Executive In Charge Of Music
The Lion King (2019)
Directed by: Jon Favreau
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA 65 Camera
Executive In Charge Of Soundtracks
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Executive In Charge Of Music
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Executive In Charge Of Music
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Executive In Charge Of Soundtracks
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Executive In Charge Of Music
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Executive In Charge Of Soundtracks
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Executive In Charge Of Music
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Executive In Charge Of Soundtracks
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Executive In Charge Of Soundtracks
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Executive In Charge Of Music
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Executive In Charge Of Soundtracks
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Executive In Charge Of Soundtracks
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Executive In Charge Of Music
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Executive In Charge Of Soundtracks
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Executive In Charge Of Music
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Executive In Charge Of Music
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Executive In Charge Of Soundtracks
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Executive In Charge Of Soundtracks
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Executive In Charge Of Music
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Executive In Charge Of Music
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Executive In Charge Of Soundtracks
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Executive In Charge Of Music
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Executive In Charge Of Soundtracks
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Executive In Charge Of Music
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Executive In Charge Of Music
Million Dollar Arm (2014)
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Executive In Charge Of Soundtracks
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Executive In Charge Of Soundtracks
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Executive In Charge Of Music
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Executive In Charge Of Music
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Executive In Charge Of Music
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Executive In Charge Of Soundtracks
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Executive In Charge Of Music
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Executive In Charge Of Music
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Executive In Charge Of Music
Frankenweenie (2012)
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Executive In Charge Of Music
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Executive In Charge Of Music
Prom (2011)
Directed by: Joe Nussbaum
Cinematography by: Byron Shah
Edited by: Jeffrey M. Werner
Cameras: ARRI ALEXA Camera
Executive In Charge Of Soundtracks
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Executive In Charge Of Soundtracks
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Executive In Charge Of Music
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Executive In Charge Of Music
The Last Song (2010)
Directed by: Julie Anne Robinson
Cinematography by: John Lindley
Edited by: Nancy Richardson
Executive In Charge Of Music
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Executive In Charge Of Music
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Executive In Charge Of Music
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Executive In Charge Of Soundtracks
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Executive In Charge Of Music
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Executive In Charge Of Music
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Executive In Charge Of Music
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Executive In Charge Of Soundtracks
'Scrubs' Our Thanks (2010)
Directed by: Rick Blue
Cinematography by: Dave Perkal
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Our True Lies (2010)
Directed by: Michael Spiller
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Executive In Charge Of Soundtracks
'Scrubs' Our Dear Leaders (2010)
Directed by: Peter Lauer
Cinematography by: Dave Perkal
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Our Driving Issues (2010)
Directed by: Eren Celeboglu
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Executive In Charge Of Soundtracks
'Scrubs' Our Stuff Gets Real (2010)
Directed by: John Putch
Cinematography by: Dave Perkal
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Our Couples (2010)
Directed by: Chris Koch
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Executive In Charge Of Soundtracks
'Scrubs' Our White Coats (2010)
Directed by: John Putch
Cinematography by: Dave Perkal
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Our New Girl-Bro (2010)
Directed by: Michael McDonald
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Executive In Charge Of Music
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Executive In Charge Of Music
Everybody's Fine (2009)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Edited by: Andrew Mondshein
Executive In Charge Of Music
Océans (2009)
Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli
Executive In Charge Of Music
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Executive In Charge Of Music
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Music
'According to Jim' Heaven Opposed to Hell (2009)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Diamonds Are a Ghoul's Best Friend (2009)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' King of the Nerds (2009)
Directed by: Philip Charles MacKenzie
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' I Hate the High Road (2009)
Directed by: Dennis Capps
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Happy Jim (2009)
Directed by: Lauren Breiting
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Cooler One (2009)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Daddy Way (2009)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Physical Therapy (2009)
Directed by: Penny Marshall
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Meaningful Gift (2009)
Directed by: Philip Charles MacKenzie
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Kyle's Crush (2009)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Yoga Bear (2009)
Directed by: Penny Marshall
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Ego Boost (2009)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Soundtracks
'Scrubs' Our Mysteries (2009)
Directed by: Michael Spiller
Cinematography by: Dave Perkal
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Our Role Models (2009)
Directed by: Gail Mancuso
Cinematography by: Dave Perkal
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Our Histories (2009)
Directed by: Ken Whittingham
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Executive In Charge Of Soundtracks
'Scrubs' Our Drunk Friend (2009)
Directed by: Michael McDonald
Cinematography by: Dave Perkal
Edited by: Stuart Bass
Executive In Charge Of Soundtracks
'Scrubs' Our First Day of School (2009)
Directed by: Michael Spiller
Cinematography by: Dave Perkal
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Finale: Part 2 (2009)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Finale: Part 1 (2009)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Cuz (2009)
Directed by: Linda Mendoza
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Chief Concern (2009)
Directed by: Zach Braff
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Soul on Fire: Part 2 (2009)
Directed by: Bill Lawrence
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Soul on Fire: Part 1 (2009)
Directed by: Bill Lawrence
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Full Moon (2009)
Directed by: John Michel
