Mary Jo Lang

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The Meg | ShotOnWhat?

Foley Mixer: Warner Bros

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Foley Mixer: Warner Bros

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Ben-Hur | ShotOnWhat?

Adr Mixer , Foley Mixer

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Zootopia | ShotOnWhat?

Foley Mixer

Zootopia (2016)

Directed by: Byron Howard, Rich Moore, Jared Bush

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

Neighbors 2: Sorority Rising | ShotOnWhat?

Foley/adr Mixer

Neighbors 2: Sorority Rising (2016)

Directed by: Nicholas Stoller

Cinematography by: Brandon Trost

Edited by: Zene Baker, Michael A. Webber

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The SpongeBob Movie: Sponge Out of Water | ShotOnWhat?

Foley Mixer

The SpongeBob Movie: Sponge Out of Water (2015)

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Tomorrowland | ShotOnWhat?

Foley Mixer

Tomorrowland (2015)

Directed by: Brad Bird

Cinematography by: Claudio Miranda

Edited by: Walter Murch, Craig Wood

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Inside Out | ShotOnWhat?

Foley Mixer

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

Transformers: Age of Extinction | ShotOnWhat?

Foley Mixer

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Neighbors | ShotOnWhat?

Foley/adr Mixer

Neighbors (2014)

Directed by: Nicholas Stoller

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Interstellar | ShotOnWhat?

Foley Mixer

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Gone Girl | ShotOnWhat?

Foley Mixer

Gone Girl (2014)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

The Judge | ShotOnWhat?

Foley Mixer

The Judge (2014)

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Big Hero 6 | ShotOnWhat?

Foley Mixer

Big Hero 6 (2014)

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

Mr. Peabody & Sherman | ShotOnWhat?

Foley Mixer

Mr. Peabody & Sherman (2014)

Directed by: Rob Minkoff

Edited by: Mike Andrews

The Boxtrolls | ShotOnWhat?

Foley Mixer

The Boxtrolls (2014)

Directed by: Graham Annable, Anthony Stacchi

Cinematography by: John Ashlee Prat

Edited by: Edie Ichioka

Cameras: Canon EOS-5D Mark III Camera

Penguins of Madagascar | ShotOnWhat?

Foley Mixer

Penguins of Madagascar (2014)

Directed by: Eric Darnell, Simon J. Smith

Edited by: Nick Kenway

Oblivion | ShotOnWhat?

Foley Mixer

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Her | ShotOnWhat?

Foley Mixer

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Frozen | ShotOnWhat?

Foley Mixer

Frozen (2013)

Directed by: Chris Buck, Jennifer Lee

Edited by: Jeff Draheim

Underworld: Awakening | ShotOnWhat?

Foley Mixer

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

John Carter | ShotOnWhat?

Foley Mixer

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Rise of the Guardians | ShotOnWhat?

Foley Mixer

Rise of the Guardians (2012)

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

Red Riding Hood | ShotOnWhat?

Foley Mixer

Red Riding Hood (2011)

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Thor | ShotOnWhat?

Foley Mixer

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Beastly | ShotOnWhat?

Foley Mixer

Beastly (2011)

Directed by: Daniel Barnz

Cinematography by: Mandy Walker

Edited by: Thomas J. Nordberg

Transformers: Dark of the Moon | ShotOnWhat?

Foley Mixer

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Change-Up | ShotOnWhat?

Foley Mixer

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Social Network | ShotOnWhat?

Foley Mixer

The Social Network (2010)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

Due Date | ShotOnWhat?

Foley Mixer

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Cop Out | ShotOnWhat?

Foley Mixer

Cop Out (2010)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Life as We Know It | ShotOnWhat?

Foley Mixer

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Tangled | ShotOnWhat?

Foley Mixer

Tangled (2010)

Directed by: Nathan Greno, Byron Howard

Edited by: Tim Mertens

Underworld: Rise of the Lycans | ShotOnWhat?

Foley Mixer

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Ninja Assassin | ShotOnWhat?

