Copyist
The Drop (2014)
| USA
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leica Summilux-C Series Lenses
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The Fault in Our Stars (2014)
| USA
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
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Edge of Tomorrow (2014)
| USA, Canada
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Copyist
The Monuments Men (2014)
| USA, Germany
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
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The Maze Runner (2014)
| USA, UK
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
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Let's Be Cops (2014)
| USA
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
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How to Train Your Dragon 2 (2014)
| USA
Directed by: Dean DeBlois
Cinematography by: Gil Zimmerman
Edited by: John K. Carr
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The Grand Budapest Hotel (2014)
| Germany, USA
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Editing System: Avid Editing System
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A Million Ways to Die in the West (2014)
| USA
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
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The November Man (2014)
| USA, UK
Directed by: Roger Donaldson
Cinematography by: Romain Lacourbas
Edited by: John Gilbert
Cameras: ARRI ALEXA Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Copyist
Seventh Son (2014)
| USA, UK, Canada, China
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
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Nightcrawler (2014)
| USA
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
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The Internship (2013)
| USA
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
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Jack the Giant Slayer (2013)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
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R.I.P.D. (2013)
| USA
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Copyist
The Hobbit: The Desolation of Smaug (2013)
| USA, New Zealand
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Copyist
Percy Jackson: Sea of Monsters (2013)
| USA
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
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A Good Day to Die Hard (2013)
| USA, Russia
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
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After Earth (2013)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
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The Book Thief (2013)
| USA, Germany
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
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Parental Guidance (2012)
| USA
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Copyist
The Big Year (2011)
| USA, Canada
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
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Water for Elephants (2011)
| USA
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
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Diary of a Wimpy Kid: Rodrick Rules (2011)
| USA
Directed by: David Bowers
Cinematography by: Jack N. Green
Edited by: Troy Takaki
Cameras: Panavision Cameras
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Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Copyist
The Green Hornet (2011)
| USA
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Copyist
Harry Potter and the Deathly Hallows: Part 2 (2011)
| USA, UK
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Copyist
War Horse (2011)
| USA, India
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Copyist
Captain America: The First Avenger (2011)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Copyist
The Adventures of Tintin (2011)
| USA, New Zealand, UK
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Copyist
Arthur (2011)
| USA
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Copyist
Rio (2011)
| USA, Brazil
Directed by: Carlos Saldanha
Cinematography by: Renato Falcão
Edited by: Harry Hitner
Copyist
Knight and Day (2010)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Copyist
The Book of Eli (2010)
| USA
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Copyist
Dinner for Schmucks (2010)
| USA
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Copyist
Wall Street: Money Never Sleeps (2010)
| USA
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Copyist
Toy Story 3 (2010)
| USA
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Copyist
Salt (2010)
| USA
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Copyist
Predators (2010)
| USA
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Copyist
Drag Me to Hell (2009)
| USA
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Copyist
Knowing (2009)
| USA, UK, Australia
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Copyist
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Copyist
Stop-Loss (2008)
| USA
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Copyist
Meet Dave (2008)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Copyist
Leatherheads (2008)
| USA, Germany
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
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What Happens in Vegas (2008)
| USA
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Copyist
The Strangers (2008)
| USA
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Copyist
Welcome Home, Roscoe Jenkins (2008)
| USA
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Copyist
Reservation Road (2007)
| USA, Germany
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Copyist
The Seeker: The Dark Is Rising (2007)
| USA
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Copyist
Rendition (2007)
| USA
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Copyist
No Reservations (2007)
| USA
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
Copyist
Spider-Man 3 (2007)
| USA
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Copyist
Charlie Bartlett (2007)
| USA
Directed by: Jon Poll
Cinematography by: Paul Sarossy
Edited by: Alan Baumgarten
Copyist
Breach (2007)
| USA
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Copyist
Lions for Lambs (2007)
| USA
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Copyist
Next (2007)
| USA
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Copyist
August Rush (2007)
| USA
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Copyist
Are We Done Yet? (2007)
| Canada, USA
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Copyist
Norbit (2007)
| USA
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Copyist
The Bucket List (2007)
| USA
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Copyist
The Water Horse (2007)
| New Zealand, UK, Australia
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Copyist
Blood Diamond (2006)
| USA, Germany
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Copyist
Night at the Museum (2006)
| USA, UK
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Copyist
X-Men: The Last Stand (2006)
| Canada, USA, UK
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Copyist
RV (2006)
| UK, Germany, USA
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Copyist
Final Destination 3 (2006)
| USA, Germany
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Copyist
She's the Man (2006)
| USA, Canada
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Copyist
Big Nothing (2006)
| UK
Directed by: Jean-Baptiste Andrea
Cinematography by: Richard Greatrex
Edited by: Antoine Vareille
