Director Of Photography
'Scrubs' My First Day (2001)
Directed by: Adam Bernstein
Cinematography by: Richard Quinlan
Edited by: John Michel
  	Cinematographer - 1 Episode, 2001
Scrubs (2001)
Directed by: Michael Spiller, Bill Lawrence, Adam Bernstein, Ken Whittingham, Chris Koch, Gail Mancuso, Marc Buckland, Will Mackenzie, John Putch, John Inwood, Zach Braff, Craig Zisk, Lawrence Trilling, Victor Nelli Jr., Linda Mendoza, Michael McDonald, John Michel, Rick Blue, Richard A. Wells, Peter Lauer, Matthew Diamond, Joanna Kerns, Randall Keenan Winston, Henry Chan, Mark Stegemann, Elodie Keene, Jeff Melman, Paul Quinn, Jason Ensler, Matthew Perry, Jay Alaimo, Rob Greenberg, Richard W. Davis, Ted Wass, Eren Celeboglu
Cinematography by: John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan
Editing System: Final Cut Pro Editing System
  	Director Of Photography: Second Unit
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
  	Gaffer
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
  	Additional Photographer: New York
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
  	Additional Photographer
Whispers in the Dark (1992)
Directed by: Christopher Crowe
Cinematography by: Michael Chapman
  	Director Of Photography: Second Unit
State of Grace (1990)
Cinematography by: Jordan Cronenweth
Edited by: Claire Simpson
  	Chief Lighting Technician
Awakenings (1990)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
  	Chief Lighting Technician
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
  	Chief Lighting Technician
Funny Farm (1988)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Alan Heim
  	Chief Lighting Technician: New York
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
  	Gaffer: New York
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
  	Chief Lighting Technician
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
  	Gaffer
Suspect (1987)
Directed by: Peter Yates
Cinematography by: Billy Williams
Edited by: Ray Lovejoy
  	Gaffer
F/X (1986)
Directed by: Robert Mandel
Cinematography by: Miroslav Ondrícek
Edited by: Terry Rawlings
Cameras: Panavision Cameras
  	Gaffer
Places in the Heart (1984)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Carol Littleton
  	Gaffer
 Amadeus  (1984)
                  
           
          
        
        
        
       Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
  	Gaffer
Silkwood (1983)
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen
  	Gaffer: USA
Exposed (1983)
Directed by: James Toback
Cinematography by: Henri Decaë
Edited by: Robert Lawrence
Cameras: Panavision Cameras
  	Gaffer
The World According to Garp (1982)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Stephen A. Rotter
  	Gaffer
Tootsie (1982)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
  	Gaffer Electrician: USA
Ragtime (1981)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
  	Gaffer
Raging Bull (1980)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 35 BL Camera
  	Gaffer: New York
The Goodbye Girl (1977)
Directed by: Herbert Ross
Cinematography by: David M. Walsh
Edited by: John F. Burnett
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
  	Gaffer
Taxi Driver (1976)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
  	Gaffer
Dog Day Afternoon (1975)
Directed by: Sidney Lumet
Cinematography by: Victor J. Kemper
Edited by: Dede Allen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
  	Gaffer
The Exorcist (1973)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
  	Gaffer
The Hospital (1971)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Eric Albertson
  	Gaffer: New York
Husbands (1970)
Directed by: John Cassavetes
Cinematography by: Victor J. Kemper
Edited by: John Cassavetes
  	 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
 


