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Comedy Show (2009)
Directed by: Ted Wass
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Nah Nah Nah (2009)
Directed by: John Putch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Their Story II (2009)
Directed by: Michael McDonald
Cinematography by: Andrew Rawson
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Absence (2009)
Directed by: John Putch
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Lawyer's in Love (2009)
Directed by: Mark Stegemann
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My New Role (2009)
Directed by: Will Mackenzie
Cinematography by: Andrew Rawson
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Cookie Pants (2009)
Directed by: Gail Mancuso
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My ABC's (2009)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Happy Place (2009)
Directed by: Ken Whittingham
Cinematography by: Andrew Rawson
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Saving Grace (2009)
Directed by: Michael Spiller
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Last Words (2009)
Directed by: Bill Lawrence
Cinematography by: Andrew Rawson
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Jerks (2009)
Directed by: Michael Spiller
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Music
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Music
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Executive In Charge Of Music
The Crimson Wing: Mystery of the Flamingos (2008)
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Executive In Charge Of Music
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Executive In Charge Of Music
Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by: Bruce Hendricks
Edited by: Michael Tronick
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Executive In Charge Of Music
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Executive In Charge Of Music
High School Musical 3: Senior Year (2008)
Directed by: Kenny Ortega
Cinematography by: Daniel Aranyó
Edited by: Don Brochu
Executive In Charge Of Music
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Executive In Charge Of Music
'According to Jim' Cabin Boys (2008)
Directed by: Philip Charles MacKenzie
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Two for the Money (2008)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Andy's Proposal (2008)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Jami McFame (2008)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The New Best Friend (2008)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Blankie (2008)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Devil Went Down to Oak Park (2008)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' No Bedrest for the Wicked (2008)
Directed by: Philip Charles MacKenzie
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Cheater (2008)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Gift Certificate (2008)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' I Drink Your Milkshake (2008)
Directed by: Dennis Capps
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Chaperone (2008)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Six-Week Curse (2008)
Directed by: Philip Charles MacKenzie
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' All Dolled Up (2008)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Pregnancy Brain (2008)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Goodwill Hunting (2008)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Period Peace (2008)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Rendezvous (2008)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Ruby's First Date (2008)
Directed by: Kimberly Williams-Paisley
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Cheryl Goes to Florida (2008)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Perfect Fight (2008)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Hot Wife (2008)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Safety Last (2008)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Jim Almighty (2008)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Soundtracks
'Scrubs' My Princess (2008)
Directed by: Zach Braff
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Waste of Time (2008)
Directed by: Chris Koch
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Manhood (2008)
Directed by: Michael McDonald
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Dumb Luck (2008)
Directed by: Rick Blue
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Bad Too (2008)
Directed by: Linda Mendoza
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Music
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Co-producer, Story
Tortilla Heaven (2007)
Directed by: Judy Hecht Dumontet
Cinematography by: Chuy Chávez
Executive In Charge Of Music
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Executive In Charge Of Music
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Executive In Charge Of Music
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Executive In Charge Of Music
Bridge to Terabithia (2007)
Directed by: Gabor Csupo
Cinematography by: Michael Chapman
Edited by: John Gilbert
Cameras: Panavision Cameras
Executive In Charge Of Music
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Executive In Charge Of Music
The Game Plan (2007)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Cameras: Panavision Cameras
Executive In Charge Of Music
'According to Jim' Jim's Birthday (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Any Man of Mine (2007)
Directed by: Kimberly Williams-Paisley
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Devlin in Disguise (2007)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Grill II (2007)
Directed by: Dennis Capps
Cinematography by: James W. Roberson
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' What Lies Beneath (2007)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The At-Bat (2007)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Coach Jim (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' In Case of Jimergency (2007)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Separate Ways (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Dino-Mite (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Deliverance (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Cheryl Gone Wild (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Good Grief (2007)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' All the Rage (2007)
Directed by: Dennis Capps
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Hoosier Daddy (2007)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Guinea Pygmalion (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Flannelsexual (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Punch (2007)
Directed by: James Widdoes
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Soundtracks
'Scrubs' My Number One Doctor (2007)
Directed by: Will Mackenzie
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Growing Pains (2007)
Directed by: Zach Braff
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Own Worst Enemy (2007)
Directed by: Bill Lawrence
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Hard Labor (2007)
Directed by: Adam Bernstein
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Inconvenient Truth (2007)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Identity Crisis (2007)
Directed by: Gail Mancuso
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Point of No Return (2007)
Directed by: Linda Mendoza
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Rabbit (2007)
Directed by: John Putch
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Conventional Wisdom (2007)
Directed by: Michael McDonald
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Cold Shower (2007)
Directed by: John Inwood
Cinematography by: Richard W. Davis
Executive In Charge Of Soundtracks
'Scrubs' My Turf War (2007)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Their Story (2007)
Directed by: Richard A. Wells
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Words of Wisdom (2007)
Directed by: Victor Nelli Jr.
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Long Goodbye (2007)
Directed by: Victor Nelli Jr.