Foley Mixer

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

Public Enemies | ShotOnWhat?

Foley Mixer

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

The Macabre World of Lavender Williams | ShotOnWhat?

Foley Mixer

The Macabre World of Lavender Williams (2009)

Directed by: Nick Delgado

Cinematography by: Matt Egan

Edited by: Mark Apicella

The Hangover | ShotOnWhat?

Foley Mixer

The Hangover (2009)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Orphan | ShotOnWhat?

Foley Mixer

Orphan (2009)

Directed by: Jaume Collet-Serra

Cinematography by: Jeff Cutter

Edited by: Timothy Alverson

Terminator Salvation | ShotOnWhat?

Foley Mixer

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Transformers: Revenge of the Fallen | ShotOnWhat?

Foley Mixer

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Princess and the Frog | ShotOnWhat?

Foley Mixer

The Princess and the Frog (2009)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Jeff Draheim

Yes Man | ShotOnWhat?

Foley Mixer

Yes Man (2008)

Directed by: Peyton Reed

Cinematography by: Robert D. Yeoman

Edited by: Craig Alpert

Cameras: Panavision Cameras

The Dark Knight | ShotOnWhat?

Foley Mixer

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

RocknRolla | ShotOnWhat?

Foley Mixer

RocknRolla (2008)

Directed by: Guy Ritchie

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: ARRIFLEX D-20 Camera

The Curious Case of Benjamin Button | ShotOnWhat?

Foley Mixer

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Fred Claus | ShotOnWhat?

Foley Mixer

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Balls of Fury | ShotOnWhat?

Foley Mixer

Balls of Fury (2007)

Directed by: Robert Ben Garant

Cinematography by: Thomas E. Ackerman

Edited by: John Refoua

Cameras: Panavision Genesis Camera

Editing System: Final Cut Pro Editing System

American Gangster | ShotOnWhat?

Foley Mixer

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Transformers | ShotOnWhat?

Zodiac | ShotOnWhat?

Foley Mixer

Zodiac (2007)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: Angus Wall

Cameras: Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Freedomland | ShotOnWhat?

Foley Mixer

Freedomland (2006)

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

The Prestige | ShotOnWhat?

Foley Mixer

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Firewall | ShotOnWhat?

Foley Mixer

Firewall (2006)

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Jim Page

The Lake House | ShotOnWhat?

Foley Mixer

The Lake House (2006)

Directed by: Alejandro Agresti

Cinematography by: Alar Kivilo

Edited by: Alejandro Brodersohn, Lynzee Klingman

Stranger Than Fiction | ShotOnWhat?

Foley Mixer

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Little Children | ShotOnWhat?

Foley Engineer

Little Children (2006)

Directed by: Todd Field

Cinematography by: Antonio Calvache

Edited by: Leo Trombetta

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Illusionist | ShotOnWhat?

Foley Mixer

The Illusionist (2006)

Directed by: Neil Burger

Cinematography by: Dick Pope

Edited by: Naomi Geraghty

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

In Her Shoes | ShotOnWhat?

Foley Mixer

In Her Shoes (2005)

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

House of Wax | ShotOnWhat?

Foley Mixer

House of Wax (2005)

Directed by: Jaume Collet-Serra

Cinematography by: Stephen F. Windon

Edited by: Joel Negron

Serenity | ShotOnWhat?

Foley Mixer

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Good Night, and Good Luck. | ShotOnWhat?

Foley Mixer

Good Night, and Good Luck. (2005)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Constantine | ShotOnWhat?

Foley Mixer

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

The Dukes of Hazzard | ShotOnWhat?

Foley Mixer

The Dukes of Hazzard (2005)

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

The Big Bounce | ShotOnWhat?

Foley Mixer

The Big Bounce (2004)

Directed by: George Armitage

Cinematography by: Jeffrey L. Kimball

Edited by: Brian Berdan, Barry Malkin

Collateral | ShotOnWhat?

Foley Mixer

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

In Good Company | ShotOnWhat?

Foley Artist

In Good Company (2004)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Myron Kerstein

Walking Tall | ShotOnWhat?

