| USA, UK, Germany
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Music Legal
One Day (2011)
| USA, UK
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Music Legal And Clearance
Something Borrowed (2011)
| USA
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Music Clearance And Legal Services
Dream House (2011)
| USA, Canada
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Music Legal
The Tree of Life (2011)
| USA
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, Imax Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Music Legal And Clearance
Thor (2011)
| USA
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Music Legal And Clearance
Dolphin Tale (2011)
| Canada, USA
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Music Legal And Clearance
The Twilight Saga: Breaking Dawn - Part 1 (2011)
| USA
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Music Legal And Clearance
In Time (2011)
| USA
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Music Legal And Clearance
Iron Man 2 (2010)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Music Legal And Clearance
London Boulevard (2010)
| USA, UK
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Music Legal And Clearance
RED (2010)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Music Legal & Clearances
The Book of Eli (2010)
| USA
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Music Legal And Clearance
Edge of Darkness (2010)
| UK, USA
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Music Legal And Clearances
Greenberg (2010)
| USA
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Music Legal And Clearance
It's Kind of a Funny Story (2010)
| USA
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Music Legal And Clearance
Remember Me (2010)
| USA
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Music Legal And Clearance: Christine Bergren Music Consulting
The Tourist (2010)
| USA, France, Italy, UK
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Legal And Clearance
The Twilight Saga: Eclipse (2010)
| USA
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Music Legal And Clearance
Letters to Juliet (2010)
| USA
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Music Legal And Clearance
The American (2010)
| USA, UK
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Music Legal And Clearance
Taking Woodstock (2009)
| USA
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Music Legal And Clearance
Push (2009)
| USA, Canada
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Music Legal And Clearance
Coraline (2009)
| USA
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Music Clearance And Legal Services
Miss March (2009)
| USA
Cinematography by: Anthony B. Richmond
Edited by: Tim Mirkovich
Music Legal And Clearance
Fighting (2009)
| USA
Directed by: Dito Montiel
Cinematography by: Stefan Czapsky
Music Legal
Bandslam (2009)
| USA
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Music Legal And Clearance
A Single Man (2009)
| USA
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Music Legal And Clearance
The Twilight Saga: New Moon (2009)
| USA
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Music Legal
The Young Victoria (2009)
| UK, USA
Directed by: Jean-Marc Vallée
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Music Legal And Clearance
Away We Go (2009)
| USA, UK
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Music Legal And Clearance
Sorority Row (2009)
| USA
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Music Legal And Clearance
Knowing (2009)
| USA, UK, Australia
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Music Legal And Clearance
The Unborn (2009)
| USA
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Music Clearance
The Blind Side (2009)
| USA
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Music Legal And Clearance
Orphan (2009)
| USA, Canada, Germany
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Music Clearances
Iron Man (2008)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Music Legal And Clearance
Doomsday (2008)
| UK, USA, South Africa, Germany
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Music Legal And Clearance
One Missed Call (2008)
| USA, Japan, Germany, UK
Directed by: Eric Valette
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Music Legal And Clearance
Twilight (2008)
| USA
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Music Licensing
What Just Happened (2008)
| USA
Directed by: Barry Levinson
Cinematography by: Stéphane Fontaine
Edited by: Hank Corwin
Music Legal And Clearance
The Incredible Hulk (2008)
| USA
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Music Legal And Clearances
In Bruges (2008)
| UK, USA
Directed by: Martin McDonagh
Cinematography by: Eigil Bryld
Edited by: Jon Gregory
Music Legal And Clearance
Never Back Down (2008)
| USA
Directed by: Jeff Wadlow
Cinematography by: Lukas Ettlin
Music Legal And Clearance
City of Ember (2008)
| USA
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Music Legal Clearance
Nim's Island (2008)
| USA
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Music Licensing
Flash of Genius (2008)
| Canada, USA
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Music Clearance
Lost Boys: The Tribe (2008)
| USA, Canada
Directed by: P.J. Pesce
Cinematography by: Barry Donlevy
Edited by: Amanda I. Kirpaul
Music Legal And Clearances
The Strangers (2008)
| USA
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Music Legal And Clearance
Bigger Stronger Faster* (2008)
| USA
Directed by: Chris Bell
Cinematography by: Alexander Buono
Edited by: Brian Singbiel
Music Legal And Clearance
Miss Pettigrew Lives for a Day (2008)
| UK, USA
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Music Licensing
Lars and the Real Girl (2007)
| USA, Canada
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Music Clearances
Sydney White (2007)
| USA
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Music Legal And Clearance
The Savages (2007)
| USA
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Music Clearance
Mr. Magorium's Wonder Emporium (2007)
| USA, Canada
Directed by: Zach Helm
Cinematography by: Roman Osin
Music Legal And Clearance
The Nanny Diaries (2007)
| USA
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Music Legal And Clearance
The Great Debaters (2007)
| USA
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Music Clearances
Before the Rains (2007)
| USA, India, UK
Directed by: Santosh Sivan
Cinematography by: Santosh Sivan
Music Clearance