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Scrubs (2007)
Directed by: John Putch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My No Good Reason (2007)
Directed by: Zach Braff
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Fishbowl (2007)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Night to Remember (2007)
Directed by: Richard W. Davis
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Therapeutic Month (2007)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Perspective (2007)
Directed by: John Putch
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My House (2007)
Directed by: John Putch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Friend with Money (2007)
Directed by: John Michel
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Musical (2007)
Directed by: Will Mackenzie
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' His Story IV (2007)
Directed by: Linda Mendoza
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Road to Nowhere (2007)
Directed by: Mark Stegemann
Cinematography by: John Inwood
Edited by: Rick Blue
Soundtrack Producer
'Grey's Anatomy' Six Days: Part 1 (2007)
Directed by: Greg Yaitanes
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Six Days: Part 2 (2007)
Directed by: Greg Yaitanes
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Great Expectations (2007)
Directed by: Michael Grossman
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Wishin' and Hopin' (2007)
Directed by: Julie Anne Robinson
Cinematography by: Herbert Davis
Edited by: Matthew Ramsey
Soundtrack Producer
'Grey's Anatomy' Walk on Water (2007)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Drowning on Dry Land (2007)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Some Kind of Miracle (2007)
Directed by: Adam Arkin
Cinematography by: Herbert Davis
Edited by: Matthew Ramsey
Soundtrack Producer
'Grey's Anatomy' Scars and Souvenirs (2007)
Directed by: James Frawley
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' My Favorite Mistake (2007)
Directed by: Tamra Davis
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Time After Time (2007)
Directed by: Christopher Misiano
Cinematography by: Walt Fraser
Edited by: Matthew Ramsey
Soundtrack Producer
'Grey's Anatomy' Desire (2007)
Directed by: Tom Verica
Cinematography by: Walt Fraser
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' The Other Side of This Life, Part 1 (2007)
Directed by: Michael Grossman
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' The Other Side of This Life, Part 2 (2007)
Directed by: Michael Grossman
Cinematography by: Herbert Davis
Edited by: Matthew Ramsey
Soundtrack Producer
'Grey's Anatomy' Testing 1-2-3 (2007)
Directed by: Christopher Misiano
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Didn't We Almost Have It All? (2007)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' A Change Is Gonna Come (2007)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Love/Addiction (2007)
Directed by: James Frawley
Cinematography by: Herbert Davis
Edited by: Sarah Boyd
Soundtrack Producer
'Grey's Anatomy' Let the Truth Sting (2007)
Directed by: Daniel Minahan
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' The Heart of the Matter (2007)
Directed by: Randy Zisk
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Haunt You Every Day (2007)
Directed by: Bethany Rooney
Cinematography by: Herbert Davis
Edited by: Sarah Boyd
Soundtrack Producer
'Grey's Anatomy' Kung Fu Fighting (2007)
Directed by: Tom Verica
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Physical Attraction... Chemical Reaction (2007)
Directed by: Jeff Melman
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Forever Young (2007)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Soundtrack Producer
'Grey's Anatomy' Crash Into Me: Part 1 (2007)
Directed by: Michael Grossman
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Crash Into Me: Part 2 (2007)
Directed by: Jessica Yu
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Executive In Charge Of Music
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Executive In Charge Of Music
The Prestige (2006)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Executive In Charge Of Music
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Executive In Charge Of Music
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Executive In Charge Of Music
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Executive In Charge Of Music
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Executive In Charge Of Music
'According to Jim' Belaboring the Point (2006)
Directed by: Bob Koherr
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Jim's Best Friend (2006)
Directed by: Dennis Capps
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Thin Green Line (2006)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Daddy Dearest (2006)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Polite Jim (2006)
Directed by: Bob Koherr
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Get Your Freak On (2006)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Grumpy Guy (2006)
Directed by: Kimberly Williams-Paisley
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Stick (2006)
Directed by: Lauren Breiting
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Mr. Right (2006)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Renewing Vows (2006)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Sex Ed Fred (2006)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Soundtracks
'Scrubs' My Best Friend's Baby's Baby and My Baby's Baby (2006)
Directed by: Gail Mancuso
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Coffee (2006)
Directed by: Rick Blue
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Mirror Image (2006)
Directed by: John Inwood
Cinematography by: Richard W. Davis
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Transition (2006)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Urologist (2006)
Directed by: Richard A. Wells
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Fallen Idol (2006)
Directed by: Joanna Kerns
Cinematography by: Andrew Rawson
Executive In Charge Of Soundtracks
'Scrubs' My Déjà Vu, My Déjà Vu (2006)
Directed by: Linda Mendoza
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Lunch (2006)
Directed by: John Michel
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' His Story III (2006)
Directed by: John Inwood
Cinematography by: Andrew Rawson
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Chopped Liver (2006)
Directed by: Will Mackenzie
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My New Suit (2006)
Directed by: Victor Nelli Jr.
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Bright Idea (2006)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Extra Mile (2006)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Own Personal Hell (2006)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Cabbage (2006)
Directed by: John Inwood
Cinematography by: Richard W. Davis
Executive In Charge Of Soundtracks
'Scrubs' My Five Stages (2006)
Directed by: Jay Alaimo
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Buddy's Booty (2006)
Directed by: Randall Keenan Winston
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' Her Story II (2006)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Way Home (2006)
Directed by: Zach Braff
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Big Bird (2006)
Directed by: Rob Greenberg
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Half-Acre (2006)
Directed by: Linda Mendoza
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Missed Perception (2006)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My New God (2006)
Directed by: Victor Nelli Jr.