Foley Mixer

Walking Tall (2004)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: George Bowers, Robert Ivison

The Matrix Revolutions | ShotOnWhat?

Foley Mixer

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Looney Tunes: Back in Action | ShotOnWhat?

Foley Mixer

Looney Tunes: Back in Action (2003)

Directed by: Joe Dante

Cinematography by: Dean Cundey

Edited by: Rick Finney, Marshall Harvey

The Matrix Reloaded | ShotOnWhat?

Foley Mixer

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cradle 2 the Grave | ShotOnWhat?

Foley Mixer

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Brother Bear | ShotOnWhat?

Foley Mixer

Brother Bear (2003)

Directed by: Aaron Blaise, Robert Walker

Edited by: Tim Mertens

The Salton Sea | ShotOnWhat?

Foley Recordist

The Salton Sea (2002)

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Jim Page

8 Mile | ShotOnWhat?

Foley Mixer

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Divine Secrets of the Ya-Ya Sisterhood | ShotOnWhat?

Foley Mixer

Divine Secrets of the Ya-Ya Sisterhood (2002)

Directed by: Callie Khouri

Cinematography by: John Bailey

Edited by: Andrew Marcus

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Panic Room | ShotOnWhat?

Foley Mixer

Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Time Machine | ShotOnWhat?

Foley Mixer

The Time Machine (2002)

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Ballistic: Ecks vs. Sever | ShotOnWhat?

Foley Mixer

Ballistic: Ecks vs. Sever (2002)

Directed by: Wych Kaosayananda

Cinematography by: Julio Macat

Edited by: Jay Cassidy, Caroline Ross

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses

Spirit: Stallion of the Cimarron | ShotOnWhat?

Foley Mixer

Spirit: Stallion of the Cimarron (2002)

Directed by: Kelly Asbury, Lorna Cook

Edited by: Nick Fletcher, Clare Knight

Treasure Planet | ShotOnWhat?

Foley Mixer

Treasure Planet (2002)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Antitrust | ShotOnWhat?

Foley Mixer

Antitrust (2001)

Directed by: Peter Howitt

Cinematography by: John Bailey

Edited by: Zach Staenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Training Day | ShotOnWhat?

Foley Mixer

Training Day (2001)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Osmosis Jones | ShotOnWhat?

Foley Mixer

Osmosis Jones (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Lois Freeman-Fox, Stephen Schaffer, Sam Seig

The Majestic | ShotOnWhat?

Foley Recordist

The Majestic (2001)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Jim Page

Crocodile Dundee in Los Angeles | ShotOnWhat?

Foley Mixer: Los Angeles

Crocodile Dundee in Los Angeles (2001)

Directed by: Simon Wincer

Cinematography by: David Burr

Edited by: Terry Blythe

Black Hawk Down | ShotOnWhat?

Foley Mixer

Black Hawk Down (2001)

Directed by: Ridley Scott

Cinematography by: Slawomir Idziak

Edited by: Pietro Scalia

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

15 Minutes | ShotOnWhat?

Foley Mixer

15 Minutes (2001)

Directed by: John Herzfeld

Cinematography by: Jean-Yves Escoffier

Edited by: Steven Cohen

Cameras: Panavision Cameras

Rush Hour 2 | ShotOnWhat?

Foley Mixer

Rush Hour 2 (2001)

Directed by: Brett Ratner

Cinematography by: Matthew F. Leonetti

Edited by: Mark Helfrich, Robert K. Lambert

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Proof of Life | ShotOnWhat?

Foley Mixer

Proof of Life (2000)

Directed by: Taylor Hackford

Cinematography by: Slawomir Idziak

Edited by: Sheldon Kahn, John Smith

Shanghai Noon | ShotOnWhat?

Foley Mixer

Shanghai Noon (2000)

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

Red Planet | ShotOnWhat?

Foley Mixer

Red Planet (2000)

Directed by: Antony Hoffman

Cinematography by: Peter Suschitzky

Edited by: Robert K. Lambert, Dallas Puett

Get Carter | ShotOnWhat?

