Adr Mixer
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Adr Mixer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Adr Mixer
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Adr Mixer
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Adr Mixer
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Adr Mixer
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Adr Mixer
My Sister's Keeper (2009)
Directed by: Nick Cassavetes
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Adr Mixer
Saint John of Las Vegas (2009)
Directed by: Hue Rhodes
Cinematography by: Giles Nuttgens
Edited by: Annette Davey
Adr Mixer
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Adr Mixer: Los Angeles
In the Electric Mist (2009)
Directed by: Bertrand Tavernier
Cinematography by: Bruno de Keyzer
Adr Mixer
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Adr Mixer
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Adr Mixer
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Original Dialogue Mixer
Planet 51 (2009)
Edited by: Alex Rodríguez
Editing System: Autodesk Smoke Editing System
Adr Mixer
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Adr Mixer
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Adr Mixer
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Adr Mixer
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Adr Mixer
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Adr Mixer
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Adr Mixer
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer
Swing Vote (2008)
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Adr Mixer
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Adr Mixer
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Adr Mixer
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Adr Mixer
Assassination of a High School President (2008)
Directed by: Brett Simon
Cinematography by: M. David Mullen
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Adr Mixer
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Adr Mixer
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Adr Mixer
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Mixer
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Adr Mixer
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Adr Mixer
Agent Crush (2008)
Directed by: Sean Robinson
Cinematography by: Peter Field
Edited by: David Freemantle
Cameras: ARRIFLEX 435 Camera
Adr Mixer
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Adr Mixer
Pathology (2008)
Directed by: Marc Schölermann
Cinematography by: Ekkehart Pollack
Edited by: Todd E. Miller
Adr Mixer
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Adr Mixer
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Adr Mixer
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Adr Mixer
Milk (2008)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Adr Mixer
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Adr Mixer
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
Highlander: The Source (2007)
Directed by: Brett Leonard
Cinematography by: Steve Arnold
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Adr Mixer
I'm Not There (2007)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Adr Mixer
Martian Child (2007)
Directed by: Menno Meyjes
Cinematography by: Robert D. Yeoman
Edited by: Bruce Green
Adr Mixer
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Adr Mixer
Death Sentence (2007)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
Adr Mixer
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Adr Mixer
Mr. Brooks (2007)
Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Adr Mixer
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Adr Mixer
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
Adr Mixer
The Good Night (2007)
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Adr Mixer
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Adr Mixer
Towelhead (2007)
Directed by: Alan Ball
Cinematography by: Newton Thomas Sigel
Edited by: Andy Keir
Adr Mixer
Man in the Chair (2007)
Directed by: Michael Schroeder
Cinematography by: Dana Gonzales
Edited by: Terry Cafaro
Adr Mixer
Awake (2007)
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Adr Mixer
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Adr Mixer
Juno (2007)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Adr Mixer
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Adr Mixer
Michael Clayton (2007)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Adr Mixer
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Adr Mixer
Sydney White (2007)
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Adr Mixer
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Adr Mixer
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Adr Mixer
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Adr Mixer
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
Adr Mixer
Goya's Ghosts (2006)
Directed by: Milos Forman
Cinematography by: Javier Aguirresarobe
Edited by: Adam Boome
Adr Mixer
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Adr Mixer
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Adr Mixer
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Adr Mixer
Material Girls (2006)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Adr Mixer
Man About Town (2006)
Directed by: Mike Binder
Cinematography by: Russ T. Alsobrook
Edited by: Roger Nygard
Adr Mixer
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Adr Mixer
Black Snake Moan (2006)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Editing System: Final Cut Pro Editing System
Adr Mixer