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Jiggly Ball (2006)
Directed by: Rick Blue
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Day at the Races (2006)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Rite of Passage (2006)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Intern's Eyes (2006)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Soundtrack Producer
'Grey's Anatomy' Begin the Begin (2006)
Directed by: Jessica Yu
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Tell Me Sweet Little Lies (2006)
Directed by: Adam Davidson
Cinematography by: Herbert Davis
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' Break on Through (2006)
Directed by: David Paymer
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' It's the End of the World (2006)
Directed by: Peter Horton
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' As We Know It (2006)
Directed by: Peter Horton
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Yesterday (2006)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' What Have I Done to Deserve This? (2006)
Directed by: Wendey Stanzler
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Band-Aid Covers the Bullet Hole (2006)
Directed by: Julie Anne Robinson
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Superstition (2006)
Directed by: Tricia Brock
Cinematography by: Herbert Davis
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' The Name of the Game (2006)
Directed by: Seith Mann
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Blues for Sister Someone (2006)
Directed by: Jeff Melman
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Damage Case (2006)
Directed by: Tony Goldwyn
Cinematography by: Herbert Davis
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' 17 Seconds (2006)
Directed by: Daniel Minahan
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Deterioration of the Fight or Flight Response (2006)
Directed by: Rob Corn
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Losing My Religion (2006)
Directed by: Mark Tinker
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Time Has Come Today (2006)
Directed by: Daniel Minahan
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' I Am a Tree (2006)
Directed by: Jeff Melman
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Sometimes a Fantasy (2006)
Directed by: Adam Arkin
Cinematography by: Herbert Davis
Edited by: Matthew Ramsey
Soundtrack Producer
'Grey's Anatomy' What I Am (2006)
Directed by: Dan Lerner
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Oh, the Guilt (2006)
Directed by: Jeff Melman
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Let the Angels Commit (2006)
Directed by: Jessica Yu
Cinematography by: Herbert Davis
Edited by: Matthew Ramsey
Soundtrack Producer
'Grey's Anatomy' Where the Boys Are (2006)
Directed by: Daniel Minahan
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Staring at the Sun (2006)
Directed by: Jeff Melman
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' From a Whisper to a Scream (2006)
Directed by: Julie Anne Robinson
Cinematography by: Herbert Davis
Edited by: Matthew Ramsey
Soundtrack Producer
'Grey's Anatomy' Don't Stand So Close to Me (2006)
Directed by: Seith Mann
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Executive In Charge Of Music
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Executive In Charge Of Music
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Executive In Charge Of Music
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Executive In Charge Of Music
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Executive In Charge Of Music
Ice Princess (2005)
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Executive In Charge Of Music
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Executive In Charge Of Music
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Executive In Charge Of Music
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Executive In Charge Of Music
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Executive In Charge Of Music
'According to Jim' Lean on Me (2005)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Gift of Maggie (2005)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Dream (2005)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' James & the Annoying Peach (2005)
Directed by: Gerry Cohen
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Chick Whisperer (2005)
Directed by: Gerry Cohen
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Anec-Dont's (2005)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Race (2005)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Charity Begins at Hef's (2005)
Directed by: Steve Zuckerman
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Tale of the Tape: Part 2 (2005)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Tale of the Tape: Part 1 (2005)
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Foul Ball (2005)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Wedding Bell Blues (2005)
Directed by: Charles T. Kanganis
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Bachelorette Party (2005)
Directed by: Dennis Capps
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Geronimo Jim (2005)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Scrapbook (2005)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Chris Poulos
Executive In Charge Of Music
'According to Jim' Kentucky Fried Beltzman (2005)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Clock (2005)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Competition (2005)
Directed by: Lynn M. McCracken
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Take My Wife, Please (2005)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Spelling Bee (2005)
Directed by: Larry Joe Campbell
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Shall We Dance? (2005)
Directed by: Mark Cendrowski
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Mustache (2005)
Directed by: Mark Cendrowski
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Wedding Dress (2005)
Directed by: Mark Cendrowski
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Guess Who's Cooking Your Dinner? (2005)
Directed by: Mark Cendrowski
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' A Crying Shame (2005)
Directed by: Mark Cendrowski
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Nanny-Cam (2005)
Directed by: Mark Cendrowski
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Jealous Husband (2005)
Directed by: Dennis Capps
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Sympathy from the Devlins (2005)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Soundtracks
'Scrubs' My Drive By (2005)
Directed by: Will Mackenzie
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Changing Ways (2005)
Directed by: Victor Nelli Jr.
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Faith in Humanity (2005)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Big Move (2005)
Directed by: Victor Nelli Jr.