Foley Mixer

Get Carter (2000)

Directed by: Stephen Kay

Cinematography by: Mauro Fiore

Edited by: Gerald B. Greenberg

Romeo Must Die | ShotOnWhat?

Foley Mixer

Romeo Must Die (2000)

Directed by: Andrzej Bartkowiak

Cinematography by: Glen MacPherson

Edited by: Derek Brechin

The Replacements | ShotOnWhat?

Foley Mixer

The Replacements (2000)

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Seth Flaum, Bud S. Smith

The Cell | ShotOnWhat?

Foley Mixer

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

The Emperor's New Groove | ShotOnWhat?

Foley Mixer

The Emperor's New Groove (2000)

Directed by: Mark Dindal

Cinematography by: Thomas Baker

Edited by: Tom Finan, Pam Ziegenhagen

The Mummy | ShotOnWhat?

Foley Mixer

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Fight Club | ShotOnWhat?

Foley Mixer

Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

The Matrix | ShotOnWhat?

Foley Mixer

The Matrix (1999)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Virus | ShotOnWhat?

Foley Mixer

Virus (1999)

Directed by: John Bruno

Cinematography by: David Eggby

Edited by: M. Scott Smith

October Sky | ShotOnWhat?

Foley Mixer

October Sky (1999)

Directed by: Joe Johnston

Cinematography by: Fred Murphy

Edited by: Robert Dalva

Flawless | ShotOnWhat?

Foley Mixer

Flawless (1999)

Directed by: Joel Schumacher

Cinematography by: Declan Quinn

Edited by: Mark Stevens

Stigmata | ShotOnWhat?

Foley Mixer

Stigmata (1999)

Directed by: Rupert Wainwright

Cinematography by: Jeffrey L. Kimball

Edited by: Michael J. Duthie, Michael R. Miller

The Green Mile | ShotOnWhat?

Foley Mixer

The Green Mile (1999)

Directed by: Frank Darabont

Cinematography by: David Tattersall

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Three Kings | ShotOnWhat?

Foley Mixer

Three Kings (1999)

Directed by: David O. Russell

Cinematography by: Newton Thomas Sigel

Edited by: Robert K. Lambert

Cameras: Panavision Cameras

South Park: Bigger Longer & Uncut | ShotOnWhat?

Foley Mixer

South Park: Bigger, Longer & Uncut (1999)

Directed by: Trey Parker

Edited by: John Venzon

Fallen | ShotOnWhat?

Foley Mixer

Fallen (1998)

Directed by: Gregory Hoblit

Cinematography by: Newton Thomas Sigel

Edited by: Lawrence Jordan

The Thin Red Line | ShotOnWhat?

Lethal Weapon 4 | ShotOnWhat?

Foley Mixer

Lethal Weapon 4 (1998)

Directed by: Richard Donner

Cinematography by: Andrzej Bartkowiak

Edited by: Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Jack Frost | ShotOnWhat?

Foley Mixer

Jack Frost (1998)

Directed by: Troy Miller

Cinematography by: László Kovács

Edited by: Lawrence Jordan

Small Soldiers | ShotOnWhat?

Foley Mixer

Small Soldiers (1998)

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

A Perfect Murder | ShotOnWhat?

Foley Mixer

A Perfect Murder (1998)

Directed by: Andrew Davis

Cinematography by: Dariusz Wolski

Edited by: Dov Hoenig, Dennis Virkler

Quest for Camelot | ShotOnWhat?

Foley Mixer

Quest for Camelot (1998)

Directed by: Frederik Du Chau

Edited by: Stanford C. Allen

The Postman | ShotOnWhat?

Foley Mixer

The Postman (1997)

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

The Game | ShotOnWhat?

Foley Mixer

The Game (1997)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

For Richer or Poorer | ShotOnWhat?

Foley Re-recording Mixer

For Richer or Poorer (1997)

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

The Peacemaker | ShotOnWhat?

Foley Mixer

The Peacemaker (1997)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

Batman & Robin | ShotOnWhat?