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Adr Mixer
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
Adr Mixer
The Devil Wears Prada (2006)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Adr Mixer
Friends with Money (2006)
Directed by: Nicole Holofcener
Cinematography by: Terry Stacey
Edited by: Robert Frazen
Adr Mixer
Running with Scissors (2006)
Directed by: Ryan Murphy
Cinematography by: Christopher Baffa
Edited by: Byron Smith
Adr Mixer
Lucky Number Slevin (2006)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Adr Mixer
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Adr Mixer
Marie Antoinette (2006)
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Adr Mixer
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Adr Mixer
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Adr Mixer
Akeelah and the Bee (2006)
Directed by: Doug Atchison
Cinematography by: M. David Mullen
Edited by: Glenn Farr
Adr Mixer
Larry the Cable Guy: Health Inspector (2006)
Directed by: Trent Cooper
Cinematography by: Kim Marks
Edited by: Gregg Featherman
Adr Mixer
Idiocracy (2006)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Adr Mixer
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Adr Mixer
Home of the Brave (2006)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Adr Recordist
Skinwalkers (2006)
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Adr Mixer
Tristan + Isolde (2006)
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Adr Mixer
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
John Tucker Must Die (2006)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Adr Mixer
For Your Consideration (2006)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera
Adr Mixer
Mrs Henderson Presents (2005)
Directed by: Stephen Frears
Cinematography by: Andrew Dunn
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Adr Mixer
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Adr Mixer
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Adr Mixer
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Adr Mixer
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Adr Mixer
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Adr Mixer: Los Angeles
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Adr Mixer
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Adr Mixer
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Adr Mixer
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Adr Mixer
Hustle & Flow (2005)
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Cameras: Aaton A-Minima Camera, ARRIFLEX 16SR3 Camera
Lenses: Zeiss Ultra Prime Lenses
Adr Mixer
Boogeyman (2005)
Directed by: Stephen Kay
Cinematography by: Bobby Bukowski
Edited by: John Axelrad
Adr Mixer: Wilshire Stages
The Lost City (2005)
Directed by: Andy Garcia
Cinematography by: Emmanuel Kadosh
Edited by: Christopher Cibelli
Adr Mixer
Beauty Shop (2005)
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Adr Mixer
The War Within (2005)
Directed by: Joseph Castelo
Cinematography by: Lisa Rinzler
Edited by: Malcolm Jamieson
Adr Mixer
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Adr Mixer: Los Angeles
The Three Burials of Melquiades Estrada (2005)
Directed by: Tommy Lee Jones
Cinematography by: Chris Menges
Edited by: Roberto Silvi
Adr Mixer
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Adr Mixer
Pretty Persuasion (2005)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Nicholas Erasmus
Cameras: Panavision Cameras
Adr Mixer
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Adr Mixer
Paparazzi (2004)
Directed by: Paul Abascal
Cinematography by: Daryn Okada
Edited by: Robin Russell
Adr Mixer
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Adr Mixer
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Adr Mixer
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Adr Mixer
Spartan (2004)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Adr Mixer
Club Dread (2004)
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Edited by: Ryan Folsey
Adr Mixer
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Adr Mixer
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Adr Mixer
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Adr Mixer
We Don't Live Here Anymore (2004)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Adr Mixer
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Adr Mixer
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Adr Mixer
Dodgeball: A True Underdog Story (2004)
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Adr Mixer
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Adr Mixer
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Adr Mixer
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Adr Mixer
Thirteen (2003)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses
Adr Mixer
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Adr Mixer
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Adr Mixer
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Adr Mixer
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Adr Mixer: Wilshire Stages
Sin (2003)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: Suzanne Fenn
Adr Mixer
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Adr Mixer
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Adr Mixer
Northfork (2003)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Leo Trombetta
Adr Mixer
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Adr Mixer
Wonderland (2003)
Directed by: James Cox
Cinematography by: Michael Grady
Edited by: Jeff McEvoy
Adr Mixer
Good Boy! (2003)
Directed by: John Hoffman
Cinematography by: James Glennon