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Lips Are Sealed (2005)
Directed by: John Michel
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Boss's Free Haircut (2005)
Directed by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Roommates (2005)
Directed by: Craig Zisk
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Best Laid Plans (2005)
Directed by: Zach Braff
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Life in Four Cameras (2005)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Hypocritical Oath (2005)
Directed by: Craig Zisk
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Quarantine (2005)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Ocardial Infarction (2005)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Lucky Charm (2005)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: John Michel
Soundtrack Producer - 71 Episodes, 2005-2007
Grey's Anatomy (2005)
Directed by: Rob Corn, Kevin McKidd, Debbie Allen, Chandra Wilson, Allison Liddi-Brown, Jeannot Szwarc, Tony Phelan, Nicole Rubio, Michael W. Watkins, Tom Verica, Bill D'Elia, Mark Jackson, Peter Horton, Jeff Melman, Jessica Yu, Edward Ornelas, Stephen Cragg, Linda Klein, Daniel Minahan, Julie Anne Robinson, James Frawley, Michael Pressman, Ron Underwood, Geary McLeod, Adam Davidson, Wendey Stanzler, Randy Zisk, Michael Grossman, Steve Robin, Chris Hayden, Jesse Williams, Pete Chatmon, Mark Tinker, Susan Vaill, David Greenspan, Rob Greenlea, Bobby Roth, Zetna Fuentes, Kevin Rodney Sullivan, Michael Medico, Tony Goldwyn, Adam Arkin, Seith Mann, Christopher Misiano, Greg Yaitanes, Eric Stoltz, Rob Hardy, Cherie Nowlan, Eric Laneuville, Jann Turner, Cecilie A. Mosli, Ellen Pompeo, Nzingha Stewart, Sydney Freeland, Daniel Willis, Michael Watkins, Amyn Kaderali, Sarah Pia Anderson, Scott Brazil, John David Coles, Michael Dinner, Lesli Linka Glatter, Darnell Martin, Tricia Brock, Dan Lerner, David Paymer, Tamra Davis, Bethany Rooney, Joanna Kerns, Arlene Sanford, John Terlesky, Daniel Attias, Robert Berlinger, Rob Bailey, Donna Deitch, Laura Innes, Jesse Bochco, Paul McCrane, Thomas J. Wright, Charlotte Brändström, Victoria Mahoney, Denzel Washington, Oliver Bokelberg, Lisa Leone, Louis Venosta, Krista Vernoff, Gregory T. Evans, Deborah Pratt, Lindsay Cohen, Giacomo Gianniotti, Morenike Joela Evans, Kim Raver
Cinematography by: Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons
Edited by: Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Soundtrack Producer
'Grey's Anatomy' A Hard Day's Night (2005)
Directed by: Peter Horton
Cinematography by: Jeffrey Jur
Edited by: Victor Du Bois
Soundtrack Producer
'Grey's Anatomy' The First Cut Is the Deepest (2005)
Directed by: Peter Horton
Cinematography by: Adam Kane
Edited by: Victor Du Bois
Soundtrack Producer
'Grey's Anatomy' Winning a Battle, Losing the War (2005)
Directed by: Tony Goldwyn
Cinematography by: Tim Suhrstedt
Edited by: Victor Du Bois
Soundtrack Producer
'Grey's Anatomy' No Man's Land (2005)
Directed by: Adam Davidson
Cinematography by: Adam Kane
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' Shake Your Groove Thing (2005)
Directed by: John David Coles
Cinematography by: Tim Suhrstedt
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' If Tomorrow Never Comes (2005)
Directed by: Scott Brazil
Cinematography by: Adam Kane
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' The Self-Destruct Button (2005)
Directed by: Darnell Martin
Cinematography by: Tim Suhrstedt
Soundtrack Producer
'Grey's Anatomy' Save Me (2005)
Directed by: Sarah Pia Anderson
Cinematography by: Tim Suhrstedt
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Who's Zoomin' Who? (2005)
Directed by: Wendey Stanzler
Cinematography by: Tim Suhrstedt
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' Raindrops Keep Falling on My Head (2005)
Directed by: Peter Horton
Cinematography by: Tim Suhrstedt
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Enough Is Enough (2005)
Directed by: Peter Horton
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Make Me Lose Control (2005)
Directed by: Adam Davidson
Cinematography by: Tim Suhrstedt
Soundtrack Producer
'Grey's Anatomy' Deny, Deny, Deny (2005)
Directed by: Wendey Stanzler
Cinematography by: Tim Suhrstedt
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' Bring the Pain (2005)
Directed by: Mark Tinker
Cinematography by: Tim Suhrstedt
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Into You Like a Train (2005)
Directed by: Jeff Melman
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Something to Talk About (2005)
Directed by: Adam Davidson
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Let It Be (2005)
Directed by: Lesli Linka Glatter
Cinematography by: Herbert Davis
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' Thanks for the Memories (2005)
Directed by: Michael Dinner
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Soundtrack Producer
'Grey's Anatomy' Much Too Much (2005)
Directed by: Wendey Stanzler
Cinematography by: Herbert Davis
Edited by: Briana London
Soundtrack Producer
'Grey's Anatomy' Owner of a Lonely Heart (2005)
Directed by: Daniel Minahan
Cinematography by: Herbert Davis
Edited by: Edward Ornelas
Soundtrack Producer
'Grey's Anatomy' Grandma Got Run Over by a Reindeer (2005)
Directed by: Peter Horton
Cinematography by: Herbert Davis
Edited by: Susan Vaill
Executive In Charge Of Music
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Executive In Charge Of Music
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Executive In Charge Of Music
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Soundtrack Producer
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Executive In Charge Of Music
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Executive In Charge Of Music
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Executive In Charge Of Music
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Executive In Charge Of Music
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Soundtrack Producer
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Executive In Charge Of Music
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Executive In Charge Of Music
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Executive In Charge Of Music
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Executive In Charge Of Music
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Executive In Charge Of Music
Raising Helen (2004)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Soundtrack Producer
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Soundtrack Producer
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Music
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Executive In Charge Of Music
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Executive In Charge Of Music
'According to Jim' Stalking Santa (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Hunters (2004)
Directed by: Mark Cendrowski
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Poking the Bear (2004)
Directed by: Charles T. Kanganis
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Plot Twist (2004)
Directed by: Jim Belushi
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Father-Daughter Dance (2004)
Directed by: Charles T. Kanganis
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Dress to Kill Me (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Garage Door (2004)
Directed by: Leonard R. Garner Jr.