Foley Mixer

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Amistad | ShotOnWhat?

Foley Mixer

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

A Simple Wish | ShotOnWhat?

Foley Re-recording Mixer

A Simple Wish (1997)

Directed by: Michael Ritchie

Cinematography by: Ralf D. Bode

Edited by: William S. Scharf

McHale's Navy | ShotOnWhat?

Foley Mixer

McHale's Navy (1997)

Directed by: Bryan Spicer

Cinematography by: Buzz Feitshans IV

Edited by: Russell Denove

Cameras: Panavision Cameras

Trial and Error | ShotOnWhat?

Foley Mixer

Trial and Error (1997)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

Anastasia | ShotOnWhat?

Foley Mixer

Anastasia (1997)

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

Sgt. Bilko | ShotOnWhat?

Foley Mixer

Sgt. Bilko (1996)

Directed by: Jonathan Lynn

Cinematography by: Peter Sova

Edited by: Tony Lombardo

Independence Day | ShotOnWhat?

Foley Mixer

Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

The Ghost and the Darkness | ShotOnWhat?

Foley Mixer

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Twister | ShotOnWhat?

Foley Mixer

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Space Jam | ShotOnWhat?

Foley Mixer

Space Jam (1996)

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

The Stupids | ShotOnWhat?

Foley Mixer

The Stupids (1996)

Directed by: John Landis

Cinematography by: Manfred Guthe

Edited by: Dale Beldin

Jingle All the Way | ShotOnWhat?

Foley Mixer

Jingle All the Way (1996)

Directed by: Brian Levant

Cinematography by: Victor J. Kemper

Edited by: Kent Beyda, Wilt Henderson, Adam Weiss

DragonHeart | ShotOnWhat?

Foley Mixer: Dragon

DragonHeart (1996)

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Fear | ShotOnWhat?

Foley Mixer

Fear (1996)

Directed by: James Foley

Cinematography by: Thomas Kloss

Edited by: David Brenner

Mars Attacks! | ShotOnWhat?

Foley Mixer

Mars Attacks! (1996)

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

A Time to Kill | ShotOnWhat?

Foley Mixer

A Time to Kill (1996)

Directed by: Joel Schumacher

Cinematography by: Peter Menzies Jr.

Edited by: William Steinkamp

Cameras: Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Surgeon | ShotOnWhat?

Foley Mixer

The Surgeon (1995)

Directed by: Carl Schenkel

Cinematography by: Thomas Burstyn

Edited by: Jimmy B. Frazier

Waterworld | ShotOnWhat?

Foley Mixer

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

A Walk in the Clouds | ShotOnWhat?

Foley Mixer

A Walk in the Clouds (1995)

Directed by: Alfonso Arau

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Billy Madison | ShotOnWhat?

Foley Mixer

Billy Madison (1995)

Directed by: Tamra Davis

Cinematography by: Victor Hammer

Edited by: John Gilroy, Jeffrey Wolf

Waiting to Exhale | ShotOnWhat?

Foley Mixer

Waiting to Exhale (1995)

Directed by: Forest Whitaker

Cinematography by: Toyomichi Kurita

Edited by: Richard Chew

Braveheart | ShotOnWhat?

Foley Mixer

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Mr. Holland's Opus | ShotOnWhat?

Foley Mixer

Mr. Holland's Opus (1995)

Directed by: Stephen Herek

Cinematography by: Oliver Wood

Edited by: Trudy Ship

Operation Dumbo Drop | ShotOnWhat?

Foley Mixer

Operation Dumbo Drop (1995)

Directed by: Simon Wincer

Cinematography by: Russell Boyd

Edited by: O. Nicholas Brown

Batman Forever | ShotOnWhat?

Foley Mixer

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Fair Game | ShotOnWhat?

Foley Mixer

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

On Deadly Ground | ShotOnWhat?

Foley Mixer

On Deadly Ground (1994)

Directed by: Steven Seagal

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

The Shawshank Redemption | ShotOnWhat?