The Air I Breathe (2007)
| USA, Mexico
Directed by: Jieho Lee
Cinematography by: Walt Lloyd
Edited by: Robert Hoffman
Music Clearance
Bridge to Terabithia (2007)
| USA
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Music Legal And Clearance
Evening (2007)
| USA, Germany
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Music Legal And Clearance
In the Valley of Elah (2007)
| USA
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Music Legal And Clearance
The Hitcher (2007)
| USA
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Music Clearance
Charlie Bartlett (2007)
| USA
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Music Consultant / Music Legal And Clearance
Lust, Caution (2007)
| USA, China, Taiwan
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Music Legal And Clearance
Eastern Promises (2007)
| UK, Canada, USA
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Music Legal And Clearance
Balls of Fury (2007)
| USA
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Music Clearance
The Good Life (2007)
| Canada, USA
Directed by: Stephen Berra
Cinematography by: Patrice Lucien Cochet
Edited by: Sean Hubbert
Music Legal And Clearance
Reservation Road (2007)
| USA, Germany
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Music Licensing
Married Life (2007)
| USA, Canada
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Music Clearances
The Nines (2007)
| USA
Directed by: John August
Cinematography by: Nancy Schreiber
Edited by: Douglas Crise
Music Legal And Clearance
Hollywoodland (2006)
| USA
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Music Legal
Bachelor Party Vegas (2006)
| USA
Directed by: Eric Bernt
Cinematography by: Robert Primes
Edited by: David Finfer
Music Legal And Clearance
Waist Deep (2006)
| USA
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Music Legal Services
Bobby (2006)
| USA
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Music Clearance
School for Scoundrels (2006)
| USA
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Music Legal And Clearance
Step Up (2006)
| USA
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Music Legal And Clearance
Deck the Halls (2006)
| USA
Directed by: John Whitesell
Cinematography by: Mark Irwin
Music Clearances
Hoot (2006)
| USA
Directed by: Wil Shriner
Cinematography by: Michael Chapman
Edited by: Alan Edward Bell
Production Counsel
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
| USA, UK
Directed by: Larry Charles
Cameras: Panasonic AJ-HDC27 Varicam Camera
Music Clearance
How to Eat Fried Worms (2006)
| USA
Directed by: Bob Dolman
Cinematography by: Richard Rutkowski
Music Clearance
Stranger Than Fiction (2006)
| USA
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Music Legal And Clearance
Assault on Precinct 13 (2005)
| France, USA
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Additional Music Clearance
Dave Chappelle's Block Party (2005)
| USA
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Music Legal And Clearance
The Ice Harvest (2005)
| USA
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Edited by: Lee Percy
Music Legal
Little Manhattan (2005)
| USA
Directed by: Mark Levin
Cinematography by: Tim Orr
Edited by: Alan Edward Bell
Editing System: Final Cut Pro Editing System
Music Legal And Clearance
The Sisterhood of the Traveling Pants (2005)
| USA
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Additional Music Clearance
Walk the Line (2005)
| USA, Germany
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Music Legal And Clearance
Bee Season (2005)
| USA, Germany
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Music Legal And Clearances
Brokeback Mountain (2005)
| USA, Canada
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Music Business Affairs
Sahara (2005)
| UK, Spain, Germany, USA
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Music Legal And Clearance
The Prize Winner of Defiance, Ohio (2005)
| USA
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Music Legal And Clearance
The Punisher (2004)
| USA, Germany
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Music Clearances
Eternal Sunshine of the Spotless Mind (2004)
| USA
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Music Business Affairs
Ray (2004)
| USA
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Music Clearance Consultant
Man on Fire (2004)
| USA, UK, Mexico, Switzerland
Directed by: Tony Scott
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Legal And Clearance
Seed of Chucky (2004)
| Romania, USA, UK
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Music Consultant
I Heart Huckabees (2004)
| USA, UK, Germany
Directed by: David O. Russell
Cinematography by: Peter Deming
Edited by: Robert K. Lambert
Music Legal
Club Dread (2004)
| USA, Mexico
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Edited by: Ryan Folsey
Music Legal And Clearance
Vanity Fair (2004)
| USA, UK, India
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Music Clearance
Shanghai Knights (2003)
| USA, Hong Kong
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Music Clearance
21 Grams (2003)
| USA
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Music Business Affairs
Deliver Us from Eva (2003)
| USA
Directed by: Gary Hardwick
Cinematography by: Alexander Gruszynski
Edited by: Earl Watson
Music Clearance
The Recruit (2003)
| USA
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Music Legal
In America (2002)
| Ireland, UK, USA
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Music Legal
Blade II (2002)
| Germany, USA
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Clearances
Bowling for Columbine (2002)
| USA, Canada, Germany
Directed by: Michael Moore
Edited by: Kurt Engfehr
Music Legal
Garage Days (2002)
| Australia
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Music Legal
The Guys (2002)
| USA
Directed by: Jim Simpson
Cinematography by: Maryse Alberti
Edited by: Sarah Flack
Cameras: Aaton Cameras, Panavision Cameras
Music Legal
The Banger Sisters (2002)
| USA
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian
Music Legal And Clearance
Ghost World (2001)
| USA, UK, Germany
Directed by: Terry Zwigoff
Cinematography by: Affonso Beato
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Music Legal
Traffic (2000)
| USA, Mexico, Germany
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Music Licensing
You Can Count on Me (2000)
| USA
Directed by: Kenneth Lonergan
Cinematography by: Stephen Kazmierski
Edited by: Anne McCabe
Cameras: Panavision Cameras
Lenses: Panavision Lenses