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Grill (2004)
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' A Vast Difference (2004)
Directed by: Charles T. Kanganis
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' A Hole in One (2004)
Directed by: Charles T. Kanganis
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Effort (2004)
Directed by: Charles T. Kanganis
Cinematography by: George Mooradian
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Swimming Pool (2004)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Marriage Bank (2004)
Directed by: Jim Belushi
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Everyone Gets Dumped (2004)
Directed by: Chris Brougham
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Trashed (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Toilet (2004)
Directed by: Jim Belushi
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Truck (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Who's the Boss? (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Baby (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' No Crime, But Punishment (2004)
Directed by: Jim Belushi
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' When You Wish to Be a Star: Part 2 (2004)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' When You Wish to Be a Star: Part 1 (2004)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Cheryl Sings (2004)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Best Man (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Dana Dates the Reverend (2004)
Directed by: Jim Belushi
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' House for Sale (2004)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Soundtracks
'Scrubs' My Best Moment (2004)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Unicorn (2004)
Directed by: Matthew Perry
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Female Trouble (2004)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Malpractical Decision (2004)
Directed by: Gail Mancuso
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Last Chance (2004)
Directed by: Zach Braff
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Cake (2004)
Directed by: Henry Chan
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Common Enemy (2004)
Directed by: Joanna Kerns
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My First Kill (2004)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' Her Story (2004)
Directed by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Office (2004)
Directed by: Gail Mancuso
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My New Game (2004)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Old Friend's New Friend (2004)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Best Friend's Wedding (2004)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Fault (2004)
Directed by: Richard A. Wells
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Self-Examination (2004)
Directed by: Randall Keenan Winston
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Choosiest Choice of All (2004)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' His Story II (2004)
Directed by: Jason Ensler
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Moment of Un-Truth (2004)
Directed by: Gail Mancuso
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Butterfly (2004)
Directed by: Henry Chan
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Screwup (2004)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Tormented Mentor (2004)
Directed by: Craig Zisk
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Catalyst (2004)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Porcelain God (2004)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Clean Break (2004)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Rule of Thumb (2004)
Directed by: Craig Zisk
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Executive In Charge Of Soundtracks
Veronica Guerin (2003)
Directed by: Joel Schumacher
Cinematography by: Brendan Galvin
Edited by: David Gamble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Music
Open Range (2003)
Directed by: Kevin Costner
Cinematography by: James M. Muro
Music Consultant
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Executive In Charge Of Music
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
Soundtrack Producer/executive In Charge Of Music
Holes (2003)
Directed by: Andrew Davis
Cinematography by: Stephen St. John
Executive In Charge Of Music
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Soundtrack Producer
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
Executive In Charge Of Music
Freaky Friday (2003)
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Executive In Charge Of Music
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Executive In Charge Of Music
Calendar Girls (2003)
Directed by: Nigel Cole
Cinematography by: Ashley Rowe
Edited by: Michael Parker
Executive In Charge Of Music
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Executive In Charge Of Music
'According to Jim' Rules of Engagement (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Secret Santa (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Paintball (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Empty Gesture (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Imaginary Friend (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Scary Movie (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Dana Dates Jim (2003)
Directed by: Leonard R. Garner Jr.