Foley Mixer

The Shawshank Redemption (1994)

Directed by: Frank Darabont

Cinematography by: Roger Deakins

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses: ARRI / Zeiss Lenses

A Low Down Dirty Shame | ShotOnWhat?

Foley Mixer

A Low Down Dirty Shame (1994)

Directed by: Keenen Ivory Wayans

Cinematography by: Matthew F. Leonetti

Edited by: John F. Link

Maverick | ShotOnWhat?

Foley Mixer

Maverick (1994)

Directed by: Richard Donner

Cinematography by: Vilmos Zsigmond

Edited by: Stuart Baird, Michael Kelly

Silent Fall | ShotOnWhat?

Foley Mixer

Silent Fall (1994)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Ian Crafford

Immortal Beloved | ShotOnWhat?

Foley Mixer

Immortal Beloved (1994)

Directed by: Bernard Rose

Cinematography by: Peter Suschitzky

Edited by: Dan Rae

The Client | ShotOnWhat?

Foley Mixer

The Client (1994)

Directed by: Joel Schumacher

Cinematography by: Tony Pierce-Roberts

Edited by: Robert Brown

The Favor | ShotOnWhat?

Foley Recordist

The Favor (1994)

Directed by: Donald Petrie

Cinematography by: Tim Suhrstedt

Edited by: Harry Keramidas

The Flintstones | ShotOnWhat?

Foley Mixer

The Flintstones (1994)

Directed by: Brian Levant

Cinematography by: Dean Cundey

Edited by: Kent Beyda

Cameras: Panavision Cameras

Dennis the Menace | ShotOnWhat?

Foley Mixer

Dennis the Menace (1993)

Directed by: Nick Castle

Cinematography by: Thomas E. Ackerman

Edited by: Alan Heim

The Real McCoy | ShotOnWhat?

Foley Mixer

The Real McCoy (1993)

Directed by: Russell Mulcahy

Cinematography by: Denis Crossan

Edited by: Peter Honess

Falling Down | ShotOnWhat?

Foley Mixer

Falling Down (1993)

Directed by: Joel Schumacher

Cinematography by: Andrzej Bartkowiak

Edited by: Paul Hirsch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Homeward Bound: The Incredible Journey | ShotOnWhat?

Foley Mixer

Homeward Bound: The Incredible Journey (1993)

Directed by: Duwayne Dunham

Cinematography by: Reed Smoot

Edited by: Jonathan P. Shaw

The Fugitive | ShotOnWhat?

Foley Mixer

The Fugitive (1993)

Directed by: Andrew Davis

Cinematography by: Michael Chapman

Edited by: Don Brochu, David Finfer, Dean Goodhill, Dov Hoenig, Richard Nord, Dennis Virkler

The Three Musketeers | ShotOnWhat?

Foley Mixer

The Three Musketeers (1993)

Directed by: Stephen Herek

Cinematography by: Dean Semler

Edited by: John F. Link

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Schindler's List | ShotOnWhat?

Foley Mixer

Schindler's List (1993)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Editing System: Moviola Editing System

Another Stakeout | ShotOnWhat?

Foley Mixer

Another Stakeout (1993)

Directed by: John Badham

Cinematography by: Roy H. Wagner

Edited by: Frank Morriss

Free Willy | ShotOnWhat?

Foley Mixer

Free Willy (1993)

Directed by: Simon Wincer

Cinematography by: Robbie Greenberg

Edited by: O. Nicholas Brown

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

A Perfect World | ShotOnWhat?

Foley Mixer

A Perfect World (1993)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox, Ron Spang

Wrestling Ernest Hemingway | ShotOnWhat?

Foley Mixer

Wrestling Ernest Hemingway (1993)

Directed by: Randa Haines

Cinematography by: Lajos Koltai

Edited by: Paul Hirsch

Judgment Night | ShotOnWhat?

Foley Mixer

Judgment Night (1993)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Tim Wellburn

Undercover Blues | ShotOnWhat?