Edited by: Craig Herring
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Adr Mixer
Agent Cody Banks (2003)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer
A Mighty Wind (2003)
Directed by: Christopher Guest
Cinematography by: Arlene Nelson
Edited by: Robert Leighton
Adr Mixer / Foley Mixer
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Adr Mixer / Foley Mixer
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Adr Mixer
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Adr Mixer
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Adr Mixer
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
Adr Mixer
In America (2002)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Adr Mixer
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Adr Mixer
The Banger Sisters (2002)
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian
Adr Mixer
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Foley Mixer
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
Adr Mixer
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Mixer / Foley Mixer
Morgan's Ferry (2001)
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Edited by: Margaret Goodspeed
Adr Mixer / Foley Mixer
Cherry Falls (2000)
Directed by: Geoffrey Wright
Cinematography by: Anthony B. Richmond
Edited by: John F. Link
Foley Mixer
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Adr Mixer / Foley Mixer
Nurse Betty (2000)
Directed by: Neil LaBute
Cinematography by: Jean-Yves Escoffier
Foley Mixer
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Adr Mixer
Boys Don't Cry (1999)
Directed by: Kimberly Peirce
Cinematography by: Jim Denault
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Dialogue Editor
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Adr Mixer
A Slipping-Down Life (1999)
Directed by: Toni Kalem
Cinematography by: Michael F. Barrow
Edited by: Hughes Winborne
Cameras: Aaton 35-III Camera, ARRIFLEX 535 Camera
Adr Mixer
Drop Dead Gorgeous (1999)
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Foley Mixer
A Murder of Crows (1998)
Directed by: Rowdy Herrington
Cinematography by: Robert Primes
Edited by: Harry B. Miller III
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Mixer / Foley Mixer
Clay Pigeons (1998)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Adr Mixer / Foley Mixer
Woo (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Jean Lépine
Adr Mixer
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Adr Mixer
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Adr Mixer / Foley Mixer
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Foley Mixer
A Price Above Rubies (1998)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Arthur Coburn
Adr Mixer
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Adr Mixer / Foley Mixer
Gridlock'd (1997)
Directed by: Vondie Curtis-Hall
Cinematography by: Bill Pope
Edited by: Christopher Koefoed
Adr Mixer
The Last Time I Committed Suicide (1997)
Directed by: Stephen Kay
Cinematography by: Bobby Bukowski
Edited by: Dorian Harris
Adr Mixer
Soul Food (1997)
Directed by: George Tillman Jr.
Cinematography by: Paul Elliott
Edited by: John Carter
Foley Mixer
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Adr Mixer / Foley Mixer
Love Jones (1997)
Directed by: Theodore Witcher
Cinematography by: Ernest Holzman
Edited by: Maysie Hoy
Cameras: Panavision Cameras
Adr Mixer
Mother Night (1996)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
Adr Mixer / Foley Mixer
Bloodsport 2 (1996)
Directed by: Alan Mehrez
Cinematography by: Jacques Haitkin
Edited by: J. Douglas Seelig
Adr Mixer
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Adr Recordist
Johns (1996)
Directed by: Scott Silver
Cinematography by: Tom Richmond
Edited by: Dorian Harris
Adr Mixer / Foley Mixer
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Adr Mixer
Rumble in the Bronx (1995)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Edited by: Peter Cheung
Foley Mixer
Friday (1995)
Directed by: F. Gary Gray
Cinematography by: Gerry Lively
Edited by: John Carter
Foley Mixer
Dead Presidents (1995)
Cinematography by: Lisa Rinzler
Edited by: Dan Lebental
Cameras: Panavision Panaflex Gold II Camera
Foley Mixer
Disclosure (1994)
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Foley Mixer
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Dumb and Dumber (1994)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Foley Mixer
Squanto: A Warrior's Tale (1994)
Directed by: Xavier Koller
Cinematography by: Robbie Greenberg
Foley Mixer
Indian Summer (1993)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Foley Mixer
Red Rock West (1993)
Directed by: John Dahl
Cinematography by: Marc Reshovsky
Edited by: Scott Chestnut
Foley Engineer
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Foley Mixer
Folks! (1992)
Directed by: Ted Kotcheff
Cinematography by: Larry Pizer
Edited by: Joan E. Chapman
Foley Mixer
Equinox (1992)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Michael Ruscio
Foley Engineer
Baraka (1992)
Directed by: Ron Fricke
Cinematography by: Ron Fricke
Cameras: Todd-AO 65mm Camera
Lenses: Schneider Lenses
Foley Mixer
Crooked Hearts (1991)
Directed by: Michael Bortman
Cinematography by: Tak Fujimoto
Edited by: Richard Francis-Bruce
Foley Recordist
Don't Tell Mom the Babysitter's Dead (1991)
Directed by: Stephen Herek
Cinematography by: Tim Suhrstedt
Edited by: Larry Bock
Assistant Foley Recordist
Cadillac Man (1990)
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Adr Mixer
The Fly II (1989)
Directed by: Chris Walas
Cinematography by: Robin Vidgeon
Edited by: Sean Barton