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' ABCs and 123s (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Lemonade Stand (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Getting to Know You (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' We Have a Bingo (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Packer Ball (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' The Errand (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Kris Trexler
Executive In Charge Of Music
'According to Jim' Vegas, Baby: Part 2 (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Art Kellner
Executive In Charge Of Music
'According to Jim' Vegas, Baby: Part 1 (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Art Kellner
Executive In Charge Of Music
'According to Jim' Mom's Boyfriend (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' About a Girl (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Paul Anderson
Executive In Charge Of Music
'According to Jim' No Harm, No Fowl (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Paul Anderson
Executive In Charge Of Music
'According to Jim' The Helmet (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Bo Diddley (2003)
Directed by: Shelley Jensen
Cinematography by: Tony Askins
Executive In Charge Of Music
'According to Jim' Deal with the Devlins (2003)
Directed by: Jim Belushi
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Dana Gets Fired (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Executive In Charge Of Music
'According to Jim' The Pass (2003)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Wonder Woman (2003)
Directed by: Peter D. Beyt
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' The Ring (2003)
Directed by: Brian K. Roberts
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Slumber Party (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' The Smell of Success (2003)
Directed by: Shelley Jensen
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' You Gotta Love Somebody: Part 2 (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Executive In Charge Of Music
'According to Jim' You Gotta Love Somebody: Part 1 (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Moral Dilemma (2003)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Soundtracks
'Scrubs' My Dirty Secret (2003)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Friend the Doctor (2003)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Fifteen Seconds (2003)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Advice to You (2003)
Directed by: Gail Mancuso
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Brother, Where Art Thou? (2003)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Lucky Night (2003)
Directed by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Journey (2003)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My White Whale (2003)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Own American Girl (2003)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Dream Job (2003)
Directed by: Bill Lawrence
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Drama Queen (2003)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Interpretation (2003)
Directed by: Will Mackenzie
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Kingdom (2003)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My T.C.W. (2003)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Own Private Practice Guy (2003)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Karma (2003)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' His Story (2003)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Brother, My Keeper (2003)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Philosophy (2003)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My New Old Friend (2003)
Directed by: Chris Koch
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Sex Buddy (2003)
Directed by: Will Mackenzie
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Executive In Charge Of Soundtracks
The Rookie (2002)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Soundtracks
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Executive Music Producer
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Soundtrack Producer
Laurel Canyon (2002)
Directed by: Lisa Cholodenko
Cinematography by: Wally Pfister
Edited by: Amy E. Duddleston
Executive In Charge Of Soundtracks
Sweet Home Alabama (2002)
Directed by: Andy Tennant
Cinematography by: Andrew Dunn
Executive In Charge Of Soundtracks
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Executive In Charge Of Soundtracks
Bad Company (2002)
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Executive In Charge Of Soundtracks
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Executive In Charge Of Music
25th Hour (2002)
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Executive In Charge Of Music
'According to Jim' The Brother-in-Law (2002)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' The Christmas Party (2002)
Directed by: Brian K. Roberts
Cinematography by: Tony Askins
Executive In Charge Of Music
'According to Jim' Father Disfigure (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Executive In Charge Of Music
'According to Jim' Thanksgiving Confidential (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Punch and Ruby (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' The Bachelor (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' The Closet (2002)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' The Baby Monitor (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Pizza Boy (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Cars & Chicks (2002)
Directed by: Mark Cendrowski
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' No Surprises (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' The Importance of Being Jim (2002)
Directed by: Philip Charles MacKenzie
Cinematography by: Tony Askins
Edited by: Peter D. Beyt
Executive In Charge Of Music
'According to Jim' Cheryl's Day Off (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Old Friends (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' The Receipt (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Birthday Boys (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Date Night (2002)
Directed by: Andy Cadiff
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Under Pressure (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Racquetball (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' The Money (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Blow-Up (2002)
Directed by: Gil Junger
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Bad Word (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Model Behavior (2002)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Soundtracks
'Scrubs' My Monster (2002)
Directed by: Gail Mancuso
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Lucky Day (2002)
Directed by: Lawrence Trilling
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Fruit Cups (2002)
Directed by: Ken Whittingham
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Big Brother (2002)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My First Step (2002)
Directed by: Lawrence Trilling
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My New Coat (2002)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Big Mouth (2002)
Directed by: Paul Quinn
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Case Study (2002)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Nightingale (2002)
Directed by: Craig Zisk
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Overkill (2002)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Hero (2002)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Last Day (2002)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Occurrence (2002)
Directed by: Lawrence Trilling