Copyist
Seed of Chucky (2004)
| Romania, USA, UK
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Copyist
Dawn of the Dead (2004)
| USA, Canada, Japan, France
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Copyist
Willard (2003)
| Canada, USA
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Music Copyist
Final Destination 2 (2003)
| USA, Canada
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Copyist
Peter Pan (2003)
| UK, Australia, USA, New Zealand
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Copyist
Master and Commander: The Far Side of the World (2003)
| USA
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Copyist
Identity (2003)
| USA
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Copyist
Bruce Almighty (2003)
| USA
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Editing System: Lightworks Editing System
Copyist
X2: X-Men United (2003)
| Canada, USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Copyist
Dumb and Dumberer: When Harry Met Lloyd (2003)
| USA
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Copyist
The Last Samurai (2003)
| USA, New Zealand, Japan
Directed by: Edward Zwick
Cinematography by: John Toll
Copyist
Unconditional Love (2002)
| USA
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Copyist
Unfaithful (2002)
| France, Germany, USA
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Copyist
The Bourne Identity (2002)
| USA, Germany, Czech Republic
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Copyist
Spy Kids 2: Island of Lost Dreams (2002)
| USA
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Copyist
The Sum of All Fears (2002)
| USA, Germany, Canada
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Copyist
Scooby-Doo (2002)
| USA, Australia
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Copyist
The Scorpion King (2002)
| USA, Germany, Belgium
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Copyist
Queen of the Damned (2002)
| USA, Australia
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Copyist
Dragonfly (2002)
| USA, Germany
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Copyist
Stuart Little 2 (2002)
| USA
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Copyist
Signs (2002)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Copyist
Serendipity (2001)
| USA
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Copyist
Jay and Silent Bob Strike Back (2001)
| USA
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Copyist
Domestic Disturbance (2001)
| USA
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Copyist
Jurassic Park III (2001)
| USA
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Copyist
Training Day (2001)
| USA
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Copyist
See Spot Run (2001)
| USA, Australia
Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman
Copyist
Swordfish (2001)
| USA
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Copyist
The Mexican (2001)
| USA, Mexico
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Copyist
Jeepers Creepers (2001)
| Germany, USA
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Copyist
Spy Kids (2001)
| USA
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Copyist
The Last Castle (2001)
| USA
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestral Copyist
Miss Congeniality (2000)
| USA
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Copyist
Nutty Professor II: The Klumps (2000)
| USA
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Copyist
Cast Away (2000)
| USA
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Copyist
Bedazzled (2000)
| USA, Germany
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Copyist
Reindeer Games (2000)
| USA
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Copyist
Dude, Where's My Car? (2000)
| USA
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
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Bait (2000)
| Canada, USA
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell
Cameras: Panavision Cameras
Copyist
The Emperor's New Groove (2000)
| USA
Directed by: Mark Dindal
Cinematography by: Thomas Baker
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The Patriot (2000)
| USA, Germany
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Copyist
Brokedown Palace (1999)
| USA
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
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Deep Blue Sea (1999)
| USA, Mexico
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
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Snow Falling on Cedars (1999)
| USA
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Copyist
Galaxy Quest (1999)
| USA
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Copyist
Wild Wild West (1999)
| USA
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Copyist
Anna and the King (1999)
| USA
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Copyist
The Adventures of Elmo in Grouchland (1999)
| USA, Germany
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Copyist
Teaching Mrs. Tingle (1999)
| USA
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
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Stuart Little (1999)
| Germany, USA
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Copyist
Angela's Ashes (1999)
| USA, Ireland
Directed by: Alan Parker
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Copyist
Anywhere But Here (1999)
| USA
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Copyist
The 13th Warrior (1999)
| USA
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Copyist
Three Kings (1999)
| USA
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Copyist
Forces of Nature (1999)
| USA
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Copyist
My Favorite Martian (1999)
| USA
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Copyist
Star Wars: Episode I - The Phantom Menace (1999)
| USA
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Copyist
Hope Floats (1998)
| USA
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Copyist
Star Trek: Insurrection (1998)
| USA
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Copyist
Jack Frost (1998)
| USA
Directed by: Troy Miller
Cinematography by: László Kovács
Edited by: Lawrence Jordan
Copyist
Urban Legend (1998)
| USA, Canada
Directed by: Jamie Blanks
Cinematography by: James Chressanthis
Edited by: Jay Cassidy
Copyist
The Thin Red Line (1998)
| USA
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Copyist
Rounders (1998)
| USA
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Copyist
I'll Be Home for Christmas (1998)
| USA, Canada
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Copyist
Love! Valour! Compassion! (1997)
| USA
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
Copyist
Total Recall (1990)
| USA, Mexico
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Copyist - 1 Episode, 2015
The Simpsons (1989)
| USA
Directed by: Mike B. Anderson, Mark Kirkland, Steven Dean Moore, Bob Anderson, Matthew Nastuk, Jim Reardon, Michael Polcino, David Silverman, Wesley Archer, Nancy Kruse, Chris Clements, Lance Kramer, Rob Oliver, Chuck Sheetz, Rich Moore, Matthew Faughnan, Timothy Bailey, Jeffrey Lynch, Susie Dietter, Pete Michels, Raymond S. Persi, Carlos Baeza, Swinton O. Scott III, Dominic Polcino, Neil Affleck, Michael Marcantel, Lauren MacMullan, Matthew Schofield, Ralph Sosa, Mark Ervin, Jen Kamerman, Milton Gray, Brad Bird, Kent Butterworth, John Harvatine IV, Gregg Vanzo, Alan Smart, David Mirkin, Klay Hall, Shaun Cashman, Guillermo del Toro, Don Hertzfeldt, Bill Plympton, Jennifer Moeller
Copyist
Poltergeist III (1988)
| USA
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