Foley Mixer

Undercover Blues (1993)

Directed by: Herbert Ross

Cinematography by: Donald E. Thorin

Edited by: Priscilla Nedd-Friendly

The Bodyguard | ShotOnWhat?

Foley Mixer

The Bodyguard (1992)

Directed by: Mick Jackson

Cinematography by: Andrew Dunn

Edited by: Donn Cambern, Richard A. Harris

Unforgiven | ShotOnWhat?

Foley Mixer

Unforgiven (1992)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

That Night | ShotOnWhat?

Foley Mixer

That Night (1992)

Directed by: Craig Bolotin

Cinematography by: Bruce Surtees

Edited by: Gregg London, Priscilla Nedd-Friendly

The Last of the Mohicans | ShotOnWhat?

Foley Mixer

The Last of the Mohicans (1992)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

Under Siege | ShotOnWhat?

Foley Mixer

Under Siege (1992)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Robert A. Ferretti, Dov Hoenig, Dennis Virkler

Cameras: Panavision Cameras

The Hard Way | ShotOnWhat?

Foley Recordist

The Hard Way (1991)

Directed by: John Badham

Cinematography by: Donald McAlpine, Robert Primes

Edited by: Tony Lombardo, Frank Morriss

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

City Slickers | ShotOnWhat?

Foley Recordist

City Slickers (1991)

Directed by: Ron Underwood

Cinematography by: Dean Semler

Edited by: O. Nicholas Brown

Hook | ShotOnWhat?

Foley Mixer

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Oscar | ShotOnWhat?

Sound Recordist

Oscar (1991)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Misery | ShotOnWhat?

Foley Recordist: TAJ Soundworks

Misery (1990)

Directed by: Rob Reiner

Cinematography by: Barry Sonnenfeld

Edited by: Robert Leighton

Troop Beverly Hills | ShotOnWhat?

Foley Recordist

Troop Beverly Hills (1989)

Directed by: Jeff Kanew

Cinematography by: Donald E. Thorin

Edited by: Mark Melnick

True Believer | ShotOnWhat?

Sound Recordist

True Believer (1989)

Directed by: Joseph Ruben

Cinematography by: John Lindley

Edited by: George Bowers

Beetlejuice | ShotOnWhat?

Foley Mixer

Beetlejuice (1988)

Directed by: Tim Burton

Cinematography by: Thomas E. Ackerman

Edited by: Jane Kurson

D.O.A. | ShotOnWhat?

Foley Re-recordist

D.O.A. (1988)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Yuri Neyman

Edited by: Raja Gosnell, Michael R. Miller

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

Adventures in Babysitting | ShotOnWhat?

Foley Recordist

Adventures in Babysitting (1987)

Directed by: Chris Columbus

Cinematography by: Ric Waite

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras, Panavision Panaflex Platinum Camera

Gremlins | ShotOnWhat?

Foley Mixer

Gremlins (1984)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Twilight Zone: The Movie | ShotOnWhat?

Foley Recordist

Twilight Zone: The Movie (1983)

Directed by: Joe Dante, John Landis, George Miller, Steven Spielberg

Cinematography by: Allen Daviau, John Hora, Stevan Larner

Edited by: Malcolm Campbell, Tina Hirsch, Michael Kahn, Howard E. Smith

Blade Runner | ShotOnWhat?

Foley Mixer - 2007 Final Cut Version

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

E.T. the Extra-Terrestrial | ShotOnWhat?

Foley Mixer - 2002 Special Version

E.T. the Extra-Terrestrial (1982)

Directed by: Steven Spielberg

Cinematography by: Allen Daviau

Edited by: Carol Littleton

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Poltergeist | ShotOnWhat?

Foley Mixer

Poltergeist (1982)

Directed by: Tobe Hooper

Cinematography by: Matthew F. Leonetti

Edited by: Michael Kahn

Cameras: Ultracam 35 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Friday the 13th | ShotOnWhat?

Foley Mixer

Friday the 13th (1980)

Directed by: Sean S. Cunningham

Cinematography by: Barry Abrams

Edited by: Bill Freda

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