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Sacrificial Clam (2002)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Way or the Highway (2002)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Old Man (2002)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Tuscaloosa Heart (2002)
Directed by: Lawrence Trilling
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Student (2002)
Directed by: Matthew Diamond
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Heavy Meddle (2002)
Directed by: Will Mackenzie
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Bed Banter & Beyond (2002)
Directed by: Lawrence Trilling
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Drug Buddy (2002)
Directed by: Michael Spiller
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Balancing Act (2002)
Directed by: Michael Spiller
Cinematography by: John Inwood
Edited by: Rick Blue
Executive In Charge Of Soundtracks
'Scrubs' My Blind Date (2002)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: John Michel
Soundtrack Producer
The Princess Diaries (2001)
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Executive In Charge Of Soundtracks
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Executive In Charge Of Soundtracks
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Executive In Charge Of Soundtracks
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Executive: Hollywood Records, Soundtrack Producer
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Music - 182 Episodes, 2001-2009
According to Jim (2001)
Directed by: Philip Charles MacKenzie, Jim Belushi, Mark Cendrowski, Gil Junger, Leonard R. Garner Jr., Steve Zuckerman, Larry Joe Campbell, James Widdoes, Dennis Capps, Andy Cadiff, Charles T. Kanganis, Kimberly Williams-Paisley, Brian K. Roberts, Shelley Jensen, Gerry Cohen, Lauren Breiting, Bob Koherr, Penny Marshall, Michael Lembeck, Peter D. Beyt, Chris Brougham, Lynn M. McCracken
Executive In Charge Of Soundtracks - 182 Episodes, 2001-2010
Scrubs (2001)
Directed by: Michael Spiller, Bill Lawrence, Adam Bernstein, Ken Whittingham, Chris Koch, Gail Mancuso, Marc Buckland, Will Mackenzie, John Putch, John Inwood, Zach Braff, Craig Zisk, Lawrence Trilling, Victor Nelli Jr., Linda Mendoza, Michael McDonald, John Michel, Rick Blue, Richard A. Wells, Peter Lauer, Matthew Diamond, Joanna Kerns, Randall Keenan Winston, Henry Chan, Mark Stegemann, Elodie Keene, Jeff Melman, Paul Quinn, Jason Ensler, Matthew Perry, Jay Alaimo, Rob Greenberg, Richard W. Davis, Ted Wass, Eren Celeboglu
Cinematography by: John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan
Editing System: Final Cut Pro Editing System
Executive In Charge Of Music
'According to Jim' An According to Jiminy Christmas (2001)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Andy's Girlfriend (2001)
Directed by: Andy Cadiff
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' The Turkey Bowl (2001)
Directed by: Gil Junger
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Cheryl's Old Flame (2001)
Directed by: Michael Lembeck
Executive In Charge Of Music
'According to Jim' Crush (2001)
Directed by: Andy Cadiff
Cinematography by: Tony Askins
Edited by: Joe Bergen
Executive In Charge Of Music
'According to Jim' Pilot (2001)
Directed by: Andy Cadiff
Cinematography by: Peter Smokler
Edited by: Joe Bergen
Executive In Charge Of Soundtracks
'Scrubs' My Own Personal Jesus (2001)
Directed by: Jeff Melman
Cinematography by: John Inwood
Executive In Charge Of Soundtracks
'Scrubs' My Nickname (2001)
Directed by: Matthew Diamond
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Day Off (2001)
Directed by: Elodie Keene
Cinematography by: John Inwood
Edited by: Jay Scherberth
Executive In Charge Of Soundtracks
'Scrubs' My Fifteen Minutes (2001)
Directed by: Lawrence Trilling
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Super Ego (2001)
Directed by: Peter Lauer
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Bad (2001)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: Jay Scherberth
Executive In Charge Of Soundtracks
'Scrubs' My Two Dads (2001)
Directed by: Craig Zisk
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Best Friend's Mistake (2001)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: John Michel
Executive In Charge Of Soundtracks
'Scrubs' My Old Lady (2001)
Directed by: Marc Buckland
Cinematography by: John Inwood
Edited by: Jay Scherberth
Executive In Charge Of Soundtracks
'Scrubs' My Mentor (2001)
Directed by: Adam Bernstein
Cinematography by: John Inwood
Edited by: Jay Scherberth
Executive In Charge Of Soundtracks
'Scrubs' My First Day (2001)
Directed by: Adam Bernstein
Cinematography by: Richard Quinlan
Edited by: John Michel
Executive In Charge Of Soundtracks
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Soundtrack Producer
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Executive In Charge Of Soundtracks
Duets (2000)
Directed by: Bruce Paltrow
Cinematography by: Paul Sarossy
Edited by: Gerald B. Greenberg
Executive In Charge Of Soundtracks
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Soundtracks
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Executive In Charge Of Soundtracks
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Executive In Charge Of Soundtracks
Les Misérables (1998)
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Executive In Charge Of Soundtracks
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Executive In Charge Of Soundtracks
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Executive In Charge Of Soundtracks
Mighty Joe Young (1998)
Directed by: Ron Underwood
Edited by: Paul Hirsch
Executive In Charge Of Soundtracks
Donnie Brasco (1997)
Directed by: Mike Newell
Cinematography by: Peter Sova
Edited by: Jon Gregory
Executive In Charge Of Soundtracks
Home Alone 3 (1997)
Directed by: Raja Gosnell
Cinematography by: Julio Macat
Cameras: Panavision Panaflex Gold Camera
Executive Soundtrack Album Producer
Austin Powers: International Man of Mystery (1997)
Directed by: Jay Roach
Cinematography by: Peter Deming
Executive In Charge Of Soundtracks
G.I. Jane (1997)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Executive In Charge Of Soundtracks
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Executive In Charge Of Soundtracks
Emma (1996)
Directed by: Douglas McGrath
Cinematography by: Ian Wilson
Edited by: Lesley Walker
Cameras: Moviecam Compact Camera
Executive In Charge Of Soundtracks
The Ghost and the Darkness (1996)
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Executive In Charge Of Soundtracks
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Executive In Charge Of Soundtracks
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Executive In Charge Of Soundtracks
The Crow: City of Angels (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Executive In Charge Of Soundtracks
Swingers (1996)
Directed by: Doug Liman
Cinematography by: Doug Liman
Edited by: Stephen Mirrione
Executive In Charge Of Soundtracks
Marvin's Room (1996)
Directed by: Jerry Zaks
Cinematography by: Piotr Sobocinski
Edited by: Jim Clark
Executive Soundtrack Album Producer / Music Supervisor
Empire Records (1995)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Edited by: Michael Chandler
Music Supervisor
Boys on the Side (1995)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Executive In Charge Of Soundtracks
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Music Supervisor
The New Age (1994)
Directed by: Michael Tolkin
Cinematography by: John J. Campbell
Edited by: Suzanne Fenn
Executive In Charge Of Music
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Executive In Charge Of Music
Six Degrees of Separation (1993)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Peter Honess
Executive Soundtrack Album Producer
White Men Can't Jump (1992)
Directed by: Ron Shelton
Cinematography by: Russell Boyd
Executive In Charge Of Music
Pretty Woman (1990)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
